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KBo 58.17+ (tlh:KBo 58.17+)

CTH 413

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DesignationKBo 58.17+
IDtlh:KBo 58.17+
LanguageHittite
GenreCTH 413

Transliteration (ATF)

From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0

Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.

LineATFMachine English (draft)
{€1} Vs.
1[GIM]-⸢an É⸣ [DINGIR-LI]M! G[IBI]L ⸢na!-aš⸣-ma É{MEŠ} GIBIL{MEŠ} dam-me-li! pé-di ú-e-da-an-ziWhen they enter the house of the god, the father, and the new houses of Ammeli,
2[n]a-aš-ta ⸢ma-aḫ-ḫa⸣-an ⸢ša-ma⸣-nu-uš iš-ḫu-u-wa-an-zi nu ša-ma-na-aš kat-ta-anAnd he libates, and he places it on the ground.(lower confidence: line is broken)
3⸢ki⸣-iš-ša-an ti-an-zi 1 MA.NA URUDU dan-na-nu-wa-an-za 4 {GIŠ}GAG ZABARThey set it down. One mina of copper for Dannanuwanza, four bronze arrows.
41 {GIŠ}NÍG.GUL AN.BAR TUR nu iš-tar-na pé-di {GIŠ}ku-ra-ak-ki-ia-aš pé-di da-ga-an-zi-p[a-a]nOne small iron scepter, and beside it, beside the kurakku-vessel, beside Daganzipa
5pád-da-⸢i!⸣ nu-kán URUDU an-da da-a-i nam-ma-an IŠ-TU{GIŠ}GAG{ḪI.A} a-ra-aḫ-za-an-daHe places it, and he places the copper on the table, and then he pours it into the bowl.
6tar-ma-ez-zi nu EGIR-an-da IŠ-TU{GIŠ}NÍG.GUL AN.BAR wa-al-aḫ-zihe places, and afterwards he takes the iron scepter.
7na-aš-ta an-da ki-iš-ša-an me-ma-iAnd he speaks thus:
8ka-a-aš-wa ma-aḫ-ḫa-an URUDU pa-aḫ-ḫa-aš-nu-wa-an-za nam-ma-wa-ra-aš uk-tu-ri-[iš]And he places the copper vessel before them, and he libates.
9ke-e-⸢ia-wa⸣ É DINGIR-LIM QA-TAM-MA pa-aḫ-ḫa-aš-nu-wa-an-da e-eš-duThen he goes to the temple of the god.(lower confidence: line is broken)
10nu-wa-ra-⸢at-ša⸣-an da-an-ku-wa-i ták-ni-i še-er uk-tu-u-ri e-eš-d[u]And he pours it out, and he places it on the ground above.
{€1+2} Vs. 11/Vs.
1′EN SÍSKUR-ia-kán ŠUM-an ḫal-za-a-i ke-e-ia-wa É DINGIR-LIM ku-iš ú-e-te-etHe gives the lord of the sacrifice, and he shouts: “Keyawa, the temple of the god, instead of ...
{€1+2} Vs. 12/Vs.
2′nu-wa-ra-aš DINGIR{MEŠ}-aš pé-ra-an QA-TAM-MA uk-tu-u-ri-iš e-eš-du nu-wa-za-kán ⸢ke⸣-e É DINGIR-LIMThen the gods, before him, together with the uturriš-vessel, he drinks, and the temple of the god ...
{€1+2} Vs. 13/Vs.
3′DINGIR{MEŠ}-aš pé-ra-an ⸢TI⸣-an-ni aš-šu-li I-NAEGIR ⸢UD⸣-MI ḫa-aš-ši-ik-duBefore the gods, before me, he libates. Afterwards, on the day of the festival,
{€1+2} Vs. 14/Vs.
4′nu-wa-aš-ša-an ŠAÉ{MEŠ} ma-aḫ-ḫa-an 4 ḫal-ḫal-tu-ma-⸢ri-i⸣-e-e[š da-g]a-an-zi-pí še-erAnd he takes the house, four ḫaltumari-vessels, and he places it on the altar.
{€1+2} Vs. 15/Vs.
