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KUB 16.77 (tlh:KUB 16.77)
CTH 577
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| Designation | KUB 16.77 |
|---|---|
| ID | tlh:KUB 16.77 |
| Language | Hittite |
| Genre | CTH 577 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| obv. II | ||
| 1′ | [DINGIR-L]UM-na-aš A-NAINIM DUMU {M}ar-nu-wa-an-ta | Ilum-naš, the warrior, son of Arnuwanta |
| 2′ | [EZEN₄{MEŠ} še-e]r? {TÚG}še-ek-nu-un EGIR-pa Ú-UL nam-⸢ma⸣ ku-it-ki | At the festivals, the šeknu-garment; afterwards, it is not present. |
| 3′ | [SUD-ia-ši(?) nu IGI-z]i-iš MUŠEN˽ḪUR-RI SIG₅-ru EGIR-ma NU.SIG₅-du | ... and he looks at the bird of Ḫurri. Afterwards, he is not good. |
| 4′ | [IGI-zi-iš MUŠEN˽ḪUR-RI] SIG₅ EGIR NU.SIG₅ | He looks at the bird of Ḫurri; afterwards he is not good. |
| 5′ | [IGI-an-da SU{ME]Š} IR-u-en nu IGI-zi SU{MEŠ} SIG₅-ru EGIR-ma NU.SIG₅-du | He looks at the liver, and he sees the liver. The liver is good, afterwards it is not good. |
| 6′ | [ ZAG-z]a GÙB-za ar-ḫa-ia-an še-er-ma-aš-ši SAG.UŠ? | ... on the right, on your left, behind him, the head ... |
| 7′ | [ SI]G₅ EGIR SU{MEŠ} GÙB-li-kán RA-eš-ni | ... they libate ... behind the body, on your left. |
| 8′ | [ ] NU.SIG₅ | ... not good(low confidence: few signs survive) |
| 9′ | [IŠ-TU{LÚ}IGI.MUŠEN ER-TUM Q]A-TAM-MA-pát nu MUŠEN{ḪI.A} SI×SÁ-an-du | The bird of the stall stands there, and the birds sing. |
| 10′ | [ NI-M]UR na-aš-kán pé-an SIG₅-za ú-et na-aš 2-an | ... and before the good one, and two times |
| 11′ | [ -i]a-an GUN-li₁₂-an NI-MUR na-aš-kán EGIR UGU | ... he takes ... and he places it behind ...(lower confidence: line is broken) |
| 12′ | [SIG₅-za ú-et na-aš-kán] pé-an ar-ḫa pa-it EGIR KASKAL-NI ḫu-u-wa-aš tar-⸢liš⸣ | And he places it on the right side of the road, behind the road. |
| 13′ | [ú-et na-aš-kán EGIR U]GU SIG₅-za ú-et na-aš-kán pé-an ⸢ar-ḫa⸣ | And he, afterwards, upon your goodness, and he ... |
| 14′ | [pa-it UM-MA {M}ar-tum]-ma-an-na SI×SÁ-at-wa | ... thus Artummana, the horns ...(lower confidence: line is broken) |
| 15′ | [IŠ-TU{MUNUS}ŠU.GI ER-TUM QA-TA]M-MA-pát | ... the old woman ... opposite ...(lower confidence: line is broken) |
| obv. II | ... | |
| 16′ | [ ] ti-ia-an-zi ma-a-an-ma DINGIR{MEŠ} | ... they take, and when the gods(lower confidence: line is broken) |
| 17′ | [ ]x DUMU {M}ar-nu-wa-an-ta | ... son of Arnuwanta(lower confidence: line is broken) |
| 18′ | [ ḪU]L-u-an-ni pé-an Ú-UL ku-it-ki | ... he does not place it before ...(lower confidence: line is broken) |
| 19′ | [ nu IGI-zi-iš MU]ŠEN˽⸢ḪUR-RI⸣ SIG₅-ru EGIR-ma NU.SIG₅-du | And he looks at the good name of the Ḫurri-priest; afterwards he is not good. |
| 20′ | [ ] ... | |
| 21′ | [ ] ku-it TUKU.⸢TUKU⸣-a[t-ti SI×S]Á-⸢at⸣ | ... he places it on the hearth.(lower confidence: line is broken) |
