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KBo 55.196+ (tlh:KBo 55.196+)
CTH 573
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| Designation | KBo 55.196+ |
|---|---|
| ID | tlh:KBo 55.196+ |
| Language | Hittite |
| Genre | CTH 573 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€1} obv. | ||
| 1′ | -i]š zi-a[n | ... he takes ...(low confidence: few signs survive) |
| 2′ | -kán] pé SIG₅ ú-⸢e⸣-[er | And he pours a good libation.(lower confidence: line is broken) |
| 3′ | -k]án zi-an n[a-a-iš | ... and he takes ...(lower confidence: line is broken) |
| 4′ | GU]N-an IṢ-BAT ⸢na-aš zi-an SIG₅⸣ ú-[et | ... he places it on the hearth, and he drinks the good beer ... |
| 5′ | ú-e]t na-aš-kán pé ar-ḫa pa-it KA₅.[A | And he goes up to the gate.(lower confidence: line is broken) |
| 6′ | -i]t EGIR KASKAL ḫar-ra-ni-in tar-li₁₂ NI-MUR na-a[š | Afterwards, on the road, he takes the tarli-vessel and ... |
| 7′ | p]é ku-uš ú-et na-aš zi-an ku-uš pa-it n[a?- | ... he places it on the table, and he takes it out. ... |
| 8′ | TI₈{MUŠEN} KA₅.A-ia G]UN NI-MUR TI₈{MUŠEN} zi-an SIG₅ [ú-e]t KA₅.A-m[a | The bird at my gate ... the tail of the bird at the right of the gate |
| 9′ | UM-MA {m.GIŠ}GIDRU Ù {m}t]ar-wa-aš-ki ar-ḫa-wa pé-⸢eš⸣-š[er] i-ni-ma-wa ku-x[ | Thus (says) Šamaš-šēzib and Tarwašiki: he ... to him ... |
| 10′ | ]x xx [MU]ŠEN{ḪI.A} pít-tu-l[i-ia]-⸢u⸣-wa-aš ZARAḪ-an-wa [i-ši-ia-aḫ-ḫe-er | ... the lords of the cult dais ...(lower confidence: line is broken) |
| {€2+1} obv. 1′/ | ||
| 11′ | [ma-a-a]n? [ ] ḪUL i-ši-i[a-a]ḫ-ta [nu MUŠEN{ḪI].A} SI×SÁ-an-du TI₈{MUŠEN}-kán pé [ | And he speaks evil. And the birds sing, and the bird of the mouth ... |
| {€2+1} obv. 2′/ | ||
| 12′ | ⸢KA×U⸣-ŠÚ-m[a- na-aš GUB-i]š na-aš-[kán p]é k[u-uš] ú-et na-aš-kán pé-an ar-ḫa p[a-it | And he places it on his mouth, and he sets it on the ground, and on the right, and upon the left, |
| {€2+1} obv. 3′/ | ||
| 13′ | EGIR GAM k[u-uš ú-et EGI]R KAS[KAL a-ra-am-na-a]n-za-kán pé ku-uš ú-et na-aš-kán pé [ar-ḫa pa-it | Afterwards, he places the kūš-vessel and the reed of the beer. ... he pours a libation of aramanzanza-beer. |
| {€2+1} obv. 4′/ | ||
| 14′ | TI₈{MUŠEN}-m[a -ká]n EGIR UGU SIG₅ ú-et na-aš zi-an k[u-uš | ... the bird ... Afterwards, on top of the good thing, ... and ... |
| {€2+1} obv. 5′/ | ||
| 15′ | i-pár-wa-aš-ši [ti-i-ia-u-en {D}U]TU-i GUN NI-MUR a-ra-am-na-an-za-kán {D}UT[U-un? | he breaks. ... the Sun-deity, the talent of the hearth, he libates to the sun-deities ... |
| {€2+1} obv. 6′/ | ||
| 16′ | DUG GEŠTIN GIŠ.〈ZU〉.NA x[ k]u-⸢uš⸣ ú-et TI₈{MUŠEN}-ma GUN pa-ri-a[n | a vessel of wine, a wooden bowl ... and the bird ... |
