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KBo 24.116+ (tlh:KBo 24.116+)
CTH 591
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| Designation | KBo 24.116+ |
|---|---|
| ID | tlh:KBo 24.116+ |
| Language | Hittite |
| Genre | CTH 591 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€4} Vs. I | ||
| 1′ | [GIŠ].{⸢D}INANNA GAL⸣ [ ]x x x[ ]x[ | The great lyre ...(low confidence: few signs survive) |
| 2′ | [n]a-aš-ta ... pár-aš-na-a-u-⸢wa⸣-aš {LÚ}S[AGI-aš ú-ez-zi | The cupbearer goes to the ...(lower confidence: line is broken) |
| 3′ | DUMU{MEŠ}.É.GAL ge-nu-wa-aš GADA-an d[a-an-zi | The palace servants take the linen cloth. |
| 4′ | LUGAL-uš MUNUS.LUGAL-aš-ša {D}IŠKUR GUB-aš IŠ-TU[B]I-⸢IB⸣-[RI GU₄ KÙ.SI₂₂ | The king and the queen stand before the Storm-god, the gold ox |
| 5′ | a-ku-an-zi ḫu-up-pa-ri ši-pa-an-ti {LÚ}ALAM.ZU₉ me-⸢ma-i⸣ [ | They drink; he libates; the cult actor speaks ... |
| 6′ | {LÚ}ki-i-ta-aš ḫal-za-a-i {LÚ}pal-wa-tal-la-aš ⸢pal⸣-wa-a-ez-zi | The kīta-priest calls out, the chanter calls out. |
| 7′ | {LÚ.MEŠ}GALA SÌR-RU {GIŠ}ar-ga-mi gal-gal-tu-u-[ri w]a-al-ḫa-an-ni-an-zi | The kalû-priests sing; they libate on the barge. |
| 8′ | {LÚ}SAGI-aš NINDA.GUR₄.RA EM-ṢA GE₆ LUGAL-i pa-a-i LU[GAL-u]š pár-ši-ia | The cupbearer takes the sour loaf of bread before the king, and breaks it. |
| 9′ | {⸢LÚ⸣}SAGI-aš-kán LUGAL-i NINDA.GUR₄.RA da-a-i na-a[n] ⸢A⸣-NAGAL LÚ{MEŠ}˽{GIŠ}BANŠUR | The cupbearer gives a loaf of bread to the king, and to the chief of the tablemen |
| 10′ | pa-a-i na-[a]n-ša-an PA-NIZAG.GAR.RA pár-ši-i[a]-an-ta-aš | He takes it, and he breaks the scepter.(lower confidence: line is broken) |
| 11′ | {NINDA}ḫar-ša-ia-aš ša-a-ku-wa kat-ta ne-e-a-an-⸢ta⸣-aš še-er da-a-i | He places the ḫarša-bread below and below. |
| 12′ | LÚ˽{GIŠ}BANŠUR 1 NINDA mi-it-ga-a-i-mi-in {GIŠ}BAN[ŠU]R-az da-a-i | The table man takes one bread and places it on the table. |
| 13′ | LUGAL-i pa-a-i LUGAL-uš pár-ši-ia LÚ˽{GIŠ}BANŠUR-aš-k[á]n LUGAL-i | The king breaks it; the tableman gives it to the king. |
| 14′ | {NINDA}ḫar-ši-in [da-a]-⸢i⸣ na-an-ša-an EGIR-pa ⸢šu⸣-up-pa-i {GIŠ}BANŠUR-i | He takes the ḫaršin-bread, and afterwards he places it on the table. |
| 15′ | da-a-i | he places. |
| 16′ | ⸢na⸣-aš-ta pár-aš-ša-na-a-u-wa-aš ú-ez-zi DUMU{MEŠ}.É.GAL-TIM | And he goes to the palace servants.(lower confidence: line is broken) |
| 17′ | ge-nu-wa-aš GADA-an da-an-zi | They take the linen cloth. |
| 18′ | LUGAL-uš MUNUS.LUGAL-aš-ša GUB-aš a-aš-šu-zé-ri-it | The king and the queen stand before Aššarēt. |
| 19′ | ⸢{D}⸣iš-ta-nu {D}pa-la-tap-pí-nu a-ku-an-zi ḫu-up-pa-ri ši-pa-an-ti | Ištanu and Palatappinu drink; he libates a libation. |
| 20′ | GIŠ.{D}INANNA GAL {LÚ.MEŠ}ḫal-li-ia-ri-eš SÌR-RU {LÚ}ALAM.ZU₉ | The great lyre, the cult singers sing; the audience-priest |
| 21′ | [me]-ma-i {LÚ}pal-wa-tal-la-aš pal-wa-ez-zi {LÚ}⸢ki⸣-ta-aš | He speaks; the chanter chants; the singer ... |
