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KUB 22.51 (tlh:KUB 22.51)

CTH 577

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DesignationKUB 22.51
IDtlh:KUB 22.51
LanguageHittite
GenreCTH 577

Transliteration (ATF)

From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0

Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.

LineATFMachine English (draft)
obv.
1′IŠ-TU{LÚ}ḪAL ⸢KI⸣.MIN nu IGI-zi SU{MEŠ} SIG₅-ru EGIR-ma NU.S[IG₅-duThe cult actor prostrates himself, and then he is not good.
2′GÙB-aš KA×U-i GÙB-aš-ma ar-ḫa-ia-an ši en-tíš GÙB-aš ⸢GAR⸣-[riOn the right, at the door, on the left, in the middle of the hearth, he places ...
3′EGIR SU{MEŠ} {GIŠ}TUKUL GÙB-aš ta-ú-tíš *ZAG*-aš UGU ⸢ú⸣-da-aš [Afterwards, on the right side of the weapon, the ta'uti-offering, upon the top ...
4′⸢IŠ⸣-TU{LÚ}IGI.MUŠEN ER-⸢TUM⸣ QA-TA[M-M]A-pát nu ⸢MUŠEN{ḪI⸣.A} SI×SÁ-an-du šu-lu-pí-[eš?-The bird of the ertum-offering is opposite, and the birds sing. The šulupi-vessel
5′ú-et na-aš-kán pé-an SIG₅-za ú-⸢et⸣ na-aš GÚ-liš zi-la-an ú-et x[And before the good one, and before the neck, and ...
6′GÌR{ḪI.A} kán-ga-nu-ut na-aš zi-la-an ku-uš ⸢ú-et⸣ šu-lu-pí-eš-ma-kán EGIR [The feet of Kanganut, he ... and he takes the šulupi-vessel. Afterwards ...
7′na-aš-za TUŠ-at KA×U-ŠÚ-ma-za-kán pé-an ar-ḫa na-a-a-iš EGIR KASKAL mar-[ša-na-aš-ši(?)- ]And he sits at the door of the door, and he goes back behind the road of Marša-na-...
8′[EG]IR UGU SIG₅-za ú-et na-aš 2-an ar-ḫa pa-it i-pár-wa-aš-ši-eš-ma-kán *x* pát-tar-pal-ḫi-iš [Afterwards, on top of your good, two times he libates, and ... the pattipalḫi-vessel ...
9′[ SI×SÁ-a]t-wa šu-lu-pí-eš-ma ku-iš GÚ-liš TI₈{[MUŠ]EN}-ma tar-li₁₂-an GÌR{ḪI.A} kán-ka₄-nu-ut nu-[w]a GÙB-a[n ]... he libates, and the bird ... and the feet, the feet ...
10′n[u] {URU}ša-pí-nu-wa še-eš-zi KARAŠ-ma ... {URU}ḫa-an-zi-wa ka-ri-ia-[az?-zi?And he goes to Šapinuwa, and he takes the ... of Ḫanziwa.
11′nu-⸢kán⸣ {URU}šu-up-pí-lu-li-ia-an GAM-an ar-ḫa pa-iz-zi nu {URU}ša-ḫu-zi-mi-ša-a[nAnd he goes to the city Šuppiluliya, and he takes the ...
12′⸢{m}ka?-ša?⸣-lu-wa-an-ma TAÉRIN{MEŠ} ŠU-TI ... ti-eš-*ša-an*-zi nu-kán {URU}da-ḫa-aš-[da-an]Kaša-luwa, the troops in the hand, they take, and Daḫašda
13′[ ] RA-zi {m}ku?-ni-ia-⸢LÚ?⸣-ma TAÉRIN{MEŠ} ŠU-TI ti-eš-ša-an-zi... ... Kuniya-šuma and the troops take the hand.
14′[ ] x KU[R] ku-wa-ri-na-za EGIR UGU RA-zi {m}aš-du-wa-re-⸢eš⸣-ma {m}ti-me-e[t-ti-iš-ša(?)... ... the kuwarina-priests afterwards, Ašduwareša and Timettiši
15′[{URU}]⸢kam-ma⸣-m[a-z]a IGI-an-da ⸢RA⸣-an-zi KASKAL {m}TI₈{MUŠEN}-LÚ {D}UTU-ŠI-ma KASKAL A-BI {D}UTU-ŠI pé-an [ ]x?-zi!They go to Kammaz, they go to the path of the Eagle-bird, the Sun-deity, and to that path, the sun-distress, ...
16′[KI.M]IN nu KIN SIG₅-ru {LÚ}KÚR ZAG-tar DUḪ tar-nu-mar {GIŠ}TUKUL {LÚ}KÚR ME-aš ŠÀ KUR-ŠÚ x[ ]x SUD-li₁₂... and it is good. The cult actor places a libation bowl on the right. The weapon of the cultic singer, the weapon of his land ... you pound ...
