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KBo 55.41+ (tlh:KBo 55.41+)

CTH 402

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DesignationKBo 55.41+
IDtlh:KBo 55.41+
LanguageHittite
GenreCTH 402

Transliteration (ATF)

From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0

Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.

LineATFMachine English (draft)
{€1} Vs.
1[U]M-MA {f}al-li-i MUNUS {URU}a[r-za-u-wa] […]Now, Allî, the woman of Arzawa
2na-an kiš-an a-ni-ia-mi […] [… … … … …]And thus ...(lower confidence: line is broken)
3kar-ap-pa-an ḫar-kán-zi […]... they set up ...(low confidence: few signs survive)
43 MUNUS{MEŠ} na-at [… … … … … … … …] [… … … … … …]Three women ...(lower confidence: line is broken)
5šu-u na-at [… … … … …] […]And he ...(very low confidence: a guess)
6{GIŠ}ḫa-aḫ-[ḫar …] […]The ḫaḫar-vessel ...(low confidence: few signs survive)
7ku-w[a-pí-it-ta … … … … … … … … … … … …]... he places ...(low confidence: few signs survive)
{€2}
1′[… da-a]-⸢ú⸣ ŠAḪ-ma-aš-ká[n]And he places it in the hearth.(lower confidence: line is broken)
{€2+3} 2′/ Vs. I 1″[…] […] [… … {DUG}NA-AK-TÁ]M-MA QA-TAM-MA i-e-ez-zi... he takes a naktam-vessel likewise.
{€2+3} 3′/ Vs. I 2″[… ku]-⸢e⸣ nu-wa-na-ša-at... he libates ...(low confidence: few signs survive)
{€2+3} 4′/ Vs. I 3″[…] [… ma-az-z]u-u-e-ni kat-ta-an-wa… he goes down.(low confidence: few signs survive)
{€2+3} 5′/ Vs. I 4″[…] [… n]am-ma da-a-at-tén... and then he takes ...(lower confidence: line is broken)
{€2+3} 6′/ Vs. I 5″[… pé-e-da-at-te]-en […] […]... they take ... ...(low confidence: few signs survive)
{€3} Vs. I 7″[…] […] [… … ANŠE.KUR].RA{MEŠ}... horses ...(low confidence: few signs survive)
{€3} Vs. I 8″[…] ...
{€4} lk. Kol.
1′[… ḫa-aḫ-la-aḫ-ḫi-iš-ke-ez-z]i ki-nu-na-⸢aš⸣-[ši-kán]... the ḫaḫi-škeeẑ-offering, the kinuna-spirit ...
2′[…] [… iš-ḫi-iš-š]i pé-eš-ke-mi... he pours a libation ...(lower confidence: line is broken)
3′[…]-zihe takes(very low confidence: a guess)
4′[…] [na-aš]-ta kiš-an te-ez-zi... and he steps behind.(lower confidence: line is broken)
5′[…]
5′[k]i-nu-na-aš-ši-kán... in the kununaš-vessel(lower confidence: line is broken)
6′[…] […] ⸢pé-eš⸣-k[e-mi] ...... once ...(low confidence: few signs survive)
{€5}
1′[…] ⸢da-a-i⸣he takes.(low confidence: few signs survive)
2′[…] al-wa-an-za-aḫ-[…]... he fills ...(low confidence: few signs survive)
3′[…]-aš da-a-ú ma-a!-a[n …] […]He places it, and he ...(lower confidence: line is broken)
4′[… SÍG BABBA]R da-a-i nu t[e-ez-zi]He places the white wool, and he goes.
5′[… ták-šu-l]a-ez-zi ki-i-i[a …]... he takes, and when ...(lower confidence: line is broken)
6′[… SÍG BABBA]R QA-TAM-MA pár-ku-nu-[ud-du]They break the … wool of the sea together.
7′[… i-da-la-w]a!-aḫ-ta na-aš-ma-a[n …]... he pours, and then ...(lower confidence: line is broken)
