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KUB 13.35+ (tlh:KUB 13.35+)
CTH 293
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| Designation | KUB 13.35+ |
|---|---|
| ID | tlh:KUB 13.35+ |
| Language | Hittite |
| Genre | CTH 293 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€1} Kol. I | ||
| 1 | [MUNUS.LUGAL k]u-it Ú-NU-TUM A-NA{m}GAL-{D}10 DUMU {m}u[k-ku-r]a {LÚ}UGULA 10 | The queen ... to Rabi-Adad son of Ukkura the overseer ... |
| 2 | [{GIŠ}GIGI]R Ú-NU-UT ZABAR URUDU TÚG GADA {GIŠ}PAN {GI}GAG.TAG.GA {KUŠ}A-RI-TUM | ... a wooden chariot, a bronze kettle, copper ... linen cloth, linen bow, linen ... |
| 3 | [{GIŠ}TUKU]L NAM.RA GU₄ UDU ANŠE.KUR.RA ANŠE.GÌR.NUN.NA EGIR-pa *pé*-eš-ke-et | The oxen, sheep, horses, and mules afterwards |
| 4 | [nu] Ú-NU-TUM ku-it ku-e-da-ni pé-eš-ke-et na-at Ú-UL ši-ia-eš-ke-et | And he libates, and he does not libate.(lower confidence: line is broken) |
| 5 | nu-uš-ši 𒑱du-uš-du-mi-iš Ú-UL e-eš-ta 𒑱la-la-mi-eš-ši | And he does not perform the dupšdumi-rite, but he performs the lalamites. |
| 6 | Ú-UL e-eš-ta UM-MA MUNUS.LUGAL-MA pa-a-an-du-wa {LÚ.MEŠ}KUŠ₇.KÙ.SI₂₂ | And he does not go. Thus the queen goes: the goldsmiths |
| 7 | {LÚ.MEŠ}ša-la-aš-ḫu-uš MUNUS.LUGAL {m}GAL-{D}10-aš {m}uk-ku-ra-aš {LÚ}UGULA 10 | The šala-ḫuš-priests, the queen, Rab-Adad, Ukkura, the overseer of ten |
| 8 | ša-ku-wa-aš-ša-ru-uš I-NAÉ {D}le-el-wa-ni li-in-kán-du | The šakkuwašaruš-priests go to the house of the god Lulwani. |
| 9 | nu-wa {m}uk-ku-ra-aš {LÚ}UGULA 10 MUNUS.LUGAL li-in-kán-ta | And Ukkuraš, the overseer, ten queens ... |
| 10 | nu-za-kán li-in-ki-ia an-da kiš-an pé-e-da-aš | And he binds it on his neck. |
| 11 | Ú-NU-UT LUGAL-wa ku-it ku-it ḫar-ku-un nu-wa A-NAÚ-NU-UT LUGAL | ... the king ... |
| 12 | 𒑱ḫar-pa-na-al-la Ú-UL ku-wa-pí-ik-ki i-ia-an-ni-ia-nu-un | They do not eat the ḫarpanal-plant, they do not drink the kupik-plant. |
| 13 | nu-wa-za Ú-UL ku-it-ki da-aḫ-ḫu-un MUNUS.LUGAL-wa-mu ku-it | It is not in your power, it is in the power of the queen. |
| 14 | EGIR-pa pé-eš-ke-et nu-wa-kán ar-ḫa Ú-UL ku-it-ki pí-⸢ir⸣-nu-nu-un | Afterwards, he pours a libation, but he does not libate. |
| {€1+2} Kol. I 15/Rs.? | ||
| 1′ | ANŠE.KUR.RA-wa ANŠE.GÌR.NUN.NA ku-i[n ḫ]ar-⸢ku-un⸣ nu-wa-mu {GIŠ}L[E-U₅] | The horse, the chariot, and the ḫarkunnu-vessel ... |
| {€1+2} Kol. I 16/Rs.? | ||
| 2′ | 𒑱du-uš-du-ma-aš-ša ši-ia-an ⸢e⸣-eš-ta | And he gives it to him.(lower confidence: line is broken) |
| {€1+2} Kol. I 17/Rs.? | ||
| 3′ | nu-wa-mu I-NAKUR {URU}ka-ra-an-⸢du⸣-ni-ia-aš u-i-e-er | And he goes to Karanduniya.(lower confidence: line is broken) |
| {€1+2} Kol. I 18/Rs.? | ||
| 4′ | nu-wa ku-it-ma-an I-NAKUR {URU}ka-ra-an-du-ni-ia-aš pa-a-un | And he goes to Karanduniya. |
| {€1+2} Kol. I 19/Rs.? | ||
| 5′ | ku-it-ma-an-wa EGIR-pa ú-wa-nu-un nu-wa-kán EGIR-az | Afterwards, he libates, and afterwards |
| {€1+2} Kol. I 20/Rs.? | ||
| 6′ | 𒑱wa-al-wa-ia-al-li an-da Ú-UL ku-iš-ki pé-eš-ši-iš-ke-et | “The walwalli-vessel is not present. |