| 22′ | [ḫa]l-za-a-i {LÚ}SAGI-aš 1 NINDA.GUR₄.RA EM-ṢA LUGAL-i p[a]-a-i | The cupbearer takes one sour loaf of bread before the king. |
| 23 | LUGAL-⸢uš⸣ pár-⸢ši⸣-ia {LÚ}SAGI-aš-kán LUGAL-i {NINDA}⸢ḫar⸣-ši-in da-a-i | The king breaks it; the cupbearer gives it to the king. |
| 24′ | [n]a-an-kán [pa]-ra-a pé-e-da-i | And he takes it out.(lower confidence: line is broken) |
| 25′ | [LÚ]˽{GIŠ}BANŠUR 2 NINDA mi-it-ga-a-i-mu-uš {GIŠ}BANŠUR-[az] da-a-i | The tableman places two loaves of bread on the table. |
| 26′ | LUGAL-i pa-a-i LUGAL-uš pár-ši-ia LÚ˽{GIŠ}BANŠU[R-aš-ká]n LUGAL-i | The king breaks it; the tableman gives it to the king. |
| 27′ | NINDA mi-it-ga-i-mu-uš da-a-i na-aš-ša-an EGI[R-p]a šu-up-pa-i | He places a loaf of bread, and he places it on the ground. |
| 28′ | {GIŠ}BANŠUR-i da-a-i | He places it on the table. |
| 29′ | [LU]GAL-uš MUNUS.LUGAL-aš-ša a-ša-⸢an-zi⸣ {LÚ.MEŠ}MUḪALDIM {GI[Š}k]i-iš-du-un | The king and the queen go; the cooks take the kishdu-vessel. |
| 30′ | [pa-r]a-a ap-pa-an-zi na-at A-NA x[ pé-e-da-an-zì | They take it away, and they bring it to ...(lower confidence: line is broken) |
| 31′ | [na-aš-t]a pár-aš-na-a-u-wa-aš ⸢ú⸣-[ez-zi | And he comes to the ...(lower confidence: line is broken) |
| {€3+1} Vs. II 1/Vs. | ||
| 1 | LUGAL-uš MUNUS.LUGAL-aš-ša {D}IŠKUR GUB-aš IŠ-TUBI-IB-R[I GU₄ K]Ù.⸢SI₂₂⸣ | The king and the queen stand before the Storm-god, the horns of the golden bull |
| {€3+1} Vs. II 2/Vs. | ||
| 2 | a-ku-an-zi ḫu-up-pa-ri ši-pa-an-ti {LÚ.MEŠ}GALA SÌR-RU | They drink; he libates; the cult singers sing. |
| {€3+1} Vs. II 3/Vs. | ||
| 3 | {LÚ}ALAM.ZU₉ me-ma-i {LÚ}pal-wa-tal-la-aš pal-wa-ez-zi | The cult actor speaks; the chanter chants. |
| {€3+1} Vs. II 4/Vs. | ||
| 4 | {LÚ}ki-i-ta-aš ḫal-za-a-i | The recitation priest sings. |
| {€3+1} Vs. II 5/Vs. | ||
| 5 | {LÚ}SAGI-aš 1 NINDA.GUR₄.RA EM-ṢA GE₆ LUGAL-i pa-a-i LUGAL-uš pár-ši-ia | The cupbearer gives one dark loaf of bread to the king. The king breaks it. |
| {€3+1} Vs. II 6/Vs. | ||
| 6 | {LÚ}SAGI-aš-kán LUGAL-i NINDA.GUR₄.RA e-ep-zi | The cupbearer takes the loaf of bread for the king. |
| {€3+1} Vs. II 7/Vs. | ||
| 7 | [n]a-an A-NAGAL LÚ{MEŠ}˽{GIŠ}BANŠUR pa-a-i ... | He gives it to the chief of the tablemen ...(lower confidence: line is broken) |
| {€3+1} Vs. II 8/Vs. | ||
| 8 | [n]a-an-ša-an iš-ta-na-a-ni pé-ra-an A-NA{GIŠ}BANŠUR | And he places it before the table.(lower confidence: line is broken) |
| {€3+1} Vs. II 9/Vs. | ||
| 9 | [š]a-a-ku-wa kat-ta ḫu-wa-ap-pí | ... he drinks, below ...(lower confidence: line is broken) |
| {€3+1} Vs. II 10/Vs. | ||
| 10 | [L]Ú˽{GIŠ}BANŠUR 1 NINDA mi-it-ga-a-i-mi-in šu-up-pa-az {GIŠ}BANŠUR-az da-a-i | The tableman takes one loaf of bread and places it on the table. |
| {€3+1} Vs. II 11/Vs. | ||
| 11 | [LU]GAL-i pa-a-i LUGAL-uš pár-ši-ia 〈LÚ〉˽{GIŠ}BANŠUR-aš-⸢kán⸣ LUGAL-i | The king breaks it; the tableman gives it to the king. |
| {€3+1} Vs. II 12/Vs. | ||
