Unread Atlas

Home › Tablets › tlh:KBo 57.125+

KBo 57.125+ (tlh:KBo 57.125+)

CTH 576

Open in the reader & map →See it among all tablets

DesignationKBo 57.125+
IDtlh:KBo 57.125+
LanguageHittite
GenreCTH 576

Transliteration (ATF)

From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0

Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.

LineATFMachine English (draft)
{€2} obv.
1′[
2′[
3′[ ] x-an ⸢SU{MEŠ}⸣ [ ]-⸢za-kán EZEN₄ pu-x-an-x⸣... of the body ... ... the festival ...(lower confidence: line is broken)
{€2+1} obv.
4′[EZEN₄ A]N.⸢DAḪ.ŠUM{SAR} DÙ⸣-mi ma-a-an-ma-⸢za⸣ xx xx [ ] x [ ] ma-la-a-an ḫar-tiThe festival of the saḫšum-offering takes place; wherever ...
5′[EZEN₄ pu]-ru-li-ia-aš-za ku-it UL me-e-ḫu-ni DÙ-mi x[ ] ku-it ša-ra-u-na-an-zaAt the festival of Puruliya, he does not come up. He does not go up. ... he goes up.
6′⸢ka-ru-ú⸣ ḫar-zi DINGIR-LUM-za EZEN₄ pu-ru-ul-li-ia-aš ke-e-da-ni me-e-[ḫu-ni] ma-la-an ḫar-tiThe karû-offerings of the god, the festival of purulliya, the kēda-offers, all the karti.
7′⸢nu⸣ KIN SIG₅-ru ⸢LUGAL⸣-uš-za ZAG-tar TI-tar É DI[NG]IR-LIM-ia ME-aš nu-kán ⸢an-da⸣ SUD-li₁₂ INAUD 2{KAM} DINGIR.MAḪ GUB-išAnd he performs a good libation. The king lifts his right hand, and he goes to the house of my god, and then he pours water. On the second day, the god stands.
8′SILIM-ul ... pár-na-aš-ša a-aš-šu ME-aš nu-kán an-da ḪUL-lu-u-i IN]AUD 3{KAM} ḪUL-u-wa-an-za MU-anIt is well. ... he breaks ... and he brings the water. And he speaks evil. On the 3rd day it is evil.
9′UD{KAM}-aš SAG.KI-za RA-wa-ar ME-aš nu-kán DINGIR{MEŠ}-[a]š NU.SIG₅On the day of your forehead he prostrates himself, and the gods are not good.
10′I[Š-T]U{LÚ}IGI.MUŠEN ER-TUM QA-TAM-MA-pát nu MUŠEN{ḪI.A} [SI×S]Á-an-du pát-tar-pal-ḫi-in GUN-an NI-MUR na-aš-kán pé-an ku-ušThe bird of the hearth is opposite, and the birds of the horns are gathered, and he places a talent of pomegranate in front of it.
11′⸢ú-et⸣ na-aš-kán pé-an ar-ḫa pa-it TI₈{[MUŠEN}-ma-kán EG]IR-an kat-ta ku-uš ú-et na-aš 2-an ar-ḫa pa-itAnd on the other side, on the left side, the bird-catcher. Afterwards, below, and on the right side, two times on the opposite side,
{€2} obv.
12′EGIR.KASKAL-NI TI₈{MUŠEN}-kán EGIR-an GAM ku-uš ⸢ú⸣-[et na-aš] ⸢2⸣-an ar-ḫa pa-it UM-MA {m.D}10-ni-ma ar-ḫa-wa pé-eš-šerAfterwards, the falcon, afterwards, he takes the ... and he places it on the left. Thus says Adad-ni, on the right
13′IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu IGI-z[i-iš UD]U SIG₅-ru EGIR-ma NU.SIG₅-duThe cult actor takes the erru-offering opposite, and he looks at the day. Afterwards, he is not good.
{€2} Vs....
14′[ ]x xx
{€2} rev.