| 22′ | [ EZEN₄{M]EŠ} GAM-an ḫa-ma-an-ká[n-t]e-eš nu-uš-ma-aš DINGIR{MEŠ} | ... the festivals take place, and the gods |
| 23′ | [DUMU {M}ar-nu-wa-an-t]a A-NAEZEN₄{MEŠ} še-⸢er⸣ TUKU.TUKU-u-an-te-eš | The son of Arnuwanta, for the festivals, he performs the libations. |
| 24′ | [ S]IG₅ | ... good(low confidence: few signs survive) |
| 25′ | [nu-uš-ma-aš DINGIR{MEŠ} DU]MU {M}ar-nu-wa-an-ta A-NAEZEN₄{MEŠ}-pát še-er | And the gods, the son of Arnuwanta, enter the festival. |
| 26′ | [TUKU.TUKU-u-an-te-eš nam-ma]-ma KI.MIN nu IGI-zi-iš MUŠEN˽ḪUR-RI SIG₅-ru | ... and likewise the bird of Ḫurri is good. |
| 27′ | [EGIR-ma NU.SIG₅-du IGI-z]i-iš MUŠEN˽ḪUR-RI SIG₅ EGIR NU.SIG₅ | Afterwards, he is not good. He looks at the bird of Ḫurri; afterwards he will not be good. |
| 28′ | [IGI-an-da SU{ME]Š} IR-u-en nu SU{MEŠ} SIG₅-ru ni ZAG-za ⸢GÙB⸣-za | before the liver, and the good liver, on your right and on your left |
| 29′ | [ ]x šal-li-iš ši ta ŠU-TI ZAG-na-aš | ... he takes, and he places it on his right hand. |
| 30′ | [ ]x-ke-ez-zi 10 {ŠÀ}DIR SIG₅ | ... 10 good clouds ...(lower confidence: line is broken) |
| 31′ | [nu DINGIR{MEŠ} DUMU {M}ar]-nu-wa-an-ta ku-it A-NAEZEN₄{MEŠ} | And the gods, son of Arnuwanta, together with the festivals |
| 32′ | [še-er TUKU.TUKU-at-ti S]I×SÁ-at nu-kán UN-an pa-ra-a ne-ia-an-zi | Afterwards, they take the horns, and they go to the other side. |
| 33′ | [nu-uš-ma-aš ma-a-an E]ZEN₄ na-aš-ma 𒑱ḫa-az-zi-wi₅ | And he says: “When the festival, and he ...(lower confidence: line is broken) |
| 34′ | [ku-it-ki kar-ša-a]n nu-uš-ma-ša-at e-eš-šu-u-wa-an | ... he libates, and he drinks ...(lower confidence: line is broken) |
| 35′ | [ti-an-zi nu-uš-ma-aš z]a-an-ki-la-tar SUM-an-zi ma-a-an-ma A-NADINGIR{MEŠ} | They set it up, and they give it to the gods. |
| 36′ | [ZI-an-za a-pé-e-e]z me-mi-ia-na-az wa-ar-ši-ia-at-⸢ta⸣-ri | ... and he speaks to him.(lower confidence: line is broken) |
| 37′ | [nu IGI-zi-iš MUŠEN˽ḪUR-R]I SIG₅-ru EGIR-ma NU.SIG₅-du IGI-zi-iš NU.SIG₅ EGIR SIG₅ | And he looks at the bird of Ḫurri. Afterwards, he is not good. He looks at (the bird of) the not good again. |
| 38′ | [nu-kán UN-an pa-r]a-a ne-ia-an-zi nu DINGIR{MEŠ} a-ri-ia-zi | Then they go out to the netherworld, and the gods come. |
| 39′ | [ma-a-an A-NADINGIR{M]EŠ} EZEN₄ na-aš-ma 𒑱ḫa-az-zi-wi₅ ku-it-ki | When to the gods of the festival, he places 71 ḫašiwi-vessels. |
| 40′ | [kar-ša-an na-a]t EGIR-pa e-eš-šu-u-wa-an ti-an-zi | ... and they set it back again.(lower confidence: line is broken) |
| 41′ | [nu za-an-ki-l]a-tar SUM-an-zi IT-TI{D}UTU-ŠI-ma-at | And they give them to the Sun-deity.(lower confidence: line is broken) |