8′[…] ka-a-aš SÍG BABBAR ḫu-u-m[a-an-da-az …]... and he places the white wool ...(lower confidence: line is broken)
9′[… al-wa-z]e-ni UN-ši pa-a-ú k[a-a-aš …]... he libates, and he goes to the place ...(lower confidence: line is broken)
10′[… pár-k]u-i-iš e-eš-du ...... he breaks ...(low confidence: few signs survive)
{€3} Vs. II
1′⸢nu⸣-za {GIŠ}GAG(-)[…] […]And he ... the table ...(low confidence: few signs survive)
2′[ku-iš ku-u-un U]N-an al-wa-an-⸢za⸣-[aḫ-ḫi-iš-ke-et] […]... and he places it on the table ...(lower confidence: line is broken)
3′[… da]-aḫ-ḫu-un na-at-kán t[ák-na-i …]... he takes, and he places it ...(lower confidence: line is broken)
4′[… … tar-ma]-⸢a⸣-an-nu-un nu al-wa-an-⸢za⸣-[ta …]... and he places it, and ...(lower confidence: line is broken)
5′[tar-ma-a-an-t]e-eš a-ša-an-du na-at-kán nam-[ma …]... he goes, and then ...(lower confidence: line is broken)
6′⸢na⸣-at da-an-ku-i-iš da-ga-an-zi-pa-a-aš [ḫar-du]And he goes up to the door.(lower confidence: line is broken)
7′na-aš-kán a-pé-ez ar-ḫa te-pu ú-ez-zi nu x[…]And he goes back and forth, and ...(lower confidence: line is broken)
8′1 NINDA.SIG A-NA {D}mar-wa-ia-an-za pár-ši-ia {LÚ}UR.[GI₇ …]He breaks one fine bread for Marwanza; the dog-man ...
9′pé-ra-an ú-e-ḫa-an-da 1 NINDA.SIG mi-ia-na-aš EME p[ár-ši-ia]Afterwards, he breaks one fine bread of miyaš-grain.
10′1 NINDA.SIG da-an-ku-wa-i ták-ni-i pár-ši-ia 1 NINDA.SIG {D}UTU-i p[ár-ši-ia] […]He breaks one fine loaf of bread for the Sun-deity, he breaks [one fine loaf] for Šamaš.
11′ki-i zi-ik pa-aḫ-ši 1 NINDA.SIG {D}UTU-i pár-ši-iaHe breaks one fine loaf of bread for the Sun-deity.
11′na-at d[a-ga-an … … …]... he places ...(low confidence: few signs survive)
12′nu EGIR-ŠU KAŠ A-NA DINGIR{MEŠ} pé-ra-an ši-pa-an-ti n[u …]Afterwards, he libates beer to the gods. And ...
13′ki-i ḪUL-lu al-wa-an-za-ta šu-meš tar-ma-an ḫar-te-enWhen evil is poured out, the hands are turned back.
14′na-aš EGIR-pa te-pu ú-ez-zi nu 1 NINDA.SIG A-NA {D}a-ri-ia pár-ši-iaAfterwards, he goes out, and breaks one fine bread for Ariya.
15′[n]a-at-kán KASKAL-ši ZAG-az da-a-i nu KAŠ ši-pa-an-ti nu te-ez-zi ⸢ḪUL⸣-luAnd he places it on the right side of the road; he libates beer, and he goes to the evil.
16′[zi-ik] ⸢e⸣-ep na-at EGIR-pa le-e tar-na-at-ti 1 NINDA.SIG KASKAL-aš ḫa-at-ta-ri-iš-na-aš... he takes. Afterwards, he breaks one fine loaf of bread for the journey, for the ḫattarišna-offering.
17′[pár-ši-ia] [KASKAL]-⸢ši⸣ GÙB-za da-a-i KAŠ ši-ip-pa-an-ti nu te-ez-zi KASKAL-aš DINGIR{MEŠ}He breaks it. He places it on the road. He libates beer, and he goes on the path of the gods.
18′[… n]a-at pa-aḫ-ḫa-aš-ti-en na-at EGIR-pa le-e tar-na-at-te-ni... and he carries it out, and afterwards he places it on the table.
19′na-aš pa-ra-a te-pu pa-iz-zi [nu 1 NIND]A.SIG KÁ.GAL-aš {D}ša-la-u-wa-na-aš pár-[ši-i]aHe goes to the gate of Šalawana, and he breaks one fine bread.