| {€1+2} Kol. I 21/Rs.? | ||
| 7′ | nu-wa a-pé-ez INIM-az GÙB-li-iš-šu-un | And he speaks thus: |
| {€1+2} Kol. I 22/Rs.? | ||
| 8′ | ma-a-an-ma-wa IŠ-TUKUR {URU}ka-ra-an-du-ni-ia-aš-ma ku-wa-pí | And he goes to Karanduniya. |
| {€1+2} Kol. I 23/Rs.? | ||
| 9′ | EGIR-pa ú-wa-nu-un nu-wa-mu {LÚ}pa-ra-a˽ú!-wa-an-da-an-na u-i-e-er | Afterwards, he libates, and the karāduwandana-priest returns. |
| {€1+2} Kol. I 24/Rs.? | ||
| 10′ | INIM 𒑱wa-al-wa-ia-al-la-aš-ma-wa-kán nam-ma EGIR-an kat-ta pa-it | The word of walwalašma-wān is thus: “Afterwards, on the left side, |
| {€1+2} Kol. I 25/Rs.? | ||
| 11′ | nu-wa-ra-at-mu 𒑱šal-l[a-k]ar-ta-tar 𒑱ku-pí-ia-ti-iš-⸢ma⸣-wa-ra-aš-mu Ú-UL [ku-iš-ki] | And the šallakarta-vessel and the kupiyatiš-mawara-beer are not present. |
| {€1+2} Kol. I 26/Rs.? | ||
| 12′ | LUGAL-ia-wa-kán me-mi-i[a-nu-u]š pa-ra-a Ú-UL ku-it-ki ta-me-en-⸢ga⸣-nu?-uš?-k[e?-mi?] | The king speaks, but he is not seated, and he does not speak. |
| {€1} Kol. I | ||
| 27 | nu-wa a-pa-a-at Ú-UL me-ma-aḫ-ḫu-un A-NALUGAL-wa-ra-at-kán | And he does not speak to the king. |
| 28 | me-er-nu-〈nu〉-un nu-wa-ra-at-za da-aḫ-ḫi | ... he places it before you. |
| 29 | ku-u-un-na-wa me-mi-an Ú-UL i-ia-mi ki-i-wa ku-it ka-ru-ú | He does not speak a word; instead, he prostrates himself. |
| 30 | li-in-ku-un E[GI]R-zi-ma-an-wa-za da-aḫ-ḫi ku-it-ki nu-wa-za a-pé-e-da-[n]i-ia | He places it on the throne, and he places it upon the neck. |
| 31 | me-mi-ni iš-ḫi-⸢ú⸣-la-aḫ-ḫa-an-za nu-wa-za EGIR-an Ú-UL ku-it-k[i] | He speaks, and he does not speak afterwards. |
| 32 | da-aḫ-ḫi 3 ANŠE.GÌR.NUN.NA{MEŠ} É.GAL-LIM-wa tu-u-ri-ia-an ḫar-ku-[u]n | He takes three horses from the palace, and he places them on the table. |
| 33 | nu-wa-ra-at e-k[er] nu-wa 2 ANŠE.GÌR.NUN.NA{ḪI.[A]} ka-ru-ú | ... he pours a libation. ... two karû-instruments ... |
| 34 | šar-ni-in-ku-un [1 AN]ŠE.GÌR.NUN.NA-ma-wa na-a-wi₅ šar-ni-ik-m[i] | ... he pours a libation. ... one lyre, he libates ... |
| {€3+1} Kol. I | ||
| 35 | {m}GAL-{D}10-aš-za-ká[n A-N]A˽PA-NIDINGIR-LIM pa-ri-ia-an ki-i IQ-BI | Rabi-Adad-ašzakan to Nabû-nādin-ilum ... |
| 36 | 3 NÍG.LÁ ANŠE.KUR.RA-w[a-z]a IGI.DU₈.A EZEN₄ MU{KAM} da-aḫ-ḫu-un | 3 nīgala-measures of horse(s) for the viewing of the festival of the year ... |
| 37 | 2 ANŠE.GÌR.NUN.NA{ḪI.A}-ia-w[a]-⸢za⸣ da-aḫ-ḫu-un nu-wa-ra-at-mu GAM-an e-ker | Two chariots he takes out, and he places them on the table. |
| 38 | 1 ANŠE.GÌR.NUN.NA-ma-wa ⸢A⸣-NA{m.D}10-ŠEŠ {LÚ}⸢SAG⸣ pé-eḫ-ḫu-un | One chariot, the Adad-šû, the eunuch, comes. |
| 39 | {KUŠ}KIR₄.TAB.ANŠE-wa-za {GIŠ}UMBIN{MEŠ}? TA-ḪAP-ŠI | The robes, the arrows, and the ... |
| 40 | NAM.TÚL-LUM GAL NAM.TÚL-LUM TUR-ia LIBIR.RA{MEŠ} da-aš-⸢ga⸣-nu-un | The great curse, the small curse, in the originals, he places. |
| 41 | {URUDU}IŠ-PÁR-DU {URUDU}ŠI-RI-NA-DU GIBIL{MEŠ} ku-w[a-pí?] ú-da-an-zi | They bring the new copper šurina-vessels to the ... |
