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KUB 16.56+ (tlh:KUB 16.56+)
CTH 577
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| Designation | KUB 16.56+ |
|---|---|
| ID | tlh:KUB 16.56+ |
| Language | Hittite |
| Genre | CTH 577 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€2} obv. II | ||
| 1′ | ] ⸢ú?⸣-x [ | |
| 2′ | -i]š zi-an x[ | ... the right ...(low confidence: few signs survive) |
| 3′ | ]x UM-MA {m.D}GE₆-LÚ [ | ... because of the black-headed people ... |
| 4′ | {URU}ḫa]r-ša-la-aš-ša-an pa-ri-an p[a-it | He goes to Ḫaršala.(lower confidence: line is broken) |
| 5′ | ]x i-[ pé-r]a-an-ma-aš-ši ÉRIN{MEŠ} {URU}iš-t[i-ti-na | ... before him, the troops of Ištitina(lower confidence: line is broken) |
| 6′ | ]x ⸢LÚ⸣{MEŠ} {URU}ḪAT-TI-ma-aš x[ ]x ME-er nu! BÀD za-a-i[š | ... the men of Ḫattuma ... ... and he takes the ...(lower confidence: line is broken) |
| 7′ | ] INAUD 2{KAM} {LÚ}KÚR-za ZAG-tar ME-[aš INA]UD 3{KAM} LÚ{MEŠ} {URU}ḪAT-TI [ | ... on the 2nd day, the cult actor takes the lead. ... On the 3rd day the men of Ḫattu ... |
| 8′ | ]x MÈ-ia ME-an na-at [ ]-ri SIG₅ | ... a good storm ...(lower confidence: line is broken) |
| 9′ | IGI-z]i SU{MEŠ} SIG₅-ru EGI[R-ma NU.SIG₅-du IGI-zi(?) SU{M]EŠ} ni ši ir ta [ | He sees the well-being of the body, he looks at the unwell-being; he sees (them). The body ... ... |
| 10′ | ] EGIR SU{MEŠ} ZAG-za x[ N]U.SIG₅ | Afterwards, on your right ... good ... |
| 11′ | nu M]UŠEN{ḪI.A} SI×SÁ-an-du ḫa-aš-t[a-p]í-iš pa-an tar-liš pa-it ar-ši-in-ta-a[t-ḫi- | And the birds sing; on the ḫašta-pi-vessel, before the gate of Arši-intahi- |
| 12′ | ar-ḫ]a pa-a-er nu-uš-ma-š[a]-at TUŠ-at KA×U-ŠÚ-ma-aš-ma-aš-kán 2-an ar-ḫa n[e-ia-an-ta-at] | And he goes to the seat of the mouth, and two times he takes ... |
| 13′ | ú]-et na-aš 2-an ar-ḫ[a] pa-it 2 kal!-tar-ši-uš tar-li₁₂{ḪI.A}-uš pa-an pa-⸢e⸣-[er] | And he goes two times back. He takes two kaltar-ši-vessels and two tarli-beer bowls. |
| 14′ | ú]-et na-aš-kán EGI[R G]AM ku-uš ú-et na-aš-kán EGIR-pa EGIR UGU [SIG₅-za ú-et] | ... and he places it on the ground. ... ... again ... over your good ... |
| 15′ | ] UM-MA {m.D}GE₆-LÚ SI×SÁ-at | ... because the black-headed people drink ... |
| 16′ | N]I-MUR nusic MUŠEN{ḪI.A} ar-ḫa p[é]-eš-ši-an-du TI₈{MUŠEN}-kán pé-an ku-uš ú-et na-aš-kán pé-an ar-[ḫa pa-it | ... the birds ... he libates. The bird ... on the right ... and on the left ... |
| 17′ | na?-a]š-kán pé-an SIG₅-za [ú]-et nu-za EG[IR]-pa ME-aš na-aš-kán pé-an ku-uš ú-et | And before the good one, and afterwards, before the water, and before the ... |
