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KUB 7.53+ (tlh:KUB 7.53+)
CTH 409
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| Designation | KUB 7.53+ |
|---|---|
| ID | tlh:KUB 7.53+ |
| Language | Hittite |
| Genre | CTH 409 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€1} Vs. I | ||
| 1 | UM-MA {f}tu₄-un-na-ú-i {MUNUS}ŠU.GI ma-a-an-kán an-〈〈aḫ〉〉-tu-uḫ-〈ša-aš〉 na-aš-šu | When Tunna'i, the old woman, ... |
| 2 | LÚ-LIM na-aš-ma MUNUS-za pa-ap-ra-an-ni ku-e-da-ni-ik-ki an-da ti-an-za | Then he goes to the woman, and he places it before her. |
| 3 | na-aš-ma-za-an-kán ta-ma-iš ku-iš-ki *pa-ap-ra-an-ni še-er ḫal-zi-an* ḫar-zi | And he places it on the hearth, and he lifts it up. |
| 4 | na-aš-ma-kán *MUNUS-ni DUMU{MEŠ}-ŠU* ak-ki-iš-kán-zi na-aš-ma-aš-ši-kán | And the woman and her sons drink, and they drink. |
| 5 | {UZU}šar-ḫu-u-wa-an-da-ma *ku-uš-ke-ez-zi* na-aš-šu LÚ-ni na-aš-ma MUNUS-ni | The flesh of the šarḫuwanda-plant, he drinks, and the man and the woman |
| 6 | pa-ap-ra-an-na-aš ud-da-na-an-za {UZU}ÚR{ḪI.A}-ša ar-ḫa šar-ra-an | On the other side, on the day of the extispicy, |
| 7 | nu-za-kán a-pa-a-aš an-tu-uḫ-ša-⸢aš⸣ pa-ap-ra-tar uš-ke-ez-zi ⸢nu-za⸣ a-pa-a-aš | And he goes up to Antuḫša, and he stands up. |
| 8 | an-tu-uḫ-ša-aš na-aš-šu LÚ-aš na-aš-ma MUNUS-za pa-ap-ra-na-aš SÍSKUR | And he, the man, and the woman, the sacrifice. |
| 9 | ki-iš-ša-an *ši-pa-an-ti* ŠAÍD-at-za SÍSKUR ḫal-zi-iš-ša-an-zi | He libates instead; they perform the ritual of the water-skin. |
| 10 | nu ki-i SÍSKUR 1-EN-pát | And like a sacrifice, once |
| 11 | ma-a-an LÚ-aš nu UDU.ŠIR GE₆ da-an-zi ma-a-an MUNUS-za-ma nu UDU.SÍG+MUNUS GE₆ | When the man and the ram take the night, when the woman and the black sheep |
| 12 | da-an-zi 1 ŠAḪ.TUR GE₆ 1 UR.TUR GE₆ *nu ma-a-an LÚ-aš ŠAḪ.TUR NÍTA* ma-a-an MUNUS-za-⸢ma⸣ | They take one black pig, one black dog. If a man takes a black goat, if a woman |
| 13 | na-at MUNUS-TIM 1-NU-TIM {⸢TÚG⸣}GÚ.È.A GE₆ 1 iš-ḫi-ia-al GE₆ | and one woman, one cloak, night of the 1st, before the night |
| 14 | 1 {TÚG}ka-ri-ul-li GE₆ 1-NU-TIM {TÚG}GADA.DAM GE₆ da-an-na-ri-iš | One kariulli-garment for the night, one linen cloth for the evening, |
| 15 | 1-NU-TIM {KUŠ}E.SIR GE₆ 〈〈MUNUS-TIM E.ÍB〉〉 *1-NU-TUM E.ÍB TA-ḪAP-ŠI GE₆ MUNUS-za-ma-kán* | One pair of black sandals, one pair of white sandals from the house of the ... of the night of the woman. |
| 16 | GEŠTU{ḪI.A}-ŠU IŠ-TUSÍG GE₆ e-ḫu-ra-da-a-ez-zi | The ears are seated in the evening. |
| 17 | ⸢ma⸣-a-an LÚ-⸢eš⸣-ma nu 1-NU-TIM {TÚG}GÚ.È.A GE₆ 1-NU-TIM {TÚG}GADA.DAM GE₆ | If a man, and one hundred garments of black wool, one hundred linen garments |
| 18 | [GEŠ]TU{ḪI.A}-ŠU-ia-za-kán IŠ-TUSÍG GE₆ e-ḫu-ra-da-ez-zi 9 {GIŠ}GA.ZUM | The ears of the black-headed ones are seated. Nine tables |
| 19 | [Š]A{GIŠ}TÚG TUR-TIM 1 {GIŠ}šar-ra-aš ŠA{GIŠ}TÚG TUR 2 TI-IA-DU GE₆ 9 NINDA.ÉRIN{MEŠ} | The small table, one small table. Two tī-ia-du-breads. Night of the 9 soldiers |
| 20 | [ ]x-ŠU 6 Ú-NU-UT GIR₄ TUR-TIM GE₆ 2 {DUG}pa-aḫ-ḫu-na-li GE₆ 4 {DUG}ÚTUL TUR GE₆ | ... 6 small bowls of wine. Night of the 2 panḫnalu-vessels, night of the 4 small bowl(s), night |
| 21 | [ ] GAL GE₆ 9 {DUG}NA-AK-TA-MU-U GE₆ 3 {DUG}KU-KU-UB GE₆ 2 NAM-MA-AN-DUM GE₆ 2 DUG A GE₆ | ... night of the 9th, a nakta-shumu-vessel. Night of the 3rd, the KUKUUB-vehicle. The 2nd, Nammān-AN-DUM. The evening of the 2 pots of water. |
| 22 | 1 UDU 1 SILA₄ 3 {NINDA}a-a-an ḫa-az-zi-la-aš 1 GA.KIN.AG 1 EM-ṢA 1 ḫu-u-up-pár KAŠ | 1 sheep, 1 lamb, 3 loaves of ḫašilaš-bread, 1 loaf of bread, 1 bowl, 1 cup of beer, |
| 23 | NINDA.Ì.E.DÉ.A me-ma-al 1 {DUG}ḫa-ni-iš-ša-aš GEŠTIN ši-pa-an-du-wa-an-zi | They libate beer and wine in one ḫanišša-vessel. |