| {€2+1} obv. 7′/ | ||
| 17′ | UM-MA {m.GIŠ}GIDRU Ù [ ] ... [ ] | Thus Gilgameš and ...(lower confidence: line is broken) |
| {€2+1} obv. 8′/ | ||
| 18′ | na-aš EGIR-pa NI-MU[R na]m-ma-aš GUB-iš na-aš-kán x[ | Afterwards, ... stands, and ... ...(lower confidence: line is broken) |
| {€2+1} obv. 9′/ | ||
| 19′ | na-aš zi-an ku-uš ú-[et -i]t? ta-pa-aš-ši-iš-ma-k[án | And he libates to the right and to the left(lower confidence: line is broken) |
| {€2+1} obv. 10′/ | ||
| 20′ | na-aš 2-an ar-ḫa pa-i[t TU]Š-at KA×U-ŠÚ-⸢ma-za⸣-[kán | And two times, at the opening of the mouth, |
| {€2} obv. | ||
| 11′ | na-a[š EG]IR-pa NI-MUR ḫa-aš-t[a-pí- | Afterwards, the heart of the ḫaštapi-vessel ... |
| 12′ | pé ku-uš ú-et nu-za EGIR-p[a da-a-aš | ... and he takes it back ...(lower confidence: line is broken) |
| 13′ | EGIR UGU SIG₅ ú-et na-aš-k[án | Afterwards, on top of the good one, ... |
| 14′ | ki-i ku-it ŠA{D}UTU-ŠI Ù Š[A | When the Sun-deity and the(lower confidence: line is broken) |
| 15′ | ḪUL Ú-UL ku-it-ki uš-ket₉-te-ni [ | He does not know evil, he does not understand ... |
| 16′ | ḫal-wa-aš-ši-iš-ma-kán EGIR GAM ku-uš ú-[et | ... the ḫalwašši-drum ... afterwards ...(lower confidence: line is broken) |
| 17′ | na-aš 2-an ar-ḫa pa-it UM-MA [ | And two times, at the border ...(lower confidence: line is broken) |
| 18′ | i-pár-wa-aš-ši ti-i-ia-u-en TI₈{MUŠEN}(-)[ | he breaks, and the bird ...(lower confidence: line is broken) |
| 19′ | a-ši ku-iš ḫal-wa-aš-ši-iš ANAER-TI ŠA{D}UTU-Š[I-pát ŠANÍ.TE-ŠU | And instead of the ḫalwašši-offering, the offering table of the Sun-deity, his companion, |
| 20′ | ku-it-ki i-ši-aḫ-ta nu-wa MUŠEN{ḪI.A} SI×SÁ-an-du nu MUŠEN{ḪI.A}-m[a- | And he pours a libation. And the birds sing, and the birds... |
| 21′ | nam-ma-aš-ma-ša-at e-še-eš-ke-er i-pár-wa-aš-ši-iš-ša GISKIM-aḫ-t[a | Then he pours a libation, and the sign ...(lower confidence: line is broken) |
| 22′ | ŠA{D}UTU-ŠI-pát ŠANÍ.TE-ŠU ku-in-ki píd-du-li-an i-ši-ia-a[ḫ-ḫe-er | Šamaš-šipâ, the ... of the hearth, he pours a libation. |
| 23′ | 1-aš 1-an ap-pé-eš-ke-et nu ḫal-lu-u-iš-ke-er na-at 2-an ar-ḫa pa-a-[er | ... once he places it on the table, and he breaks it, and two times he goes ... |
| 24′ | TI₈{MUŠEN}-kán tar-liš pé ar-ḫa pa-it šal-wa-ia-aš-ma GUN pa-ri-an p[a-it | The eagle, on the other side, goes up to the left side, and the talent goes up. |
| 25′ | KA×U-ŠÚ-ma-za-kán 2-an ar-ḫa ne-ia-at nam-ma GUB-iš na-aš GUN zi-an p[a-it | At the opening of the door, two times, he places it, and then he stands, and he takes the right talent. |