| 18′ | ] ⸢2⸣-an ar-ḫa pa-it [E]GIR KASKAL-NI TI₈{MUŠEN}-kán pé-an ku-uš ú-et na-aš zi-an ku-uš pa-[it] | Afterwards, at the foot of the path of the road, the bird, before the ... and before the right ... |
| 19′ | [i-par-wa-as-ši-iš- {D}UT]U-un EGIR UGU [SI]G₅-za ú-et na-aš-kán pé-an ar-ḫa pa-it UM-MA {m.D}GE₆-LÚ a[r-ḫa-wa pé-eš-šer] | Iparwaši-Šamaš, afterwards, upon your good health, and he himself, before Arḫa, on the right side, thus says Šangi-šarre. |
| {€1+2} obv. 1′/obv. II | ||
| 20′ | [ ]x[ ]x x [ ]x-mu?-uš-ra-a-[ ]x ⸢EGIR⸣-an pa-iz-zi A-NA[{m}d]a-ad-da-ma-ru-ma ÉRIN{MEŠ} {URU}taḫ-ni-ša-ra | ... ... afterwards he goes to Daddamaru, the troops of Taḫnišara |
| {€1+2} obv. 2′/obv. II | ||
| 21′ | [ ] {URU}x[ L]Ú{MEŠ} {URU}⸢iš⸣-ti-⸢ti⸣-na ÉRIN{MEŠ} ŠU-TUM {URU}KÙ.BABBAR-TI x? pí-an-zi nu {URU}DU₆{ḪI.A} ŠA{URU}ú-ra-a | ... the men of the city of Iština, the troops of the hand of Kubarti ... they give, and the villages of Uraya |
| {€1+2} obv. 3′/obv. II | ||
| 22′ | [ GA]L ME-ŠE-⸢DI⸣ ⸢IGI-an-⸢da⸣ GUL-aḫ⸣-ḫa-an-zi GA[L] ⸢ME-ŠE⸣-DI-ia a-pé-e-da-ni-pát UD{KAM}-ti {URU}ú-ra-a-an GUL-aḫ-zi KI.MIN nu K[IN | The great bodyguards look at the torch. The chief bodyguard ... on the day of the festival in Ura, the torch, ditto, and the ... |
| {€1+2} obv. 4′/obv. II | ||
| 23′ | [ ]x-za ZAG-tar GÉŠPU ME-aš na-at-ši ZAG-za [GAR?]-ri INAUD 2{KAM} {LÚ}KÚR-za ZAG-tar ME-aš nu-kán an-da SUD-li₁₂ ... | ... to the right of the hearth, to the left of the liver ... he places on the right ... In the second šakku-prayer, to [the right of] the liver, he pounds ... |
| {€1+2} obv. 5′/obv. II | ||
| 24′ | [ L]Ú{MEŠ} {URU}ḪAT-TI-ma-aš KASKAL me-mi-an ḫa-aš-ta-a-[pí ] ME-er nu BÀD za-a-er nu ŠA{LÚ}KÚR ŠU {URUDU?}⸢GÍR?⸣ ME-an | ... the men of Ḫattumaš, on the road, he speaks: “Alas, ... he says, and he shouts, and the cult actor speaks: Hand of a Horse. |
| {€1+2} obv. 6′/obv. II | ||
| 25′ | [ ] A-NA{LÚ}KÚR IGI{ḪI.A}-wa SAG.DU-i [n]a-an-ši-kán ⸢ḫar⸣-ki GAR-ri SIG₅ | ... he places the eyes of the enemy on the head. He places the ḫarru-vessel, it is good. |
| {€1+2} obv. 7′/obv. II | ||
| 26′ | [IŠ-TU]{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu IGI-zi SU{MEŠ} SIG₅-ru [EGI]R-ma NU.SIG₅-du IGI-zi [S]U{MEŠ} ni-eš-kán ZAG-na pé-eš-ši-et | The cult actor performs the erru-offering opposite, and he looks at the body parts. Afterwards, he does not look good. The hands of the right side of the throne |
| {€1+2} obv. 8′/obv. II | ||
| 27′ | [ ]-kán ú-da-aš ke ZAG-za RA-IṢ nu-kán zu-lu-ul-⸢kiš⸣ ŠU-TUM ZAG-na!-aš! x? GAR-ri 10 {ŠÀ}DIR SIG₅ | ... on the right ... and on the left hand ... he places ... 10 good clouds ... |
