KUB 1.17 (tlh:KUB 1.17)
CTH 591
Open in the reader & map →See it among all tablets
| Designation | KUB 1.17 |
|---|---|
| ID | tlh:KUB 1.17 |
| Language | Hittite; Hattic |
| Genre | CTH 591 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| Vs. I | ||
| 1 | pár-ša-na-a-u-wa-aš-kán {LÚ}SAGI.A-aš | The cupbearer breaks it. |
| 2 | ú-ez-zi ták-kán DUMU.É.GAL LUGAL-i | He comes, and the palace official speaks to the king. |
| 3 | ge-nu-wa-aš GADA-an da-a-i | He places the linen cloth on the throne. |
| 4 | LUGAL-uš GUB-aš {D}UTU {D}me-ez-zu-ul-la | The king stands before the Sun-deity and Mezulla. |
| 5 | a-aš-šu-zé-e-ri KÙ.SI₂₂ e-ku-zi | He drinks the gold ašša-ze-ri-vessel. |
| 6 | LUGAL-uš ḫu-u-up-pa-ri ši-pa-an-ti | The king libates a libation. |
| 7 | iš-ga-ru-ḫi-it še-er e-ep-zi | He takes the šaruḫi-vessel. |
| 8 | GEŠTIN-an-kán la-a-ḫu-wa-a-an | he pours wine. |
| 9 | {[LÚ]}SAGI.A-aš 1 NINDA.GUR₄.RA [E]M-ṢA | The cupbearer libates one loaf of bread. |
| 10 | [a-a]š-ga-az IT-TIBI-[I]B-RI ú-da-i | ... he brings ...(low confidence: few signs survive) |
| 11 | L[Ú{M]EŠ}˽{GIŠ}BANŠUR-kán IŠ-⸢TU⸣{GIŠ}BANŠUR LUGAL | The tablemen at the table of the king(lower confidence: line is broken) |
| 12 | 2 NIN[DA.GU]R₄.RA KU₇ da-a-i LUGAL-i pa-a-i | He places two sweet loaves of bread before the king. |
| 13 | LUGAL-uš pár-ši-ia-zi | The king breaks it. |
| 14 | LÚ{MEŠ}˽{GIŠ}BANŠ[UR-ká]n [ ] ⸢A-NA⸣LUGAL NINDA.GUR₄.RA{ḪI.A} | The tablemen ... for the king, the loafs ...(lower confidence: line is broken) |
| 15 | da-an-zi na-aš-š[a-a]n EGIR-pa ŠALUGAL | They take it, and afterwards the king(lower confidence: line is broken) |
| 16 | {GIŠ}BANŠUR-i ti-an-⸢zi⸣ GIŠ.{D}INANNA GAL | He places it on the table; the great lyre |
| 17 | {LÚ.MEŠ}ḫal-li-ia-ri-⸢e⸣-eš SÌR-RU | The cult singers sing.(lower confidence: line is broken) |
| 18 | {LÚ}ALAM.ZU₉ me-ma-⸢i⸣ {LÚ}ki-i-ta-aš | The cult actor speaks; the recitation priest |
| 19 | ḫal-za-a-i | he shouts, |
| 20 | nu-ú te-e ták-ki-ḫal ⸢ta⸣-ba-ar-na | |
| 21 | ša-i-il zi-ip-t[i-p]í-il | |
| 22 | tu-u-ḫu-ru-up-te-eš e[š-t]a-pár-ti-li-iš | |
| 23 | šu-un-ti tu-un-ti [ ] pa-la-a | |
| 24 | wu-ur-u-mu-ú ta-x[ ]-ra | |
| 25 | wu-ru-ú-ši-mu-ú x[ ]x-ra | |
| 26 | a-na-a-ḫu mi-ša-⸢a⸣ [ ša-a-i]-il | |
