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KBo 58.88+ (tlh:KBo 58.88+)
CTH 577
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| Designation | KBo 58.88+ |
|---|---|
| ID | tlh:KBo 58.88+ |
| Language | Hittite |
| Genre | CTH 577 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€2} obv. I | ||
| 1 | [ ] ⸢ḪUL-mu-uš Ù⸣{ḪI.A}-uš A-NA[D]UMU{MEŠ} an-da-an | ... the evil and the curses to the sons ...(lower confidence: line is broken) |
| 2 | [a-uš-ta(?) m]a-a-an DINGIR{MEŠ} A-NASAG.DU {M}tàš-mi-LUGAL-ma | ... whenever the gods, the asagdu-priest, Tašmi-malku |
| 3 | [ k]u-it-ki i-ši-ia-aḫ-ḫe-er nu MUŠEN{ḪI.A} SI×SÁ-an-du | ... he libates, and the birds sing.(lower confidence: line is broken) |
| 4 | [ p]é-an ku-uš ú-et na-aš 2-an ar-ḫa pa-it | ... he places it on the table, and he breaks it twice. |
| 5 | [ EGI]R-an GAM ku-uš ú-et na-aš 2-an ar-ḫa pa-it | ... he goes up; he drinks, and then he steps back twice. |
| 6 | [ k]a-ni-iš-du-uš-kán pé-an ku-uš ú-et | ... before him, before him ...(lower confidence: line is broken) |
| 7 | [ ]x x [k]u-uš pa-it UM-MA {m}uḫ-ḫa-A.A SI×SÁ-at-wa | ... he takes. Thus Uhḫaya, the horns ... |
| 8 | [IŠ]-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát KI.MIN nu IGI-zi TE{MEŠ} | The cult actor performs the extispicy, ditto, and they look at each other. |
| 9 | [SI]G₅-ru EGIR-ma NU.SIG₅-du IGI-zi TE{MEŠ} ni ši {GIŠ}ŠÚ.A-ḫi | Afterwards, he looks at the one who is not good; he places it on the table. |
| 10 | [GÙ]B-an SAG.ME NU.SIG₅ EGIR TE{MEŠ} ni-eš-kán GÙB-la-aš | ... the top of the head is not good. Afterwards, beside it, the neck ... |
| 11 | KA×U-i ta GÙB-la-za a-an-ša-an NU.SIG₅ | He places it on the mouth, and he is not good. |
| 12 | IŠ-TU{MUNUS}ŠU.GI nu KIN SIG₅-ru LUGAL-uš-za ZAG-na-tar ME-aš | The king, the right side of the battle-axe, |
| 13 | na-at pa-an-ga-u-i SUM-an INAUD 2{KAM} a-aš-šu ME-an na-at DINGIR{MEŠ}-aš | And he gives it before Panga'u. On the second day, when the gods |
| 14 | I-NAUD 3{KAM} ḪUL-lu ME-an nu-kán an-da SUD-li₁₂ SIG₅ | On the 3rd day of the evil, ... |
| 15 | A-NA{M}tàš-mi-LUGAL-ma ku-it {D}10 KAR-an-za SI×SÁ-at ŠAAMA.AMA TUKU | To Tašmi-sukkalma, in the place of the Storm-god, he libates; he has a mother. |
| 16 | ku-it-ki nu TE{MEŠ} NU.SIG₅-du SAG.ME NU.SIG₅ | ... and the necks are not good, the head is not good. |
| 17 | zi-la-aš NU.SIG₅ nu {D}10 KAR-an-za ŠANÍ.TE MUNUS.LUGAL ku-iš | ... is not good, and the Storm-god of Karanza, the throne of the queen ... |
| 18 | nu TE{MEŠ} NU.SIG₅-du ŠU-TI GÙB-aš NU.SIG₅ | And the necks are not good; the hand of the shoulder is not good. |
| 19 | zi-la-aš NU.SIG₅ {D}10 {É}ši-nap-ši-ia-aš-š[a] I-NA{URU.D}10-aš-ša | ... is not good. The Storm-god of the Šinapšiya-temple, in the city of Adad ... |
| 20 | ku-iš-ki TUKU.TUKU-u-an-za nu TE{MEŠ} NU.SIG₅-du NU.SIG₅ | ... he eats, and the necks are not good, not good. |