| 42 | nu-wa GIBIL{MEŠ} ŠALUGAL ša-ak-la-a-i da-a[š-k]e-⸢nu⸣-un | And he places the new ones before the king. |
| 43 | LIBIR.RA{MEŠ}-ma-wa-mu ma-ši-wa-an ZI-an-za | The inscriptions of Mašmawamu are placed before you. |
| 44 | nu-wa-za a-pé-e-ni-⸢iš⸣-ša-an da-aš-ga-nu-un 1 {GIŠ}ME-ŠE-ED-DU-wa-za | And he places it on the table.(lower confidence: line is broken) |
| 45 | QA-DU{GIŠ}ŠA-ḪAR-KI-I da-aḫ-ḫu-un 2 {URUDU}PA-A-ŠU GAL-wa-za | The QA-DU-ŠA-ḪAR-KI-vessel is surrounded. Two copper bowls |
| 46 | [1? {URU]DU}šu-⸢um⸣-mi-it-ta-an-da-an-na da-aḫ-ḫu-un | One Šummittana-vessel ...(lower confidence: line is broken) |
| {€1} Kol. I | ||
| 47 | {TÚG}pár-na-an-na-wa ku-wa-pí ti-an-zi nu-wa {TÚG}pár-na-an | They place the kurnannu-garment, and they place the garment. |
| 48 | GIBIL I-NAÉ LUGAL da-aḫ-ḫi {TÚG}pár-na-aš LIBIR.RA-ma-wa | New in the house of the king, a cloak of red wool, |
| 49 | ku-iš nu-wa-mu ma-ši-wa-an ZI-an-za nu-wa-za a-pé-ni-iš-ša-an | Then he pours water into the libation vessel, and then he libates. |
| 50 | da-aš-ke-nu-un | he places. |
| {€1} Kol. II | ||
| 1 | MUNUS.LU[GAL?-i]a?-wa ku-e-da-aš UN{MEŠ}-aš ANŠE.GÌR.NUN.NA{ḪI.A} | The queen ... and the people, the horses ...(lower confidence: line is broken) |
| 2 | ma-n[i-i]a-aḫ-zi i-it-wa-aš-ma-aš pa-a-i am-mu-uk-ma-wa-ra-aš-kán | ... he takes, and he gives to Ammukmawaraš.(lower confidence: line is broken) |
| 3 | an-da wa-aḫ-nu-uš-ke-nu-un nu na-aš-šu am-me-el da-aḫ-ḫi | And he libates, and he speaks: “The lord of the libation |
| 4 | na-aš-ma-wa ta-me-el da-aḫ-ḫi nu-wa-aš-ši a-pu-u-uš pé-eḫ-ḫi | And he takes the tammu-vessel, and he places it on the hearth. |
| 5 | ANŠE.GÌR.NUN.NA{ḪI.A} É.GAL-LIM-ma-wa-za am-mu-uk EGIR-pa da-aḫ-ḫi | I said to the horses of the palace: “Go back and forth! |
| 6 | ta-me-e-da-ni-ma-wa ku-e-da-ni ANŠE.GÌR.NUN.NA | And he brings the chariot. |
| 7 | šar-ni-ik-zi-la-aš EGIR-pa pé-eḫ-ḫi | The šarnikzila-priest steps back. |
| 8 | nu-wa-aš-ma-aš SIG₅-an-du-uš Ú-UL-pát pé-eḫ-ḫi | And the good one does not come out. |
| 9 | NAM.RA-ma-wa-mu ku-in IŠ-TUÉ.GAL-LIM EGIR-pa pé-eš-ker | Namra-mawamu, he places it back in the palace. |
| 10 | nu-wa-za 1 {LÚ}AMA.A.TU 1 MUNUS-TUM-ia da-aḫ-ḫu-un | And he takes one mother, one daughter. |
| 11 | Ú-NU-UT É {NA₄}KIŠIB {URU}pár-ti-ia-wa-mu ku-it EGIR-pa pé-eš-ker | Then he places the seal of Partiyawamu on the house. He places it back again. |
| 12 | nu-wa-za ki-i da-aḫ-ḫu-un 2 GADA {URU}pa-la-a 1 {URUDU}ku-gul-la-aš | When he goes, two linen garments for Pala, one copper kettle |
| 13 | {m}GAL-{D}10-aš A-NAA-BI-ŠU up-pé-eš-ta 10 Ú-NU-UT ZABAR-wa-za | Rabi-Adad, for his sake, ten bronze bowls |
| 14 | 1 {GIŠ}ŠUKUR 1 NÍG.ŠU.LUḪ.ḪA 1 NAM-MA-AN-DUM URUDU 1 〈MA〉-AŠ-ḪA-A-LUM URUDU | 1 spear, 1 šulubḫa-vessel, 1 copper nammandum vessel, one copper vessel |
| 15 | 1 {URUDU}PA-A-ŠU GAL 1 {GIŠ}GIGIR TA-ḪAP-ŠI da-aḫ-ḫu-un | 1 large copper bowl, 1 wooden chariot, with it ... |
| 16 | nu-wa-ra-at A-NAAMA-IA up-pa-aḫ-ḫu-un | he libates to his mother. |
