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KUB 17.27+ (tlh:KUB 17.27+)
CTH 780
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| Designation | KUB 17.27+ |
|---|---|
| ID | tlh:KUB 17.27+ |
| Language | Hittite |
| Genre | CTH 780 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€4} Vs. I | ||
| 1′ | [ ]x x-⸢an⸣-x x x[ | |
| 2′ | [ te-pu {GIŠ}an-tar-wi₅-la-a]š NUMUN-an te-pu | ... he pours a libation from the table. He pours seed ... |
| 3′ | [u-un-te-eš ŠA{GIŠ}KIRI₆] ⸢{GIŠ}wa-ar⸣-[du]-l[i-i]š ḪUR.SAG KÙ.SI₂₂ KUŠ SA₅ te-pu | And he fills the garden, the warri-duli-tree of the mountains with gold and red leather. |
| 4′ | [A-NASI U]Z₆.⸢KUR⸣.RA-kán ḫa-aš-du-er te-pu ḫa-aš-ḫa-aš-ša-an | He places it on the altar of the mountain, and he pours a libation. |
| 5′ | [da]m-⸢pu⸣-u-pí-iš UN-aš 1 iš-ḫi-mi-na-aš 11 ŠU.SAR | Ampupiš, the one of the throne, one ... eleven garden plots. |
| 6′ | nu ARAD EN SISKUR 1 NINDA EM-ṢÚ I-NAÉ {LÚ}SIMUG.A pé-e-da-i | And the servant of the lord of the sacrifice takes one sour loaf of bread into the house of the coppersmith. |
| 7′ | na-an A-NA{LÚ}SIMUG.A pa-a-i nu-*uš-ši-kán* KÙ.BABBAR ⸢KÙ⸣.SI₂₂ AN.BAR ⸢AN.NA⸣ A.BÁR | And he gives it to the smith, and he takes the silver, the gold, the iron, the scribal art. |
| 8′ | lu-ul-lu-ri {NA₄}ZA.GÌN {NA₄}GUG {NA₄}DUḪ.ŠÚ.A {NA₄}KÁ.DINGIR.RA {NA₄}pa-ru-uš-ḫa-⸢a?⸣-[aš] | Lulluri, lapis lazuli, carnelian, šû-stone, bāʾili, paruša-stone |
| 9′ | [k]u-it-ta te-pu na-at NINDA-it wa-a-ši na-at-kán A-NA{LÚ⸢}SIMUG.A⸣ GAM-ta | ... he pours a libation; he takes the bread, and he gives it to the smith. |
| 10′ | ši-ia-iz-zi na-at pár-na pé-e-da-i nu {GIŠ}PISAN! ḫar-wa-[ši] ⸢É⸣-er | he goes, and he brings it out, and the scepter of the house ... |
| 11′ | na-aš-ta {MUNUS}ŠU.GI 〈〈{MUNUS}ŠU.GI〉〉 SÍSKUR a-pí-ia an-da da-a-i | And he places the old woman and the old lady at the offering table. |
| 12′ | [ku-i]t-ma!-an-ma ⸢*ki⸣-i* ḫa-an-da-a-ez-zi EN SISKUR-ma-za wa-ar-ap-zi | ... he goes, and he takes the lord of your sacrifice. |
| 13′ | [nu] ⸢e-ez⸣-za-i e!-ku-zi {MUNUS}ŠU.GI-*ma* dan-na-at-ti ⸢URU⸣-ri pa-iz-zi | And he drinks; the old woman goes to the city. |
| 14′ | [ ] ⸢ḫar⸣-zi nu ŠAURU{KI} ŠAÉ-TI ŠAGUNNI ŠANUMUN | ... he takes, and the city, the land, the harvest, the seed |
| 15′ | [ -u]n-ta-aš ŠAPA₅ ŠA{GIŠ}KIRI₆ Ù ŠA ... KISLAḪ | ... the garden, the orchard, and the ... of the sanctuary(lower confidence: line is broken) |