| 21 | [ {D]}10 {É}ši-nap-ši-ia-aš ku-iš SI×SÁ-at [{M}tàš]-mi-LUGAL-ma-aš | ... of the Storm-god of the Šinapšiya temple, instead of the horns ... Tashmi-Šarruma |
| 22 | [ I-NA{U]RU.D}10-aš-ša ki-nu-un pa-iz-[zi? KI.M]IN nu KIN SIG₅-ru | [He goes] to the city of Adad, and it is favourable. |
| 23 | [ḪU]L ME-an na-at pa-an-ga-u-[i x-]x NU.SIG₅ | “If he [drinks] water, ... will not be good. |
| 24 | [ma-a]-an-ma {D}UTU-ŠI {URU}n[e- ]-an-za EGIR-pa ú-ez-zi | When the Sun-deity of Nergal comes back |
| 25 | [ ]x QA-TAM-MA pa-iz-zi [ nu KIN S]IG₅-ru GIG.GAL ME-an | ... goes together, and the work is good; there will be illness. |
| 26 | [na]-at-kán DINGIR-LIM-ni DA.BI-[ N]U.SIG₅ | Then the gods ... good things.(lower confidence: line is broken) |
| {€2+3} obv. I | ||
| 27 | [ki]-⸢i⸣ ku-it {LÚ}ḪAL A-NAMUNUS.LU[GAL ]x xx xx x-ta-ri | When the haruspex to the queen(lower confidence: line is broken) |
| 28 | [Š]AAMA-ŠU A-BI-ŠU-ia x[ ]-at | his mother, his father ...(lower confidence: line is broken) |
| 29 | ⸢nu⸣ KIN NU.SIG₅-du a-aš-šu ME-a[n | And he does not perform a good ritual, and he ... |
| 30 | [INAU]D 2?{KAM} ḪUL ME-an nu-kán x[ | On the second day of the evil, when ... |
| 31 | [ ] ar-ḫa wa-aš-túl ME-x [ S]IG₅ | ... after ... good ...(lower confidence: line is broken) |
| {€2} obv. I | ||
| 32 | [ki-i] ku-it xx x[ | When ...(lower confidence: line is broken) |
| 33 | [ ] nu IGI-z[i | ... and he looks.(low confidence: few signs survive) |
| 34 | [ ] ši ta ke x[ | |
| 35 | EGIR TE{MEŠ} SAG.M[E | Afterwards, with the tops ...(lower confidence: line is broken) |
| 36 | A-NAMUNUS ka-x-la-wi₅ x[ | for the woman of Kalawi ...(lower confidence: line is broken) |
| 37 | ⸢SI×SÁ⸣-at ZI-ni ku-iš x[ | ... the horn of a bird, instead of ...(lower confidence: line is broken) |
| 38 | ⸢ḪUL⸣{ḪI.A}-uš Ù{ḪI.A}-x [ | The evil, the evil ...(lower confidence: line is broken) |
| 39 | ⸢ni⸣-ni-in-kán-te-eš nu x[ | they bring, and ...(lower confidence: line is broken) |
| {€2+3} obv. I | ||
| 40 | ⸢pé-ra⸣-an-ma-aš-ši-kán ḪU[L-lu | Then, the evil ...(lower confidence: line is broken) |
| 41 | ⸢A⸣-NASAG.DU-ŠU Ú-UL ⸢ti⸣-[ | The mašsagdu-priest does not ...(lower confidence: line is broken) |
| 42 | ⸢xxx IGI-zi TE⸣{MEŠ} SIG₅-ru x[ | ... they look, and with good things ...(lower confidence: line is broken) |
| {€3} obv. I | ||
| 43 | [ š]i ta ke KASKAL x[ | ... the road ...(low confidence: few signs survive) |
| 44 | [ SI]G₅ EGIR TE{MEŠ} [ | ... he will recover. Afterwards, alongside ... |
| 45 | [ ]x xx [ | |
| {€2} obv. II | ... | |
| {€2} obv. II | ||
| 6 | A-NASAG.DU {m}⸢tàš-mi-LUGAL-ma?⸣ [ | Asag.du, Tašmi-malku ... |
| 7 | EGIR-ma NU.SIG₅-du IGI-z[i | Afterwards, he looks at the one who is not good. |
| 8 | ZAG-za GÙB-ia uk-tu-u-ri-iš-ma aš-še-x[ | On the right, on the left, ...(lower confidence: line is broken) |
| 9 | EGIR {GIŠ}ŠÚ.A-ḫi ZAG-na-aš NU.SIG₅ [ ] | Afterwards, the throne is not good on the right ... |
| 10 | A-NASAG.DU {m}ḫu-uz-zi-ia KI.MIN nu IG[I-zi TE{MEŠ}] | The asag.du-official Ḫuzziya ditto, and he goes with them. |