5′uk-tu-u-ri-i-e-eš nu-wa-ra-at-kán Ú-UL ú-e-⸢ḫa⸣-an-da-⸢ri⸣ [Š]A⸢EN⸣ SÍSKUR-ia-wa-kánAnd he libates, but he does not libate, the lord of the offering.
{€1+2} Vs. 16/Vs.
6′aš-šu-ul PA-NIDINGIR{MEŠ} I-NAEGIR UD-MI QA-TAM-MA ⸢le⸣-e ú-e-eḫ-zi nu-wa-za-kán ki-i É DINGIR-LIMBecause he is not among the gods, after the day, likewise, he rises, and when the house of the god
{€1} Vs.
17PA-NIDINGIR-LIM aš-šu-li DINGIR-LAM AŠ-ŠUM⸢BE-LU-UT-TIM⸣ KUR {URU}ḪA-AT-TI {GIŠ}ŠÚ.A LUGAL-[UT-TI]-iaBefore the god, before the god of the king, the land of Ḫattu, in the hand of my kingship
18TI-an-ni ḫa-at-tu-la-an-ni i[n-na-r]a-u-wa-an-ni ḫa-aš-ši-ik-du... he gives to me, and he libates to me.
194 ḫal-ḫal-tu-um-ma-ri-ia-aš-ma ku-e-da-⸢ni-ia⸣ A-NA1 ḫal-ḫal-tu-ma-ri kat-ta-anFour ḫalḥbaltummariya-vessels, in the kuedanniya of Ḫallatummari, below.
20ki-iš-ša-an da-a-i 1 ša-ma-na-aš KÙ.BABBAR 1 ša-ma-na-aš KÙ.SI₂₂ 1 ša-ma-na-aš {NA₄}ZA.GÌNHe places one silver bowl, one gold bowl, and one lapis lazuli bowl.
211 ša-ma-na-aš {NA₄}DUḪ.ŠÚ.A 1 ša-ma-na-aš {NA₄}AŠ.NU₁₁.GAL 1 ša-ma-na-aš AN.BAROne šamana-stone, one tin, one ašnugal stone, one iron ...
221 ša-ma-na-aš URUDU 1 ša-ma-na-aš ZABAR 1 ša-ma-na-aš {NA₄}ku-un-ku-nu-uz-zi-ia-ašOne copper vessel, one bronze vessel, and one kunkunuzu-stone.
23na-at-kán 4 ḫal-ḫal-tu-um-ma-ri-⸢i-e-eš?⸣ QA-TAM-MA ḫa-an-da-an-te-ešAnd four harps, together with the ḫandānte-plants,
24A-NA4 ku-ra-ak-ki-ia-aš-ša ku-e-da-ni-ia A-NA1 ku-ra-ak-ki kat-ta-an ki-iš-ša-anOn the surface of the kurakkiya-vessel he places it on the ground.
25da-a-i 1 ku-ra-ak-ki-in KÙ.BABBAR 1 ku-ra-ak-ki-in KÙ.SI₂₂ 1 ku-ra-ak-ki-in {NA₄}ZA.GÌNHe places one silver bowl, one gold bowl, and one lapis lazuli bowl.
261 ku-ra-ak-ki-in {NA₄}DUḪ.ŠÚ.A 1 ku-ra-ak-ki-in AN.BAR 1 ku-ra-ak-ki-in {NA₄}ku-un-ku-nu-zi-ia-aš1 kurakkin of šūzu-stone, 1 [kurakkan] of iron, 1 karakkan of kununziya-stone
271 ku-ra-ak-ki-in URUDU 1 ku-ra-ak-ki-in ZABAR da-a-i nu-kán an-da ki-iš-ša-an me-ma-iHe places one copper vessel, one bronze vessel, and he speaks thus:
28ka-a-ša ke-e ku-e É DINGIR-LIM tu-uk A-NADINGIR-LIM ú-e-tum-me-en DINGIR-LIM-ia-kánWhen you, when you enter the house of the god, to the god you are my god.
29ŠUM-ŠU ḫal-za-a-i ú-e-da-an-zi-ia-at ⸢ku-e⸣-da-ni nu-wa-ra-at Ú-ULHe takes the hand of the ḫalza-instrument, he brings it, and he does not libate.