| 16′ | [ḫu-ma-a]n-da-aš dan-na-at-ta-aš pé-e-da-aš ḫa-aš-šu-uš da-a-i | He places it on the throne, on the hearth.(lower confidence: line is broken) |
| 17′ | [nu {MUNUS}ŠU.G]I ⸢NINDA.SIG⸣ pár-ši-ia nu ku-e-da-aš pé-e-da-aš SAḪAR{ḪI.A}-uš | And the šug-woman breaks the fine bread, and the kueda-offering, the kurḫītu-vessel, |
| 18′ | [ú-wa-te-e]t pé-di-ši-ma {NINDA}pár-ša-an zi-ik-ke-ez-zi nu kiš-an me-mi-eš-k[e-ez-zi] | And he pours a libation before him, and he places a loaf of bread, and they speak to him. |
| 19′ | [ U]N-aš ⸢LA⸣-A-AN-ŠU ma-a-iš tar-pa-an ⸢tar⸣-pa-al-li-ma-an | ... then he takes it, and he places it before ...(lower confidence: line is broken) |
| 20′ | [ ]x ⸢da⸣-a-aš na-at ku-wa-pí ku-wa-pí da-a-iš na-at ⸢É⸣ [ | ... he takes, and he places it in the kuppu-vessel, in the house ... |
| 21′ | [ ]x-x URU-ri a-še-eš-ni da-a-iš | ... to the city ...(lower confidence: line is broken) |
| 22′ | [ ]x[ ]x[ ] ⸢dan-na⸣-at-ti UDUN | ... a big ...(lower confidence: line is broken) |
| 23′ | [ d]a-⸢a⸣-iš | ... he takes ...(low confidence: few signs survive) |
| Vs. I | ... | |
| {€1} Vs. I | ||
| 1′ | ](-)⸢UL?⸣ | ... not ...(very low confidence: a guess) |
| {€1} Vs. I | ... | |
| 9′ | ]x-ri | ...ri(low confidence: few signs survive) |
| {€1} Vs. I | ... | |
| 13′ | -i]t? | |
| 14′ | ] | |
| 15′ | -n]i? | |
| {€1} Vs. I | ... | |
| 18′ | ]x-aš? | |
| 19′ | ]x-⸢u-e⸣-ni | ... and ...(very low confidence: a guess) |
| {€2} | ||
| 1′ | [ nu GIŠ]-⸢ru-un⸣ wa-a-tar ú-d[a-aḫ-ḫi | ... and he takes the wood ...(lower confidence: line is broken) |
| 2′ | [{GIŠ}la-ap-la-na-za-ká]n ú-da-aḫ-ḫi dam-me-la-*an* d[a-ga-an-zi-pa-an | And he brings it into the laplanza-vessel, and he pours it for Dammela. |
| 3′ | [pár-ga-aḫ-ḫi pu-n]u-uš-šu-u-e-ni ka-ru-ú-i-li-i[a-aš DINGIR{MEŠ}(-) | ... he libates, and the gods ...(lower confidence: line is broken) |
| 4′ | [{D}EREŠ.K]I.GAL {D}A.NUN.NA.AK.KI-ia na-aš Ú-[UL BAL-u-e-ni | Ereškigal and the Anunnakkia do not ...(lower confidence: line is broken) |
| 5′ | [ ]x-u-wa pu-nu-uš-šu-u-e-ni [ | ... to him ...(very low confidence: a guess) |
| 6′ | [Ú-UL-m]a-aš šu-ul-la-an-ni ḫal-zi-ia-u-⸢e⸣-n[i | And he does not ... and he shouts.(lower confidence: line is broken) |
| 7′ | [ke-e-el-la-ká]n UN-aš e-eš-ri-še-et aš-šu-l[i-iš-ši | And he places it on the earth.(lower confidence: line is broken) |