| 24 | ⸢ma-aḫ⸣-ḫa-an-ma ki-i ḫu-u-ma-an ḫa-an-da-ez-⸢zi⸣ nu-za {MUNUS}ŠU.GI ne-ku-uz me-ḫur | And when he comes, he drinks, and the old woman drinks. |
| {€1+2} Vs. I 25/ | ||
| 1′ | [ ] ⸢NINDA.SIG⸣ 1 {DUG}KU-KU-UB GEŠTIN NINDA.Ì.E.DÉ.A me-ma-al da-a-i na-at wa-ap-pu-ú-i | ... he pours one fine bread, one vessel of wine, a sour loaf of bread, and he places it on the hearth. |
| {€1+2} Vs. I 26/ | ||
| 2′ | wa-ap-pu-u-wa-aš DINGIR.MAḪ-ni wa-tar-na-aḫ-ḫu-u-wa-an-zi pa-iz-zi | They go to the wappu-vessel of the god, to the watarnaḫḫuwa. |
| {€2} Vs. I | ||
| 3′ | na-aš ma-aḫ-ḫa-an wa-ap-pu-i a-ri nu 1 NINDA.SIG wa-ap-pu-wa-aš DINGIR.MAḪ pár-ši-ia | And he breaks one fine loaf of bread before the god. |
| 4′ | na-at-ša-an wa-ap-pu-i da-a-i NINDA.〈Ì〉.E.DÉ.A me-ma-al še-er iš-ḫu-u-wa-i | He places it on the hearth; he pours a libation of oil. He speaks as follows: |
| 5′ | nu GEŠTIN ši-pa-an-ti nu me-ma-i | He libates wine, and speaks: |
| 6′ | wa-ap-pu-wa-aš DINGIR.MAḪ-aš ka-a-ša EGIR-pa tu-uk ú-wa-nu-un nu-kán ka-a-aš IM-aš | The wappuwa-priest of the gods, afterwards, he says: “Then, the wind, and the wind |
| 7′ | ku-e-ez *wa*-ap-pu-wa-az da-an-za nu zi-ik wa-ap-pu-aš DINGIR.MAḪ tu-e-el | ... he places, and he takes the ... of the god ... |
| 8′ | ŠU-TI-KA da-a nu ku-u-un EN SISKUR a-pé-e-ez ša-pí-ia-i na-an ... 12 {UZU}ÚR | He places it in the hand, and he places it before the lord of the sacrifice. He libates ... 12 cuts of meat. |
| 9′ | pár-ku-nu-ut nam-ma wa-ap-pu-aš IM-an da-a-i nam-ma-aš ša-ku-ni-ia | He breaks it, and he places it in the water, and then he sets it. |
| 10′ | pa-⸢iz⸣-zi nu 1 NINDA.SIG pár-ši-ia na-at ša-ku-ni-ia-aš pu-ru-ut da-a-i | He goes, and he breaks one fine loaf of bread; he places it before him. He takes the responsibility. |
| 11′ | NIN[DA.Ì.E.DÉ].A me-ma-al šu-uḫ-ḫa-i GEŠTIN ši-pa-an-ti nu me-ma-i | He libates wine, and he speaks.(lower confidence: line is broken) |
| 12′ | ⸢zi-ik⸣-kán ma-aḫ-ḫa-an ša-ku-〈ni〉-iš GE₆-az KI-az pu-u-ru-ut EGIR *ša*-ra-a | And he places it before the šakkunni-vessel. Afterwards, |
| 13′ | ša-ku-ni-eš-ke-ši nu e-da-ni an-tu-uḫ-ši A-NA ... ENSISKUR IŠ-TU{UZU}⸢ÚR⸣{ḪI.A}-ŠU | he places, and he brings it up to ... for the sacrifice of the flesh. |
| 14′ | i-da-lu pa-ap-ra-tar ar-ḫa QA-TAM-MA mu-ta!-a-i nam-ma ša-ku-ni-ia-aš | ... he goes, he breaks ... together, and likewise ... |
| 15′ | IM-an da-a-i ku-e-et-ma-an-ma {MUNUS}ŠU.GI ke-e da-aš-ke-ez-zi EGIR-an-ma-aš-ša-an | He places it on the tablet. And he places the old woman there. Afterwards, |
| 16′ | ÍD-i pé-ra-an {GIŠ}ZA.LAM.GAR{ḪI.A} ŠAGI ka-ru-ú i-ia-an-ta i-ia-an-zi-ma | He pours the water before the cult statues, and they take the karû-vessel. |
| 17′ | ku-wa-pí nu ku-wa-pí ḫar-ša-u-wa-ar ma-ni-in-ku-wa-an NU.GÁL | The kuwapi-vessel and the ḫarša-wa-va-uwar are not present. |
| 18′ | [GIŠAPI]N Ú-*UL* a-ra-an-za nu {GIŠ}ZA.LAM.GAR a-pí-ia i-ia-an-za | He does not bow down, and he bows down. |
| 19′ | [ {MUNUS}ŠU.G]I wa-ap-pu-wa-aš IM-an ša-ku-ni-ia-aš-ša IM-an a-pí-ia pé-e-da-i | ... the šug-garment of the wappu-vessel, he pours a libation in the wind, and he takes it out. |
| 20′ | [ I]M 12 EME IM EGIR-an ḫa-lu-pa-an-te-eš 2 GU₄ IM 2 wa-wa-ar-ki-ma-aš IM | ... 12 tongues of clay. Afterwards, the ḫalupāntu-vessels, 2 oxen of clay, 2 wawarkima-measure(s) of clay |
| 21′ | [ t]e-pu SÍG mi-i-ti-iš te-pu nu šu-um-ma-an-za ⸢SÍG⸣ mi-i-ti-iš-ša | ... he pours a libation of fine wool. He pours, and he libates. Then the fine wool ... |
| 22′ | [ ta-ru-up-pa]-an-za TI₈{MUŠEN}-aš pát-tar ḫa-aš-ta-i te-pu al-li-in te-pu | ... he pours a taruppanza-offering to the eagle; he fills the ḫašta-vessel. |