| 17 | [A-N]AIGI.DU₈.A{ḪI.A}-ma-wa ku-wa-pí ar-ḫa [ | ... the cult rites ...(lower confidence: line is broken) |
| 18 | [ ]x x[ ] 1-NU-TUM {TÚG}GÚ.È.A x[ | ... one pair of hems ...(lower confidence: line is broken) |
| 19 | ⸢da⸣-[aḫ-ḫu-un?] | ... he takes ...(low confidence: few signs survive) |
| 20 | A-NAGU₄{ḪI.A} [ -ḫ]a?-⸢ḫa-at⸣[ | For the oxen ...(lower confidence: line is broken) |
| 21 | nu-wa-za ku-wa-p[í ku-wa-pí]-ma-wa-za GU₄ UDU{ḪI.A} | ... he places, ... the oxen and sheep ...(lower confidence: line is broken) |
| 22 | ku-wa-pí-ma-wa-za [ ku-wa]-pí-ma-wa-za 2 GU₄{ḪI.A} [ | ... two oxen ...(lower confidence: line is broken) |
| 23 | na-aš-ma 3 GU₄{ḪI.A}[ ] 5? UDU{ḪI.A} da-aš-ke-nu-un-⸢pát⸣ | And he places three oxen and five sheep. |
| 24 | A-NAUDU{ḪI.A}-wa-kán x[ ]x-ma? 2 ME UDU{ḪI.A} | ... the priests ... and 200 sheep(lower confidence: line is broken) |
| 25 | Ú-UL ku-wa-pí-ik-ki d[a-aḫ-ḫ]u-un | And he does not libate, he libates(lower confidence: line is broken) |
| 26 | 3 GU₄{ḪI.A} {LÚ}ša-la-aš-ḫa-aš-wa-za da-aḫ-ḫu-un | Three oxen, the šala-ḫaš-wa-priest brings. |
| 27 | nu-wa-ra-aš-za ⸢I⸣-NAÉ-IA pé-en-na-aḫ-ḫu-un nu-wa-ra-at e-ker | Then he brings it into the house. He brings it in. |
| 28 | {GIŠ}PAN{ḪI.A} KÙ.SI₂₂ GA[R.RA-ma?-wa?-za? k]u-e MUNUS.LUGAL kap-pu-u-wa-et | The gold bows ... the queen ...(lower confidence: line is broken) |
| 29 | nu-wa-ra-at ḫé-e-š[a?-an? 𒑱l]a?-wa-ar-ri-ma ú-e-mi-ia-nu-un | And he libates, and he speaks:(lower confidence: line is broken) |
| 30 | KÙ.SI₂₂-wa-za ú-uk [ ] ... da-aḫ-ḫu-un | he places the gold ...(lower confidence: line is broken) |
| 31 | {GIŠ}PAN{ḪI.A}-ia-wa-za a-pé-⸢e⸣-[ez Ú-U]L da-aḫ-ḫu-un | ...the bows ... he takes ...(lower confidence: line is broken) |
| 32 | a-pád-da-ia-wa Ú-UL I-D[E ku?-i]š?-wa-ra-at 𒑱la-wa-ar-ri-it-ta | He does not go to the apadaya-priestess, he does not ... |
| 33 | GIM-an-ma-wa-ra-at u-uḫ-ḫu-[un] nu-wa-za-kán še-er na-a-ḫu-un | ... like a stag ... and he ...(lower confidence: line is broken) |
| 34 | nu-wa KÙ.SI₂₂ ŠAAMA-IA d[a-a]ḫ-ḫu-un nu-wa-ra-at a-pé-e-ez [ | And he takes the gold of his mother, and he pours it out. |
| 35 | ḫa-li-iš-ši-ia-nu-un a-pí-⸢ia⸣-ma-wa-ra-at ku-it | he libates to the apiyamawarat-plant,(lower confidence: line is broken) |
| 36 | Ú-UL AQ-BI UM-MA {m}pal-la-a {LÚ}KÙ.DÍM SAG.KI-i-wa-mu-kán | And he does not eat. Thus Pallâ, the cupbearer of the forehead. |
| 37 | le-e ti-ia-ši nu a-pád-da-⸢an⸣ UK-TAR | He takes the leek, and he pours it out. |
| 38 | {DUG}BUR.ZI {NA₄}KÁ.DINGIR.RA-wa-za Ú-UL da-aḫ-ḫu-un | The bowl of b.a.di-stone is not torn out. |
| 39 | ANŠE{ḪI.A}-wa ku-i-e-eš ḫar-ku-un nu-wa-za Ú-UL ku-it-ki | He takes the horses, but he does not take them. |
| 40 | da-aḫ-ḫu-un 5 ANŠE{ḪI.A}-wa e-ker nu-wa-ra-aš pár-na-za šar-ni-in-ku-un | He takes five horses, and he places them before you. |
| 41 | 5 ANŠE{ḪI.A}-wa dam-me-eš-ḫa e-ker nu-wa 5 DÙR{MEŠ} | 5 teams of dammēšḫa-sheep, and five horses |
