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KUB 24.10 (tlh:KUB 24.10)
CTH 402
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| Designation | KUB 24.10 |
|---|---|
| ID | tlh:KUB 24.10 |
| Language | Hittite |
| Genre | CTH 402 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| Vs. II | ||
| 1′ | [… d]u-⸢wa-ar-na-a-i⸣ […] | ... he takes ...(low confidence: few signs survive) |
| 2′ | [… ḫal]-ki-in te-pu {NINDA}pár-šu-[uš] | Then he pours a libation, a loaf of bread. |
| 3′ | [… d]a-a-i na-at GIŠ.NÁ-aš kat-[ta-an da-a-i] | He takes it, and he places it on the bed.(lower confidence: line is broken) |
| 4′ | [GIŠ.NÁ-ša-aš-š]a-an {SÍG}e-ša-ra-an […] | The table, the hem ...(lower confidence: line is broken) |
| 5′ | [ 𒑱pa-du-um-ma-a]z-zi-ia ḫa-ma-an-k[i] | ... he places ...(low confidence: few signs survive) |
| 6′ | […] ma-a-an lu-uk-kat-ta pát-tar GIŠ.[NÁ-az] | When he comes, he breaks the bed. |
| 7′ | [… a]r-ḫa da-a-i na-at-kán UN-ši še-er […] | ... he places it, and then he goes up. ...(lower confidence: line is broken) |
| 8′ | […] nu me-ma-i {LÚ}UR.GI₇-aš LÚ-aš ke-e al-wa-an-[za-ta] | And he speaks: “The dog-man, the man, when he comes, |
| 9′ | […] EGIR-pa zi-ik pa-a-i na-at tu-e-el w[a-…] | Afterwards, he places a libation; he takes the tuēlu-vessel. |
| 10′ | na-aš-ta GIŠ.NÁ-az {SÍG}a-ša-ra-an […] | And he places the bed in a linen cloth. |
| 11′ | na-an-ša-an pád-da-a-ni [da-a-i] | He places it on the table.(lower confidence: line is broken) |
| 12′ | [I]-NA UD 2{KAM} DUMU.U₁₉.LU-UT-TI-[kán …] | On the 2nd day, the satrap ...(lower confidence: line is broken) |
| 13′ | [Q]A-TAM-MA a-ša-a-ši ⸢a⸣-[ni-u-ur …] […] | Moreover, he libates ...(lower confidence: line is broken) |
| 14′ | QA-[TA]M-MA pé-e-da-i 1 UD[U …] | Likewise, he takes one day. |
| 15′ | [I-NA] UD 3{KAM} nu-⸢uš-ša⸣-an GIŠ.NÁ […] | On the 3rd day, when the bed |
| 16′ | nu-uš-ša-〈an〉 ku-wa-pí-it-[ta …] | And he libates in the kupitta-vessel.(lower confidence: line is broken) |
| 17′ | 3 MUNUS{MEŠ} a-ra-an-da {KUŠ}kur-⸢šu⸣-u[š kar-pa-an ḫar-kán-zi] | Three women ... they take the kuršu-garment and they set it up. |
| 18′ | na-aš-ta an-da EME{ḪI.A} DUḪ.LÀL [ki-it-ta?] | And he places the tongues in a libation vessel. |
| 19′ | nu-uš-ma-aš pé-ra-an kat-ta EME{MEŠ} […] | And before the tongue ...(lower confidence: line is broken) |
| 20′ | ŠA IM Ú-NU-UT-TE{MEŠ₄} Ù ŠA DU[Ḫ.LÀL …] | of clay, ... and of flour ...(lower confidence: line is broken) |
| 21′ | 1 {DUG}DÍLIM.GAL MUŠEN QA-DU ALAM{ḪI.A} DUḪ.[LÀL] | One large bowl of bird-flour, a statue of ... |