| 23′ | [ te]-⸢pu⸣ iš-ša-⸢ra⸣-ši-la-aš NUMUN-an {GIŠ}PÈŠ ⸢te⸣-pu zi-na-ak-ki-iš | ... he pours a libation, and the seed of the peg, he libates. |
| 24′ | [ t]e-pu le-e-ši te-pu iš-ša-na-aš ŠAḪ.TUR ŠA{NINDA}wa-ak-ke-šar pár-ša-⸢aš⸣ | ... he pours a libation; he breaks a small loaf of wakkešar-bread. |
| 25′ | [ ] ⸢ḫar⸣-na-an-da-aš pár-ša-aš ŠANINDA.ÚKUŠ ⸢pár-ša-aš⸣ 1 še-⸢e⸣-na-aš DUḪ.LÀL | ... he breaks the ḫarnanda-bread, the loaf of bread, and one šēna-beer of fine flour. |
| 26′ | [ š]e-e-na-aš {UZU}Ì.UDU na-at {UZU}Ì-ia-az an-da iš-ḫi-⸢ia⸣-an-te-eš | ... he places the sheep's flesh, and he libates the meat ... |
| 27′ | ⸢nu⸣-uš-ša-an ki-i ḫu-u-ma-an {GI}pád-da-ni-i kat-ta ḫa-an-da-⸢ez⸣-zi | And he places it on the top of the throne.(lower confidence: line is broken) |
| 28′ | 1 {GU₄}ÁB u-ša-an-ta-ri-iš ma-a-an LÚ-aš-ma nu GU₄.MAḪ ḫa-an-da-ez-[z]i | One ox ... when the man and the bull ... |
| 29′ | ma-aḫ-ḫa-an-ma lu-uk-kat-ta nu EN SÍSKUR {GIŠ}ZA.LAM.GAR ú-ez-zi [ | Afterwards, the lord of the sacrifice comes to the cult statue ... |
| 30′ | na-aš ma-aḫ-ḫa-an a-ri ⸢nu⸣-za GE₆-TIM wa-aš-še-ez-zi nam-ma {MUNUS}ŠU.[GI | And he takes the black-headed one, and the old woman ... |
| 31′ | SÍG SA₅ da-a-i na-at pár-ta-a-ez-⸢zi⸣ | He places the red wool, and he breaks it. |
| 32′ | tu-e-ek-ka₄-⸢aš⸣ ša-ra-a pé-eš-še-ez-zi nam-ma 1 UDU GE₆ da-a-i na-an-ši-ša-an | He places it on the throne, and then he places one black sheep. |
| 33′ | še-er e-ep-zi nu {MUNUS}ŠU.GI še-er ap-pa-an-na-aš ... ḫu-uk-ma-in ḫu-uk-zi | He takes it, and the old woman, he takes it. |
| 34′ | a-ri-ia-⸢ad⸣-da-li-iš ... {D}10-an-za ⸢šar⸣-ri ⸢tap⸣-pa-ši-i ḫu-u-e-ḫu-u-i-ia | Ariya-adalliš ... the Storm-god, the šarru-priestess, he libates. |
| 35′ | tap-pa-aš-ša *x* *šar*-ri ti-ia-〈am〉-mi ḫu-i-ḫu-i-ia | The companions ... the king ... |
| 36′ | EGIR-an-da-ma-aš-ši-iš-ša-an ŠAḪ.TUR še-er e-ep-zi nu ŠAŠAḪ.TUR | Afterwards, he takes a small fish, and the small fish |
| 37′ | ḫu-uk-ma-in ḫu-uk-zi EGIR-an-da-ma-aš-ši-⸢ša⸣-an UR.TUR še-er | ... he pours a libation. Afterwards, the dog ... |
| 38′ | e-ep-zi nu ŠAUR.TUR ḫu-uk-ma-in ⸢ḫu-uk⸣-zi | he takes, and the small animal ...(lower confidence: line is broken) |
| 39′ | EGIR-an-da-ma-aš-ši-iš-ša-an EME IM še-er e-ep-⸢zi⸣ nu ŠAEME | Afterwards, he takes the tongue of the clay, and the hands |
| 40′ | ḫu-uk-ma-in ḫu-uk-zi EGIR-an-da-ma-aš-ši-ša-an | he pours a libation. Afterwards, |
| {€1} Vs. II | ||
| 1 | 2 še-e-nu-uš še-er e-ep-zi EGIR-an-ma-aš-ši-ša-⸢an⸣ | He takes two šēnu-vessels. Afterwards |
| 2 | wa-wa-ar-ki-ma-an še-er e-ep-zi EGIR-an-da-ma-aš-ši-ša-an | he takes it up. Afterwards, |
| 3 | GU₄{ḪI.A} IM še-er e-ep-zi EGIR-ŠU-ma iš-ša-na-an | He takes the oxen in the wind. Afterwards, he places it on the table. |
| 4 | EGIR-ŠU-ma šu-um-ma-an-za-na-an EGIR-ŠU-ma pát-tar | Afterwards, Šummanzana, afterwards, Patar |
| 5 | da-a-i na-at-kán še-er ar-ḫa wa-aḫ-nu-zi | he places it, and they take it up. |
| 6 | ḫu-uk-ma-uš!-ma ḫu-uk-ki-iš-ke-ez-zi na-at tup-pí-za | And he places it on the tablet. |
| 7 | ka-ru-ú i-ia-an | He takes the karû-vessel. |
| 8 | EGIR-ŠU-ma-aš-ši-kán 2 TI-IA-DU še-er e-ep-zi nu ki-iš-ša-an | Afterwards, he takes two ti-ia-du-vessels, and thus ... |
| 9 | me-ma-i ku-i-e-eš-ša-an ALAM-ŠU ḫa-aš-ta-i mi-i-e-li ke-e-ez | He speaks, and he places his statue on the hearth. |
| 10 | pa-ap-ra-an-na-az ti-ia-né-eš-ker e-la-ni-eš-ker ki-nu-na | He places it on the ground, he places it above the ground. |
| 11 | pa-ap-ra-an-na-aš al-wa-zé-na-aš ALAM-ŠU ḫa-aš-ta-i mi-i-lu-ú-li | Then the alwaza-priestess places his statue on the hearth. |
| 12 | ka-a-ša EGIR-pa ti-ia-né-eš-šu-*i* e-la-ni-eš-ke-mi | Afterwards, the tiyane-šû-offering, above ... |