| 12 | NINDA mi-it-ga-a-i-mi-in e-ep-zi na-an-ša-an EGIR-pa | He takes the bread, and then he takes it back. |
| {€3+1} Vs. II 13/Vs. | ||
| 13 | {GIŠ}BANŠUR-i da-a-i | He places it on the table. |
| {€3+1} Vs. II 14/Vs. | ||
| 14 | LÚ{MEŠ}˽{GIŠ}BANŠUR TU₇˽Ì ti-an-zi na-at ⸢šar⸣-[ra-an-z]i | The tablemen libate sweet beer, and they ... |
| {€3+1} Vs. II 15/Vs. | ||
| 15 | LÚ{MEŠ}˽{GIŠ}BANŠUR {GIŠ}KÀ-AN-NU-UM{ḪI.A} da-an-zi GAL {LÚ.ME[Š}ME-Š]E-⸢DI⸣ | The tablemen take the breccia. The chief of the bodyguards |
| {€3+1} Vs. II 16/Vs. | ||
| 16 | [Š]A{LÚ.MEŠ}UR.GI₇ ḫi-in-ku-wa-ar tar-kum-mi-ia-ez-zi | The dog-men libate in the ḫinkuwar-vessel. |
| {€3+1} Vs. II 17/Vs. | ||
| 17 | [{UR]U} zi-ip-pa-la-an-ta-az {LÚ} GUDU₁₂ 2 NINDA.GUR₄.RA BABBAR 2 NINDA.GUR₄.RA GE₆ ú-da-i | In Zippāntaz the cult actor brings two white loafs and two black loafs. |
| {€3+1} Vs. II 18/Vs. | ||
| 18 | [n]a-an GAL DUMU{MEŠ}.É.GAL tar-kum-mi-ia-ez-zi {URU}zi-pa-la-an-ta-az | And the chief of the palace servants comes to Zipalantaz. |
| {€3+1} Vs. II 19/Vs. | ||
| 19 | [te]-et-ḫé-eš-na-aš NINDA.GUR₄.RA-iš na-an-kán an-da pé-e-da-an-zi | ... they bring the loaf of bread, and they bring it. |
| {€3+1} Vs. II 20/Vs. | ||
| 20 | [{LÚ]}GUDU₁₂ EGIR NINDA.GUR₄.RA{ḪI.A} ḫi-ik-zi | The cult actor goes behind the loafs. |
| {€3+1} Vs. II 21/Vs. | ||
| 21 | [ma]-⸢a⸣-an(?) ŠA{LÚ.MEŠ}UR.GI₇ IGI.DU₈.A ḫa-an-da-et-ta-ri | When the dogs look at the window, |
| {€3+1} Vs. II 22/Vs. | ||
| 22 | [ma-a-a]n(?) te-et-ḫé-eš-na-aš NINDA.GUR₄.RA-iš ḫa-an-da-et-ta-ri | And he pours a loaf of bread into the teḫešna-vessel. |
| {€3+1} Vs. II 23/Vs. | ||
| 23 | [na-a]n ḫi-in-kán-zi ma-a-an Ú-UL-ma ḫa-an-da-et-ta-⸢ri⸣ | And they go, but he does not take it.(lower confidence: line is broken) |
| {€3+1+2} Vs. II 24/Vs. II 24/Vs. | ||
| 24 | [na-a]n Ú-UL ḫi-in-kán-zi na-aš-ta pár-aš-⸢na-a-u-wa-aš ú⸣-e[z-zi] | And he does not go, and he goes to the parasiwa-house. |
| {€3+2} Vs. II | ||
| 25 | [na-aš-t]a ge-nu-wa-aš GADA-an da-an-zi | And they take the linen cloth for the ganuwa-offering. |
| 26 | [LUGAL-uš] MUNUS.LUGAL-aš-ša {D}IŠKUR GUB-aš IŠ-TUBI-IB-RI GU₄ KÙ.SI₂₂ | The king and the queen, the Storm-god, stand, and the gold bull |
| 27 | [ḫu-up-pa-r]i ši-pa-an-ti {LÚ.MEŠ}GALA SÌR-RU {[GI]Š}ar-ga-mi | He libates; the kalû-priests sing; he holds the barge. |
| 28 | [gal-gal-t]u-u-ri wa-al-ḫa-an-ni-an-zi {LÚ}ALAM.ZU₉ me-ma-i | The cult actor speaks.(lower confidence: line is broken) |
| 29 | [{LÚ}pal-w]a-tal-la-aš pal-wa-ez-zi {LÚ}ki-ta-aš ḫal-za-a-⸢i⸣ | The chanter chants; the recitation priest sings. |
| 30 | [{LÚ}SAG]I-aš 1 NINDA.GUR₄.RA EM-ṢA LUGAL-i pa-a-i LUGAL-uš pár-ši-i[a] | The cupbearer gives one sour loaf of bread to the king; the k[ing] breaks it. |
| 31 | [{LÚ}SAG]I-aš-kán LUGAL-i {NINDA}ḫar-ši-in da-a-i na-an A-NAGA[L LÚ]{MEŠ}˽{GIŠ}BANŠUR | The cupbearer places the ḫaršin-bread before the king, and the tablemen |
