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KBo 57.125+ (tlh:KBo 57.125+)
CTH 576
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| Designation | KBo 57.125+ |
|---|---|
| ID | tlh:KBo 57.125+ |
| Language | Hittite |
| Genre | CTH 576 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€2} obv. | ||
| 1′ | [ | |
| 2′ | [ | |
| 3′ | [ ] x-an ⸢SU{MEŠ}⸣ [ ]-⸢za-kán EZEN₄ pu-x-an-x⸣ | ... of the body ... ... the festival ...(lower confidence: line is broken) |
| {€2+1} obv. | ||
| 4′ | [EZEN₄ A]N.⸢DAḪ.ŠUM{SAR} DÙ⸣-mi ma-a-an-ma-⸢za⸣ xx xx [ ] x [ ] ma-la-a-an ḫar-ti | The festival of the saḫšum-offering takes place; wherever ... |
| 5′ | [EZEN₄ pu]-ru-li-ia-aš-za ku-it UL me-e-ḫu-ni DÙ-mi x[ ] ku-it ša-ra-u-na-an-za | At the festival of Puruliya, he does not come up. He does not go up. ... he goes up. |
| 6′ | ⸢ka-ru-ú⸣ ḫar-zi DINGIR-LUM-za EZEN₄ pu-ru-ul-li-ia-aš ke-e-da-ni me-e-[ḫu-ni] ma-la-an ḫar-ti | The karû-offerings of the god, the festival of purulliya, the kēda-offers, all the karti. |
| 7′ | ⸢nu⸣ KIN SIG₅-ru ⸢LUGAL⸣-uš-za ZAG-tar TI-tar É DI[NG]IR-LIM-ia ME-aš nu-kán ⸢an-da⸣ SUD-li₁₂ INAUD 2{KAM} DINGIR.MAḪ GUB-iš | And he performs a good libation. The king lifts his right hand, and he goes to the house of my god, and then he pours water. On the second day, the god stands. |
| 8′ | SILIM-ul ... pár-na-aš-ša a-aš-šu ME-aš nu-kán an-da ḪUL-lu-u-i IN]AUD 3{KAM} ḪUL-u-wa-an-za MU-an | It is well. ... he breaks ... and he brings the water. And he speaks evil. On the 3rd day it is evil. |
| 9′ | UD{KAM}-aš SAG.KI-za RA-wa-ar ME-aš nu-kán DINGIR{MEŠ}-[a]š NU.SIG₅ | On the day of your forehead he prostrates himself, and the gods are not good. |
| 10′ | I[Š-T]U{LÚ}IGI.MUŠEN ER-TUM QA-TAM-MA-pát nu MUŠEN{ḪI.A} [SI×S]Á-an-du pát-tar-pal-ḫi-in GUN-an NI-MUR na-aš-kán pé-an ku-uš | The bird of the hearth is opposite, and the birds of the horns are gathered, and he places a talent of pomegranate in front of it. |
| 11′ | ⸢ú-et⸣ na-aš-kán pé-an ar-ḫa pa-it TI₈{[MUŠEN}-ma-kán EG]IR-an kat-ta ku-uš ú-et na-aš 2-an ar-ḫa pa-it | And on the other side, on the left side, the bird-catcher. Afterwards, below, and on the right side, two times on the opposite side, |
| {€2} obv. | ||
| 12′ | EGIR.KASKAL-NI TI₈{MUŠEN}-kán EGIR-an GAM ku-uš ⸢ú⸣-[et na-aš] ⸢2⸣-an ar-ḫa pa-it UM-MA {m.D}10-ni-ma ar-ḫa-wa pé-eš-šer | Afterwards, the falcon, afterwards, he takes the ... and he places it on the left. Thus says Adad-ni, on the right |
| 13′ | IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu IGI-z[i-iš UD]U SIG₅-ru EGIR-ma NU.SIG₅-du | The cult actor takes the erru-offering opposite, and he looks at the day. Afterwards, he is not good. |
| {€2} Vs. | ... | |
| 14′ | [ ]x xx | |
| {€2} rev. | ||