| 13 | nu-uš-ša-an TI-IA-DU pád-da-ni da-a-i | And he places it before Tiadu. |
| 14 | EGIR-ŠU-ma-aš-ši-ša-an ŠADUḪ.LÀL ŠA{UZU}Ì.UDU še-e-nu-uš še-er | Afterwards, he pours a libation of beer and a sheep's liver. |
| 15 | e-ep-zi nu me-ma-i ku-u-un an-tu-uḫ-ša-an ku-i-e-eš | he takes, and he speaks: “It is a tuḫšān-demon, it is ... |
| 16 | pa-ap-ra-aḫ-ḫi-iš-ker ki-nu-na ka-a-ša al-wa-zé-nu-uš 2 še-e-nu-uš | And he places it on the ground, and he libates two libations. |
| 17 | ḫar-mi nu ka-a-⸢ša⸣ ku-u-un ti-ia-né-eš-ke-mi e-la-ni-eš-ke-mi | ... and he himself ...(very low confidence: a guess) |
| 18 | nam-ma-aš ar-ḫa šal-la-nu-uz-zi nu me-ma-i i-da-la-u-e-ša-an | And he goes out, and he speaks: |
| 19 | ku-i-e-eš an-tu-uḫ-ši-iš pa-ap-ra-aḫ-⸢ḫe⸣〈〈iš〉〉-er | And he places it before Antuhši.(lower confidence: line is broken) |
| 20 | na-at ar-ḫa QA-TAM-MA šal-la-⸢an⸣-ta-ru | likewise, the šallantaru-vessel(lower confidence: line is broken) |
| 21 | ma-aḫ-ḫa-an-ma zi-in-na-i na-⸢aš⸣ a-ra-⸢i⸣ nu-za-kán ŠU{[Ḫ]I.A} GEŠTIN-it | And he pours a libation, and he libates wine. |
| 22 | a-ar-ri kat-ta-an-ma-aš-ši {NA₄}⸢pa⸣-aš-ši-lu-⸢uš a-a⸣-an-du-uš | Then he places the šuluš-stone.(lower confidence: line is broken) |
| 23 | {DUG}pa-aḫ-ḫu-na-li-az ḫar-kán-zi nu ḫu-uk-ki-iš-ke-ez-zi | They libate in the paḫnali-vessel, and they drink in the cup. |
| 24 | [n]a-at ka-ru-ú a-ni-ia-an-ta | ... the karû-vessel ...(lower confidence: line is broken) |
| 25 | EGIR-ŠU-ma-za-kán ú-e-te-ni-it a-ar-ri kat-ta-an-ma-aš-ši | Afterwards, he libates, and he prostrates himself. |
| {€1+2} Vs. II 26/ | ||
| 1′ | ḫu-u-wa-al-li-iš {DUG}pa-aḫ-ḫu-na-li-az ḫar-kán-zi | They libate in a libation vessel. |
| {€1+2} Vs. II 27/ | ||
| 2′ | nu ḫu-uk-ki-iš-ke-ez-zi na-at ka-ru-ú a-ni-ia-an | And the hukkiškēzi-vessel, and the karû-flour, |
| {€1+2} Vs. II 28/ | ||
| 3′ | EGIR-an-da-ma-aš-ši-kán SÍG ZA.GÌN SÍG SA₅ NÍ.TE-az ar-⸢ḫa⸣ | Afterwards, the wool, lapis lazuli, the red wool, he places beside it. |
| {€1+2} Vs. II 29/ | ||
| 4′ | da-aš-ke-ez-zi nu ki-iš-ša-an me-mi-*iš*-ke-ez-⸢zi⸣ | And he speaks thus:(lower confidence: line is broken) |
| {€1+2} Vs. II 30/ | ||
| 5′ | ku-i-e-ša-an da-an-ku-ni-eš-ker ḫa-aḫ-la-⸢ni-eš⸣-ker | And he places it, and he sets it.(lower confidence: line is broken) |
| {€2} Vs. II | ||
| 6′ | pa-ap-ra-aḫ-er na-aš-šu-wa-an PA-NIDINGIR{MEŠ} ku-iš-ki | And he places it before the gods. |
| 7′ | pa-ap-ra-aḫ-ta na-aš-ma-an ag-ga-an-da-aš ku-iš-ki pé-ra-an | On the other side, on the right side, before |
| 8′ | pa-ap-ra-aḫ-ta na-aš-ma-an PA-NIDUMU.LÚ.U₁₉.LU ku-iš-ki pa-ap-ra-aḫ-ta | And he places it before the man. |
| 9′ | na-an ka-a-ša pa-ap-ra-an-na-aš SÍSKUR a-ni-iš-ke-mi! | And to you, the sacrificial sheep ... |
| 10′ | na-at-ši-kán ar-ḫa da-aš-ke-mi ⸢IŠ⸣-TU12 {UZU}ÚR-ŠU | And he places it on the hearth, in the womb, the liver. |
| 11′ | i-da-lu pa-ap-ra-tar al-wa-an-za-⸢tar⸣ a-aš-ta-ia-ra-tar | he goes out, he libates, and he pours water. |
| 12′ | ŠADINGIR-LIM kar-pí-in da-aš-⸢ke⸣-mi ag-ga-an-*ta-aš-ši-kán* | The god of the cult daises, the aganta-priestess, |
| 13′ | ḫa-tu-ga-tar da-aš-ke-mi ⸢ŠA⸣DUMU.LÚ.U₁₉.LU-ma-aš-ši-kán | he places the ḫatugatar-vessel, and the man |
| 14′ | pa-an-ga-u-wa-aš i-da-lu-⸢un⸣ EME-an da-aš-ke-mi | He libates, and he drinks with the tongue.(lower confidence: line is broken) |
| 15′ | nam-ma-aš-ša-an SÍG ZA.[GÌ]N SÍG SA₅ pád-da-ni kat-ta da-a-i | Afterwards, he places a red wool-garment on the lapis-lazuli garment, and places it on the ground. |
| 16′ | nam-ma {TÚG}GÚ.È.A GE₆-TIM ku-e wa-aš-ša-an ḫar-zi | And he takes the black throne. |
| 17′ | na-at-ši-ša-an {MUNUS}ŠU.GI še-er kat-ta iš-kal-la-i-ez-zi | And he holds the old woman down below. |