| {€1+2} obv. 9′/obv. II | ||
| 28′ | [EGIR] ⸢SU⸣{MEŠ} ZÍ ḫi-li-ip-ši-ma-a[n] NU.S[IG₅] | Afterwards, the flesh of the ḫilippšiman-plant is not good. |
| {€1+2} obv. 10′/obv. II | ||
| 29′ | [IŠ-TU{LÚ}MUŠE]N.DÙ ER-TUM QA-TAM-MA-pát n[u MUŠEN{ḪI.A} SI×SÁ-an-du ] tar-liš [TU]Š?-an-za ⸢KA×U-ŠÚ⸣-ma-kán tar-liš pa-an ne-an-za | The stag-goat, the ertum-offering, likewise, and the birds sing. ... he places it before the door. |
| {€1+2} obv. 11′/obv. II | ||
| 30′ | [ ]x zi-an GUN-li[š ] na-aš 2-an ar-ḫa pa-i[t] | ... two talents ...(lower confidence: line is broken) |
| {€2} obv. II | ||
| 31′ | UM-M]A {m.D}GE₆-LÚ SI×SÁ-a[t-wa] | ... he speaks: “Sîn-šarri, the horns ... |
| {€2} obv. II | ... | |
| {€2} rev. III 1- | ||
| 4 | ... | |
| {€2} rev. III | ||
| 5 | ] a[r-ḫa-wa pé]-⸢eš-šer⸣ | ... he breaks ...(low confidence: few signs survive) |
| 6 | ] x an-da-an nu {URU}ta-wa-te-na GUL-a[ḫ-zi] | ... they bring ... and they turn the Tawatena.(lower confidence: line is broken) |
| {€1+2} rev. 1′/rev. III | ||
| 7 | {m}da-ad-da]-ma-ru(-)x [ {URU}i]š-ti-ti-na {URU}taḫ-ḫa-ni-ša-ra [ | Daddamaru ... the city Iština, the city Taḫanišara ... |
| {€1+2} rev. 2′/rev. III | ||
| 8 | {U]RU}ta-wa-te-na-a[n -i]a-az-zi nu-uš-ši ma-a-an {URU}ḫi-im-[mu-wa | he goes to Tawatena, and he says: “If Ḫimmuwa |
| {€1+2} rev. 3′/rev. III | ||
| 9 | ]x-mi KI.MIN nu KIN [ ] ME-er na-at-kán ša-ni-i MÈ [ | ... ditto, and ... ... the water, and the water ...(lower confidence: line is broken) |
| {€1+2} rev. 4′/rev. III | ||
| 10 | {U]RU}ḪAT-TI-ma-aš EGIR-an [ ME]-er nu BÀD za-a-iš IZI ME-an nu-kán [ | The city Ḫattuma ... afterwards ... ... and a libation ... the fire ... And ... |
| {€1+2} rev. 5′/rev. III | ||
| 11 | ] ⸢wa⸣-aš-⸢du⸣-li GAR-ri INAUD 3{KAM} [ ]x-iš [ ]x-an-na ME-aš na-aš A-NALÚ{MEŠ} {URU}ḪAT-TI ZAG-za GAR-ri S[IG₅] | ... he places it. In the third šūtu-commentary ... [... ...] ... and the water ... for the men of Ḫattu on your right ... good. |
| {€1+2} rev. 6′/rev. III | ||
| 12 | [IŠ-TU{LÚ}ḪAL] ER-TUM QA-TAM-MA-pát nu IGI-zi SU[{MEŠ} S]IG₅-ru EGIR-ma NU.SIG₅-du ⸢IGI?-zi?⸣ ni ši {GIŠ}TUKUL ZAG-aš ŠA⸢KIN⸣ KASKAL GÙ[B | The cult actor places a libation in the middle of the throne, and he looks at the well-being of the body. Afterwards, he does not look good; he speaks: “With the weapon on his right, the messenger of the road, ... |
| {€1+2} rev. 7′/rev. III | ||
| 13 | ] ZAG-aš 10 {ŠÀ}DIR SIG₅ x[ ]x{MEŠ} it-ḫi-iš ... NU.SIG₅ | ... on the right, 10 good šū-bowls ... ... with ... not good. |
| rev. 8′/rev. III | ||