| 42 | EGIR-pa u-un-na-an-zi u-un-na-an-zi-ma-wa-ra-aš na-a-wi₅ | Afterwards they bring (them) out, they bring them out. The nawi-official |
| 43 | 5 ANŠE{ḪI.A}-ma-wa {m}AMAR.MUŠEN-iš {LÚ}KAR-TAP-PU ḫar-ga-[nu]-ut | 5 stallions, Marduk-eš, the Šēp-tappu-priest, ... |
| 44 | nu-wa-ra-aš na-a-wi₅ šar-ni-ik-zi da-aḫ-ḫu-un-ma-wa-za | ... he libates to the šarnikzi-priest, to Ahunmawaza. |
| 45 | Ú-UL ku-it-ki | It is not sealed. |
| {€1} Kol. III | ||
| 1 | 30 ANŠE{ḪI.A}-wa-mu an-na-za pí-i-e-er | 30 teams of horses he gives to him. |
| 2 | ki-nu-un-ma-wa 13 ANŠE{ḪI.A} e-eš-zi | Kinunmawa takes 13 donkeys. |
| 3 | Ú-NU-UT É {NA₄}KIŠIB 2 GADA 2 PAD URUDU 6 {GIŠ}PAN 1 ME {GI}GAG.TAG.GA | ... of the house, a seal, 2 linen garments, 2 copper bowls, 6 bows, 100 (pieces of) reed. |
| 4 | 2 E.ÍB ZABAR 1 GADA.IGI{ḪI.A}-wa-aš 1 {URUDU}dam-mu-ú-ri-in-na da-aḫ-ḫu-un | Two bronze sashes, one linen cloth, one dimmer-stone. |
| 5 | iš-tar-ak-ta-wa-mu GIM-an-ma-wa ḫa-ad-du-li-iš-šu-un | Itarakta-wammu, like an ox, is its ḫaddulišu-vessel |
| 6 | nu-w[a?-z]a? 3 PAD URUDU 10 Ú-NU-UT ZABAR 10 {GIŠ}PAN 50 {GI}GAG.TAG.GA | ... 3 bundles of copper, 10 bronze bowls, 10 bows, 50 ... |
| 7 | ka[p-p]u-u-wa-nu-un {GIŠ}PISAN-ia-wa-kán A-NA{m}ib-ri-LUGAL-ma | ... and the chariot to Ibri-šarri(lower confidence: line is broken) |
| 8 | Ú-UL ku-in-ki u-uḫ-ḫu-un AQ-BI-ia-wa Ú-UL ku-in-ki | He does not bind it, he does not tie it. |
| 9 | UM-MA {m}ma-ru-ú-wa 1-NU-TUM ANŠE.GÌR.NUN.NA{ḪI.A}-ia | Thus Maruwa, one team of horses |
| 10 | A-NA{m}ḫe-el-la-ri-iz-zi pé-eš-ta UM-MA {m}GAL-{D}10 | to Ḫel-larizzi he speaks thus: Rabi-Adad |
| 11 | A-NA{m}ḫe-el-la-ri-iz-zi-wa ANŠE.GÌR.NUN.NA{ḪI.A} tu-uk-kán-zi | to Ḫel-larizziwa with the chariots they hold. |
| 12 | da-aḫ-ḫu-un EGIR-pa-ma-wa-aš-ši kur-ku-uš pé-eḫ-ḫu-un | Afterwards, he pours a libation. |
| 13 | UM-MA {m}ma-ru-ú-wa [ AN]ŠE.GÌ[R.N]UN.NA{ḪI.A}-wa A-NA{m}p[í-ḫ]a-{D}10 {L[Ú}S]A[G?] | Thus Maruwa of the chariots to Piḫa-Adad, the cupbearer, |
| 14 | pé-eš-ta UM-MA {m}GAL-{D}10 [Ú?-UL?-wa-r]a-at ŠATÙR | Above, thus Rabi-Adad, he does not ... |
| 15 | UM-MA {m}ia-ar-ra-za-al-ma {LÚ}KUŠ₇.[KÙ.S]I₂₂ | Thus Yarrazalma, the goldsmith.(lower confidence: line is broken) |
| 16 | {m}zu-wa-ap-pí-iš-wa-za 1 ANŠE.KUR.RA pa-[ra-a u]š-ša-ni-ia-at | Zuwapišwaša takes one horse ... |
| 17 | nu-wa-za GUN URUDU da-a-aš UM-MA {m}G[AL-{D}]10 am-mu-uk-wa-ra-an ak-kán-ta-an IQ-BI | And he places a talent of copper. Thus (says) Rabi-Adad: “I ammūk-wāra, and he speaks: |
| 18 | 1 ANŠE.GÌR.NUN.NA-wa-za {m}ia-ar-ra-PAP-aš d[a]-a-aš | One chariot, Iara-nāṣir, the ... |
| 19 | 1 ANŠE.GÌR.NUN.NA-ma-wa-za {m}ma-ru-wa-aš [d]a-a-aš e-še-er-ma-wa-ra-at NIN.GABA{MEŠ} | One chariot, Maruwaš, beside it, he libates; the male and female singers |
| 20 | UM-MA {m.D}10-mi-im-ma {m}ŠEŠ-zi-iš {m}ma-ru-ú-wa-aš | Thus (says) Adad-mima, Šuzi, Maruwa. |
| 21 | {m}ia-ar-ra-za-al-ma-aš {m}pal-la-a-aš {m}ia-ar-LÚ-iš DUMU {m}tu-ut-tu | Iarrazalma, Palla, Iar-ši, son of Tuttu |