| 18′ | {TÚG}GADA.DAM GE₆-ia-š[i]-ša-an GÌR-az pa-ra-a da-a-i | He places the linen cloth on the black garment. |
| 19′ | IŠ-TUGEŠTU{ḪI.A}-šu-⸢uš⸣-ši-ša-an *{SÍG*}e-ḫu-ra-ti-uš GE₆-TIM | The ears of the black-headed people |
| 20′ | ar-ḫa da-a-i nu ki-iš-ša-an me-ma-i | He places it, and he speaks thus: |
| 21′ | ka-a-ša-wa-aš-ši-[ká]n da-aš-ke-mi pa-ap-ra-an-na-aš | And he places it before the door.(lower confidence: line is broken) |
| 22′ | ud-da-na-az da-an-ku-i ḫa-aḫ-la-u-wa-an-da pa-ap-ra-an-na-aš-ša-aš | And he drinks in the ḫaḫuwanda-vessel. |
| 23′ | *ud-da-ni-i ku-e-da-ni pé-ra-an da-an-ku-iš-ke-et* ḫa-aḫ-ḫa-le-eš-ke-et | When he goes, he drinks before the ḫaḫalê-vessel. |
| 24′ | ⸢a-aš-ta-ia⸣-ra-tar da-aš-ke-mi nam-ma da-an-ku-wa ku-e | And he places it, and then he drinks.(lower confidence: line is broken) |
| 25′ | [wa-aš-ša-a]n ḫar-zi na-at-ši-kán ar-ḫa da-a-i | He takes it, and he places it behind.(lower confidence: line is broken) |
| 26′ | [na-at-ká]n *kat-ta x e-da-ni x pé-di x da*-a-i | ... he places ...(low confidence: few signs survive) |
| 27′ | [EGIR-an-d]a-ma-aš-ši-kán {⸢DUG}ÚTUL⸣ da-an-na-ra-an še-er ar-ḫa | Afterwards, in the large bowl, he pours a libation. |
| 28′ | w[a-aḫ-n]u-zi na-an ar-ḫa du-wa-ar-né-ez-zi | ... they take, and they libate afterwards.(lower confidence: line is broken) |
| 29′ | nu ḫ[u-u]k-zi nam-ma-aš-ši GÌR{MEŠ} kat-ta-an | And he drinks, and he places the feet on the ground. |
| 30′ | {DUG}ḫ[u]-⸢u⸣-pu-wa-i-ia iš-ga-a-ri nu me-ma-i | He pours the ḫupuwa-vessel, and speaks: |
| 31′ | k[a-a]-ša pa-ap-ra-an-na-aš a-ni-u-ur an-ni-eš-ke-⸢mi⸣ | And he places it on the hearth, this ...(lower confidence: line is broken) |
| 32′ | nu p[a-a]p-ra-an-na-aš GE₆-in KIN-an ḫar-mi na-at ar-⸢ḫa⸣ | And he places it on the night-time. Then he takes it out. |
| 33′ | tar-⸢na⸣ i-da-lu pa-ap-ra-tar al-wa-za-a-tar a-aš-ta-ia-ra-tar | The tarna-priestess goes, the aparrātar-disease afflicts, the aštaya-ra-trine |
| 34′ | DINGIR{MEŠ}-a[š] kar-pí-in ag-ga-an-ta-aš ḫa-tu-ga-tar | ... the gods, the karpi-vessel, and the ḫatugatar vessel ... |
| 35′ | DUMU-⸢la⸣-an-na-aš ḫu-i-pa-ia-ta-an na-at ar-ḫa tar-na | The son of Ḫuipatana, the ...(lower confidence: line is broken) |
| 36′ | na-aš-[t]a EN SISKUR wa-ar-pu-u-wa-an-zi pa-iz-zi | The lord of the sacrifice goes.(lower confidence: line is broken) |
| 37′ | na-aš-ta {MUNUS}ŠU.GI 9 {GIŠ}GA.ZUM ŠA{GIŠ}TÚG [a]n-da *up-pa-a-i* | And the old woman takes nine trays of linen. |
| 38′ | 1 še-⸢e⸣-na!-an IM-aš an-da up-pa-a-i nu-za še-e-na-an IM-[aš] | He takes one šēna-measure of clay, and he places it on the ground. |
| 39′ | wa-ar-pu-u-wa-an-zi kat-ta-an GÌR{MEŠ}-aš da-a-i | They place it below the feet. |
| 40′ | nu-za še-er wa-ar-ap-zi {GIŠ}GA.ZUM{ḪI.A}-ma {MUNUS}SUḪUR.LÁ | And he takes the table, and the suckling woman. |
| 41′ | na-⸢an⸣ {MUNUS}SUḪUR.LÁ ku-e-ez-zi-ia IŠ-TU{GIŠ}GA.ZUM | And he drinks from the throne.(lower confidence: line is broken) |
| 42′ | 𒀹 kat-ta 1-ŠU ki-ša-a-ez-zi | he places it once on the ground. |
| {€2} Rs. III | ||
| 1 | na-aš-ta {MUNUS}ŠU.GI an-da ki-iš-ša-⸢an⸣ me-ma-i | And the old woman speaks thus: |
| 2 | ⸢ka⸣-a-ša-kán NÍ.TE ḫu-u-ma-an-da ša-aḫ-ḫi-iš-ke-mi | And he places it on the table, and he libates.(lower confidence: line is broken) |
| 3 | nu-uš-ši-kán kat-ta ki-ša-a-an e-eš-⸢du⸣ i-da-lu | And he goes down below.(lower confidence: line is broken) |
| 4 | pa-ap-ra-tar al-wa-za-tar a-aš-ta-ia-ra-tar DINGIR{MEŠ}-aš | He libates, he drinks, and the gods ... |
| 5 | kar-pí-iš 𒀹 ag-ga-an-ta-*aš* ḫa-tu-ga-tar | The karpiš-vessel of the aganta-beer is poured out. |