| 26′ | šal-wa-ia-an-na GUN NI-MUR TI₈{MUŠEN} 2-an ar-ḫa pa-it šal-wa-ia-aš-ma-kán E[GIR | The šalwayannu-priestess, the talent of the pigeon, two times, at the entrance of Šuwalwa, the gate... |
| 27′ | EGIR KASKAL ḫar-ra-ni-iš-kán EGIR UGU SIG₅ ú-et nu-za GAM-an a-al-li-ia-an tar-li₁₂ x[ | Afterwards, on the road of Ḫarrāniška, afterwards, on top of the good, and he ... a libation ... |
| 28′ | i-pár-wa-aš-ši ti-i-ia-u-en nu-kán ḫar-ra-ni-i-iš *〈〈ma〉〉* {D}UTU-un EGIR UGU SIG₅ ú-[et | He breaks it, and he says: “The Sun-god, afterwards, upon the good thing |
| 29′ | an-da wa-aḫ-nu-ut na-aš-kán EGIR GAM ku-uš ú-et nu-za EGIR-pa da-a-aš DUG GEŠTIN GIŠ?.[ZU.NA | Afterwards, he drinks, and afterwards he pours a vessel of wine from a wooden vessel. |
| 30′ | na-aš-kán EGIR GAM ku-uš ú-et nu-za nam-ma EGIR-pa da-a-aš DUG GEŠTIN GIŠ.ZU.NA [ | Afterwards, he eats, and then afterwards he pours a vessel of wine from the hand ... |
| 31′ | EGIR UGU SIG₅ ú-et na-aš-kán {D}UTU-i kat-ta-an ar-ḫa ú-et nu-uš-ša-a[n | Afterwards, on top of the good one, and he, to the Sun-deity, on the left, and on the right ... |
| 32′ | ma-a-an u-ni-i-uš MUŠEN{ḪI.A} ŠANÍ.TE {D}UTU-ŠI-pát ZARAḪ-an i-ši-ia-a[ḫ-ḫe-er | And the birds of the stela of Šamaš-šipa, the cult singer, sing. |
| 33′ | i-ši-ia-aḫ-〈ḫe〉-er nu MUŠEN{ḪI.A} ar-ḫa pé-eš-ši-an-du TI₈{MUŠEN}-kán pé SIG₅ ú-et n[a-aš | he pours, and the birds ... he libates. The bird of yours ... good ... |
| 34′ | EGIR KASKAL a-al-li-ia-aš tar-liš pa-ri-an ú-et UM-MA {m.GIŠ}GIDRU Ù {m}tar-wa-aš-k[i | Afterwards, on the road, he goes to the rear. Thus (says) Šamaš-šēzib and Tarwašiki. |
| 35′ | ki-i ku-it ŠA{D}UTU-ŠI MUŠEN{ḪI.A} la-aḫ-la-aḫ-ḫi-〈ma〉-aš MUŠEN{ḪI.A} gal-la-re-eš-ke-e[r | When the Sun-deity, the birds of Lahlalaḫi-ma, the bird of Galla-reš-ke ... |
| 36′ | nu ma-a-an DINGIR-LIM-az INIM-za DINGIR-LIM ku-iš-ki TUKU.TUKU-an-za nu-un-na-aš a-aš-šu x[ | And if the god speaks to you, the god will have mercy on you, and then ... |
| 37′ | a-li〈〈li〉〉-liš-kán pé ku-uš ú-et na-aš-kán pé ar-ḫa pa-it TI₈{MUŠEN}-ma-ká[n | And he goes, and he comes, and on the left side of the bird. |
| 38′ | na-aš 2-an ar-ḫa pa-it EGIR KASKAL šal-wa-ia-aš-kán pé ku-uš ú-et nu-za GAM-a[n | And two times after the road he goes, and he ... |
| 39′ | pé ar-ḫa pa-it mar-ša-na-aš-ši-iš-ma-kán EGIR GAM ku-uš ⸢ú-et⸣ na-aš 2-a[n ar-ḫa pa-it | On the right side, on the left side, at the side of Marša-na-išma. Afterwards, he places the ku-vessel, and two times on the opposite side. |
| 40′ | ki-i ku-it nam-ma zi-la-aš SI×SÁ-at nu ma-a-an {D}UTU-ŠI ŠAKUR-ia x[ | When he is dressed in his ordinary soiled garments, and when the Sun-deity of my land ... |