| 11 | SIG₅-ru EGIR-ma NU.SIG₅-du IGI-zi TE{ME[Š} | Afterwards, they look at the one who is not good. |
| 12 | KASKAL{ḪI.A}-kán ne-ia-an-ta-at EGIR TE{MEŠ} x[ | And he goes back and forth along the road. |
| 13 | GÙB-za RA-IṢ zi GAR-ri 12 {UZU}DIR SI[G₅ | He places it on your neck, he places it in the right; 12 cuts of flesh are good. |
| {€2+3} obv. II | ||
| 14 | ki-i ku-it A-NASAG.DU {m}ḫu-uz-zi-ia-a[š ] | When the head of Ḫuzziya ...(lower confidence: line is broken) |
| 15 | A-NASAG.DU-ŠU UD{KAM}-an BAD-an uš-ket₉-te-ni | He places it on the altar on the day he enters. |
| 16 | nu IGI-zi TE{MEŠ} NU.SIG₅-du EGIR-ma SIG₅-ru | And they appear; they are not good; afterwards, they are good. |
| 17 | IGI-zi TE{MEŠ} ni ši pé-ra-an-ma-aš-ši ⸢a⸣-a-pí-ta | They look at him, and before him, in the apsu-vessel, |
| 18 | ku-ta-aš-ši-iš ta zi GAR-ri 12 ⸢{UZU}⸣DIR SIG₅ | ... he places it on the hearth; 12 good tendons. |
| 19 | A-NASAG.DU DUMU.MUNUS KI.MIN nu IGI-z[i] TE{MEŠ} SIG₅-ru | The asagdu-priestess, the daughter ditto, and they look at each other. |
| 20 | EGIR-ma NU.SIG₅-du IGI-z[i ] {UZU}ZÍ ḫi-li₁₂-ip-ši-ma-an | Afterwards, they look at the good one. The flesh of the ḫilippši-vessel |
| 21 | UGU a-uš-ta EGIR-ŠU [ G]AR-ri | upon the throne afterwards ...(lower confidence: line is broken) |
| 22 | EGIR TE{MEŠ} ni-eš-kán GÙ[B K]A×U-i ši ke zi GAR-ri | Afterwards, at the side, on the left of the hearth, he places a libation of kētu-beer. |
| 23 | 12 {UZU}DIR SIG₅ | 12 good quality thighs |
| 24 | ki-i ku-it A-[NA ]x NU.SIG₅-ta | If it is not good for ...(lower confidence: line is broken) |
| 25 | DINGIR{MEŠ}-aš-ši A-NAx[ {K]AM}-an BAD-an uš-kat-ti | The gods ... on the ...th day, he opens the door. |
| 26 | nu IGI-zi TE{MEŠ} x[ ] EGIR-ma SIG₅-ru | And they look with ... afterwards, and they are good.(lower confidence: line is broken) |
| 27 | IGI-zi TE{MEŠ} ni š[i {U]ZU}DIR SIG₅ EGIR TE{MEŠ} | They look at each other, and he eats the good flesh. Afterwards, they approach. |
| {€2+3+1} obv. II 28/ | ||
| 1′ | a-ga-ta-ḫi-iš ZAG-za xx xx ⸢NU.SIG₅⸣ | On your right side ... is not good. |
| {€2+3+1} obv. II 29/ | ||
| 2′ | A-NASAG.DU {m}ḫu-uz-zi-ia-⸢aš⸣ KI.MIN x[ ] | Asagdu, Ḫuzziya, ditto ...(lower confidence: line is broken) |
| {€2+3+1} obv. II 30/ | ||
| 3′ | EGIR-ma NU.SIG₅-du ⸢IGI⸣-zi ⸢TE⸣{MEŠ} ni ši GÙB-za RA-I[Ṣ?] | Afterwards, he looks at the one who is not good, and he places it on his left. |
| {€2+3+1} obv. II 31/ | ||
| 4′ | zi GAR-ri 12 {UZU⸢}DIR⸣ SIG₅ EGIR TE{MEŠ} | he places it; 12 good tendons, behind each other. |
| {€2+3+1} obv. II 32/ | ||
| 5′ | {UZU}ZÍ ḫi-li₁₂-ip-š[i-m]a-an NU.SIG₅ | The flesh of the ḫilipšu-vessel is not good. |
| {€2+3+1} obv. II 33/ | ||
| 6′ | INIM {D}ḫu?-pí?(-)[ ] ⸢{D}⸣10 {URU}ḪA-AT-T[I {D}K]AL | By the word of Ḫupi, the Storm-god of Hattu, Šarru |
| {€2+3+1} obv. II 34/ | ||