| 8′ | [nu-uš-ma-a]š ḪA.LA pí-iš-ga-u-e-ni [ | Then the capital of the libation vessel ...(lower confidence: line is broken) |
| 9′ | [nu-uš-m]a-aš ḫa-az-zi-wi₅ ša-ra-a ti-i[t-nu-um-me-e-ni] | And the ḫašziwi-vessels of the tītnum-mê-tree |
| 10′ | [ ] da-a-i nu-uš ŠA-NÉ-E pé-di š[u!?- | ... he places it, and he takes it out ...(lower confidence: line is broken) |
| 11′ | [da]-a-i EGIR-ŠÚ-ma I-NA9 A-ŠAR š[a-ku-ni-ia-aš | Afterwards, he pours water on the ground. |
| 12′ | [pu-r]u-ut da-a-i pé-di-iš-ši-ma {NINDA}pár-š[a-a-an zi-ik-ke-ez-zi | He places it before him, and he breaks the loaf of bread. |
| 13′ | [nu ki]š-an me-ma-i | And he speaks thus:(lower confidence: line is broken) |
| 14′ | [ša-k]u-ni-ia-aš-kán GIM-a[n pu-u-ru]-⸢ut GE₆-az⸣ K[I-az | ... he libates like a libation vessel of dark beer. |
| 15′ | [m]u-ta-a-ez-zi ⸢na-at⸣ [ | ... he comes, and ...(lower confidence: line is broken) |
| 16′ | [k]e-e-el-la-ká[n | ... he places ...(low confidence: few signs survive) |
| 17′ | [š]a-ra-a ú-d[a-ad-du | ... he stretches out ...(low confidence: few signs survive) |
| {€2+1} 18′/Vs. II | ||
| 1′ | x-x-x ⸢ša-ra-a mu-ta⸣-[ez-zi | ... comes forth.(lower confidence: line is broken) |
| {€1} Vs. II | ||
| 2′ | ḫi-in-ik-zi ke-e-⸢el-la-kán⸣ [ | ... he takes, and he ...(lower confidence: line is broken) |
| 3′ | la-az-zi-ia-u-wa-ar-⸢še-et⸣ [ | ... he places ...(low confidence: few signs survive) |
| 4′ | nu ša-ku-ni-ia-aš pu-ru-ut da-a-i n[a-at | And he takes the responsibility for it, and ...(lower confidence: line is broken) |
| 5′ | ⸢IGI⸣-an-da iš-ḫa-a-i EGIR-ŠÚ-ma la-la-ú-[e- | He places it before him. Afterwards, he libates. |
| 6′ | ták-na-az-kán ku-it ša-ra-a pád-d[a-i | And he places it on the hearth.(lower confidence: line is broken) |
| 7′ | pé-eš-ši-iš-ke-ez-zi nu kiš-an me-ma-⸢i⸣ [ | And he speaks thus:(lower confidence: line is broken) |
| 8′ | GIM-an pu-ru-ut ták-na-az ša-ra-⸢a⸣ [ | Like a lamb, he libates to the hearth ... |
| 9′ | ḫi-in-kán-zi ke-e-el-la-⸢kán UN⸣-a[š | ... he takes, and he ...(lower confidence: line is broken) |
| 10′ | TI-tar-še-et QA-TAM-MA ša-⸢ra⸣-a ú-d[a-ad-du | ... likewise he brings in ...(lower confidence: line is broken) |
| 11′ | nam-ma ŠA{GIŠ}GEŠTIN pu-ru-ut da-a-i na-at-ká[n | And he places the wine on the table, and ...(lower confidence: line is broken) |