| 27 | zi-ip-ti-wa-i[l ]x-ma-a | |
| 28 | wu-ú-ru-ši-mu-ú [le-wu-u?]-ur | |
| 29 | ku-un-ku-na-a m[a? ]-ma | |
| 30 | ⸢ta⸣-ba-ar-na [ ]-u | |
| 31 | ka-a-na-ḫi-iš [ ]-iš | |
| 32 | ša-a-i-u ši-⸢e⸣-[ga-a-ra]-an | |
| 33 | kur-ku-pé-en-na [ši-e-ga-a-ra-a]n | |
| 34 | wu-ru-še-mu-⸢ú⸣ [ši-e-ga-a-ra-a]m | |
| 35 | nu-ú-pa-še wu⸢⸣-[ú-ru-še-mu-ú ] | |
| 36 | {URU}a-ri-in-n[a ] | |
| 37 | ši-pa-ḫa-ar x[ ] | |
| 38 | li-iḫ-zu-x[ ] | |
| 39 | eš-ta-pár-t[i-li-iš -z]i-⸢iš⸣ | |
| 40 | ta-pár-ši-x[ {URU]}⸢a⸣-ri-in-na-a | |
| 41 | ša-i-i[l -w]u⸢⸣-nu-un | |
| 42 | u-mu-ú [ -n]a-a wu-ru-še-mu-ú | |
| 43 | ša-i-u [ši-e-ga-ra]-⸢a⸣-an kur-ku-pé-en-na | |
| 44 | ši-e-ga-⸢a⸣-[ra-an] {⸢D}?⸣me-ez-zu-ul-la-an | |
| 45 | ši-e-g[a-a-ra]-an | |
| 46 | nu-wa-a-š[i {D}?me-ez-z]u-ul-la kur-ku-pé-en-na | |
| 47 | ki-i-š[a(-) ]x-iz-zi | |
| 48 | ša-ḫa-r[u(-) ]x-al-wa-pí-iz-za | |
| 49 | ša-ḫa-[ru?(-) ]x-wa-aš-ke-e-eš | |
| 50 | a-wa-aš [ ]x(-)wa-re-e-eš | |
| 51 | ma?-w[a? ]- x-⸢ip⸣-ra | |
| 52 | pa?-[ ]-da | |
| 53 | x [ ] x | |
| Vs. I | ... | |
| 60′ | x [ ] | |
| 61′ | nu {L[Ú} ] | and the man(low confidence: few signs survive) |
| 62′ | zi-i[z-zi-in-na {D}ḫa-an-wa-šu-ú-it] | |
| 63′ | kal-ga-[le-en-na] | |
| 64′ | ⸢ta⸣-az-[za-aš-ne-e-er kur-ku-we-en-na] | |
| Vs. I | ... | |
| Vs. II | ||
| 1 | ta-aš-ši-e-ga-ra-a-am | |
| 2 | wu-ru-še-mu-ú ta-aš-ši-e-ga-ra-a-am | |
| 3 | nu-ú-pa-a-ši wu-ú-ru-še-mu-ú | |
| 4 | kur-ku-pé-en-na ta-ba-ar-na | |
| 5 | li-iḫ-zi-iḫ-ku-wa-a-aš | |
| 6 | LUGAL-uš e-eš-zi UGULA {LÚ.MEŠ}MUḪALDIM | The king comes; the overseer of the cooks |
| 7 | nam-ma-ia 3 {LÚ.MEŠ}MUḪALDIM | Then three cooks |
| 8 | ḫa-aš-ši-i ta-pu-uš-za | he places it on the hearth. |
| 9 | ti-en-zi nu 3 TA-PA[L {G]IŠ}ḫa-ap-ša-li | he takes, and three times the ḫappšali-vessel |
| 10 | pa-ra-a ap-pa-an-zi | they go out. |
| 11 | {NINDA}wa-ga-a-ta-aš-ša-an | a bread of wagata-bread |
| 12 | ki-it-ta-ri LUGAL-uš-kán | The king, |
| 13 | tu-u-wa-az QA-TAM da-a-i | He places it opposite. |
| 14 | nam-ma-at-kán pa-ra-a | and he takes it away |
| 15 | pé-e-da-an-zi | they bring. |
| 16 | na-aš-ta pár-aš-na-a-u-wa-aš | And he breaks it. |
| 17 | {LÚ}SAGI.A-aš ú-ez-zi | The cupbearer comes. |
| 18 | {[LÚ}A]LAM.ZU₉ ki-iš-ša-an | The cult actor speaks thus: |