| 1′ | ⸢nu-kán EGIR⸣-pa {GIŠ}DAG-ti [ ] an-ku-uš-⸢za⸣ xx x | Afterwards, on the throne ...(lower confidence: line is broken) |
| 2′ | SIG₅ | good |
| 3′ | IŠ-TU{LÚ}ḪAL ER-TUM QA-TAM-MA-pát nu IGI-zi-iš UDU-iš SIG₅-ru EGIR-⸢ma⸣ xx x | The haruspex, the erru-priest, likewise, and before him, a good sheep, afterwards ... |
| 4′ | IGI-zi-iš UDU-iš IGI-zi ḫa-a-li IGI-ze-eš ša-aš-ta-aš GÙB-aš EGIR-an-na-za ⸢ZAG-an ḫu-i⸣-nu-ut | He looks at the sheep, he looks at it, and they look at the left side. Afterwards, on the right side of the hearth, |
| 5′ | kam-zu-ri-ti pa-ak-ma-ri-ti UL ku-it-ki i-ia-at IGI-zi SU{MEŠ} ni ši | He does not bind the limbs, he does not look at the body. |
| 6′ | ta {GIŠ}TUKUL ZAG-aš ŠA*{UZU}*GABA KASKAL-NU iš-ki-ša GAM IGI-zi 10 {ŠÀ}DIR SIG₅ | And the right side of the 'weapon', the breast of the journey, is seen together. The 'path' is 10 'good' rays. |
| {€2} Rs. | ||
| 7′ | EGIR UDU-eš IGI-zi ḫa-a-li IGI-zi ša-aš-ta-aš GÙB-aš- ... | Afterwards, he looks at the sheep; he sees the ḫali-offering; the šašta-dish, the left ... |
| 8′ | EGIR-an-na-za ZAG-an ar-nu-ut kam-zu-ri-ti-kán EME ZAG-za pa-ra-a ú-da-aš | Afterwards, on the right side of the breast-bone, the tongue of the left side is split open. |
| 9′ | na-an wa-ka₄-aš EGIR-pa-ma-an-kán UL MUŠEN{KAM}-ma pé-e-da-aš | And he, afterwards, does not eat the bird. |
| {€2} rev. | ||
| 10′ | pa-ak-ma-ri-ti-ma UL ku-it-ki DÙ-at EGIR SU{MEŠ} te-em-mi-eš | He does not eat, he does not drink. Afterwards, they speak. |
| {€2} Rs. | ||
| 11′ | ḫal-lu-u-wa-aš pé-e-ta-an ... IṢ-BAT NU.SIG₅ | The ḫalluwaš-drum ... is not good.(lower confidence: line is broken) |
| 12′ | ER-TUM ŠASAG.DU EN {É}a-bu-uz-zi I-DE IGI-zi-iš UDU-iš SIG₅-ru EGIR-ma NU.SIG₅-du | The extispicy of the sagdu-priest, the lord of the Abuzzi-temple, comes out; he looks at the sheep; afterwards he is not good. |
| 13′ | IGI-zi-iš UDU-iš IGI-zi ḫa-a-li IGI-zi-iš ša-aš-ta-aš ZAG-aš EGIR-na-za ZAG-an ḫu-i-nu-ut | He looks at the sheep; he sees the ḫali-offering; and he places it on the right side. Afterwards, on the left side, he libates. |
| 14′ | pa-ak-ma-ri-ti kam-zu-ri-ti UL ku-it-ki DÙ-at IGI-zi SU{MEŠ} ni ši ke EGIR ke | He does not make a claim, he does not look at his body. He prostrates himself, and he speaks as follows: |
| 15′ | NÍG-aš-za an-da-an ME-aš zi GAR-ri 10 {ŠÀ}DIR SIG₅ EGIR-iš UDU-iš IGI-zi ḫa-a-li | Then he places the water. He places ten good šūr-bowls. Afterwards, he looks at the sheep. |
| 16′ | IGI-zi-iš ša-aš-ta-aš GÙB-la-aš EGIR-na-za GÙB-an ḫu-i-nu-ut kam-zu-ri-ti pa-ak-ma-ri-ti | Before the throne, behind him, behind the ḫinûtu-vessel, on the path. |
| 17′ | UL ku-it-ki DÙ-at EGIR SU{MEŠ} ZÍ ḫi-li-ip-ši-ma-an NU.SIG₅ | It is not good. Afterwards, the flesh of the ḫilippši-plant is unclean. |
| {€2} Rs. | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.