| 12′ | iš-ḫa-⸢a⸣-i nam-ma-aš I-NA{GIŠ}KIRI₆ pa-iz-zi NINDA.S[IG | And he goes to the garden; he takes a fine loaf of bread. |
| 13′ | na-an ⸢pár⸣-ši-ia na-an ar-ḫa pár-ša-ez-zi nu k[iš-an me-ma-i | He breaks it, he breaks it back, and he speaks thus: |
| 14′ | e-ez-za-at-tén DINGIR{MEŠ} GIŠ-ru-wa-aš šu-me-eš DINGIR{MEŠ} da-p[í-an-tu-uš | And he speaks to the gods of the wood, to the heavenly gods. |
| 15′ | šal-la-nu-uš-ket₉-te-e-ni ke-e-el-la UN-aš ḪUL-lu [ | The šallanušketteni-vessel is pure, the evil ... |
| 16′ | nu ta-⸢ma⸣-in KAŠ ḫu-u-ma-an-da-aš {GIŠ}al-kiš-ta-*nu*-uš d[a-a-i | And he pours beer into the hoe. |
| 17′ | {GIŠ}a-⸢la⸣-an-za-*na*-an-ma Ú-UL da-a-i AN.KI{SAR} iš-ša-[ra-a-ši-la{SAR} | He places it on the alanzana-vessel, but he does not place it. In the heavens, in the courtyard... |
| 18′ | da-a-i EGIR-pa-ma-aš wa-ap-pu-i pa-iz-zi nu wa-ap-pu-w[a-aš | He goes behind, and he goes behind. |
| 19′ | {NINDA}pár-ša-an da-a-i nu kiš-an me-ma-i [ ] | He places a loaf of bread, and he speaks as follows: |
| 20′ | e-ez-za-at-tén wa-ap-pu-wa-aš {D}GUL-šu-uš nu ma-a-an ke-e-el ⸢UN-aš⸣ | And he speaks: “O GULšu, how is it that the lord |
| 21′ | LA-AN-ŠU UḪ₇-na-aš {LÚ}ḪUL-aš UN-aš na-aš-šu wa-ap-pu-i | The cult actor, the evil-doer, and the našu-priestess libate. |
| 22′ | na-aš-ma ÍD-aš a-ar-šar-šu-ri pa-iš ki-nu-na-at-ši EGIR-pa pé-eš-tén | And he pours the water into the aaršarsuri-vessel, and he turns back. |
| 23′ | nu ku-it ku-it LÍL-ri da-a-i na-at an-da-an URU-ia ú-da-i | And he places it in the place of the burial, and he brings it into my city. |
| 24′ | na-at-kán URU-ri ŠÀ É.ŠÀ ḫar-wa-ši pé-di da-a-i nu {MUNUS}ŠU.GI ⸢ú-ez-zi⸣ | And he goes to the city, into the inner chamber, and the old woman comes. |
| 25′ | nu-kán {MUNUS}ŠU.GI {D}UTU-i IGI-an-da 3 GIR₄{ḪI.A} an-da ḫar-pa-a-ez-zi | And the old woman before Šamaš takes three fingers. |
| 26′ | nu GÍR ZABAR pa-aḫ-ḫur-ra wa-a-ra-i nu-kán wa-a-tar | And he takes the bronze reed from the courtyard, and he turns. |
| 27′ | {NINDA}pár-ša-an-na an-da pé-eš-ši-ia-az-zi nu kiš-an me-ma-i | He takes the parraš-bread, and he speaks on the ground. |
| 28′ | UḪ₇-na-aš UN-aš ku-e ud-da-a-ar me-mi-eš-ke-et ta-ru-up-pí-ia-⸢at⸣ | And he eats the bread of the earth, and he drinks the taruppiyat-beer. |