| 19 | [m]e-⸢ma⸣-i | he speaks.(low confidence: few signs survive) |
| 19 | i-ma-ḫu ša-i-il | |
| 20 | ka-a-at-ti kur-ku-pé-en-na | |
| 21 | wi-du-uš ka-a-pár-wu-u-ur | |
| 22 | wa-aš-ḫa-wu-un li-ig-ga-ra-a-an | |
| 23 | wu-ru-še-mu-ú kur-ku-wi-en-na | |
| 24 | eš-ta-a-we-er! wa-ri-ul-li | |
| 25 | zi-ip-ti-wa-*〈〈x〉〉*-il | |
| 26 | eš-ta-pár-ti-li-iš | |
| 27 | GAL DUMU{MEŠ}.É.GAL-ma-kán | the chief of the palace servants |
| 28 | {GIŠ}ḫa-⸢at⸣-tal-la-an {NA₄}ZA.GÌN | The ḫattalla-vessel of lapis lazuli |
| 29 | an-da pé-e-da-i ta-an LUGAL-i | He places it before the king. |
| 30 | {GIŠ}kar-na-ši-ia kat-ta-an da-a-i | He places it on the table. |
| 31 | LUGAL-uš TUŠ-aš ⸢{D⸣}IŠKUR | The king, while seated, the Storm-god |
| 32 | {⸢D}IŠKUR {URU⸣}z[i-i]p-pa-la-da | the Storm-god of Zipsalada(lower confidence: line is broken) |
| 33 | IŠ-⸢TUBI-IB-RI⸣ GU₄ KÙ.SI₂₂ | a gold ox(lower confidence: line is broken) |
| 34 | e-ku-zi iš-ga-ru-ḫi-it | he drinks in the libation vessel. |
| 35 | še-er e-ep-zi {LÚ}SAGI.A | The cupbearer takes it. |
| 36 | 1 NINDA.GUR₄.RA EM-ṢA a-aš-ga-az | 1 sour loaf of bread for the ašga-offering |
| 37 | IT-*TI*BI-IB-RI ú-da-i | ... he brings. |
| 38 | LÚ{MEŠ}˽{GIŠ}BANŠUR-ma-kán | The tablemen |
| 39 | IŠ-TU{GIŠ}BANŠUR LUGAL 2 NINDA.GUR₄.RA KU₇ | At the table of the king, two sweet loaves of bread |
| 40 | da-an-zi ta LUGAL-i | They take it from the king. |
| 41 | pí-an-zi LUGAL-uš pár-ši-ia | They give; the king breaks it. |
| 42 | LÚ{MEŠ}˽{GIŠ}BANŠUR-kán LUGAL-i | The tablemen bring it to the king. |
| 43 | NINDA.GUR₄.RA{ḪI.A} da-an-zi | They take the loafs. |
| 44 | na-aš-⸢kán⸣ EGIR-pa A-NA{GIŠ}BANŠUR LUGAL | And then to the table of the king(lower confidence: line is broken) |
| 45 | ti-ia-an-zi GIŠ.{D}INANNA GAL | They take the great lyre. |
| 46 | {LÚ.MEŠ}ḫal-li-ia-ri-e-eš | The cult singers |
| 47 | SÌR-RU {LÚ}ALAM.ZU₉ | The cult actor sings. |
| 48 | me-ma-*〈〈x xx xx x〉〉-i* | He speaks ... |
| 49 | mi-i-ša-a ša-a-i-il | |
| 50 | zi-ip-ti-pa-a-i-il | |
| 51 | ša-a-i-u li-ig-ga-ra-a-an | |
| 52 | [ku]r-ša-a-we-en-na-a | |
| 53 | [li-i]g-ga-ra-a-an ša-a-ru-u | |
| 54 | [li-i]g-ga-ra-a-*〈〈an〉〉*-an | |
| 55 | [nu-ú-pa-a-li ša]-⸢a⸣-ru-u | |
| 56 | [ ] ta-ba-ar-na | |