| 22′ | GIŠ.NÁ-aš ki-it-kar-za ME-i 2 {DUG}[… …] | On the bed, on the back, two vessels ... |
| 23′ | GIŠ.NÁ-aš ke-e-ez ke-ez-zi-ia [da-a-i?] | He places it on the bed ...(lower confidence: line is broken) |
| 24′ | na-at GE₆-ti GIŠ.NÁ-aš kat-ta-an še-eš-[zi] [nu te-ez-zi] | And he places it on the bed at night, and he goes. |
| 25′ | ⸢ke⸣-e-ši-kán ke-e-ez kar-pa-an-[du] […] | When he goes, when he ...(lower confidence: line is broken) |
| 26′ | ke-e-ez kar-ap-pa-an-du ke-e-e[š-ši-kán …] | And he libates, and he himself ...(lower confidence: line is broken) |
| 27′ | kar-pa-an-du ke-e-ma-aš-ši-ká[n …] | ... he libates, and thus ...(lower confidence: line is broken) |
| 28′ | kar-ap-pa-an-du | |
| 29′ | ma-a-an lu-uk-kat-ta-ma nu-ká[n …] | “If he slips in, then ...(lower confidence: line is broken) |
| 30′ | kat-ta-an ar-ḫa ⸢da-a-i⸣ […] | ... he places it behind ...(lower confidence: line is broken) |
| 31′ | na-at-ša-an A-NA […] | and to ...(very low confidence: a guess) |
| 32′ | ⸢nu-za⸣ ŠA {GIŠ}⸢LAM⸣.ḪA[L…] ... | And he of the table ...(lower confidence: line is broken) |
| Rs. III | ||
| 2′ | [… …{M]EŠ}-ŠU QA-TAM-M[A ḫu-iš-nu-ud-du] | Afterwards, he pours a libation(lower confidence: line is broken) |
| 3′ | [nu-kán UN-a]n {D}UTU-i IGI-an-da […] | And before the Sun-deity ...(lower confidence: line is broken) |
| 4′ | […] ALAM{ḪI.A} DUḪ.LÀL pa-ra-[a …] | ... the statues of fine flour ...(lower confidence: line is broken) |
| 5′ | nu me-ma-i ku-〈i〉-e-eš ku-i-e-eš al-[wa-an-za-ta …] | And he speaks: “He, he, ...(lower confidence: line is broken) |
| 6′ | ki-nu-na-at i-e-er ku-i-e-eš ** na-a[t …] | ... he looks at him, ...(lower confidence: line is broken) |
| 7′ | a-ra-an-ta UM-MA DUMU.LÚ.U₁₉.LU-TI-MA […] | Afterwards, the nobleman ...(lower confidence: line is broken) |
| 8′ | UM-MA ALAM{ḪI.A} ú-da-at-tén pé-e-[du-mi-ni] […] | “The statues he brought, and he ...(lower confidence: line is broken) |
| 9′ | [LÚ]-aš wa-aš-ši-ia-ad-du na-at-ša-ma-ša-[pa …] | The man libates, and he ...(lower confidence: line is broken) |
| 10′ | [na]-at pa-aḫ-ša-nu-ud-du na-at ar-ḫa pé-⸢e⸣-[da-ú] | ... he goes, he takes ...(lower confidence: line is broken) |
| 11′ | ḫa-aḫ-ḫa-ri-it EGIR-an-da ḫa-aḫ-ḫa-ri-ia-[ad-du] | ... again ... ...(lower confidence: line is broken) |
| 12′ | [i]n-ta-lu-uz-zi-it EGIR-an-da šu-wa-a-e[d-du] | Afterwards, he pours a libation.(lower confidence: line is broken) |
| 13′ | [ma-r]i-iḫ-ši-wa-li-it-ma-at SÍG-ni-it […] | Mariḫši-walītma of wool ...(lower confidence: line is broken) |
| 14′ | [na-an-š]a-an e-eš-du | And he goes.(lower confidence: line is broken) |