| 22 | {m}ia-ar-ra-LÚ-iš DUMU {m}la-ḫi-na-LÚ PA-NIDINGIR-LIM-wa | Iarra-ši, son of Laḫina-Sîn, before the god |
| 23 | kiš-an me-mi-er ma-a-an-wa-an-na-aš ANŠE.KUR.RA ANŠE.GÌR.NUN.NA | Then he speaks: “He, the horse, the chariot |
| 24 | ŠAMUNUS.LUGAL pa-ra-a uš-ša-ni-ia-⸢u⸣-[e]n na-aš-ma-wa-ra-an-kán wa-aḫ-nu-um-me-en | The queen goes out, and he places it on the altar. |
| 25 | tu-u-ri-ia-u-e-ni-wa-an-na-aš Ú-[U]L nu-wa-ra-an-kán dam-mi-eš-ḫa | To Turiyauniwana, and to Dammi-ešḫa(lower confidence: line is broken) |
| 26 | Ú-UL ku-in-nu-um-mi-en {LÚ.ME[Š}MAḪ-R]I-NI-ia-wa-an-na-aš ku-i-e-eš | The cult singers do not sing. |
| 27 | nu-wa-za ma-a-an ANŠE.KUR.RA ANŠE.[GÌR.NUN.NA ku-iš-k]i da-a-aš | And he says: “If the horse and the chariot are in your hand, |
| 28 | na-aš-ma-wa-ra-an-za-an pa-ra-a[ uš-ša-ni-ia-at?] | And he places it before him.(lower confidence: line is broken) |
| 29 | na-aš-ma-wa-ra-an-kán wa-a[ḫ-nu-ut? na-aš-ma-wa-ra-an-ká]n | And he places it on the altar, and ...(lower confidence: line is broken) |
| 30 | ku-iš-ki ku-in-ta [ | ... with a cloth ...(lower confidence: line is broken) |
| 31 | me-ma-u-e-ni-ma-wa [ | Memenimawa ...(lower confidence: line is broken) |
| 32 | na-aš-ma ANŠE.GÌR.[NUN.NA | And the horse ...(lower confidence: line is broken) |
| 33 | nu-wa-ra-an tu-u-r[i-ia-an | ... he takes away, he brings ...(lower confidence: line is broken) |
| 34 | nu-wa-ra-an u-wa-x[ | ... he ...(very low confidence: a guess) |
| 35 | EGIR-pa-ma-wa-⸢ra⸣-[ ] wa-x[ | Afterwards ...(lower confidence: line is broken) |
| 36 | [nu]-wa-ra-[ ] kap-pu-[ | ... a stag ...(lower confidence: line is broken) |
| 37 | [ a-pé]-e-da-ni kat-ta [ | ... below ...(lower confidence: line is broken) |
| 38 | [{m}k]u-uk-ku-uš-ma {LÚ}ša-la-aš-ḫa-aš a-ra-aḫ-za | Kukkušma, the šala-priest, to Araḫza |
| 39 | UM-MA {m}ḫa-pa-LÚ {m}kaš-šu-ú {m}tar-ú-i-iš-ši-ia-aš | Thus (says) Ḫapa, Kašša, and Taruišiya. |
| 40 | {m}pal-lu-ú-uš {m}ga-aš-ga-A.A-aš {m}ku-un-ni-iš {m}ma-ga-al-lu-ú-uš | Palluwuš, Gašigaya, Kunni, Magalluwa, |
| 41 | {m}a-pát-ti-ti-iš {m}ḫu-ḫa-ar-ma-ti-iš {m}zu-wa-a-aš | Apatitiš, Ḫuḫarmati, Zuwa, |
| 42 | {m}mu-tar-kiš {m}a-la-li-im-mi-iš {m.D}IŠTAR-LÚ-iš {m.D}30-SUM-aš | Mutarkiš, Alalimmi, Ishtar-aḫi, Sîn-iddin |
| 43 | {m}zi-da-a-aš {m}a-la-mu-u-wa-aš-ša DUMU.NITA | Zidaya, Alamuwaša, the son |
| 44 | {m}tar-wa-aš-ki-iš {m}zu-wa-a-aš {m}šal-u-i-ni-iš ŠU.NÍGIN 20 {GIŠ}GIGIR | Tarwaski, Zuwaš, Šaluini, a total of 20 chariots |
| 45 | {GIŠ}UMBIN {GIŠ}GIGIR A-TAR-TUM KÙ.BABBAR KÙ.SI₂₂ {KUŠ}A-RI-TUM | a spear, a chariot, an axe, silver, gold, and a leather bag; |
| 46 | {GIŠ}TUKUL {GIŠ}PAN {GI}GAG.TAG.GA 𒑱pár-za-aš-ša Ú-NU-UT ZABAR | a weapon, a bow, an arrow, and a bronze ... |
| 47 | {URUDU}PA-A-ŠU GAL {URUDU}ḪA-AṢ-ṢI-IN-NU GÍR! GAL ZABAR | The large copper bowl, the large bronze ... |
| 48 | GADA {TÚG}pár-na-an TA-ḪAP-ŠU ŠAMUNUS.LUGAL ku-e ḫar-u-e-[ni] | The linen cloth, the linen cloth ... the queen ... |