1′⸢nu-kán EGIR⸣-pa {GIŠ}DAG-ti [ ] an-ku-uš-⸢za⸣ xx xAfterwards, on the throne ...(lower confidence: line is broken)
2′SIG₅good
3′IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu IGI-zi-iš UDU-iš SIG₅-ru EGIR-⸢ma⸣ xx xThe haruspex, the erru-priest, likewise, and before him, a good sheep, afterwards ...
4′IGI-zi-iš UDU-iš IGI-zi ḫa-a-li IGI-ze-eš ša-aš-ta-aš GÙB-aš EGIR-an-na-za ⸢ZAG-an ḫu-i⸣-nu-utHe looks at the sheep, he looks at it, and they look at the left side. Afterwards, on the right side of the hearth,
5′kam-zu-ri-ti pa-ak-ma-ri-ti UL ku-it-ki i-ia-at IGI-zi SU{MEŠ} ni šiHe does not bind the limbs, he does not look at the body.
6′ta {GIŠ}TUKUL ZAG-aš ŠA*{UZU}*GABA KASKAL-NU iš-ki-ša GAM IGI-zi 10 {ŠÀ}DIR SIG₅And the right side of the 'weapon', the breast of the journey, is seen together. The 'path' is 10 'good' rays.
{€2} Rs.
7′EGIR UDU-eš IGI-zi ḫa-a-li IGI-zi ša-aš-ta-aš GÙB-aš- ...Afterwards, he looks at the sheep; he sees the ḫali-offering; the šašta-dish, the left ...
8′EGIR-an-na-za ZAG-an ar-nu-ut kam-zu-ri-ti-kán EME ZAG-za pa-ra-a ú-da-ašAfterwards, on the right side of the breast-bone, the tongue of the left side is split open.
9′na-an wa-ka₄-aš EGIR-pa-ma-an-kán UL MUŠEN{KAM}-ma pé-e-da-ašAnd he, afterwards, does not eat the bird.
{€2} rev.
10′pa-ak-ma-ri-ti-ma UL ku-it-ki DÙ-at EGIR SU{MEŠ} te-em-mi-ešHe does not eat, he does not drink. Afterwards, they speak.
{€2} Rs.
11′ḫal-lu-u-wa-aš pé-e-ta-an ... IṢ-BAT NU.SIG₅The ḫalluwaš-drum ... is not good.(lower confidence: line is broken)
12′ER-TUM ŠASAG.DU EN {É}a-bu-uz-zi I-DE IGI-zi-iš UDU-iš SIG₅-ru EGIR-ma NU.SIG₅-duThe extispicy of the sagdu-priest, the lord of the Abuzzi-temple, comes out; he looks at the sheep; afterwards he is not good.
13′IGI-zi-iš UDU-iš IGI-zi ḫa-a-li IGI-zi-iš ša-aš-ta-aš ZAG-aš EGIR-na-za ZAG-an ḫu-i-nu-utHe looks at the sheep; he sees the ḫali-offering; and he places it on the right side. Afterwards, on the left side, he libates.
14′pa-ak-ma-ri-ti kam-zu-ri-ti UL ku-it-ki DÙ-at IGI-zi SU{MEŠ} ni ši ke EGIR keHe does not make a claim, he does not look at his body. He prostrates himself, and he speaks as follows:
15′NÍG-aš-za an-da-an ME-aš zi GAR-ri 10 {ŠÀ}DIR SIG₅ EGIR-iš UDU-iš IGI-zi ḫa-a-liThen he places the water. He places ten good šūr-bowls. Afterwards, he looks at the sheep.
16′IGI-zi-iš ša-aš-ta-aš GÙB-la-aš EGIR-na-za GÙB-an ḫu-i-nu-ut kam-zu-ri-ti pa-ak-ma-ri-tiBefore the throne, behind him, behind the ḫinûtu-vessel, on the path.
17′UL ku-it-ki DÙ-at EGIR SU{MEŠ} ZÍ ḫi-li-ip-ši-ma-an NU.SIG₅It is not good. Afterwards, the flesh of the ḫilippši-plant is unclean.
{€2} Rs....

Sources & licences

Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.