| 29′ | ku-e ma-al-*ki*-ia-at ku-e e-eš-še-iš-ta ku-e-da-ni pé-di | He places it on the altar, he places it in the hearth. |
| 30′ | nu a-pa-a-at-ta Ú-UL I-DE UḪ₇-na-aš UN-aš nu UḪ₇-tar *AN*.ZA.GÀR ⸢GIM⸣-an | And he does not know the ... of the lungs, and the .... of the heavens, like ... |
| 31′ | ú-e-te-eš-ke-et na-an iš-ḫa-mi-na-an GIM-an an-da | And he places it on the hearth, like an ox. |
| 32′ | ta-ru-up-pé-eš-ke-et na-an-kán IGI-an-da e-ep-mi | He places it before the tarumpeš-vessel. |
| 33′ | UḪ₇-na-aš ud-da-a-ar-še-et AN.ZA.GÀR GIM-an ar-ḫa pí-ip-pa-aḫ-ḫu-un | he pours a libation of ointment on the table like a bowl. |
| 34′ | iš-ḫa-mi-na-an-ma-an GIM-an ar-ḫa la-a-nu-un | ... like a reed ... |
| 35′ | nu {MUNUS}ŠU.GI GIR₄{ḪI.A} ar-ḫa pí-ip-pa-i na-at ar-ḫa | And the old woman breaks the feet, and ... |
| 36′ | du-wa-ar-ni-ia-az-zi na-at-kán pa-aḫ-ḫu-e-ni an-da x[ | ... he takes, and he ...(lower confidence: line is broken) |
| 37′ | nu {MUNUS}ŠU.GI ŠU.SAR da-a-i na-*at* GÙB-la da-a-i | And he places the old woman in the vegetable garden, and places it on the left. |
| 38′ | ZAG-na-ia-at la-a-i nu kiš!-an me-ma-i UḪ₇-na-a[š UN-aš] | He does not take the right side, and he speaks as follows: ... |
| 39′ | ma-a-an ⸢ZAG⸣-za ta-ru-up-pí-ia-at ú-ga-at EGIR-[pa ZAG-za] | If on your right side there is a taruppiyat-vessel, and on your left side ... |
| 40′ | la-a-iš-ke-mi ma-a-na-at GÙB-la-az-ma ta-ru-⸢up⸣-p[í-ia-at] | And he places it on the left, and he libates.(lower confidence: line is broken) |
| 41′ | ma-a-na-at EGIR-pa GÙB-la-za la-⸢a⸣-[iš-ke-mi] | And he places it behind him.(lower confidence: line is broken) |
| Rs. III | ... | |
| {€1} Rs. III | ||
| 4′ | [ ]x-ma GIM-an x[ ]x[ | ... and like ...(low confidence: few signs survive) |
| 5′ | [ wa]-⸢ar⸣-nu-nu-un na-at-kán x[ | ... they bring, and ...(lower confidence: line is broken) |
| 6′ | [ka-a]-⸢ša⸣-kán INIM{MEŠ} ⸢ar⸣-ḫa x[ | ... and the words ...(lower confidence: line is broken) |
| 7′ | [ ]x pa-aḫ-ḫur ú-e-te-ni-i[t] k[i-iš-ta-nu-un | ... he places it on the altar.(lower confidence: line is broken) |
| 8′ | [nu me-m]a-i tar-uḫ-ḫu-na-at-za UḪ₇-na-aš ⸢ud-da-a-ar⸣ [am-me-e]l ud-⸢da-a-ar⸣ | And he speaks: “The taruḫunata-vessels are covered with blood, and the lord is covered in blood. |
| {€3+1} r. Kol. 1′/Rs. III | ||
| 9′ | ⸢ša!?⸣-[ra]-az-zi na-at-za am-me-el ud-⸢da⸣-na-a-an-te-⸢eš tar⸣-[ḫu]-⸢e-er⸣ | ... he goes, and the lord of the day ...(lower confidence: line is broken) |