| 6 | ka-a-ša {GIŠ}šar-ra-an ḫar-mi nu-za ku-iš 12 {UZU}[ÚR] | And he takes the šarran-vessel, and instead of 12 cuts of meat |
| 7 | i-da-la-u-wa-az pa-ap-ra-an-na-az ar-ḫa šar-ri-[iš]-⸢ke-et⸣ | ... he pours a libation, he breaks it down ... |
| 8 | ki-nu-na-at-ta IŠ-TU12 {UZU}ÚR i-da-lu | In the evening, he libates a lament. |
| 9 | ⸢pa⸣-ap-ra-tar al-wa-za-tar a-aš-ta-ia-ra-tar DINGIR{MEŠ}-aš kar-pí-in | he breaks, he libates, and the gods libate. |
| 10 | ⸢ag⸣-ga-an-da-aš ḫa-tu-ga-tar a-wa-an ar-ḫa šar-ri-iš-⸢ke⸣-mi | On the throne he speaks: “The king, my lord, |
| 11 | [na-a]t-ši a-wa-an ar-ḫa šar-ra-an e-eš-du | And he speaks a word to the king:(lower confidence: line is broken) |
| 12 | [nu]-kán {GIŠ}GA.ZUM{ḪI.A} {GIŠ}šar-⸢ra⸣-an pát-tar {TÚG}GÚ.È.[A | And he breaks the throne and the šarru-vessel. |
| 13 | {[TÚG}GADA.DA]M GE₆ ku-it-ši-iš-ša-an ku-it an-da e-eš-[ta] | ... the black linen garment ...(lower confidence: line is broken) |
| 14 | [na-a]t EGIR-an ÍD-i tar-na-i ku-up-tar-ra-kán | Afterwards, he pours a libation of water from a well. |
| 15 | [kat-t]a ú-da-an-zi še-e-na-an-na na-an ÍD-i | ... they bring down, and he pours water ... |
| 16 | [iš-ḫu-un]-na-an-zi | they libate.(low confidence: few signs survive) |
| 17 | [ UR.T]UR ŠAḪ.TUR dam-mi-li pé-e-di pé-e-da-[a]n-zi | They bring a lion and a small goat to the dammili-vessel. |
| 18 | [ IZI-i]t! wa-ar-nu-wa-an-zi ku-it-ma-an-ma-az | They fire the fire, and they set it up. |
| 19 | [ ]x-iš-ke-ez-zi {MUNUS}ŠU.GI-ma {GIŠ}ZA.LAM.GAR-aš | ... the old woman of the cult statue ... |
| 20 | [ ša-r]a-az-zi-ia-az {GIŠ}ḫa-at-tal-ke-⸢eš⸣-na-aš | ... in the ḫattalkēš-vessel ...(lower confidence: line is broken) |
| 21 | [ i-ia-z]i na-at še-er an-da IŠ-TUSÍG BABBAR | ... he stands, and he places it on the white chair. |
| 22 | [iš-ḫa-a]-i | he places ...(low confidence: few signs survive) |
| 23 | [ ḫa-an-te-ez-z]i-ia-az 3 NINDA.GUR₄.RA me-ma-al-la-aš | ... he pours three loaves of bread, a libation ... |
| 24 | [ iš-ḫu]-u-wa-i ke-e-ez-zi-ia | ... he pours a libation ...(lower confidence: line is broken) |
| 25 | [ ] {GIŠ}a-la-an-za-na-aš KÁ.GAL-aš i-ia-zi | ... he goes to the alanzana-vessel of the gate. |
| 26 | [ IŠ-T]USÍG GE₆ iš-ḫa-a-i | he places it on the black chair.(lower confidence: line is broken) |
| 27 | [ me-ma-al-l]a?-aš-ša QA-TAM-MA da-a-i | ... he places it opposite ...(lower confidence: line is broken) |
| 28 | [ ] ḫa-an-da-an-zi | ... they take.(low confidence: few signs survive) |
| 29 | [ ]-⸢a?⸣-wa-a-ša-an pé-e-di ú-wa-an-zi | ... they bring ...(low confidence: few signs survive) |
| 30 | [ tar-kum-m]i-i-e-eš-ke-ez-zi | ... he places ...(low confidence: few signs survive) |
| 31 | [ ]x pár-ku-i {GIŠ}ZA.LAM.GAR | ... he breaks the cult statue ...(lower confidence: line is broken) |
| 32 | [ na-aš-m]a MUNUS-za | ... and the woman(lower confidence: line is broken) |
| 33 | [ {GI]Š}ḫa-tal-kiš-na-aš KÁ.GAL | The ḫalkišna-vessel of the gate(lower confidence: line is broken) |
| 34 | [ ] ⸢me⸣-ma-i | ... each ...(low confidence: few signs survive) |
| 35 | [ ] ⸢BABBAR?⸣ | ... white(low confidence: few signs survive) |
| 36 | [ iš-ḫar-wa-an-d]a wa-aš-ša-a-ši | ... he pours ...(low confidence: few signs survive) |
| {€1} Rs. III | ||
| 1′ | ⸢UDU?⸣-uš-ták-kán kat-ta-an ar-ḫa pa-iz-zi | He goes behind the sheep.(lower confidence: line is broken) |
| 2′ | nu-uš-〈ši〉-kán {SÍG}pu-u-ut-tar ḫu-it-〈ti〉-ia-ši GU₄-u[š-ták-kán] | And he places it on the horn of the ox.(lower confidence: line is broken) |
| 3′ | kat-ta-an ar-ḫa pa-iz-zi *nu* | he goes behind. |
| 4′ | nu-uš-ši-kán šu-uk-šu-ka₄-an ḫu-it-ti-ia-š[i] | And he places it on the hearth.(lower confidence: line is broken) |
| 5′ | ke-e-da-ni-ia-kán A-NAEN SISKUR i-da-lu | When he goes to the offering place, |