| 32 | [pa-a-i na]-⸢an⸣-ša-an iš-ta-na-a-ni pé-⸢ra⸣-an A-NA{GIŠ}BANŠUR | He places it on the table.(lower confidence: line is broken) |
| 33 | [pár-ši-ia-an-ta-aš] ⸢A-NA⸣NINDA.GUR₄.RA{ḪI.A} ša-a-ku-wa [k]at-ta ḫu-wa-ap-pí | ... he breaks, and for the loaf of bread ...(lower confidence: line is broken) |
| {€4+3+2} Vs. II | ||
| 34 | na-aš-ta p[ár-aš-na]-⸢asic-wa⸣-aš ú-ez-zi DUMU{MEŠ}.É.GAL ge-nu-wa-〈aš〉 GADA-an da-an-z[i] | And he goes to the parrašna-vessel; the palace servants take a linen cloth. |
| 35 | LUGAL-uš MUNUS.LUGAL-aš-š[a] ⸢{D⸣}IŠKUR GUB-aš IŠ-TUBI-IB-RI GU₄ KÙ.S[I₂₂] | The king and the queen, the Storm-god, stand, and the gold bull |
| 36 | a-ku-an-zi ḫu-up-pa-⸢ri⸣ š[i]-pa-an-ti {LÚ.MEŠ}GALA SÌR-RU {GIŠ}a[r-ga-mi] | They drink the ḫuppari-vessel; the cult singers sing; the argami-instrument |
| 37 | gal-gal-tu-u-ri wa-al-ḫa-an-⸢ni⸣-an-zi {LÚ⸢}ALAM⸣.ZU₉ me-ma-i | The cult actor speaks.(lower confidence: line is broken) |
| 38 | {LÚ}pal-wa-tal-la-aš pal-wa-ez-zi {LÚ}ki-t[a-aš ḫal-z]a-a-⸢i⸣ | The chanter chants; the recitation priest sings. |
| {€4} Vs. II | ||
| 39 | {LÚ}SAGI-aš 1 NINDA.GUR₄.RA EM-ṢA LUGAL-i [pa-a-i LUGAL-uš pár-ši-ia] | The cupbearer breaks one loaf of bread before the king. The king breaks it. |
| 40 | {LÚ}SAGI-aš-kán LUGAL-i {NINDA}ḫar-ši-in d[a-a-i na-an A-NAGAL LÚ{MEŠ}˽{GIŠ}BANŠUR] | The cupbearer brings the ḫaršin-bread to the king and to the tablemen. |
| {€4+5} Vs. II | ||
| 41 | pa-a-i na-an-ša-an iš-ta-na-a-ni p[é-ra-an A-NA{GIŠ}BA]NŠU[R] | He takes it, and he places it on the table.(lower confidence: line is broken) |
| 42 | pár-ši-ia-an-ta-aš {NINDA}ḫar-ša-ia-aš IGI{ḪI.A}-wa kat-t[a n]e-e-a-⸢an⸣-ta-[aš] | And he breaks the ḫarša-bread, and he places it below. |
| 43 | še-er da-a-i | he places above. |
| 44 | LUGAL-uš MUNUS.LUGAL-aš-ša nam-ma {⸢D⸣}IŠKUR GUB-aš IŠ-TUBI-IB-RI ⸢GU₄⸣ [KÙ.SI₂₂] | The king and the queen, and the Storm-god, standing, the gold ox |
| 45 | 3-ŠU ki-iš-ša-an-pát a-ku-an-zi ḫu-up-pa-⸢ri⸣ ši-pa-an-ti | They drink three times in a kiš-san-pa-vessel, they libate with ḫuppari-beer. |
| 46 | {LÚ.MEŠ}GALA SÌR-RU {GIŠ}ar-ga-mi gal-gal-tu-u-r[i] ⸢wa-al⸣-ḫa-⸢an⸣-n[i-an-zi] | The kalû-priests sing; they libate on the barge. |
| 47 | {LÚ}ALAM.ZU₉ me-ma-i {LÚ}pal-wa-tal-la-aš pal-[w]a-⸢a⸣-ez-zi | The cult actor speaks; the chanter chants. |
| 48 | {LÚ}ki-i-ta-aš ḫal-za-a-i | The recitation priest sings. |
| 49 | {LÚ}SAGI-aš 3 NINDA.GUR₄.RA EM-ṢA LUGAL-i pa-a-i LUGAL-uš pár-ši-ia | The cupbearer gives three sour loaves of bread to the king. The king breaks it. |
| 50 | {LÚ}SAGI-aš-kán LUGAL-i {NINDA}ḫar-ši-uš da-a-i na-aš ⸢A⸣-NAGAL LÚ{MEŠ}˽{GIŠ}BANŠUR | The cupbearer places the ḫarši-bread before the king, and the tablemen |
| 51 | pa-a-i na-aš-ša-an PA-NIZAG.GAR.RA A-NA{GIŠ}BA[NŠU]R pár-ši-ia-an-ta-aš | He takes it, and he places it on the table.(lower confidence: line is broken) |