| 57 | [ ]-⸢e⸣-šu-ú | |
| 58 | [ ]-⸢ši⸣-el | |
| 59 | [ ]-pu | |
| 60 | [ te-ḫu-uz-z]i-ia | |
| Vs. II | ... | |
| Vs. III | ||
| 1 | ša-a-i-u li-ig-ga-[ra-a-an] | |
| 2 | kur-ku-we-en-na-a li-ig-[ga-ra-a-an] | |
| 3 | zi-ip-pa-la-an-ti | |
| 4 | li-ig-ga-ra-a-〈an?〉 nu-ú-pa-a-[li | |
| 5 | zi-ip-pa-la-an-ti-ia [ | |
| 6 | kur-ku-we-en-na-a tu-u-x[ | |
| 7 | ša-a-i-il za-a-pa-ga [ | |
| 8 | zi-ia!-aḫ-šu-un [ | |
| 9 | ma-aš-pu le!-wu-[u?-ur | |
| 10 | te-ḫu-uz-zi-[ia ] | |
| 11 | ma-aḫ-ḫa-an-ma-kán {L[Ú}SAGI.A | And the cupbearer(lower confidence: line is broken) |
| 12 | ŠA{D}IŠKUR BI-I[B-RU pa-ra-a | The Storm-god goes out. |
| 13 | pé-e-da-i {LÚ}A[LAM.ZU₉ me-ma-i | He goes; the cult actor speaks. |
| 14 | EGIR BI-IB-R[I Ú-UL ku-iš-ki | Afterwards, he does not drink.(lower confidence: line is broken) |
| 15 | me-ma-i m[a-aḫ-ḫa-an | He speaks: ...(low confidence: few signs survive) |
| 16 | {LÚ.MEŠ}NAR [GIŠ.{D}INANNA{ḪI.A} | The singers, the lyres(lower confidence: line is broken) |
| 17 | ka-ri-nu-w[a-an-zi | they libate.(low confidence: few signs survive) |
| 18 | nu {LÚ}ALA[M.ZU₉ | and the cult actor(low confidence: few signs survive) |
| 19 | me-ma-[i | he speaks.(low confidence: few signs survive) |
| 20 | zi-⸢iz⸣-[zi-in-na | |
| 21 | {D}ḫa-[an-wa-šu-ú-i-it | |
| 22 | kal-[ga-le-en-na? | |
| 23 | wa-[ | |
| 24 | kur-[ku-we-en-na | |
| 25 | [ ]-⸢x-ga?-ra?-x⸣[ | |
| 26 | [ ]x-ap?-te | |
| 27 | [ š]a-a-i-il | |
| 28 | TU₇˽Ì ti-an-*〈〈zi〉〉*-zi | he places it in a bowl. |
| 29 | na-at šar-ra-an-zi | they take. |
| 30 | LÚ{MEŠ}˽{GIŠ}BANŠUR-ma | the tablemen |
| 31 | {GIŠ}ḫa-ap-ša-al-li | the ḫapšalli-vessel |
| 32 | da-an-zi GAL ME-ŠE-DI pé-ra-an | They take the chief of the bodyguards before |
| 33 | ḫu-u-wa-a-i ta-aš ḫa-aš-ši-i | he pours, and he libates. |
| 34 | ta-pu-uš-za ti-ia-zi | he stands at the side. |
| 35 | ták-kán wa-al-aḫ-ḫi-ia-aš | And the walahḫiya-vessel |
| 36 | {DUG}KAB.KA.DÙ-an | a jar |
| 37 | an-da ú-da-an-zi | they bring in. |
| 38 | ša-an A-NAGIŠ.{D}INANNA{ḪI.A} | When to the chanters |
| 39 | ta-pu-uš-za ti-an-zi | They set it on your chest. |
| 40 | nu wa-al-ḫi A-NADUMU{MEŠ}.É.GAL | and the walhu-offering to the palace servants |
| 41 | ME-ŠE-DI{ḪI.A} ḫu-u-ma-an-da-a-aš | The ... of the bodyguards |