| {€3+1} r. Kol. 2′/Rs. III | ||
| 10′ | ut-tar-[še?]-⸢et⸣ 2-e-pát UḪ₇-na-aš UḪ₇-tar pé-eš-ši-ia-nu-un | ... two times he pours a libation of beer and a cup of beer. |
| {€3+1} r. Kol. 3′/Rs. III | ||
| 11′ | nu-uš-[m]a-aš-kán še-er al-la-pa-aḫ-ḫu-un na-at an-da | And he goes up, and he ...(lower confidence: line is broken) |
| {€3+1} r. Kol. 4′/Rs. III | ||
| 12′ | GÌR-[i]t iš-pár-ra-aḫ-ḫu-un na-at-kán ANŠE-aš ⸢šesic⸣-ḫur-re-eš-⸢ke-ed-du⸣ | The foot is smashed, and the horse ...(lower confidence: line is broken) |
| {€3+1} r. Kol. 5′/Rs. III | ||
| 13′ | na-a[t]-kán GU₄-uš kam-mar-ši-eš-ke-ed-du DUMU.LÚ.U₁₉.LU-uš-ša-an | And the ox-driver of Kammarši-keddu, the nobleman, |
| {€3+1} r. Kol. 6′/Rs. III | ||
| 14′ | ku-i[š] še-er ar-ḫa i-ia-at-ta-ri nu-uš-ša-an še-er | ... he takes it out, and then he ...(lower confidence: line is broken) |
| {€3+1} r. Kol. 7′/Rs. III | ||
| 15′ | a[l-l]a-ap-pa-aḫ-ḫi-iš-ke-ed-du al-⸢la⸣-ap-pa-aḫ-ḫa-an-wa-⸢ra-at⸣ [ ]x-x | ... he pours a libation ...(lower confidence: line is broken) |
| {€3+1} r. Kol. 8′/Rs. III | ||
| 16′ | U[Ḫ₇-n]a-aš ud-da-a-ar UḪ₇-na-aš-ša UN-aš [ | ... the blood ... and the blood of the earth ...(lower confidence: line is broken) |
| {€1} Rs. III | ||
| 17′ | [{MUNUS}Š]U.GI EGIR-an-da 1-ŠU al-⸢la⸣-a[p]-pa-aḫ-ḫi nu k[iš-an te-ez]-⸢zi⸣ | The old woman, afterwards, once, he libates, and she steps forward. |
| 18′ | [ ]x-wa-ra-an UḪ₇-an *UN*-an L[I-I]M DINGIR{MEŠ} ⸢ḫur⸣-za-aš-⸢kán⸣-d[u ]x[ ]x-⸢an⸣ | ... he pours a libation, he libates to the gods ... |
| 19′ | [ne-pí]-iš da-ga-an-zi-pa-aš-ša ⸢{ḪUR⸣.[SA]G}a-⸢gul-li⸣-ri-ša-⸢an⸣ | He performs the ritual in the courtyard of Agulli-riša. |
| 20′ | [nam-n]i?-iš ḪUR.SAG-aš ḫur-za-aš-du {ḪU[R.SAG}ḫa]-⸢az⸣-zi-ia-⸢ša-an⸣ [KI.MIN] | Then the mountain of Ḫurzašdu, the mountain ḫazziya, ditto. |
| 21′ | [ ]x ḫu-u-ma-an-za KI.MIN {⸢ḪUR.SAG⸣}[ ]x-ši-x x[ K]I.⸢MIN⸣ | ... Ḫumanza, ditto, Hursag ...(lower confidence: line is broken) |
| 22′ | [{ḪUR.SAG}l]a-ap-la-na-ša-an-⸢na⸣ [ ]x-ia x[ | of Laplanašana(lower confidence: line is broken) |
| 23′ | [ ]-ša-*aš*-ši DINGIR-L[UM | ... the god ...(lower confidence: line is broken) |
| 24′ | [ ]x-aš ki-ša-ru [ | ... in the middle ...(low confidence: few signs survive) |
| 25′ | [ -d]u ku-x[ | |
| 26′ | [ ]x-na [ | ...na ...(low confidence: few signs survive) |