20′na-at kat-ta da-a-i nu KAŠ B[AL-t]i nu te-ez-zi ša-ra-⸢a-aš-ta⸣He places it on the ground, and he pours beer. And he goes to the hearth.
21′šu-me-eš SIG₅-TIM tar-aš-ke-et-tén ⸢i⸣-[da]-la-mu-ša-aš-ta {LÚ.MEŠ}GA[LA … … … ]x tar-aš-ki-ténOn the right side, on the left side, the cult actor(s) ...
22′1 {DUG}KU-KU-BU ar-ḫa du-wa-ar-na-a-i na-at an-da URU-ia ú-wa-an-ziOne kukubu-vessel, they bring to the city.
23′nu-uš-ša-an kar-aš ḫal-ki-in te-pu {NINDA}pa-aš-šu-uš {GIŠ}PAN 3 {GIŠ}GI{Ḫ[I.A]}And he pours a libation from the quay of the ḫalkin-vessel. The bread of the bowl, the bow, three wooden vessels
24′pád-da-ni an-da da-a-i na-at GIŠ.NÁ-aš kat-ta-an da-a-i na-a[t-ši] kat-ta-an še-eš-ziHe places it on the table, and he places it upon the bed. He places [it] upon the table.
25′GIŠ.NÁ-ša-aš-ša-an {SÍG}e-ša-ra-an ki-it-kar-zaThe bed, the hem of the throne ...
26′𒑱pa-du-um-ma-az-zi-ia ḫa-ma-an-ki“Padummazziya, the ḫamanki-vessel,
27′I-NA UD 2{KAM} ma-a-an lu-uk-kat-ta nu pát-tar GIŠ.NÁ-az kat-ta-anOn the 2nd day, when he comes, and he opens the door,
28′ar-ḫa da-a-i na-at-kán UN-ši še-er ar-ḫa wa-aḫ-nu-uz-ziHe places it, and he places it on the top of the hearth.
29′nu me-ma-i {LÚ}UR.GI₇-aš LÚ-aš ke-e al-wa-an-za-ta al-wa-an-ze-⸢ni UN-ši⸣And he speaks: “The dog-man, the man, when he has libated, he libates,
30′EGIR-pa zi-ik pa-a-i na-at tu-e-el wa-aš-ši{⸢ḪI.A⸣} ⸢e⸣-eš-duAfterwards, he pours a libation, and he libates.
31′na-aš-ta GIŠ.NÁ-az {SÍG}a-ša-ra-a[n] túḫ-š[a-i]And he places it on the bed of the tuašara-textile.
32′[n]a-at-ša-an pád-da-a-ni da-a-**-⸢i⸣And he gives it to him.(lower confidence: line is broken)
33′[I-NA U]D 2{KAM} DUMU.U₁₉.LU-UT-TI-ká[n] {D}⸢UTU-i⸣ *xxx*On the 2nd day, the Stag-god of the Sun-deity ...
34′[QA-TAM-M]A a-ša-a-ši a-ni-u-⸢ur⸣ […]likewise, he libates.(lower confidence: line is broken)
35′[… p]é-e-da-i 1 UDU ⸢1⸣ […] ...He brings one sheep, one ...
{€3} Rs. III
1′[…] ⸢ALAM{ḪI.A} še-er⸣... the cult statues ...(lower confidence: line is broken)
2′[…] [… {GI]Š}LAM.ḪAL SAḪAR{ḪI.A}-aš ⸢ta-lu-up-pa-an⸣ [da-a-i?]... he takes the scepter of the taplup-vessel ...
3′[…] an-da ap-pé-eš-ke-ez-zi nu te-e[z-zi]... he goes up, and he steps.(lower confidence: line is broken)
4′[ka-a-aš SAḪ]AR{ḪI.A}-aš GIM-an kat-ta pár-ku-nu-uz-ziAnd he pours a libation like a bowl.
5′[nu ku-u-un] UN-an {UZU}ÚR{ḪI.A} ḫu-u-ma-an-da QA-TAM-MA pár-ku-n[u-ud-du]And he gives the flesh, and he breaks it together.
6′[nu-uš-ši] ⸢É⸣-SÚ {GIŠ}iš-ta-na-na-an GUNNI QA-DU DAM-Š[U]And in the house, in the tanannu-vessel, beside his wife,
{€3} iii
7′[ {LÚ}MU-TI₄-ŠU DUMU]{MEŠ}-ŠU QA-TAM-MA pár-ku-nu-ut... the cupbearer, his sons, together they give.
{€3} Rs. III
8′[EGIR-an-d]a e-eš-ša!-na-aš ta-lu-up-pí-in da-a-iAfterwards, he places a taplūpu-vessel in the hearth.
9′[… a]n-da ap-pé-eš-ke-ez-zi nu te-ez-zi... and he goes.(lower confidence: line is broken)