| 42 | a-še-eš-ni-ia ḫu-u-ma-an-ti | he places it before me. |
| 43 | šar-ra-an-zi | they take. |
| 44 | nu GAL ME-ŠE-DI te-ez-zi | And the chief of the bodyguards comes. |
| 45 | wa-al-ḫi ir-ḫa-a-an | he fills the waalḫu-vessel |
| 46 | na-aš-ta pár-aš-na-a-u-wa-aš | And he breaks it. |
| 47 | {LÚ}SAGI.A-aš ú-ez-zi | The cupbearer comes. |
| 48 | {LÚ}ALAM.ZU₉ ḫa-at-ti-li | The cult actor of Ḫattili |
| 49 | ki-iš-ša-an me-ma-i | He speaks thus: |
| 50 | i-ma-a-ḫa ša-a-i-il | |
| 51 | ú-ug-ga wa-ar-wu-u | |
| 52 | šu-ug-ga wa-ar-wa-aš-ḫa-ap | |
| 53 | zi-ip-ti-pa-i-il | |
| 54 | ka-at-ti kur-ku-we-en-na | |
| 55 | pí-i-du-uš ka-a-pár-wu-u-un | |
| 56 | wa-aš-ḫa-wu-*ú*-un | |
| 57 | li-ig-ga-ra-a-an | |
| 58 | wa-ru-ú-še-mu kur-ku-pé-en-n[a | |
| 59 | [eš-t]a?-[a-w]e[?]-e-er[ | |
| 60 | [ ] [ ] | |
| Vs. III | ... | |
| Rs. IV | ... | |
| Rs. IV | ||
| 16′ | {⸢NINDA⸣}š[a?- | bread ...(low confidence: few signs survive) |
| 17′ | GIŠ.{D}INANNA ... [ | The lyre ...(low confidence: few signs survive) |
| 18′ | {LÚ.MEŠ}ḫal-li-ia-r[i-eš | The cult singers(lower confidence: line is broken) |
| 19′ | SÌR-RU {LÚ}ALAM.[ZU₉ | The cult actor sings.(lower confidence: line is broken) |
| 20′ | me-ma-i {LÚ}pal-w[a-tal-la-aš | He speaks; the chanter ...(lower confidence: line is broken) |
| 21′ | pal-wa-a-ez-[zi | ... he goes ...(low confidence: few signs survive) |
| 22′ | {LÚ}SAGI.A *1* [NINDA.GUR₄.RA | The cupbearer takes one loaf of bread. |
| 23′ | a-aš-ga-az ú-d[a-i | ... he brings ...(low confidence: few signs survive) |
| 24′ | LUGAL-i pa-a-i L[UGAL-uš | He gives it to the king; the kin[g] |
| 25′ | pár-ši-ia na-a[n pa-ra-a | He breaks it, and ...(lower confidence: line is broken) |
| 26′ | pé-e-da-i [pár-aš-na-a-u-wa-aš | He brings it before the prašna-vessel. |
| 27′ | {LÚ}SAG[I.A-aš ú-ez-zi | The cupbearer comes.(lower confidence: line is broken) |
| 28′ | LUGAL-i-⸢kán⸣ [ | The king ...(low confidence: few signs survive) |
| 29′ | ge-nu-w[a-aš GADA-an da-a-i | He takes the linen cloth.(lower confidence: line is broken) |
| 30′ | [LU]GAL-uš T[UŠ-aš ] | The king, while seated,(low confidence: few signs survive) |
| 31′ | [ ]x[ ] | |
| Rs. IV | ... | |
| Rs. IV 51″ | [ ]x[ | |