| 14 | [IŠ-TU{LÚ}MUŠ]EN.DÙ ER-TUM QA-TAM-MA-pát nu MU[ŠEN]{ḪI.A} SI×SÁ-an-du SUR₁₄.DÙ{MUŠEN} GUN-l[i₁₂-a]n NI-MUR na-aš-kán pé-an ku-uš ú-et nu-za GAM-an [ | The bird of the hearth is opposite, and the birds sing. The šūtu-bird of the tail-li-bird, the ni-muri-plant, and before the ..., and then ... |
| {€1+2} rev. 9′/rev. III | ||
| 15 | [ IK-Š]U-UD na-at an-da e-re?-er na-⸢at⸣-kán pé-an SIG₅-za ú-e-er na-at 2-an ar-ḫa pa-a-er KA₅.A-ma-ká[n ] | ... he pours a libation, he enters, and before the good one he goes, and two times before the gate ... |
| {€1+2} rev. 10′/rev. III | ||
| 16 | [ ú-et n]a-aš-kán pé-an [a]r-ḫa pa-it ⸢EGIR⸣ KASKAL-NI ḫu-u-ša-a-aš-kán EGIR UGU ⸢SIG₅⸣-za ú-et na-aš pa-an tar-liš pa-i[t] | ... before Arḫa, before the road ... behind the good one, and before the gate ... |
| {€1+2} rev. 11′/rev. III | ||
| 17 | [i-pár-wa-aš-ši-iš-ma-ká]n ḫa-aš-ta-pí-eš {D}UTU-un EGIR UGU SIG₅-za ú-et na-aš 2-an ar-ḫa pa-it UM-MA {m.D}GE₆-LÚ S[I×SÁ-at-wa] | ... he libates. The Sun-god of the ḫašta-pi-vessel, afterwards, upon your good health, ... two times, at the border ... Thus (says) Ĝe-šar-uṣur, the singer ... |
| {€2} rev. III | ||
| 18 | [ MU]ŠEN{ḪI.A} NI-MUR nu MUŠEN{ḪI.A} ar-ḫ[a] pé-eš-ši-an-du 2 mar-ša-na-aš-ši-iš-kán pé-an SIG₅-za ú-e-er | ... the birds ... and the birds of Arḫa ... two maršaši-vessels ... on the good day ... |
| 19 | [ p]a-a-er a-li-li-iš-ma-kán EGIR UGU SIG₅-za ú-et nu-za EGIR-pa ME-aš na-aš-kán EGIR GAM ku-uš [ú-et] | ... he pours a libation. Afterwards, on top of the good one, and afterwards, after the water, he libates. |
| 20 | [ E]GIR KASKAL-NI pát-tar-pal-ḫi-eš-kán EGIR GAM ku-uš ú-et na-aš 2-an ar-ḫa pa-it | ... on the path of his journey he turns. Afterwards, he takes the ... and two times he goes. |
| 21 | [i-pár-wa-aš-ši- ] {D}UTU-un EGIR UGU SIG₅-za ú-et na-aš-kán pé-an ar-ḫa pa-it | he libates. ... the Sun-deity behind you, and he, on the right side, ... |
| 22 | [ ]-la še-eš-zi nu x[ ]x KUR za-ḫa-an UD{KAM}-az a-wa-an a[r-ḫa | ... he does not ... and ... the land, on the day, a word ... |
| 23 | [ ]-ša-an GUL-aḫ-z[i ma-a]n-ma-aš-ši {m}da-ad-da-ma-ru-uš [ | ... of the cult instrument, ... Daddamaru ...(lower confidence: line is broken) |
| 24 | [ ]x[ -a]n-zi nu {URU}ut-ku-ni-⸢ša⸣ [ | ... and Utkuniša ...(lower confidence: line is broken) |
| 25 | [ -z]i SI×SÁ-ri nu MUŠ[EN{ḪI.A} | ... he sings, and the birds ...(lower confidence: line is broken) |
| 26 | [ ú]-e-er šal!-u-wa-i[a- | ... he brings ...(low confidence: few signs survive) |
| 27 | [ UM-MA {M}za-pa-a]l-li(?) [ | Thus Zapalli ...(lower confidence: line is broken) |
| {€2} rev. III | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.