| 41′ | šal-wa-ia-aš-kán pé ku-uš ú-et na-aš-kán pé ar-ḫa pa-it ta-ma-i-iš-[ma-kán | Then he places it on the ground, and then he puts it upon the ground. |
| 42′ | pa-it nu ER-TAM ER-ku-u-en nu-kán a-ra-am-na-an-za pé SIG₅ ú-et na-a[š | ... and he takes the erkû-vessel ... And he libates to Aramnanza ... |
| 43′ | ú-et na-aš-za TUŠ-at KA×U-ŠÚ-ia-za-kán zi-an na-a-iš nam-ma-aš GUB-iš n[a-aš | And he sits at the door of the door, and he stands there. |
| 44′ | nam-ma GUB-iš na-aš-kán EGIR UGU SIG₅ ú-et na-aš tar-liš pa-ri-an [pa-it | And he stands, and afterwards on the good one, and he goes up. |
| 45′ | TI₈{MUŠEN} tar-liš pa-ri-an ú-et mar-ša-na-aš-ši-iš-ma-kán pé SIG₅ [ | The eagle goes to the rear, and the marša-na-siš-makka-vessel ... |
| 46′ | nu 2-an ar-ḫa pa-it 1-aš-ma-kán pé ku-uš ú-et na-aš-kán pé [ar-ḫa pa-it | And two times he crosses the river. One time he places it on the ground, and he carries it off. |
| 47′ | nu-uš-ma-aš EGIR-pa da-a-er na-at-kán EGIR UGU SIG₅ ú-e-er [ | Afterwards, he places it, and afterwards he puts it upon the good one ... |
| 48′ | nu i-pár-wa-aš-ši ti-i-ia-u-en nu-kán TI₈{MUŠEN} {D}UTU-un EGI[R | And he libates, and the bird of the Sun-god is seated. |
| 49′ | na-aš-kán {D⸢}UTU⸣-un kat-ta-an ar-ḫa ú-et nu-u[š-ša-an(?) | And Šamaš, above, and below,(lower confidence: line is broken) |
| {€2} lo. e. | ||
| 50′ | ki-i-ma-aš-kán ku-it MUŠEN{ḪI.A} ŠASAG.DU {D}[UTU-ŠI | Likewise, the bird, the host of the Sun-deity, |
| 51′ | MUŠEN{ḪI.A} ŠASAG.DU {D}UTU-ŠI ḪUL i-ši-aḫ-ḫe-eš-k[e-er | The birds, the sagdu-priest of the Sun-deity, the evil of ... |
| 52′ | i-ši-aḫ-ḫe-eš-ke-ši nu MUŠEN{ḪI.A} SI×SÁ-an-du a-al-l[iš? | he libates, and the birds sing, and ...(lower confidence: line is broken) |
| 53′ | na-aš GUN pa-ri-an pa-it na-aš-za T[UŠ-at(?) | And he takes the talent, and he sits down. |
| 54′ | ú-et ta-ma-i-in-ma a-l[i-li- | And he speaks: ...(lower confidence: line is broken) |
| {€2} rev. | ||
| 55′ | ⸢a-al⸣-liš 2-an ar-ḫa pa-[it | ... two times he goes out ... |
| 56′ | TI₈{MUŠEN}-ma-kán EGIR U[GU SIG₅ ú-et | The eagle, afterwards, on top of the good |
| 57′ | pa-it GAM-an-ma-za ku-[uš | on the right side, ...(lower confidence: line is broken) |
| 58′ | nu-kán mar-ša-na-aš-š[i-iš | And Maršana...(lower confidence: line is broken) |
| 59′ | pa-ri-an ú-e-er [ | ... he goes ...(low confidence: few signs survive) |
| 60′ | SIG₅ ú-e-er [ | ... he brings ...(low confidence: few signs survive) |
| 61′ | na-⸢aš?⸣ xx [ | And ...(very low confidence: a guess) |
| lk. Rd. | xx xx x x [ | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.