| Rs. IV 52″ | [ ]x[ | |
| Rs. IV 53″ | [ {L]Ú}ALA[M.ZU₉ | the cult actor(low confidence: few signs survive) |
| Rs. IV 54″ | [me-ma-i] {LÚ}ki-i-t[a-aš | He speaks: the kiitta-official(lower confidence: line is broken) |
| Rs. IV 55″ | [ḫal-za]-⸢a⸣-i pár-aš-na-a-⸢u⸣-[wa-aš | He libates; he breaks.(lower confidence: line is broken) |
| Rs. IV 56″ | {⸢LÚ⸣}SAGI.A ú-ez-[zi | The cupbearer comes.(lower confidence: line is broken) |
| Rs. IV 57″ | DUMU.É.GAL-kán ge-nu-[wa-aš | The palace official ...(lower confidence: line is broken) |
| Rs. IV 58″ | GADA-an da-a-[i | He takes the linen cloth.(lower confidence: line is broken) |
| Rs. V | ... | |
| Rs. V | ||
| 7′ | LUGAL-u[š pár-ši-ia | The king breaks it.(lower confidence: line is broken) |
| 8′ | pár-aš-na-a-u-[wa-aš {LÚ}SAGI.A | The cupbearer libates.(lower confidence: line is broken) |
| 9′ | ú-ez-zi g[e-nu-wa-aš GADA-an | He comes, and the linen cloth ...(lower confidence: line is broken) |
| 10′ | da-an-[zi | they take(low confidence: few signs survive) |
| 11′ | LUGAL-uš GUB-aš {D}ka-pu-ku-uz-z[i | The king, standing, libates to Kapukuza. |
| 12′ | e-ku-zi {LÚ.MEŠ}NA[R | He drinks; the singers...(lower confidence: line is broken) |
| 13′ | {URU}ka-ni-iš SÌR-[RU | Kaniš sings(lower confidence: line is broken) |
| 14′ | {LÚ}SAGI.A 1 NINDA.GUR₄.R[A | The cupbearer [takes] one loaf of bread |
| 15′ | a-aš-ga-az ú-⸢da⸣-i | he places it on the ground.(lower confidence: line is broken) |
| 16′ | LUGAL-i pa-a-i LUGAL-uš pár-ši-ia | The king takes it; the king breaks it. |
| 17′ | pár-aš-na-a-u-aš-kán {LÚ}SAGI.A | The cupbearer breaks it. |
| 18′ | ú-ez-zi ge-nu-wa-aš | he comes, the libation vessel |
| 19′ | GADA-an da-an-zi | They take the linen cloth. |
| 20′ | [LUGAL-u]š [G]UB-aš {D}UTU ŠA-ME-E | The king, standing, speaks to the Sun-deity. |
| 21′ | [ ]x-mi-it e-ku-zi | ... he drinks.(low confidence: few signs survive) |
| 22′ | [GIŠ.{D}INANN]A [G]AL {LÚ.MEŠ}ḫal-li-ia-ri-eš | The great lyre, the cult singers |
| 23′ | [SÌR]-⸢RU {LÚ}SAGI⸣.A 1 NINDA.GUR₄.RA | The cupbearer sings; one loaf of bread |
| 24′ | [a-aš-g]a-az ú-da-i | ... he brings ...(low confidence: few signs survive) |
| 25′ | [LUGAL-i] pa-a-i LUGAL-uš pár-ši-ia | The king takes it; the king breaks it. |