| 52 | A-NANINDA.GUR₄.RA{ḪI.A} še-er IGI{ḪI.A}-wa kat-ta ḫ[u-wa-a]p-pí | he places the loaves of bread above the eyes, below the huppi-vessel. |
| 53 | na-aš-ta pár-aš-na-a-wa-aš ú-ez-zi DUMU{MEŠ}.[É.GAL ge-nu-w]a-〈aš〉 GADA-an | And he goes to the palace servants, to the linen cloth. |
| 54 | da-an-zi GAL {LÚ.MEŠ}ME-ŠE-DI {NINDA}ta-pár-[wa-šu-uš tar-kum-mi]-ia-ez-zi | The chief of the bodyguards takes the taparwašu-bread. |
| 55 | LUGAL-uš MUNUS.LUGAL-aš-ša GUB-aš nam-ma {[D}IŠKUR IŠ-TUBI-IB-R]I GU₄ KÙ.SI₂₂ | The king and the queen stand, and then the Storm-god of the four oxen. |
| 56 | a-ku-an-zi {LÚ.MEŠ}GALA SÌR-R[U {LÚ}ALAM.ZU₉ me-ma-i] | They drink; the cult actors sing; the singer speaks. |
| {€4} Vs. II | ||
| 57 | {LÚ}pal-⸢wa-tal-la⸣-aš pal-wa-[a-ez-zi {LÚ}ki-i-ta-aš ḫal-za-a-i] | The chanter chants; the recitation priest sings. |
| 58 | {LÚ}SAG[I-aš 1 NIND]A.⸢GUR₄⸣.[R]A ⸢EM-ṢA⸣ LU[GAL-i pa-a-i LUGAL-uš pár-ši-ia] | The cupbearer takes one loaf of bread before the king; the k[ing] breaks it. |
| 59 | {LÚ}SAG[I-aš-kán LUGAL-i] NINDA.GUR₄.RA ⸢e⸣-[ep-zi] | The cupbearer takes the loaf of bread for the king. |
| 60 | na-an A-N[AGAL LÚ{MEŠ}˽{GIŠ}]BANŠUR pa-a-i na-an-ša-an {GIŠ}B[ANŠU]R-⸢i⸣ | He gives it to the king, the tablemen, and he places it on the table. |
| 61 | A-NANINDA.GUR₄.RA{⸢ḪI.A⸣} še-er I]GI{ḪI.A}-wa kat-ta ḫu-wa-ap-pí | a loaf of bread, above the eyes, below the ḫuwappi-vessel, |
| 62 | UGULA LÚ{MEŠ}˽{GIŠ}BANŠUR {N[INDA}z]i-ip-pu-la-aš-ni-in da-a-i | The overseer of the tablemen takes the zigpula-bread. |
| 63 | na-aš-ta {NINDA}zi-ip-pu-la-aš-na-az 1 NINDA.GUR₄.RA GE₆ da-a-i | And he takes one black loaf of zigpula-bread. |
| 64 | [na-an A-N]A⸢{LÚ⸣}[S]AGI pa-a-i pár-aš-na-a-wa-aš-kán ú-ez-zi | And he goes to the cupbearer, and he comes.(lower confidence: line is broken) |
| 65 | [DUMU{MEŠ}.É.GAL g]e-nu-wa-aš GADA-an da-an-zi | The palace servants take the linen cloth. |
| {€4} Rs. III | ||
| 1 | LUGAL-uš MUNUS.LUGAL-aš-ša {D}⸢ne⸣-[ra-ak | The king and the queen, Nerak,(lower confidence: line is broken) |
| 2 | a-ku-an-zi ḫu-up-pa-ri ši-pa-an-⸢ti {LÚ.MEŠ⸣}G[ALA SÌR-RU] | They drink; he libates; the cult singers sing. |
| 3 | {GIŠ}ar-ga-mi gal-gal-tu-u-ri w[a-a]l-ḫa-a[n-ni-an-zi] | They libate on the throne of the great gods. |
| {€4} Rs. III 4 LÚ | ALAM.ZU₉ me-ma-i {LÚ}pal-wa-⸢tal⸣-la-aš ⸢pal⸣-w[a-a-ez-zi] | The statue speaks; the chanter speaks. |
| 5 | {LÚ}ki-i-ta-aš ḫal-za-a-i | The recitation priest sings. |
| 6 | {LÚ}SAGI-aš iš-ka-ru-ḫi-it {NINDA}zi-ip-pu-la-aš-ni pé-ra-an [ši-p]a-an-ti | The cupbearer libates before the zigpula-bread. |
| 7 | na-aš-ta 1 NINDA.GUR₄.RA G[E]₆ ⸢{NINDA⸣}[z]i-pu-la-aš-na-az ku-in da-a-i | And he places one black loaf of bread and one ipulašna-bread. |
| 8 | na-an LUGAL-i pa-a-i LU[GAL]-u[š] pár-ši-⸢ia⸣ na-[a]n EGIR-pa A-NA{LÚ}SAGI | He gives it to the king. The king breaks it and gives it back to the cupbearer. |
| 9 | pa-a-i nu {LÚ}SAGI-an GAL LÚ{M[EŠ}˽{GIŠ}BAN]ŠU[R {TÚ]G}še-ek-nu-un | He takes it, and the cupbearer, the chief of the tablemen, the šeknu-garment |