30an-za-a-aš ú-e-tum-me-en DINGIR{MEŠ}-wa-ra-at ḫu-u-ma-an-te-eš ú-e-te-erThen the gods of the ḫumāntu-vessel return.
31DINGIR{MEŠ}˽LÚ{MEŠ}-wa-ra-at {LÚ}NAGAR-az ⸢ú⸣-e-te-er ša-ma-nu-uš-ma-wa kat-ta-⸢an⸣The men of the gods, the carpenter, descends below.
32{D}te-li-pí-nu-uš da-iš še-er-m[a-aš-š]a-an ku-ud-du-uš {D}É-A-aš ḫ[a-ad-da-an-na-aš]Telipinuš ... and the Ea-gods ...(lower confidence: line is broken)
33LUGAL-uš ú-e-te-et {GIŠ}-ru-ma N[A₄-ia ḫ]u-u-ma-an-te-eš ḪUR.SAG{MEŠ} ⸢ú⸣-[te-er]The king, when he sets the stone on the throne of the mountains, ...
34pu-u-ru-ut-ma [DINGIR{ME]Š}˽⸢MUNUS{MEŠ} ú⸣-[te-er]Then the goddesses return.(lower confidence: line is broken)
35ša-ma-nu-uš kat-ta-an ⸢ŠA⸣KÙ.BABBAR KÙ.SI₂₂-ia da-a-er KÙ.SI₂₂ {URU}pí-r[u-un-du-um-me-ia-az]Afterwards, he places the gold ring on the silver ring of Pirundummeya.
36ú-te-er KÙ.BABBAR ku-uz-za-az ú-te-er {NA₄}ZA.GÌN {ḪUR.SAG}ták-ni-ia-ra-a[z ú-te-er]He brings back the silver, the kuzza-stone, the lapis lazuli, the Takniyara-stone.
37{NA₄}AŠ.NU₁₁.GAL KUR {URU}ka-ni-iš-ḫa-az ú-te-er {NA₄}DUḪ.ŠÚ.A KUR {URU}i-la-am-da-azHe brings back the stele of the land of Kanišḫaz, and the stone of the mountain of Ilamdaz.
38ú-te-er {NA₄}ku-un-ku-nu-uz-zi-in da-ga-an-zi-pa-az ú-te-erHe places the kunkunuzzi-stone, and he places it.
39AN.BAR GE₆ ne-pí-ša-aš ne-pí-ša-az ú-te-er URUDU ZABAR {URU}a-la-ši-ia-azThe black iron, the nepīša-vessel, and the bronze ... of Alashiya.
40{ḪUR.SAG}tág-ga-ta-az ú-te-erhe returns to the Taggata-temple.
41nu ka-a-ša ša-ma-na-aš kat-ta-an ša-ma-na-an-ni KÙ.SI₂₂ da-a-er nu KÙ.SI₂₂ ma-aḫ-ḫa-anAnd he places the gold šamana-vessel below, and the gold above.
42uk-tu-u-ri nam-⸢ma⸣-at pár-ku-i da-aš-šu-ia na-at-ša-an DINGIR{MEŠ}-aš NÍ.TE-ašAnd he breaks it, and he places it before the gods.
43uk-tu-u-ri na-at-⸢kán⸣ DINGIR{MEŠ}-aš an-tu-uḫ-ša-aš-ša a-aš-šu ke-e-ia-kán É DINGIR-LIMAnd he, the gods, ... and he himself, in the temple of the god ...(lower confidence: line is broken)
44A-NADINGIR-LIM uk-tu-u-ri QA-TAM-MA a-aš-šu e-eš-duTo the god he prostrates himself. Then he goes out.
45EN SÍSKUR-ia-⸢kán⸣ DINGIR{MEŠ}-aš ⸢TI⸣-an-ni aš-šu-li I-NAEGIR UD-MI kat-ta ḫ[a-aš-ša]The lord of the sacrifice, the gods, he calls out. Afterwards, on the day, below,
46ḫa-an-za-aš-ša QA-TAM-MA a-aš-šu e-eš-dulikewise, he goes out.