| 7′ | {URU}ḪA-AT-TI [ -a]n-te-eš nu T[E{MEŠ} NU.SI]G₅-du NU.SIG₅ | The city Ḫattu ... and the walls are not good, not good. |
| {€2+3+1} obv. II 35/ | ||
| 8′ | [ ] x x-aš SIG₅ [ I]GI-zi T[E{MEŠ} SIG₅]-ru | ... good ... he appears; the houses are good. |
| {€2+3+1} obv. II 36/ | ||
| 9′ | [ ]x[ ]x x[ ]x x | |
| {€3} rev. III | ||
| 1′ | [ ]x | |
| 2′ | [ S]IG₅ | ... good(low confidence: few signs survive) |
| 3′ | [ N]U.SIG₅ | ... good(low confidence: few signs survive) |
| 4′ | [ S]IG₅ | ... good(low confidence: few signs survive) |
| 5′ | [ -n]a-ad-da-ri | ... he carries ...(low confidence: few signs survive) |
| 6′ | [ -t]a | ... from(very low confidence: a guess) |
| 7′ | [ ]x-la-u-en | ...-lauen(low confidence: few signs survive) |
| 8′ | [ ]x IR-u-⸢en⸣ | ... the servant ...(low confidence: few signs survive) |
| 9′ | [ ku]-e-da-ni-ik-[k]i | ... to you ...(very low confidence: a guess) |
| 10′ | [ ]x-aš a-pé-ez Ú-UL | ... he does not(lower confidence: line is broken) |
| 11′ | [ nu MU]ŠEN{ḪI.A} SI×SÁ-an-du | ... and he pours the libations.(lower confidence: line is broken) |
| 12′ | [ N]I-MUR na-aš-za pa-aš-šu-wi₅ | ... he pours a libation.(lower confidence: line is broken) |
| 13′ | [ n]a-aš IŠ-TUGÌR{MEŠ} | ... and the altars ...(lower confidence: line is broken) |
| 14′ | [ ] ⸢pa⸣-aš-šu-wi₅ *SAG*.DU-i | ... the head ...(lower confidence: line is broken) |
| 15′ | [ p]é-e-di wa-aḫ-nu-ut | ... he pours water ...(lower confidence: line is broken) |
| 16′ | [ n]a-a-iš na-aš GUB-iš | ... and standing ...(lower confidence: line is broken) |
| {€2+3} rev. III 1′/ | ||
| 17′ | [n]a-[aš-kán ú-e]t na-[aš-z]a nam-ma | And he, and he(very low confidence: a guess) |
| {€2+4+3} rev. III 2′/1´/ | ||
| 18′ | pa-aš-š[u-wi₅ EGI]R? [G]AM TUŠ-a[t ] ⸢IŠ-TU⸣GÌR{MEŠ} | ... he breaks ... and he sits ... the feet ...(lower confidence: line is broken) |
| {€2+4+3} rev. III 3′/2´/ | ||
| 19′ | pa-aš-šu-[wi₅] ša-ra-a pa-it n[a-aš GUB-iš] | ... he places it on the ground, and he stands.(lower confidence: line is broken) |
| {€2+4+3} rev. III 4′/3´/ | ||
| 20′ | na-aš 2-a[n] ar-ḫa pa-it t[a-m]a-⸢iš-ma-kán⸣ | And two times, on the other side, you ... |
| {€2+4+3} rev. III 5′/4´/ | ||
| 21′ | šu-lu-pí-i[š] 2 mar-ša-na-aš-ši-uš UGU EGIR-pa | Two šulupi-vessels on the back. |
| {€2+4+3} rev. III 6′/5´/ | ||
| 22′ | SIG₅-za ú-e-er na-at 2-an ar-ḫa pa-a-er | ... he pours a libation; he breaks it twice. |
| {€2+4+3} rev. III 7′/6´/ | ||
| 23′ | EGIR KASKAL-NI 2 mar-ša-na-aš-ši-u[š]-ma-kán pé-an | Afterwards, on the road, two marša-naska-vessels ... |
| {€2+4+3} rev. III 8′/7´/ | ||
| 24′ | SIG₅-za ú-e-er na-at 2-an ar-ḫa pa-a-er | ... he pours a libation; he breaks it twice. |
| {€2+4+3} rev. III 9′/8´/ | ||
| 25′ | mar-ša-na-aš-š[i-i]š-kán šu-lu-pé-eš-ša | ... of the šulupesh-vessel ...(lower confidence: line is broken) |
| {€2+3} rev. III 10′/ | ||
| 26′ | EGIR UGU [SIG₅-z]a ú-e-er na-at 2-an ar-ḫa | Afterwards, he pours a libation over the good one. Then, twice. |