| 15′ | […] zi-in-⸢ni⸣-[e]z-zi ⸢nu⸣-uš-ša-an wa-aš-ši […] | ... he goes, and he himself ...(lower confidence: line is broken) |
| 16′ | [la-a-ḫu-u-w]a-i ŠÀ.BA 1 GAL.GIR₄ ta-ri-ia-at-[ta-ri-ia-an …] | ... he libates. In the hand of one great sword ... |
| 17′ | […] wa-ar-du-li-e-eš 1 GAL.GIR₄ GEŠTIN […] | Afterwards, one large bowl of wine ... |
| 18′ | [… ḫu-el-p]í-iš ⸢1 GAL⸣.GIR₄ aš-ḫa-i-ú-ul 1 GAL.[GIR₄ …] | ... one ḫulpiš-vessel, one large šēpê, one big sycamore ... |
| 19′ | […] ar-ḫa-⸢ia⸣-an ki-na-ez-zi | Afterwards, he places it.(lower confidence: line is broken) |
| 20′ | [na-at-š]a-an A-NA 5 GAL.GIR₄ la-ḫu-u-wa-i | And he pours it into five large bowls. |
| 21′ | [… ku-e-d]a-ni-ia A-NA GAL.GIR₄ EGIR-an-da | Afterwards, for the chief šēpi guard |
| 22′ | [ki-it]-ta nu UN-an IGI-zi pal-ši ŠE.NAGA-it […] | ... and they look at him, and he places it on the altar ...(lower confidence: line is broken) |
| 23′ | [EGIR-a]n-da I-NA SAG.DU-ŠU ta-ri-ia-at-[ta-ri-ia-an] | Afterwards, at the head of Tariyattariya(lower confidence: line is broken) |
| 24′ | [pa-ap-pá]r-〈aš〉-zi A-NA {GIŠ}GA.ZUM ša-li-ga | He libates to the table.(lower confidence: line is broken) |
| 25′ | [nu te-ez]-zi ka-a-ša-aš-ši-kán ḪUL-un EM[E-an …] | And he comes, and he speaks evil to you.(lower confidence: line is broken) |
| 26′ | [ḪU]L ḫu-u-ul-la-an-za-tar ḪUL UḪ₇-tar […] | The evil of Ḫullanzatar, the evil of Uḫtar |
| iii | ||
| 27′ | […]x kar-ta-a-nu-un | ... the quays(lower confidence: line is broken) |
| Rs. III | ||
| 27′ | na-an DINGIR{MEŠ} pa-aḫ-[ḫa-aš-ti-en] | And the gods of the cult center(lower confidence: line is broken) |
| 28′ | [nu-uš-š]i-kán ⸢ḪUL⸣ an-da le-e nam-ma tar-na-a[t-te-ni] | And he speaks to the evil of heaven: “The fates are decreed for me. |
| 29′ | [E]GIR-an-⸢da⸣-ma wa-ar-du-li-in la-ḫu-u-w[a-i] | ... and he pours a libation.(lower confidence: line is broken) |
| 30′ | [nu t]e-ez-zi ku-u-un UN-an DINGIR{MEŠ} wa-ar-du-la-aš […] | ... he goes, and the gods of the waardula-festival ... |
| 31′ | [… …-a]r a-aš-šu-〈la〉-an-ni an-da ḫu-u-la-li-[ia-at-tén] | And he places it on the throne.(lower confidence: line is broken) |
| 32′ | […]x TI-nu-an ḫar-tén na-an an-da DUMU{MEŠ} DUMU.DUMU{M[EŠ} ḫa-aš-šu-uš] | ... he takes, and the sons and the grandchildren ...(lower confidence: line is broken) |
| 33′ | [ḫa-a]n-za-aš-šu-uš ḫu-la-li-ia-an ḫar-kán-[du] | ... the ḫanza-šuša-vessel ...(lower confidence: line is broken) |
| 34′ | […] ⸢na?⸣-an […] | ... and ...(very low confidence: a guess) |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.