| 42′ | [ ]x ŠAÉ.GAL-LIM maš-kán pé-e-da-an-zi | ... they go to the ... of the palace.(lower confidence: line is broken) |
| 43′ | [ nu IGI-zi-iš] MUŠEN˽ḪUR-RI SIG₅-ru EGIR-ma NU.SIG₅-du | And he looks at the bird of Ḫurri; afterwards he is not good. |
| 44′ | [IGI-zi-iš MUŠEN˽ḪUR-RI NU.SI]G₅ EGIR SIG₅ | He looks at the bird of Ḫurri, he is not good. Afterwards: good. |
| 45′ | [nu-kán UN-an p]a-ra-a ne-ia-an-zi nu DINGIR{MEŠ} a-ri-ia-zi | Then they go out to the netherworld, and the gods come. |
| 46′ | [ d]a-a-i EZEN₄{MEŠ}-ma ku-i-e-eš kar-ša-an-te-eš | ... he takes the festivals, and he places them in the quays. |
| 47′ | [ ḫa-p]u-uš-ša-an-zi GAM-an-na 𒑱za!-an-ki-la-tar ... | ... they libate, and he libates ...(lower confidence: line is broken) |
| 48′ | [SUM-an-zi IT]-TI?{D}UTU-ŠI-ma-at ku-it SI×SÁ-at | They give it to the Sun-deity, in place of the horn. |
| 49′ | [ ŠAÉ].⸢GAL-LIM⸣ pé-e-da-an-zi KI.MIN nu IGI-zi-iš | ... they go to the great house, ditto, and before ... |
| 50′ | [MUŠEN˽ḪUR-RI SIG₅-ru E]GIR-ma NU.SIG₅-du | (If) a Ḫurri-bird is good: he will not prosper. |
| 51′ | [IGI-zi-iš MUŠEN˽ḪUR-R]I SIG₅ EGIR NU.SIG₅ | He looks at the bird of Ḫurri; afterwards he is not good. |
| 52′ | [IGI-an-da SU{MEŠ} I]R-u-en nu SU{MEŠ} SIG₅-ru ni ši | He looks at the body of the city, and the body is good, and ... |
| 53′ | [ G]ÙB?-aš EGIR-pa du-wa-ar-na-an-za 12 {ŠÀ}DIR SIG₅ | ... behind it, in the courtyard, 12 good clouds ... |
| 54′ | [IŠ-TU{MUNUS}ŠU.GI E]R-TUM QA-TAM-MA-pát nu KIN SIG₅-ru | ... a reed-bed, likewise, and a good libation |
| 55′ | [ŠADINGIR{MEŠ} mi-nu-mar{Ḫ]I.A} ME-an-te-eš na-at DINGIR.MAḪ-ni SUM-an-te-eš | The gods give the libations, the rites, and the cult deities. |
| 56′ | [ ḪUL-l]u ME-an nu-kán an-da SUD-li₁₂ | ... evil ...(lower confidence: line is broken) |
| 57′ | [ p]é-an-za EGIR-an ar-ḫa kar-pí-in ME-aš | ... on the ground, behind the water vessel ... |
| 58′ | [nu-kán an-da SI]G₅-u-i SIG₅ | And he gives (it) to drink. Good.(lower confidence: line is broken) |
| 59′ | [{M}pí-iš-ši-li-i]n {M}ḫa-it-ti-li-in-na 𒑱a-ra-an-da-az | Piši-ili, Ḫatti-ilinna, Arandaz |
| 60′ | [ n]u-za {D}UTU-ŠI IT-TI{M}pí-iš-ši-li | ... and the Sun-deity with Pišsili ...(lower confidence: line is broken) |
| 61′ | [Ù IT-TI]⸢{M}⸣ḫa-it-ti-li ar-ḫa BAL-an-ti | ...ḫattili ... he breaks ...(lower confidence: line is broken) |
| 62′ | [GIDIM-ia(?) š]a-ra-a a-še-ša-an-zi nu-uš-ma-aš ŠU-TI te-pa-u-wa-az | ... they take the reed from the fire, and he takes the hand ... |
| 63′ | [ ]-zi nam-ma-aš za-ap-pa-an-ta-la-an-zi | ... and they take it away.(lower confidence: line is broken) |
| 64′ | [ma-a-an-k]án a-ši INIM {M}pí-iš-ši-li Ù {M}ḫa-it-ti-li | And he speaks to Pišsili and Ḫattili:(lower confidence: line is broken) |
| 65′ | [ke-e-e]z INIM-za la-a-it-ta-ri nu IGI-zi-iš MUŠEN˽ḪUR-RI | When he speaks, he turns back, and the bird before him. |