| {€2+3} rev. III 11′/ | ||
| 27′ | [p]a-a-er U[M-M]A [{m}aš-p]í-ŠEŠ SI×SÁ-at-wa | ... and Ašpi-Šēši libates.(lower confidence: line is broken) |
| {€2+3} rev. III 12′/ | ||
| 28′ | IŠ-TU{MUNUS}ŠU.GI ER-[TUM Q]A-TAM-MA-pát nu KIN *NU*.SIG₅-du | ... he libates to the old woman, and he is good. |
| {€2+3} rev. III 13′/ | ||
| 29′ | ḪUL ME-an nu-kán DINGIR{M[EŠ}-a]š NU.SIG₅ | ... evil, and the gods are not good.(lower confidence: line is broken) |
| {€2+3} rev. III 14′/ | ||
| 30′ | IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu ⸢TE⸣{MEŠ} | The cult actor speaks: “Ištu, ertum, likewise, and together |
| {€2+3} rev. III 15′/ | ||
| 31′ | NU.SIG₅-du SAG.ME NU.SIG₅ | (If) he is not good, he will not be good. |
| {€2+3} rev. III 16′/ | ||
| 32′ | KI.MIN nu MUŠEN{ḪI.A} ar-ḫa pé-eš-ši-an-du | Ditto, and the birds bow down. |
| {€2+3} rev. III 17′/ | ||
| 33′ | TI₈{MUŠEN}-kán pé-an ku-uš ú-et na-aš-kán pé-an | The bird before him, and he before him. |
| {€2+3} rev. III 18′/ | ||
| 34′ | ar-ḫa pa-it 2 u-ra-ia-an-ni-uš ku-uš | Afterwards, he takes two urayannu-vessels. |
| {€2+3} rev. III 19′/ | ||
| 35′ | ḫal-zi-e-er EGIR KASKAL-NI TI₈{MUŠEN}-kán | ... after the journey the bird ... |
| {€2+3} rev. III 20′/ | ||
| 36′ | pé-an ku-uš ú-et na-aš 2-an ar-ḫa pa-i[t] | before the kuš-vessel, before the second ... |
| {€2} rev. III | ||
| 21′ | UM-MA {m}aš-pí-ŠEŠ ar-ḫa-wa pé-eš-šer | As for Ašpi-šēv, he goes to Arḫawa. |
| 22′ | IŠ-TU{MUNUS}ŠU.GI ER-TUM QA-TAM-MA-pát nu KIN SI[G₅-ru ] | Afterwards, in the evening, he performs the erru-offering, and he will recover. |
| 23′ | IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu TE{MEŠ} [ ] | The cult actor speaks: “Ištu, ertum, likewise, and together ... |
| 24′ | SIG₅-ru ni ši ta ke zi GAR-ri 12 {UZU}DI[R ] | ... is good ... he places ... 12 cuts ...(lower confidence: line is broken) |
| 25′ | nu-za-kán ŠÀ URU-LIM-ma ku-e-da-ni-ik-k[i ] | And he places it in the city.(lower confidence: line is broken) |
| 26′ | É{MEŠ} EGIR-an še-eš-ḫa-aḫ-ḫi nu-kán ALAM [ ] | Afterwards, the houses, and the statue ...(lower confidence: line is broken) |
| 27′ | {D}IŠTAR {URU}la-wa-za-an-ti-ia EGIR-⸢an⸣ [ ] | Ištar of Lawantia afterwards ...(lower confidence: line is broken) |
| 28′ | ma-a-an-ma-mu-kán DINGIR-LUM ⸢a-pí-x[ ] | When the god ...(lower confidence: line is broken) |
| 29′ | an-da-an aš-šu-li n[e-ia-at-ta-ri?] ] | And he places it on the table ...(lower confidence: line is broken) |
| {€2} rev. IV | ||
| 1′ | xx | |
| 2′ | UZU x[ | flesh ...(low confidence: few signs survive) |
| 3′ | IŠ-TUx[ | from ...(very low confidence: a guess) |
| 4′ | ki-i-za-ká[n | likewise(low confidence: few signs survive) |
| 5′ | nu ŠAx[ | and ...(very low confidence: a guess) |
| 6′ | a-še-šu-⸢u?⸣-[ | ... to him ...(very low confidence: a guess) |
| 7′ | nu a-pa-[ | and ...(very low confidence: a guess) |
| 8′ | xx [ | |
| {€2} rev. IV | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.