| 26′ | pár-[aš-na]-a-u-aš-kán {LÚ}SAGI.A | The cupbearer breaks it.(lower confidence: line is broken) |
| 27′ | ú-e[z]-zi | he goes.(low confidence: few signs survive) |
| 28′ | LUGAL-u[š GU]B-aš IŠ-TUBI-IB-RI UR.MAḪ KÙ.SI₂₂ | The king, standing, libates to the golden lion. |
| 29′ | {ḪUR.S[AG}a-g]a-ši-pa-an e-ku-zi | He drinks in the Agašipa-temple.(lower confidence: line is broken) |
| 30′ | {LÚ.MEŠ}[NAR] SÌR-RU | The singers sing.(lower confidence: line is broken) |
| 31′ | {LÚ.}A[LAM.Z]U₉ me-ma-i | The cult actor speaks.(lower confidence: line is broken) |
| 32′ | {LÚ}ki-i-[ta-aš] ḫal-za-i | The recitation priest sings.(lower confidence: line is broken) |
| 33′ | {LÚ}SAG[I.A] 1 NINDA.GUR₄.RA | The cupbearer [takes] one loaf of bread |
| 34′ | a-aš-ga-⸢az⸣ ú-da-i | he brings to the side.(lower confidence: line is broken) |
| 35′ | LUGAL-i pa-[a-i L]UGAL-uš pár-ši-ia | He gives it to the king; the ki[ng] breaks it. |
| 36′ | na-an-kán [pa-ra]-⸢a⸣ pé-e-da-i | And he takes it out.(lower confidence: line is broken) |
| 37′ | pár-aš-na-⸢a!⸣-[u-aš {LÚ}SAGI.A | The cupbearer ...(lower confidence: line is broken) |
| 38′ | ⸢ú-ez⸣-z[i | ... they go ...(low confidence: few signs survive) |
| Rs. V 39′– | ||
| 53′ | ... | |
| Rs. V 54″ | [ta]-⸢ba⸣-a[r-na] | |
| Rs. V 55″ | x-ḫa-a-an(-)[ ] | |
| Rs. V 56″ | a-aš-ḫu-uz [ ] | |
| Rs. V 57″ | le-e-wa(-)ḫ[u(-) ] | |
| Rs. V 58″ | le-e-wa(-)ku-⸢ú⸣(-)[ ] | |
| Rs. V 59″ | eš-ta-a-pár-ti-l[i-iš ] | |
| Rs. V 60″ | ma-a-an-kán {LÚ}N[AR ŠUM-MI LUGAL] | Where does the singer of the king's seed |
| Rs. V 61″ | ú-e-ri-ia-zi {[LÚ]}⸢ALAM.ZU₉⸣ | The cult actor comes.(lower confidence: line is broken) |
| Rs. V 62″ | me-ma-i {LÚ}pal-⸢wa-tal⸣-la-aš | He speaks to the chanter.(lower confidence: line is broken) |
| Rs. VI | ||
| 1 | pal-wa-a-ez-...[zi | ... he ...(very low confidence: a guess) |
| 2 | ša-a-i-u li-ig-ga-ra-a-a[m | |
| 3 | li-ig-ga-ra-a-am ḫa-wa-an-t[a-li-i | |
| 4 | li-ig-ga-ra-a-am nu-ú-pa-l[i | |
| 5 | ḫa-wa-an-ta-li-i kur-ku-we-e[n-na | |
| 6 | ta-ba-ar-na wa-a-ra-i-šu [ | |
| 7 | ḫa-ap-tu-u-ru še-ep-še-[il? ] | |
| 8 | ka-ia-aḫ-šu du-up-pu li-wu-u-[ur ] | |
| 9 | te-ḫu-uz-zi-ia wa-ḫa-a iz-zi-[wa- ] | |
| 10 | a-ḫa-a kur-ku-we-en-na li-iz-zi-ip-t[i-wa-i-il | |