| 6′ | pa-ap-ra-tar al-wa-za-tar a-aš-ta-ia-ra-tar | (Sum) He screams, he cries out (Akk) He shouts, and he shouts |
| 7′ | DINGIR{MEŠ}-aš kar-pí-in NI-IŠ DINGIR-LIM pa-an-ga-u-wa-aš EME-an | The gods libate, ... the god, the tongue ... |
| 8′ | ma-ni-in-ku-u-wa-an-da-an MU-an ar-ḫa QA-TAM-MA ḫu-it-ti-ia | Maninkuwandan is the name of the king. Together with my debts |
| 9′ | nam-ma-za-kán NINDA.SIG ⸢EGIR⸣-pa ši-i-e-ez-zi nu {MUNUS}ŠU.GI | And he takes a fine loaf of bread afterwards, and the old woman |
| 10′ | me-ma-i i-da-lu-uš-ši pa-ap-ra-〈tar〉 EGIR-an ar-ḫa | He speaks, and he goes back. Afterwards, |
| 11′ | ḫal-ki-iš na-a-ú | The ḫalki-instrument, the na-ú-instrument |
| 12′ | pa-ra-a-ma-aš-kán {GIŠ}a-la-an-za-aš KÁ.GAL kat-ta-an ar-ḫa | Afterwards, on the throne, at the gate, behind ... |
| 13′ | pa-iz-zi nu me-ma-i ka-a-aš {GIŠ}a-la-an-za ma-aḫ-ḫa-an | He goes, and he speaks: “Therein, on the throne, |
| 14′ | LI-IM SIG₇ {LÚ}SIPA.UDU {LÚ}SIPA.GU₄ pár-ku-nu-uš-ke-ez-zi | The herdsman of sheep and oxen libates red wine. |
| 15′ | ke-e-da-ni-ia-kán A-NAEN SISKUR IŠ-TU12 {UZU}ÚR | And to the lord of the sacrifice, in the evening, the flesh |
| 16′ | i-da-lu pa-ap-ra-tar al-wa-a-za-tar a-aš-ta-ia-ra-tar | (Sum) He screams, he shouts (Akk) He shouts, I shout, I cry out |
| 17′ | NI-〈IŠ〉 DINGIR-LIM i-da-la-mu-uš za-aš-ḫi-mu-uš DINGIR{MEŠ}-aš | ... of the god, he libates, and the gods ... |
| 18′ | kar-pí-in ag-ga-an-ta-aš ḫa-tu-ga-tar a-wa-an | The karpīn aganta-vessel, the ḫatugatar awan |
| 19′ | ar-ḫa QA-TAM-MA pár-ku-nu-ut nam-ma-za-kán NINDA.SIG | Afterwards, he breaks it, and he places the fine bread. |
| 20′ | EGIR-pa ši-i-ia-iz-zi {MUNUS}ŠU.GI | Afterwards, he drinks; the old woman |
| 21′ | QA-TAM-MA-pát me-ma-i | He speaks as follows: |
| 22′ | na-aš wa-ap-pu-i pa-iz-zi nu wa-ap-pu-ú-i 1 NINDA.SIG | He goes, and he goes. One fine bread |
| 23′ | pár-ši-ia na-an-ša-an wa-ap-pu-i kat-ta da-a-i | He breaks it, and he places it on the ground. |
| 24′ | NINDA.Ì.E.DÉ.A me-ma-al iš-ḫu-u-wa-i | He pours a libation of bread. |
| {€2} Rs. IV | ||
| 1 | GEŠTIN 1-ŠU ši-pa-an-ti ⸢nu⸣ me-ma-i wa-ap-pu-wa-aš DINGIR.⸢MAḪ⸣-aš | He libates once wine; and he speaks: 'The wappuwa-drink of the god'. |
| 2 | ka-a-ša-za 12 {UZU}⸢ÚR⸣ pa-ap-ra-an-na-an-za tu-e-⸢el⸣ | Thereafter, twelve cuts of meat are placed before you. |
| 3 | ŠU-it ša-pí-i-ia-an pár-ku-nu-wa-an-za nam-ma ša-ku-ni-ia | And he breaks the hand of the šapiya-vessel, and then he ... |
| 4 | pa-iz-zi nu 1 NINDA.SIG pár-ši-ia NINDA.Ì.E.DÉ.A me-ma-al iš-ḫu-u-wa-i | He goes, and he breaks one fine loaf of bread; he speaks as follows: |
| 5 | *GEŠTIN* 1-ŠU ši-pa-an-ti nu me-ma-i {D}UTU BE-LÍ-IA ⸢ka⸣-a-ša-az | He libates once wine, and he speaks to Šamaš, my lord: |
| 6 | 12 {UZU}ÚR ša-ku-ni-ia-aš IM-it ša-pí-a-an-⸢za⸣ pár-ku-nu-wa-an-za | 12 cuts of meat, šakuniya-vessels, ... they break. |
| 7 | nam-ma-za-kán GU₄ u-⸢ša-an⸣-ta-ri-in SI ⸢e-ep⸣-zi nu me-ma-i | And he takes the ox, and he speaks:(lower confidence: line is broken) |
| 8 | {D}UTU BE-LÍ-IA ka-a-aš ma-aḫ-⸢ḫa⸣-an GU₄-uš ⸢u⸣-ša-an-⸢ta⸣-ri-iš | Šamaš, my lord, when the ox ... |
| 9 | na-aš-kán u-ša-an-ta-ri ḫa-[l]i-ia ... an-da nu-za-kán ḫa-a-li-it | And he libates to the ḫaliya-priestess, ... and he is seated in ... |
| 10 | GU₄.NÍTA-it {GU₄}ÁB-it šu-[u]n-ni-eš-ke-ez-zi ⸢ka⸣-a-ša | The ox and the calf ...(lower confidence: line is broken) |
| 11 | EN SISKUR QA-TAM-MA u-⸢ša⸣-an-da-ri-iš e-eš-ta nu-za-kán É-er | The lord of the sacrifice, equally, he libates, and he places it before the house. |
| 12 | IŠ-TUDUMU.NITA{MEŠ} DUMU.MUNUS{MEŠ} ḫa-aš-še-et ḫa-an-za-aš-ši-it ⸢ḫar-tu-u-wa-at-ti?⸣ | The sons, the daughters, the ḫaššēt-drink, the bartuwattu-beer, |