479 wa-al-la-aš KÙ.BABBAR ku-iš-ša 1 GÍN KI.LÁ.BI 9 wa-al-la-aš KÙ.S[I₂₂ ku-iš-ša]Nine silver vessels, one shekel weight, nine gold vessels,
48221 GÍN KI.LÁ.BI 9 wa-al-la-aš AN.BAR 9 wa-al-l[a-aš ZABAR 1 GÍN KI.LÁ.BI]221 shekels, its weight: 9 bronze waal-la-vessels; 9 bronze wal-l-a-vats; 1 shekel of weight:
{€1} Rs.
1ZAG.GAR.RA-ni kat-ta-an 4 wa-al-lu-uš da-a-i ŠÀ-BA 1-EN ŠA [He places four libation vessels below; one of ...
21-EN ŠAAN.BAR 1-EN ŠAZABAR iš-tar-ni-ia-aš-ša ḫa-an-t[e-ez-zi]He places one bronze bowl and one bronze ...
3⸢ku⸣-ra-ak-ki QA-TAM-MA 4 wa-al-lu-uš da-a-i me-na-aḫ-ḫa-an-da-[Then he places four waalu-vessels, and ...
4ta-pu-wa-aš ZAG-ni GÙB-li nu ku-wa-pí-ia QA-TAM-MA 4 wa-al-lu-u[š da-a-i]The right side of the tapuwa-vessel is elevated, and the kupiya-vat is equal to four walluš-measures.
5[A-N]A4 ḫal-ḫal-du-um-ma-ri-ia-aš-ša QA-TAM-MA ku-wa-pí-ia 1-e-da-ni ⸢ḫal-ḫal⸣-d[u-um-ma-ri]On the surface of the cult instrument, together with Kuwapiya, one ḫalḥbaldummari-instrument.
6[4 w]a-al-lu-uš da-a-iHe places four ...(lower confidence: line is broken)
7⸢1 UR⸣.MAḪ KÙ.SI₂₂ ŠA1 GÍN 2 TA-PAL GU₄{ḪI.A} AN.BAR IŠ-TU{GIŠ}ŠÙDUN KÙ.BABBAROne lion of gold, one reed, two pairs of oxen of iron, from the silver yoke.
8tu-⸢ri-ia⸣-an-te-eš nu ku-iš-ša 1 GU₄ 1 GÍN KI.LÁ.BI pal-za-aḫ-ḫa-aš-ma-aš-ma-aš... and one ox, one shekel, its weight is palzahḫa-šma-vessel ...
9kat-ta-an ⸢1⸣-aš na-at-ša-an 2 GU₄ pal-za-aḫ-ḫi a-ra-an-da-riAfterwards, one ox, two bulls, he libates.
10nam-ma-ia-aš-ša-an 2 GU₄ pal-za-aḫ-ḫi a-ra-an-da-riThen two oxen, the palzahḫi-offerings, he libates.
11⸢pal⸣-z[a-a]ḫ-ḫa-aš-ma ga-an-ku-u-wa-ar Ú-UL du-uk-ka₄-ri GU₄{ḪI.A}-ia ku-e-ezAnd he libates, but he does not libate, and the oxen ...
12{GIŠ}Š[ÙDU]N-it tu-u-ri-ia-an-te-eš nu ga-an-ku-u-wa-ar a-pa-at-ta-ia Ú-UL... the throne, the turiyant, and the gankuwar-vessel ... not ...
13[du-uk]-ka₄-a-ri na-aš iš-⸢tar⸣-ni-ia-aš ḫa-an-te-ez-zi ku-ra-ak-ki kat-ta-an da-a-iHe places it on the altar, and he places it below.
14ZAG.GAR.RA-ni-ma kat-ta-an 1 ⸢ZAG.GAR⸣.RA KÙ.BABBAR ŠA1 GÍN 1 ZAG.GAR.RA KÙ.SI₂₂ ŠA1 GÍNHe places one silver šaggarru-vessel on top, one gold [seal] on top.