| 11 | ta-ba-ar-na li-iz-zi-ip-ti-wa-i-i[l] | |
| 12 | nu-ú-pa-li ta-ba-ar-na kur-ku-pé-en-na | |
| 13 | pa-ak-kat-te-en-na li-ik-ka-at-ti | |
| 14 | i-ia-aḫ-šu-ú le-e-wa-at-ka-at-ti | |
| 15 | le-e-ep-pí-nu-ú le-e-ep-ak-ku-ú | |
| 16 | le-e-wa-ru-un eš-ta-a-pár-ti-li-iš | |
| 17 | ma-aḫ-ḫa-an-ma-kán {LÚ}NAR ŠUM-MI LUGAL | And the singer of the king's seed |
| 18 | ú-e-ri-ia-zi {LÚ}ALAM.ZU₉ me-ma-i | The cult actor speaks. |
| 19 | {LÚ}pal-wa-tal-la-aš pal-wa-a-ez-zi | The chanter chants. |
| 20 | wa-a-ḫa-a iz-zi-wa-ḫa-a kur-ku-we-en-na | |
| 21 | iz-zi-ip-ti-pí-i-il ta-ba-ar-na-aš | |
| 22 | iz-zi-ip-ti-pí-i-il nu-ú-pa-a-ši | |
| 23 | ta-ba-ar-na kur-ku-we-en-na | |
| 24 | ka-a-at-taḫ-na-a li-ka-a-at-taḫ | |
| 25 | i-ia-aḫ-šu-ú še-e-wa-ka-at-taḫ | |
| 26 | še-ep-pí-nu še-e-wa-ak-ku-ú | |
| 27 | še-e-wu-ru-ú eš-ta-a-pár-ti-li-iš | |
| 28 | ma-aḫ-ḫa-an-ma-kán {LÚ}SAGI.A LUGAL-i | And the cupbearer of the king |
| 29 | GAL-AM ⸢e⸣-ep-zi {LÚ}ALAM.ZU₉ | The chief cult actor takes it. |
| 30 | Ú-UL me-ma-i ma-aḫ-ḫa-an GIŠ.{D}INANNA{ḪI.A} | He does not speak before the lyres. |
| 31 | ka-ri-nu-wa-an-zi {LÚ}ALAM.ZU₉ me-ma-i | The cult actor speaks. |
| 32 | zi-iz-zi-in-na {D}ḫa-an-wa-šu-ú-i-it | |
| 33 | kal-ga-le-en-na wi-u-ul | |
| 34 | ta-az-za-aš-ne-e-er kur-ku-we-en-na | |
| 35 | ta-aš-ši-ig-ga-ra-a-am ka-am-ma-ma-a | |
| 36 | ta-aš-ši-ig-ga-ra-a-am nu-ú-pa-a-ši | |
| 37 | ka-am-ma-ma kur-ku-we-en-⸢na⸣ | |
| 38 | ta-ba-ar-na li-iḫ-zi-ku-wa-⸢a⸣-[aš | |
| 39 | pár-aš-na-a-u-aš-kán {LÚ}⸢SAGI⸣.A-aš ⸢ú⸣-[ez-zi] | The cupbearer comes.(lower confidence: line is broken) |
| 40 | LUGAL-uš TUŠ-aš {D}pí-⸢ir-wa⸣-[an? e-ku-zi] | The king drinks while seated before Pirwan. |
| 41 | {LÚ}NAR {URU}ka-n[i-iš SÌR-RU {LÚ}SAGI.A-aš] | The singer of Kaniš sings; the cupbearer |
| 42 | 1 NINDA.GUR₄.RA EM-ṢA ⸢a⸣-[aš-ga-az ú-da-i] | He brings one sour loaf of bread to the hearth. |
| 43 | LUGAL-i pa-a-i [LUGAL-uš pár-ši-ia] | The king takes it; the king breaks it. |
| 44 | na-an-kán pa-[ra-a pé-e-da-i | And he goes out.(lower confidence: line is broken) |
| 45 | pár-aš-na-u-a[š-kán {LÚ}SAGI.A ú-ez-zi] | The cupbearer comes.(lower confidence: line is broken) |
| 46 | ... | |
| Rs. VI | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.