| 66′ | [SIG₅-ru EG]IR-ma NU.SIG₅-du IGI-zi-iš MUŠEN˽ḪUR-RI NU.SIG₅ | Afterwards, he is not good; he looks at the bird of Ḫurri. |
| 67′ | [ ] EGIR SIG₅ | ... afterwards, it is good.(low confidence: few signs survive) |
| 68′ | [IŠ-TU{MUNUS}Š]U.GI ER-TUM QA-TAM-MA-pát nu KIN SIG₅-ru | ... the hand of the šūgi-priestess, the ertum-offering, and the good work |
| 69′ | [DINGIR{MEŠ}(?) GUB-e]r pa-aḫ-ša-nu-mar MU-an-na ME-er | The gods stand, and they sing a song. |
| 70′ | [na-at pa-a]n-ka₄-u-i SUM-e-er NU.SIG₅ | He will give it at the threshing floor and he will not succeed. |
| 71′ | [IŠ-TU{LÚ}]IGI.MUŠEN ER-TUM QA-TAM-MA-pát nu MUŠEN{ḪI.A} SI×SÁ-an-du | The bird-watcher places it opposite the door, and the birds sing. |
| 72′ | [ t]ar-liš a-li-li-iš-ma-kán pé-an SIG₅-za ú-et | ... the tarliš-vessel of the āli-lašakkan, on top of your good ... |
| 73′ | [na-aš 2-a]n ar-ḫa pa-it ḫa-aš-ta-pí-iš tar-liš pa-an pa-it | And two times before the gate of Ḫašta-pi, behind the gate |
| rev. III | ||
| 1 | [ta-ma]-⸢a-i⸣-iš-ma-kán ḫa-aš-ta-pí-iš EGIR UGU SIG₅-za ú-⸢et⸣ | And he places the ḫaštapi-vessel behind the good one. |
| 2 | [na-aš-k]án pé-an ar-ḫa pa-it EGIR KASKAL-NI u-ra-ia-an-ni-iš-kán | And before he goes back to the beginning of his journey |
| 3 | [EGIR U]GU SIG₅-za ú-et na-aš-kán pé-an ar-ḫa pa-it | Afterwards, on your good side, he places it before the gate. |
| 4 | [UM-MA {M}]⸢ar⸣-tum-ma-an-na SI×SÁ-at-wa | Thus Artummana, the singer ...(lower confidence: line is broken) |
| 5 | [ma-a-an Š]A{M}pí-ia-aš-ši-li Ù ŠA{M}ḫa-it-ti-li! | When Piyašsili and Ḫattili(lower confidence: line is broken) |
| 6 | [e-eš-ḫar] šar-ni-in-ku-u-wa-an-zi ša-an-ḫe-eš-ke-ši | ... they libate to the šarninkuwa-priests, ...(lower confidence: line is broken) |
| 7 | [nu KIN N]U.SIG₅-du NU.SIG₅ | And he should not wear a cloak, (or) he will not be good. |
| 8 | [nu DINGIR-LU]M e-eš-ḫar-pát šar-ni-in-ku-wa-an-zi ša-an-ḫe-eš-ke-ši | And the gods libate to the šarninkuwa-vessels. |
| 9 | [nam-ma-ma K]I.MIN nu IGI-zi-iš MUŠEN˽ḪUR-RI NU.SIG₅ EGIR SIG₅ | Then ditto, and the eye of Ḫurri is not good; afterwards it is good. |
| 10 | [nu GIDIM{ḪI.A}(?) U]GU a-še-ša-nu-wa-an-zi nu-uš-ma-aš ŠU-TUM za!-az-ki-tal-la-an | And the ghosts on top of them, and then the hand ...(lower confidence: line is broken) |
| 11 | [ -z]i {D}UTU-ŠI-ma-za DA.BI-aš GIM-an UN{MEŠ}-aš | ... Šamaš-šimaza, together with the people ... |
| 12 | [ iš-ḫa-a]ḫ-ru-wa-za pár-ku-nu-zi a-pé-el-la-za QA-TAM-MA | ... he breaks it, and they take it away likewise. |
| 13 | [KI.MIN nam-ma]-ma EGIR-an UL-pát ša-an-ḫa-an-zi | Alternatively, they libate afterwards.(lower confidence: line is broken) |