| {€1} Kol. IV | ||
| 1 | nu-un-na-aš da-a-u-en Ú-UL ku-it-ki wa-aḫ-nu-um-me-e-ni-wa-kán | And he speaks: “It is not yours, Waḫnummeniwa. |
| 2 | Ú-UL ku-it-ki na-aš-ma-wa {GIŠ}GIGIR A-TAR-TUM {GIŠ}UMBIN | And he does not bow down, and the chariot, the throne, the spear |
| 3 | tu-u-ri-ia-an ḫar-u-e-ni GIM-an-ma-wa-ra-at zi-in-nu-um-me-e-ni | “It is the tūrūya of the ḫarû-vessel like a stag’s horn. |
| 4 | nu-wa-ra-at EGIR-pa ú-du-um-me-e-ni | Afterwards, he libates. |
| 5 | nu-wa-ra-at-kán A-NAMI-NU-TI an-da ti-ia-u-e-ni | “Your breast-bone is a tiyūnû-container. |
| 6 | na-aš-ma-wa GADA {TÚG}pár-na-an du-um-me-e-ni | And he takes the linen cloth and the cloak. |
| 7 | nu-wa-ra-an-kán wa-aḫ-nu-um-me-e-ni na-aš-ma-wa-kán ar-ḫa | And he libates to Waḫnumme, and he prostrates himself. |
| 8 | da?-⸢a⸣-li-ia-u-e-ni na-aš-ma-wa-za {LÚ}MAḪ-RI-NI | ... the cult actor ...(lower confidence: line is broken) |
| {€3+1} Kol. IV | ||
| 9 | [{GIŠ}GIG]IR {GIŠ}UMBIN {GIŠ}GIGIR A-TAR-TUM KÙ.BABBAR KÙ.SI₂₂ | ... a chariot, a wooden pole, an axe, silver and gold ... |
| 10 | Ú-NU-UT ZABAR {GIŠ}TUKUL {GIŠ}PAN {GI}GAG.TAG.GA GADA {TÚG}pár-na-an | Then the bronze weapon, the bow, the linen cloth, the cloak |
| 11 | da-a-aš na-aš-ma-wa {GIŠ}UMBIN LUGAL SIG₅-an-da-an | And he places the spear of the king on the table. |
| 12 | pa-a-i ku-⸢e⸣-da-ni-ik-ki EGIR-pa-ma-wa du-wa-ar-na-an-du-uš | He takes the kudikku-vessel. Afterwards, the Duwarnanduš |
| 13 | 3 da-a-i na-aš-ma-wa-za zi-la-ti-ia {LÚ}MAḪ-RI-NI | Three times he places it, and the cult actor libates. |
| 14 | ku-it-ki da-a-i an-za-a-aš-ma-wa-ra-at Ú-UL me-ma-u-e-ni | He places it on the throne, but he does not speak. |
| 15 | na-aš-ma-wa-an-na-aš an-za-a-aš zi-la-du-wa ku-it-ki | And he places it on the throne. |
| 16 | du-um-me-e-ni ⸢Ú⸣-NU-TUM-ša-ma-aš ku-it LIBIR.RA | And he places it on the throne. Copy of the original. |
| 17 | ma-a-an Ú-NU-UT [ma]-⸢a⸣-an {GIŠ}GIGIR {GIŠ}UMBIN GADA {TÚG}pár-na-an | And if the chariot, the linen cloth, and the cloak |
| 18 | ka-ru-ú ku-⸢it⸣[ A]D-DIN na-at GAM-an ar-ḫa GAR-ru | The karû-vessel is the ... of the threshing floor. It is placed behind. |
| 19 | ki-nu-un-ma z[i-la-d]u-wa 𒑱mi-iš-ti-in le-e | True, Ziladuwa, the lion(lower confidence: line is broken) |
| 19a | da-at-te-e-ni | he shall pay. |
| 20 | UM-MA {m}ar-la-wi₅-iz-zi PA-NIDINGIR-LIM-wa-za-kán | “Arla-wizzi, the companion of the god, |
| 21 | ki-i an-da pé-e-da-aḫ-ḫi {m}ib-ri-LUGAL-ma-aš-wa-mu ku-e ku-e | Iri-šar-mašwamu ... |
| 22 | Ú-NU-TE{MEŠ} EGIR-pa ma-ni-ia-aḫ-da nu-wa-ra-at ú-da-aḫ-ḫu-un | Afterwards, he libates to Maniyaḫda, and he brings ... |
| {€1} Kol. IV | ||
| 23 | nu-wa-ra-at A-NA{m}GAL-{D}10 EGIR-pa ma-ni-ia-aḫ-ḫu-un | And he goes back to Rab-Šarruma. |
| 24 | ma-a-an-ma-wa {GIŠ}PISAN iš-kal-la-aḫ-ḫu-un na-aš-ma-wa {NA₄}KIŠIB | And he holds the cloak, and he places the seal. |
| 25 | du-wa-ar-na-aḫ-ḫu-un na-aš-ma-wa-za da-aḫ-ḫu-un ku-it-ki | And he places it on the table. |