17′[ ]x ḪUL-za NINDA iš DUḪ {LÚ}KÚR MÈ ME-aš na-at EGIR-pa ANA{LÚ}KÚR SUM-za... against your evil, bread from the weapon of the diviner, the weapon, and afterwards the divine weapon is given to you.
18′[ L]Ú{MEŠ} ḪAT-TI ZAG-tar KASKAL ME-er nu-uš-ma-aš GÙB-za GAR-ri... the men of Ḫat-ti, the front of the road, and on your left, he places.
19′[ ]
20′[IŠ-TU{LÚ}ḪAL K]I.[MI]N nu IGI-zi SU{MEŠ} SIG₅-ru EGIR-ma NU.SIG₅-du IGI-zi SU⸢{MEŠ} ni ši⸣The cult actor [takes] a bath, and he looks at his well-being. Afterwards, he does not look at his good health; he places it on his body.
21′[ ]x SU{MEŠ} ⸢SAG?⸣.UŠ ḫi-re-en-du-kar-⸢ri NU.SIG₅⸣ [... the tops of the head are not good ...(lower confidence: line is broken)
rev.
1′nu] ⸢{URU}ša-ḫu-zi-mi-ša-an(?)⸣and Šaḫuzimišanni(lower confidence: line is broken)
2′{m}ku-ni-ia-L]Ú-ma {URU}ku-w[a-ri-na-za EGIR UG]U RA-zi {m}aš-du-wa-re-eš-maKuniya-Lu, in Kuwarinaza, afterwards ... Ašduwareša
3′{URU}kam-ma-ma-z]a IGI-an-da RA-an-zi KASKAL {m}TI₈{MUŠEN}-ZA {D}UTU-ŠI-maThey look at Kammaz, they go to the path of the Raven, the Sun-deity.
4′p]é?-⸢an? RA?-zi⸣ [K]I.MIN nu KIN SIG₅-ru... they go, ditto, and the work is good.
5′[IŠ-TU{LÚ]}ḪAL KI.MINThe cult actor ditto.(lower confidence: line is broken)
6′[IŠ-TU{LÚ]}IGI.MUŠEN KI.MINThe bird-catcher, ditto.(lower confidence: line is broken)
7′[ ] ḪUR.SAG{MEŠ} ku-it-ia ŠÀ? IGI-tar nu ḫul-la-tar Ú-UL!... the mountains of Kutiya, he sees, and he does not ...
8′]x SI×SÁ-at INIM {LÚ}KÚR NU.⸢SIG₅⸣-du {D}UTU AN GUB-iš ŠALUGAL IGI.LÁ... he sings; the word of the cult actor is not good; the Sun-deity stands in heaven; the king is seen.
9′ME]-aš na-at ANALÚ{MEŠ} KUR ḪAT-TI GÙ[B-z]a GAR-⸢ri⸣ INAUD 2{KAM} LÚ{MEŠ} KUR ḪAT-TI GÙB KASKAL IZI... and the men of the land of Ḫattu stand on the left; in the second šūtu-commentary, the men [of the land] of [Ḫat]tu sit on the right of the road of fire.
10′]-aš? nu-⸢kán⸣ DINGIR{MEŠ}-aš... and the gods ...(lower confidence: line is broken)
11′{LÚ}K]ÚR-pát GÙB-aḫ-ḫi NU.SIG₅-du {LÚ}KÚR ZAG-tar MÈ ME-aš ANALÚ{MEŠ} ḪAT-TI x[The cult actor does not perform the crouching. The purifier of the right side of the battle-axe, the men, the ...
12′] AŠ-RU?{ḪI.A}... in the villages ...(low confidence: few signs survive)
13′] ANALUGAL{MEŠ} mu-ki-⸢šar⸣ EGIR-pa {m}al-la-mu x [... the kings, the mukišar-priests, afterwards, Alamu ...
14′]-za {D}⸢pí⸣-ir-wa-an DÙ-zi ⸢{D}⸣U.GUR URU? ḫal-pu!-ti-li-in EZEN₄ {GIŠ}zu-up-pa-r[i-... they go to Pirwa, Nergal, the city Ḫalputili, the festival of the torch ...
15′DIN]GIR-⸢LUM⸣ A-NA{D}UTU-ŠI ḫa-ra-tar wa-aš-túl UL DÙ-ši nu ⸢KIN⸣ S[IG₅-ruThe Sun-deity does not perform the ḫaratar ritual for the Sun-god, and it is good.
16′] xx x ⸢{GIŠ}DAG!⸣ ME-er na-at-kán [... the bow, and he ...(lower confidence: line is broken)

Sources & licences

Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.