151 ZAG.GAR.RA {NA₄}ZA.GÌN 〈〈1 ZAG.GAR.RA〉〉 1 ZAG.GAR.RA {NA₄}DUḪ.ŠÚ.A 1 ZAG.⸢GAR.RA AN.BAR⸣1 piece of lapis lazuli, one piece of šû-stone, 1 piece [of iron],
161 ZAG.GAR.RA URUDU 1 ZAG.GAR.RA [Z]ABAR 1 ZA[G.GAR.RA] {NA₄}⸢AŠ.NU₁₁.GAL⸣ 1 [ZAG.GAR.RA {NA₄}ku-un-ku-nu-zi-ia-aš]1 copper bowl, 1 bronze bowl, [1] šaggarru-stone, 1 kunkunuziya-stone
17ŠA-PALGUNNI 1 GUNNI KÙ.BABBAR ŠA1 GÍN 1 GUNNI KÙ.SI₂₂ ŠA1 GÍNThe ša-palgunnu-vessel: one talent of silver for one shekel of gold;
181 GUNNI {NA₄}ZA.GÌN 1 GUNNI {NA₄}DUḪ.ŠÚ.A 1 GUNNI {NA₄}AŠ.NU₁₁.GALOne talent of lapis lazuli, one talent of šūzu-stone, [one] talent of alabaster,
191 GUNNI AN.BAR 1 GUNNI ZABAR 1 GUNNI {NA₄}ku-un-ku-nu-zi-ia-ašOne talent of iron, one talent of bronze, [one] talent of kunkunu-stone,
204 wa-al-li-i-e-eš ŠÀ-B[A] 1-EN ŠAKÙ.BABBAR 1-EN ŠAKÙ.SI₂₂ 1-EN ŠAAN.BARFour walli-vessels ... one silver vessel, one gold vessel and one iron vessel ...
211-EN ŠAZABAR nu [k]u-iš-ša 1 wa-al-la-aš 1 GÍN ŠANA₄{ḪI.A}-iaOne bronze kettledrum, one walla-vessel, one shekel of my field.
22ku-i-e-eš GUNNI{MEŠ} [nu] ku-iš-ša 1 GÍN... and one reed bundle, and one shekel
23ŠA-PAL{GIŠ}IG-ma 1-[NU-TUM {GI]Š}IG KÙ.BABBAR ŠA1 GÍN 1-NU-TUM {GIŠ}IG KÙ.SI₂₂ ŠA1 GÍNHe places it on the door. One silver door, one gold door, a footstool.
241-NU-⸢TUM⸣ {GIŠ}IG {NA₄}ZA.[GÍN ŠA1] GÍN 1-NU-TUM {GIŠ}IG {NA₄}DUḪ.ŠÚ.A ŠA1 GÍNOne piece of door-beam of lapis lazuli, one piece of glass of tin,
251-NU-TUM ⸢{GIŠ}⸣IG AN.BAR [ ŠA1 GÍN] 1-NU-TUM {GIŠ}IG ZABAR ŠA1 GÍNOne bronze door-beam ... one bronze door bolt ...
261-NU-TUM {GIŠ}IG {NA₄}AŠ.[NU₁₁.GAL 1]-NU-TUM {GIŠ}IG {NA₄}ŠU.U-aš ŠA1 GÍN-patOne door, one door, a šūzû-stone; one door with a hand-stone on the left.
272 KA₅.A! ŠAURUDU na-aš-k[án KÁ.GAL-aš an-d]a da-a-i ga-an-ku-u-wa-ar-ma-aš Ú-ULTwo copper gates ... he places it at the gate; he does not ...
28⸢ku⸣-it-ki du-uk-ka₄-[ri]... he libates to the king.(lower confidence: line is broken)
2916 {GIŠ}ḪAŠḪUR ŠÀ-BA 4 [{GIŠ}ḪAŠḪUR ŠAKÙ.SI₂₂] 4 {GIŠ}ḪAŠḪUR ŠAKÙ.BABBAR16 ḫašhur-trees, of the hearth; 4 hammers of gold. 4 harps of silver.
30⸢4⸣ {GIŠ}ḪAŠḪUR ŠAAN.B[AR] ⸢4 {GIŠ}ḪAŠḪUR ŠAZABAR⸣ [ga-an-ku-u-wa-a]r-ma-at Ú-UL du-uk-ka₄-ri224 ḫašhar-vessels of tin, 224 bronze hoes, ... he does not perform the ritual.
31[1 I]M.GÍD.DA NU.TIL ma-a-an ša-ma-na-aš kat-ta-an ⸢ti-an-zi⸣[1] šamānu-vessel, not finished, they place it below.

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Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.