| 10 | ⸢e⸣-[ep-z]i na-an pé-ḫ[u-te-e]z-⸢zi⸣ [{LÚ}SAGI-aš] 1 NINDA.GUR₄.RA | They do it, and they take it. The cupbearer [takes] one loaf of bread. |
| 11 | [{NINDA}z]i-ip-⸢pu-la⸣-aš-ni ⸢še-er⸣ da-a-i [ ] | He places the zipsula-bread in the middle ... |
| 12 | [LUG]AL-uš MUNUS.LU[GAL-aš-š]a a-ša-an-zi nu-za LUGAL-u[š {GIŠ}kal-mu-uš da-a-i] | The king and the queen go, and the king takes the kalmu-vessel. |
| 13 | [GA]L {LÚ.MEŠ}ME-ŠE-DI pé-ra-an ⸢ḫu⸣-wa-a-i nu(-)[ | The great bodyguards stand before him, and ... |
| 14 | {NINDA⸣}ta-pár-wa-šu-u[n ḫa-aš]-ši-⸢i⸣ ta-pu-uš-⸢za ti⸣-a[n-zi] | They take the taparwašu-bread from the hearth. |
| {€4+5} Rs. III | ||
| 15 | na-aš-ta 5 ta-[an {NINDA}š]a-ra-a-ma pé-ra-an ar-[ḫa da-a]n-⸢zi⸣ | And five times they take the šara-bread before. |
| 16 | 5 ta-an ⸢10⸣ {NINDA}š[a-ra-a-m]a-kán EGIR-an ar-ḫa ti-[a]n-⸢zi⸣ | 5 times, 10 šarama-breads they take back behind. |
| 17 | na-at xx [{NINDA}ša-ra]-⸢a⸣-ma A-NA1 {NINDA}ša-ra-a-ma-ma-aš-ša-an | And he ... the šara-bread, for the ...(lower confidence: line is broken) |
| 18 | še-er 3 {UZ[U}ÚR ki-ia-an-t]a-ri MUN-an-na-aš-ša-an | Afterwards, three cuts of meat ... salt ... |
| 19 | kat-ta-an ⸢iš⸣-ḫ[u-w]a-an | ... and below ...(lower confidence: line is broken) |
| 20 | nu N[INDA.GU]R₄.RA ku-iš LUGAL-i ZAG-az ḫu-ia-an-za nu GAL {LÚ.MEŠ}ME-ŠE-DI | And a loaf of bread instead of the king on the right, and the chief of the bodyguards |
| 21 | pa-iz-zi na-aš A-NANINDA.GUR₄.RA ta-pu-uš-za ti-i-e-ez-zi | He goes, and he steps towards the loaf of bread. |
| 22 | GAL {LÚ.MEŠ}MU-RI-DI IŠ-TU{GIŠ}MA.SÁ.AB 3 {UZU}ÚR UDU ú-da-i | The chief of the cupbearers brings three sheep cuts of flesh. |
| 23 | nu 1 {UZU}ÚR LUGAL-i pa-ra-a e-ep-zi LUGAL-⸢uš-ša⸣-an ḫa-an-te-ez-zi-ia | And he takes one piece of meat for the king. The king steps forward. |
| 24 | {NINDA}ta-pár-wa-šu-ú-i {GIŠ}kal-mu-uš ták-ša-an [ ] ⸢e⸣-ep-zi | He takes the taparwašu-bread from the kalmu-vessel ... |
| 25 | GAL {LÚ.MEŠ}ME-ŠE-DI-ma-aš-ša-an {NINDA}ta-pár-wa-šu-un [ki]-⸢iš-ša-ri-it⸣ | The chief of the bodyguards, the taparwašu-bread ... |
| {€4} Rs. III | ||
| 26 | kat-ta e-ep-zi nu-uš-ša-an GAL {LÚ.MEŠ}M[U-RI-DI | He takes it down, and then the chief of the bodyguards |
| 27 | 1 {UZU}ÚR še-er da-a-i | He places one piece of meat above. |
| 28 | nu UGULA {LÚ.MEŠ}MU-RI-DI nam-ma 1 {UZU}ÚR ⸢LUGAL-i⸣ [ | And the overseer of the šuri-officials says: “The king ... |
| 29 | LUGAL-uš-ša-an ta-a-an p[é-e-di {NINDA]}⸢ta⸣-p[ár-wa-šu-ú-i | The king goes down, and the taparwašu-bread |
| 30 | ták-ša-an e-ep-⸢zi⸣ [ | ... he takes ...(low confidence: few signs survive) |
| 31 | ŠU-it kat-ta e-e[p-zi | He takes the hand below.(lower confidence: line is broken) |
| 32 | 1 {UZU}ÚR še-er [da-a-i | He places one extispicy.(lower confidence: line is broken) |
| 32 | nu UGULA {LÚ.MEŠ}MUḪALDIM | and the overseer of the cooks |