| 14 | [nu-kán(?) INIM-z]a? a-ši INIM {M}pí-iš-ši-li {M}!ḫa-it-ti-li | And he speaks: “Piššili, Ḫattili(lower confidence: line is broken) |
| 15 | [la-a-it-ta-r]i nu SU{MEŠ} SIG₅-ru ZÍ ḫi-li-ip-ši-ma-an NU.SIG₅ | ... he libates, and the well-being of the liver is not good. |
| 16 | [ Š]ANUMUN EME e-eš-ša-an-zi nu MUŠEN˽ḪUR-RI | They take the seed of a tongue, and the Ḫurri-bird |
| 17 | [SIG₅-ru(?)] NU.⸢SIG₅⸣ | Good, not good.(low confidence: few signs survive) |
| 18 | [ a-p]é-el pa-an-ku-na-aš u-wa-da-an-zi | ... they bring before you ...(lower confidence: line is broken) |
| 19 | [ ] ⸢e⸣-eš-ḫa-na-az šar-ni-ik-ze-el te-pa-u-wa-az | ... he pours a libation to the šarnikze-vessel. |
| 20 | [SUM-an-zi na]-aš-kán EME GAM ap-pa-an-zi {D}UTU-ŠI-ma-za a-pé-el-pát〈〈za〉〉 | They give, and they take the tongue of the sea. The Sun-deity ... |
| 21 | [iš-ḫa-aḫ-ru-w]a-za ar-ḫa pár-ku-nu-zi a-pu-u-uš-ša | ... he pours a libation before him.(lower confidence: line is broken) |
| 22 | [ ]x-an-zi nu-uš-ma-aš ŠU-TUM *za*-az-ki-tal-la-an | ... they take, and the hand ...(lower confidence: line is broken) |
| 23 | [ -a]n-zi na-aš KASKAL-ši-aḫ-ḫa-an-zi ma-a-an-ma-an-na-aš-kán | ... and they go on the road, and ...(lower confidence: line is broken) |
| 24 | [a-ši INIM {M}]pí-iš-ši-li {M}ḫa-it-ti-li a-pé-ez-za INIM-za DUḪ-ri | And he speaks to Pišsili and Ḫittili, and he says the following words: |
| 25 | [nu IGI-zi-i]š MUŠEN˽ḪUR-RI SIG₅-ru EGIR-ma NU.SIG₅-du | And he looks at the bird of Ḫurri; afterwards he is not good. |
| 26 | [IGI-zi-iš] MUŠEN˽ḪUR-RI SIG₅ EGIR NU.SIG₅ | He looks at the bird of Ḫurri; afterwards he is not good. |
| 27 | [IGI-an-da S]U{MEŠ} IR-u-en nu SU{MEŠ} SIG₅-ru ni ši ta | before him, the hands of Waruen, and the well-being of the body ... |
| 28 | [ ]x 10 {ŠÀ}DIR SIG₅ | ... 10 good clouds(low confidence: few signs survive) |
| 29 | [IŠ-TU{LÚ}IG]I.MUŠEN ER-TUM QA-TAM-MA-pát nu MUŠEN{ḪI.A} SI×SÁ-an-du | The doorkeeper libates in the courtyard, and the birds sing. |
| 30 | [ tar-l]iš? a-li-li-iš-ma-kán EGIR UGU SIG₅-za ú-et | Afterwards, he places (it) upon your good ... |
| 31 | [na-aš tar-liš(?) p]a-an pa-it a-al-li-ia-aš-ma-kán pé-an | ... before the entrance of the door, before ... |
| 32 | [ ú-e]t na-aš GUN-liš zi-an u-et | ... and he carries a talent, and ...(lower confidence: line is broken) |
| 33 | [EGIR KASKAL-NI?] ⸢a⸣-li-li-in ta-pa-aš-ši-in-na tar-li₁₂-an NI-MUR | Afterwards, on the road, he pours a libation, and he libates. |
| 34 | [a-li-li-i]š-kán pé-an SIG₅-za ú-et na-aš 2-an ar-ḫa pa-it | ... before the good one ... ... two times he goes ... |
| 35 | [ta-pa-aš-ši-i]š-ma-aš-ši EGIR-an ḫu-u-wa-iš na-aš tar-liš | ... he libates. Afterwards, the ḫuwaš-vessel ... |
| 36 | [ pa-i]t UM-MA {M}kur-ša-{D}KAL SI×SÁ-at-wa | ... before ... Kurša-Šarru ...(lower confidence: line is broken) |