| 13 | ḫar-tu-u-wa-ḫar-⸢tu⸣-wa-ti QA-TAM-MA šu-un-ni-ed-du nam-[ma | ... likewise ... and ...(lower confidence: line is broken) |
| 14 | EGIR-pa ḫa-a-li-ia pé-en-ni-an-zi | Afterwards they take the ḫaliya-vessels. |
| 15 | [ ] GIŠ-ru IN-BU wa-ša-a-an ku-wa-pí ar-ta [ | ... he takes the wood, and he places it on the table ... |
| 16 | [ a-p]í-ia pa-iz-zi na-at-za-kán pa-iz-zi e-e[p-zi | ... he goes to the window, and he steps forward ... |
| 17 | [ {D}U]TU BE-EL-IA ki-i GIŠ-ru ma-aḫ-ḫa-an wa-š[a-a-an | ... the Sun-deity, my lord, like a tree ... |
| 18 | [ ma-aḫ-ḫa-a]n ša-ra-a {GIŠ}tar-ša pé-en-ni-ia-an ḫa[r-zi | ... he places it on the table before me. |
| 19 | [ ] ⸢nu-wa TI-tar ḫa-at-tu⸣-la-tar in-n[a-ra-wa-tar | ... he takes, he libates ḫattu-beer ... |
| {€2+3} Rs. IV 20/ | ||
| 1′ | [ ] ḫa-aš-še-iš? [ | ... the hearth ...(low confidence: few signs survive) |
| {€2+3} Rs. IV 21/ | ||
| 2′ | [ ]x-a[n ]x-iš a-š[a- | ... aš...(low confidence: few signs survive) |
| {€2+3} Rs. IV 22/ | ||
| 3′ | [EN SISKU]R ⸢QA⸣!-TAM-MA wa-a[š-š]a-an-za e-eš-d[u | The lord of the offering, likewise, he libates. |
| {€2+3} Rs. IV 23/ | ||
| 4′ | [ḫ]a-aš-še-et [ḫ]a-an-za-aš-še-e[t | ... he pours ...(low confidence: few signs survive) |
| {€2+3} Rs. IV 24/ | ||
| 5′ | nam-ma-aš-kán {D}UTU me-na-aḫ-ḫa-an-da ti-[ | And the Sun-deity ...(lower confidence: line is broken) |
| {€2+3} Rs. IV 25/ | ||
| 6′ | A-NA{D}UTU ši-pa-an-ti me-ma-i {D}U[TU | He libates to the Sun-deity; he speaks: “Šamaš |
| {€2+3} Rs. IV 26/ | ||
| 7′ | az-zi-ik-ke ka-a-ša-a[z] ⸢12⸣ {UZU}[ÚR | he stands, and twelve cuts of meat |
| {€2+3} Rs. IV 27/ | ||
| 8′ | {D}UTU-aš ud-da-na-an-za ša-a-pí-ia-[a]n-za [ | ... the Sun-deity ... and the ša-piya-priest ... |
| {€2} Rs. IV | ||
| 28 | zi-ik {D}UTU-uš tar-na-an ḫ[ar-ak | he places it before Šamaš; he takes it away. |
| 29 | nam-ma 3 {NINDA}a-a-an 1 GA.KIN.AG [ | Then three ayan-breads, one loaf ... |
| 30 | {UZU}NÍG.GIG {UZU}ŠÀ zé-e-[an-ta | The liver and the heart are sweet.(lower confidence: line is broken) |
| 31 | ... na-aš-ma GE[ŠTIN | ... and wine(low confidence: few signs survive) |
| 32 | A-NA{D}ZA.LAM.GAR pa-iz-z[i | He goes to Zalamma[r].(lower confidence: line is broken) |
| 33 | wa-ap-pu-wa-aš-ša DINGIR.MAḪ [ | ... the god ...(lower confidence: line is broken) |
| 34 | ki-iš-ša-an me-ma-i x[ | He speaks thus: ...(lower confidence: line is broken) |
| 35 | az-zi-ik-ke kat-ti-[ti-ia | I stand at my side.(lower confidence: line is broken) |
| 36 | az-zi-ke-du ku-e-ez-z[i | I stand, I stand.(lower confidence: line is broken) |
| 37 | ka-a-aš EN SÍSKUR na-[ | And the lord of the sacrifice ...(lower confidence: line is broken) |
| {€1+2} Rs. IV 1′/ | ||
| 38 | [ ] ⸢12⸣ {⸢UZU⸣}ÚR pár-ku-nu-e-e[r | ... he breaks twelve cuts of meat. |
| {€1+2} Rs. IV 2′/ | ||
| 39 | DUMU-la-tar nu-uš-ša-⸢an⸣ {UZU}NÍG.G[IG | The son of Latar ...(lower confidence: line is broken) |
| {€1+2} Rs. IV 3′/ | ||
| 40 | na-aš-ma GEŠTIN 3-ŠU ⸢ši-pa⸣-[an-ti | And he libates three times wine. |
| {€1} Rs. IV | ||
| 4′ | nu ÍD-an 3-ŠU e-ku-zi EGIR-⸢an-da⸣ w[a-ap-pu-wa-aš | And he drinks three times before the wappuwa-offering. |
| 5′ | 3-ŠU e-ku-zi nam-ma-kán ša-ra-a URU-ia ⸢pé-en-na-i⸣ | He drinks three times, and then he goes to the city. |
| 6′ | DUB 1{KAM} ŠASÍSKUR pa-ap-ra-an-na-aš ŠAÍD-ia | Tablet 1 of the sour beer offering: a libation of water. |
| 7′ | SÍSKUR ki-i-pát ŠA{f}tu₄-un-na-ú-ia {MUNUS}ŠU.GI QA-TI | He performs the sacrificial sheep. The Tunnaean woman takes the hand. |
| 8′ | {m}pí-ik-ku IŠ-ṬUR | Pikku of the courtyard |
| {€1} Rs. IV | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.