| Rs. III | ... | |
| {€2} Rs. III | ||
| 1′ | zi-i]k-ke-ez-zi | he places ...(low confidence: few signs survive) |
| {€3+2} Rs. III 1′/Rs. III | ||
| 2′ | š]a-⸢ra-a da⸣-a-i | He places it on the ground.(lower confidence: line is broken) |
| {€3+2} Rs. III 2′/Rs. III | ||
| 3′ | {GIŠ}BA]NŠUR-⸢ma⸣-[ká]n ša-ra-a e-ep-zi | He takes it from the bow.(lower confidence: line is broken) |
| {€3+2} Rs. III 3′/Rs. III | ||
| 4′ | [ ]x[ ]x x[ ]x da-a-i | ... places ...(low confidence: few signs survive) |
| {€3+2} Rs. III 4′/Rs. III | ||
| 5′ | [ta ḫa-an-te]-ez-z[i-iš EN ÉRIN{MEŠ} ḫi-in-kat-ta] {LÚ}ALAM.Z[U₉ me-ma-i] | And he speaks to the lord of the troops:(lower confidence: line is broken) |
| {€3} Rs. III | ||
| 5′ | [kar-ap-pí]-ia [zi-ga TI₈{MUŠEN}-aš] ⸢ta⸣-p[a-ša-a]n EGIR-pa píd-d[a-a-i] | ... he pours a libation to the bird. Afterwards, he libates. |
| 6′ | [ḫa-at-t]u-ši(?) ⸢DINGIR{MEŠ}-an⸣ [UR]U-[ri-ia ḫ]a-at-tu-ši-ma [DINGIR{MEŠ}-aš] | ... the gods of my city ... ... and the god ... |
| 7′ | [URU-ia ša-am]-ni-ia-an-[ta-r]u ⸢ma-ia⸣-an-ti-ma {D}UTU-š[um-mi {MUNUS}ta-wa-na-an-na-i] | ... in my city, he places it before the Sun-deity, the Tawanana. |
| 8′ | [ša-ku-aš M]U{ḪI.A}-uš up-p[í-i]š-k[án-d]u | And he libates to the hearth.(lower confidence: line is broken) |
| {€3+1} Rs. III 9′/Rs. III | ||
| 9′ | [9-an] LI-IM 9-an SI[G7-a]n 9-an GAŠAN+TI MU{ḪI.A}-uš ⸢a-aš⸣-š[u-ša-aš] | Nine times, nine times, he drinks; nine times he prostrates himself. |
| {€3+1} Rs. III 10′/Rs. | ||
| 10′ | [ḫa-lu-g]a-aš ú-e-⸢mi-iš-ke⸣-[e]d-⸢du⸣ ma-ia-an-ta-a[n] | He places it on the altar, and he ...(lower confidence: line is broken) |
| {€3+1} Rs. III 11′/Rs. | ||
| 11′ | [{D}UT]U-šum-mi-in {MUNUS}t[a]-wa-na-an-na-an AN.BAR-aš {GIŠ}DAG-ti | the Sun-deity, the Tawanana-woman of iron, the throne |
| {€3+1} Rs. III 12′/Rs. | ||
| 12′ | [pa-i]d-du-wa du-uš-ga-ra-az-p[át e]-eš-tu ta-az da-a-i | ... he places it on the throne.(lower confidence: line is broken) |
| {€3+1} Rs. III 13′/Rs. | ||
| 13′ | [t]a-aš-kán pa-iz-⸢zi⸣ | And he goes.(lower confidence: line is broken) |
| {€3+1} Rs. III 14′/Rs. | ||
| 14′ | nam-ma ta-ma-iš ḫ[i-i]n-kat-ta {LÚ}ALAM.ZU₉ me-ma-i | The cult actor speaks thus: |
| {€3+1} Rs. III 15′/Rs. | ||
| 15′ | a-wa {ḪUR.SAG}pu-uš-ku-ru-nu-w[a] kar-ap-pí-ia ⸢zi⸣-ga | When Puškurunuwa comes to the quay |
| {€3+1} Rs. III 16′/Rs. | ||
| 16′ | EGIR-pa {LÚ}a-ra-aš-ta-aš píd-⸢da-a⸣-i nu {LÚ}a-ra-⸢aš⸣-te-eš | Afterwards, the Arašta-priest takes it, and the Araraṣte-priestess |
| {€3+1} Rs. III 17′/Rs. | ||
| 17′ | ša-am-ni-ia-an-ta-ru ta-az da-a-i ta-aš-kán pa-iz-zi | He places the šamniyantaru-vessel, and he goes. |
| {€3+1} Rs. III 18′/Rs. | ||
| 18′ | nam-ma ta-ma-iš ḫi-in-kat-ta {LÚ}ALAM.ZU₉ me-ma-i | The cult actor speaks thus: |
| {€3+1} Rs. III 19′/Rs. | ||
| 19′ | a-wa {ḪUR.⸢SAG⸣}ša-a-ri-iš-ša kar-ap-pí-ia zi-ga | When the Šarrišša mountains rise, |
| {€3+1} Rs. III 20′/Rs. | ||