| 27′ | [ ]x[ | |
| 28′ | [ ]x x[ | |
| 29′ | [ ]x[ | |
| Rs. III | ... | |
| {€4} Rs. III | ||
| 1′ | x[ | |
| 2′ | x[ | |
| 3′ | k[i- | |
| 4′ | n[a- | |
| 5′ | p[í?- | |
| 6′ | na-x[ | |
| 7′ | pár-x[ | breaks ...(low confidence: few signs survive) |
| 8′ | ku-i[t | ... he took(very low confidence: a guess) |
| 9′ | UḪ₇-[ | ... blood ...(low confidence: few signs survive) |
| 10′ | ḫur-za-a[š-du | Ḫurzašdu(low confidence: few signs survive) |
| 11′ | i-e?-[ | |
| 12′ | ⸢da⸣-a-x[ | |
| 13′ | {ḪUR.SAG}[ | of Hursag(low confidence: few signs survive) |
| 14′ | KASKAL-š[i | on his journey(low confidence: few signs survive) |
| 15′ | ŠU[M- | Hand-(low confidence: few signs survive) |
| 16′ | x[ | |
| 17′ | x[ | |
| 18′ | x[ | |
| {€3} lk. Kol. | ||
| 1′ | [ ]-ši-ia | ... he takes(very low confidence: a guess) |
| 2′ | [ ] | |
| 3′ | [ ]x iš-tar-na | ... of the altar ...(low confidence: few signs survive) |
| 4′ | [ ]x-du | ...du(low confidence: few signs survive) |
| 5′ | [ ]x-an-na-an-du-ma-at | ... the ... ...(very low confidence: a guess) |
| 6′ | [ -n]u-ut-tén | ... the ...(very low confidence: a guess) |
| 7′ | [ ]x-tén | |
| 8′ | [ ] | |
| 9′ | [ ]x[ ]x-an-ni-zi | ... they ...(very low confidence: a guess) |
| Rs. IV | ... | |
| {€4} Rs. IV | ||
| 1′ | [ (-)z]i(-)x[ | |
| 2′ | [ ] ... te-kán ḫa-a-⸢né-eš⸣-x[ | ... ... and he ...(very low confidence: a guess) |
| 3′ | [ ]x DÙ-zi *na-an* {GIŠ}KIRI₆ SIG₄ D[Ù-zi | ... they go, and they bring bricks from the garden. |
| 4′ | [ ]x-*aš*-zi iš-tar-na *ar-ḫa-ma*-kán | ... he places it in the hearth ...(lower confidence: line is broken) |
| 5′ | [ i-i]a-az-zi | ... he goes(low confidence: few signs survive) |
| 6′ | [ ]x-an ŠAGI.DU₁₀.GA {GIŠ}⸢ŠEN⸣ DÙ-zi | ... he takes the sweet šaga-vessel from the bēl-bowl. |
| 7′ | [ ]x-ta-an EGIR-an iš-ka₄-a-ri | ... afterwards he places ...(lower confidence: line is broken) |
| 8′ | [ ti-it-t]a-nu-uz-zi A-NAPA₅-ia EGIR-an | Afterwards, they bring my herdsman. |
| 9′ | [ ] ⸢ke⸣-e-ez-*zi*-ia {GIŠ}al-kiš-ta-nu-uš da-a-i | ... he places it on the table.(lower confidence: line is broken) |
| 10′ | [ a]n-da {GIŠ}al-kiš-ta-nu-uš pa-aš-ki | And he opens the hoe.(lower confidence: line is broken) |
| 11′ | [ ] 4 ḫal-ḫal-tu-u-ma-ri an-da ... *AN.ZA*.GÀR IM DÙ-⸢zi⸣ | ... four ḫalḥbaltu-ma-ri-drums ... they make a fire. |