10′[… GI]M?-an UN-an ḫu-iš-nu-uš-ke-ez-zi... he pours a libation ...(lower confidence: line is broken)
11′[ku-u-un DUMU.L]Ú.U₁₉.LU-UT-TI ḫu-u-ma-an-da {UZU}ÚR{ḪI.A}-ŠÚ... and the sacrificial sheep ...(lower confidence: line is broken)
12′[…]{MEŠ}-ŠU QA-TAM-MA ḫu-iš-nu-ud-duAfterwards, the ḫuišnudu-vessel(lower confidence: line is broken)
13′⸢nu-uš-ši {MUNUS}ŠU⸣.GIAnd the Hand-of-a-Mother(lower confidence: line is broken)
14′[… ap-pí-i]š-ke-ez-zi nu me-ma-i... and he speaks:(lower confidence: line is broken)
15′[… al-wa-an-z]a-ta e-eš-ši-irAnd he pours a libation.(lower confidence: line is broken)
16′ki-⸢nu-na-at⸣ […] [n]a-at ka-a-ša... and he ...(very low confidence: a guess)
17′pé-ra-an-ti a-⸢ra⸣-an-[ta] [UM-M]A DUMU.LÚ.U₁₉.LU-MA ta-ri-ia-u-en nam-maAfterwards, he speaks thus: “The man of Tariya’ūn
18′UM-MA ALAM{ḪI.A}-MA ú-da-[te-e]n pé-e-du-mi-niThus the statues they set up.
19′LÚ-aš wa-aš-ši-ia-ad-du na-at-ša-ma-ša-pa šar-ku-ia-⸢ad-du⸣The man libates, and the šamašpa-offering ...
20′na-at pa-aḫ-ša-nu-ud-du [n]a-at ar-ḫa pé-e-da-úAnd he carries it out, and he takes it out.
21′[ḫa-aḫ-ḫa-ri-i]t EGIR-an-da ḫa-aḫ-ḫa-ri-ia-ad-duAfterwards, he pours a libation.(lower confidence: line is broken)
22′[in-ta-lu-u]z-zi-it EGIR-an-da šu-wa-a-ed-duAfterwards, he pours a libation.(lower confidence: line is broken)
23′[ma-r]i-iḫ-ši-wa-li-it-ma-at SÍG-ni-it UGUMariḫši-walītma of the wool on(lower confidence: line is broken)
24′[…] [n]a-an-ša-an e-eš-du... and he goes.(lower confidence: line is broken)
25′ma-a-an zi-in-ni-ez-zi nu-uš-ša-an wa-aš-ši{ḪI.A} A-N[A …]“When he comes, and he, to ...(lower confidence: line is broken)
26′la-a-ḫu-u-wa-i ŠÀ.BA 1 GAL.GIR₄ ta-ri-ia-at-t[a-ri-ia-an]... he pours. In the hand of one great sword ...
27′1 GAL.GIR₄ wa-ar-du-le-e-eš **1 šēpê-snake for the waardulu-offering.
{€3} iii
28′1 GAL.GIR₄ GEŠTIN ma-aḫ-la-aš ḫu-el-pí-išOne large vessel of wine for the ḫulliš-festival.
{€3} Rs. III
29′1 GAL.GIR₄ aš-ḫa-i-ú-ul 1 GAL.GIR₄ ir-ḫa-⸢a⸣-[i-ša]One large sword, he throws; one large sword ...
30′nu ku-it-ta ar-ḫa-ia-an ki-na-ez-z[i]And he prostrates himself behind.(lower confidence: line is broken)
31′na-at-ša-an A-NA 5 GAL.GIR₄ la-a-[ḫu-u-wa-i]And he pours it into five large bowls.
32′nu ku-e-da-ni-ia A-NA GAL.GIR₄ EG[IR-an-da]And he goes back and forth to the chief scout.
33′ki-it-ta nu UN-an IGI-zi p[al-ši]He places it on the table, and he looks at the man.
34′NISABA-it wa-ar-ap-ziHe takes the sacrificial sheep.
35′⸢EGIR⸣-an-da-ma I-NA SAG.D[U …]Afterwards, in the beginning ...(lower confidence: line is broken)
36′[pa]-⸢ap-pár?⸣-aš-zi A-NA […]he breaks, to ...(lower confidence: line is broken)
37′[nu te-ez-z]i k[a-a-ša-aš-ši-kán …]And he goes, and then ...(lower confidence: line is broken)

Sources & licences

Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.