| 37 | [ ]x ku-it e-ni me-ek-ka₄-uš UN{MEŠ}-uš dam-me-eš-ḫa-an ḫar-ta | ... he places it on the ground, and the people, the dammešḫa-vessels ... |
| 38 | [GIDIM{ḪI.A}(?) š]a-ra-a a-še-ša-nu-wa-an-zi na-aš 𒑱za-ap-pa-an-tal-la-en-ti | ... the reed-beds ... they pour, and they libate ... |
| 39 | [na-aš dam-me-l]i pé-di KASKAL-ši-aḫ-ḫa-an-zi TI-an-da-aš-ma EME | Then they go up to the road, and the tongue ... |
| 40 | [ar-ḫa pár]-ku-nu-wa-an-zi {D}UTU-ŠI-ia-za pár-ku-nu-zi | They go straight away; they go to the Sun-deity. |
| 41 | [KI.MIN(?) K]IN SIG₅-ru DINGIR-LUM-za EGIR-an ar-ḫa kar-pí-in ME-aš | Alternatively, he performs a good libation to your god. Afterwards, after he has libated, |
| 42 | [nu-kán an-da] SIG₅-u-i I-NAUD 2{KAM} ḪUL-lu ME-an ... | And he speaks: “It is good, the second evil day ... |
| 43 | [na-at A-NA]⸢{D}⸣UTU AN SUM-an I-NAUD 3{KAM} pa-an-ku-uš-za ZAG-tar | And he gives it to Šamaš of heaven. On the third day, before you, the front |
| 44 | [TI-tar(?) iš-pa-a]n-du-zi-ia ME-aš na-at DINGIR.MAḪ pa-iš SIG₅ | ... he pours a libation to him. Then he speaks to the god: he is good. |
| 45 | [IŠ-TU{LÚ}IGI.MUŠEN E]R-TUM QA-TAM-MA-pát nu MUŠEN{ḪI.A} SI×SÁ-an-du | The bird of the steppe stands opposite it, and the birds sing. |
| 46 | [ ] pé-an SIG₅-za ú-et nu-za GAM-an a-ra-an tar-li₁₂-an | ... before you is good, and after you are good, he pours a libation. |
| 47 | [IK-ŠU-UD na-a]t? tar-li₁₂-an pa-an pa-a-er kal-mu-ši-in-ma | ... he goes before the door, and(lower confidence: line is broken) |
| 48 | [tar-li₁₂-an NI-MUR n]a-aš-za e-ša-at KA×U-ŠU-ma-za-kán tar-liš | ... he libates, and he places it in the mouth of the door. |
| 49 | [na-a-iš nu? E]R-TAM IR-u-en nu-kán a-li-li-iš pé-an | ... and ... he takes, and he goes before ...(lower confidence: line is broken) |
| 50 | [SIG₅-za ú-et na-a]š 2-an ar-ḫa pa-it EGIR KASKAL-NI a-aš-šu-ra-aš-šu-ra-aš | ... is good, and two times after the journey, aššaras&dvara ... |
| 51 | [ -i]š-ma tar-liš pa-an ú-et i-pár-wa-aš-ši-iš-ma | ... and he libates before him, and(lower confidence: line is broken) |
| 52 | [ {D}UT]U-un GUN-liš zi-an ú-et | ... the Sun-deity, the true one, ... |
| 53 | [UM-MA {M}ar-tum-m]a-an-na Ù {M}kur-ša-{D}KAL SI×SÁ-at-wa | Thus (says) Artummana and Kurša-Sin. |
| 54 | [IŠ-TU{LÚ}ḪAL ER-TUM QA-TA]M-MA-pát nu SU{MEŠ} SIG₅-ru IGI-zi SU{MEŠ} ni-kán | The cult actor performs the erru-offering opposite, and he looks at the best of the body parts. |
| 55 | [ -d]a-aš GÙB-aš ⸢ar-ḫa⸣-ia-an ši KASKAL 12 {ŠÀ}DIR | ... on the left, on the road 12 times(lower confidence: line is broken) |
| 56 | [ SIG₅ šu?-ri?]-⸢eš⸣ NU.SIG₅ | ... is good; the šuri? is not good.(lower confidence: line is broken) |
| rev. III | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.