| 12′ | [ ḫu-ur-lu]-⸢ul⸣-lu da-a-iz-zi nam-ma-〈〈wa〉〉-aš-šasic-an A-NAAN.ZA.GÀR | ... he goes to the hululu-vessel, and he places it on the table. |
| 13′ | [ u]š-⸢ki-iš⸣-kat-tal-la-an ti-ia-zi ŠU-az-⸢ma {GIŠ}tu⸣-u-ri-in ... ḫar-zi | ... he stands, and he holds the torch ...(lower confidence: line is broken) |
| 14′ | [nu ták-na]-aš {D}UTU-un {D}iš-ḫa-ra-an-na ŠÀ {GIŠ}KIRI₆-ŠU ZAG-za ⸢{GIŠ}al-kiš-ta⸣-na-aš | And to the Sun-deity, to Išḫarana, to the right of the garden, to Alkişvtana |
| 15′ | [a-ša-a-š]i PA₅-ma-kán GÙB-la-az {UDU}a-li-ia-na-an ŠAIM da-a-i | And he places the sheep on the table. He places the hand. |
| 16′ | ⸢nu-uš⸣-ši-iš-ša-an {SÍG}šu-i-el ku-it A-NA⸢KA×U⸣-[Š]U ḫa-⸢ma-an!-kán⸣ | And he takes the wool, and he places it in his mouth. |
| 17′ | *na*-at-kán PA₅-aš-ša ták-na-aš {D}UTU-uš ke-eš-⸢šar-ta⸣ ḫar-zi | And on the right side he places the Sun-deity, and he prostrates himself. |
| 18′ | {D}zi-iz-zi-in-na {D}u-un-*du*-ur-⸢wa-a⸣-an ŠAIM DÙ-zi | Zizzinna and Undurwa sing.(lower confidence: line is broken) |
| 19′ | pé-ra-a-an-ši-it a-ša-a-ši {D}mu-šu-u[n-né]-en ŠA⸢IM⸣ DÙ-zi | Before him, he goes to Mušunne.(lower confidence: line is broken) |
| 20′ | na-an A-NAAN.ZA.GÀR pé-ra-an kat-ta a-[ša-a]-⸢ši⸣ | And he places it on the table below.(lower confidence: line is broken) |
| 21′ | nu ku-e-da-*ni*-ia pé-ra-an kat-ta {GIŠ}BANŠU[R IM] da-a-i | And he places it before the table.(lower confidence: line is broken) |
| 22′ | ⸢nu-uš⸣-ša-an ku-wa-pí-ia NINDA.SIG {NINDA}pár-ša-an {GIŠ}I[N-B]U | And he pours a fine loaf of bread and a sour loaf on the table. |
| 23′ | [te]-⸢pu⸣ zi-ik-ke-ez-zi A-NA{GIŠ}KIRI₆-ma-aš-ša-an ⸢KÁ DÙ⸣-zi | He places it in the garden, and he opens the gate. |
| 24′ | [nu ke-e-ez-〈〈z]i〉〉 IM ke-e-ez-zi-ia IM da-*a-i* nu-kán ka-a 1-EN GIŠ!-ṢÚ | And he pours a libation of water, and he places the water. And then one wooden ... |
| 25′ | [ 1-E]N GIŠ-ṢÚ pa-aš-kán še-er-ma-at ḫa-ad-da-a-ra-an | ... once, the wood, on the other side ... |
| 26′ | [ a]r-ḫa 1-EN GIŠ-ṢÚ da-a-i na-at IŠ-TU⸢SÍG⸣ S[A₅] | ... he places one wooden spoon on the table, and he fills the hand ... |
| 27′ | [ ] ⸢A⸣-NA1 GIŠ-ṢÍ EGIR-an ta-me-in-ga!-⸢nu-uz⸣-[zi] | ... they place it behind the wood ...(lower confidence: line is broken) |
| 28′ | [ t]a-ru-up-pa-an ḫa-ma-an-ki [ ] | ... the taruppa-vessels of the ḫamānu-flour ... |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.