| 26 | na-aš-ma-wa-za {m}GAL-{D}10-aš ku-it-ki da-a-aš | And he places it before the Great-deity of the Storm-god. |
| 27 | nu-wa-ra-at Ú-UL me-ma-aḫ-ḫu-un | he does not speak, |
| 28 | UM-MA {m}ḫu-uz-zi-ia {LÚ}DUB.SAR GIŠ Ú-NU-TE{MEŠ}-wa-mu | Thus Ḫuzziya, the scribe, the wood-carriers, |
| 29 | ku-it ku-it ši-ia-a-an pí-i-e-er nu-wa-ra-at SIG₅-in | He places it, he places it in the mouth, and he is good. |
| 30 | ar-nu-nu-un {NA₄}KIŠIB-wa Ú-UL du-wa-ar-na-aḫ-ḫu-un | The seal is not sealed. |
| 31 | {GIŠ}PISAN-ia-wa Ú-UL iš-kal-la-aḫ-ḫu-un | He does not hold the scepter. |
| 32 | ú-da-aḫ-ḫu-un-wa-ra-at A-NA{m}GAL-{D}10 EGIR-pa ma-ni-ia-aḫ-ḫu-un | And he brings it back to Rab-Šarruma. |
| 33 | na-aš-ma-wa-za {m}GAL-{D}10-aš ku-it-ki da-a-aš | And he places it before the Great-deity of the Storm-god. |
| 34 | nu-wa-ra-an Ú-UL me-ma-aḫ-ḫu-un | He does not speak. |
| 35 | UM-MA {m}uk-ku-ra {LÚ}UGULA 10 MUNUS.LUGAL I-NAKUR {URU}ka-ra-an-du-ni-ia-aš-wa-mu | Thus (says) Ukkura, the overseer: 10 queens go to Karanduniyašwamu. |
| 36 | ku-wa-pí u-i-e-er nu-wa-mu {GIŠ}LE-U₅ ku-e | He brings the kupi-vessel, and he places it on the table. |
| 37 | ŠAANŠE.KUR.RA ANŠE.GÌR.NUN.NA{ḪI.A} e-eš-ta nu-wa-ra-at an-da ši-ia-nu-u[n] | He takes the horses and the chariots, and he gives them to him. |
| 38 | ku-it-ma-an-ma-wa I-NAKUR {URU}ka-ra-an-du-ni-ia-aš pa-a-un | He places it on the border of Karanduniya. |
| 39 | ku-it-ma-an-wa EGIR-pa ú-wa-nu-un nu-wa-ra-at Ú-UL nam-ma | Afterwards, he libates; he does not drink. |
| 40 | ši-ia-a-nu-un 𒑱la-la-mi-eš-ša Ú-UL ši-ia-a-an-za | he libates, but he does not libate. |
| 41 | nu-wa-kán pa-ra-a a-pád-da-an-pát uš-ke-nu-un | And he places it before him. |
| 42 | GIM-an-wa ANŠE.KUR.RA{ḪI.[A} AN]ŠE.GÌR.NUN.NA{ḪI.A} an-da a-ri | When he brings the horses and the chariots down, |
| 43 | nu-wa-ra-at QA-TAM-MA š[i-ia-a-m]i nu-wa-ra-at-mu 𒑱šal-la-⸢kar⸣-ta-t[ar] | Then he pours a libation. Likewise, he libates. He pours one šalla-karttar-vessel. |
| 44 | 𒑱ku-pi-ia-ti-iš-ma-[wa-ra-a]š-mu Ú-UL ku-iš-ki | The kupiyatišmawara-vessel is not present.(lower confidence: line is broken) |
| 45 | pa-ra-a-ia-kán Ú-UL u-uḫ-ḫu-un mar-ta-ri-wa-ra-at-kán | And he does not fill it, Martariwarat. |
| 46 | nu-wa-ra-at-kán a-aš-zi ANŠE.KUR.RA-wa-za ANŠE.GÌR.NUN.NA | And he takes the horse and the mules. |
| 47 | Ú-UL da-aḫ-ḫu-un pé-eḫ-ḫu-na-wa-ra-an Ú-UL ku-e-da-ni-ik-ki | He does not bring it out, he does not hold it back. |
| 48 | [ANŠE].GÌR.NUN.NA{ḪI.A}-wa ku-i-e-eš me-mi-er ḫar-ker-wa-ra-at | ... the horse, the ... of the ḫarkerwa-vessel,(lower confidence: line is broken) |
| 49 | [ T]ÙR?-⸢kán⸣ tar-ni-er 1 ANŠE.GÌR.NUN.NA-wa-za | ... he takes one stag-horse. |
| 50 | [{m}ia-ar-ra-za]-al-ma-aš da-a-aš 1 ANŠE.GÌR.NUN.NA-ma-wa-za | Iarazalmaš, the one of the chariots,(lower confidence: line is broken) |
| 51 | [{m}m]a-ru-ú-wa-aš da-a-aš | Maruwaš ...(lower confidence: line is broken) |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.