| 20′ | wa-ar-kán-ta-aš GU₄.MAḪ{ḪI.A}-aš UDU.NÍTA{MEŠ}-aš EGIR-⸢pa!⸣ ma-ia-an-ta-aš | Afterwards, the oxen and the sheep, afterwards, ... |
| {€3+1} Rs. III 21′/Rs. | ||
| 21′ | {D}UTU-šum-mi {MUNUS}ta-wa-na-an-na-i a-ú-ri-ia-la-aš píd-da-a-i | To Šamaš, to Tawanana, to Auriyala he places. |
| {€3+1} Rs. III 22′/Rs. | ||
| 22′ | pa-id-du-wa in-na-ra-u-wa-an-te-eš in-na-[r]a-u-wa-an-te-eš | The paidduwa-offerings, the innaruwante-offers, |
| {€3+1} Rs. III 23′/Rs. | ||
| 23′ | pa-aḫ-ḫa-aš-nu-an-te-eš a-ša-an-du a-aš-šu-ša-aš ḫa-lu-ga-aš | ... he goes, and the ḫaluga-vessel ... |
| {€3+1} Rs. III 24′/Rs. | ||
| 24′ | ú-e-mi-iš-ke-ed-du ma-ia-an-ta-an {D}UTU-šum-mi-in | And he places it before the Sun-deity. |
| {€3+1} Rs. III 25′/Rs. | ||
| 25′ | {MUNUS}ta-wa-na-an-na-an AN.BAR-aš {GIŠ}DAG-ti pa-id-du-wa | The tawanana-priestess, with iron and a bow, goes. |
| {€3+1} Rs. III | ||
| 26′ | du-uš-ga-ra-az-pát e-eš-tu ta-az da-a-i | He places it on the table. |
| {€3+1} Rs. III 27′/Rs. | ||
| 26′ | ta-aš-kán pa-iz-⸢zi⸣ | And he goes.(lower confidence: line is broken) |
| {€4} Rs. IV | ||
| 1 | [ ] | |
| 2 | [ ]x | |
| 3 | [ up-p]í-⸢iš⸣-k[án-d]u | ... he pours ...(low confidence: few signs survive) |
| 4 | [ ]x x[ ]x[ ]x xx ta-az da-a-i | ... he places ...(low confidence: few signs survive) |
| 5 | [ta-aš-k]án pa-⸢iz⸣-[zi ] | And he goes ...(lower confidence: line is broken) |
| 6 | [nam-ma t]a-⸢ma⸣-i[š ḫi-in-kat-ta {LÚ}ALAM.Z]U₉ me-ma-i | The cult actor speaks thus: |
| 7 | [a-wa] {ḪU[R.SAG}du-ut-ḫa-li-ia kar-a]p-pí-ia zi-ga | ... he speaks to Duhutḫali, to Karappiya:(lower confidence: line is broken) |
| 8 | [EGIR-pa-ma ma-ia-an-ti {D}UTU-šum-mi {MUNUS}]ta-wa-na-an-na-⸢i⸣ [píd-da-i] | Afterwards, the Sun-deity, the Tawanana-priestess, libates. |
| 9 | [nu a-ra-aš(?)]-ti-iš x[ ]x[ š]a-am-ni-ia-an-[ta-ru] | And he libates ... šamniyantaru.(lower confidence: line is broken) |
| 10 | [a-aš-šu]-ša-aš [ḫa-lu-ga-aš ú-e-mi-i]š-ke-ed-du ma-⸢ia⸣-[an-ta-an] | And he libates to the ḫaluga-vessel.(lower confidence: line is broken) |
| 11 | [{D}UTU-šum]-mi-i[n {MUNUS}ta-wa-n]a-[a]n-na-an AN.BAR-aš {GIŠ}DAG-ti [pa-id-du-wa] | To the Sun-deity, to Tawanana, to the iron throne ... |
| 12 | [du-u]š-ga-ra-a[z-pát e-eš-tu t]a-[a]z da-a-i ta-aš-ká[n pa-iz-zi] | ... he places it on the hearth, and he goes.(lower confidence: line is broken) |
| 13 | nam-ma ta-ma-i[š ḫi-i]n-kat-ta {LÚ}ALAM.ZU₉ me-ma-⸢i⸣ [ ] | Then he speaks to the cult actor: ...(lower confidence: line is broken) |
| 14 | a-wa {ḪUR.SAG}ar-nu-an-da kar-ap-[p]í-ia z[i-ik EGIR-pa-ma] | When the Arnūanda-mountain is set down, he steps back. |
| 15 | a-an-tu-u-wa-aš píd-da-a-i nu a-an-tu-⸢u⸣-[ ]x[ | he pours, and he ...(lower confidence: line is broken) |
| 16 | a-aš-šu-ša-aš ḫa-lu-ga-aš ú-e-mi-i[š-ke-ed-du ma-ia-an-ta-an] | And he places it on the throne of Ḫaluga.(lower confidence: line is broken) |
| 17 | {D}UTU-šum-mi-in {MUNUS⸢}ta-wa⸣-n[a-an-na-an AN.BAR-aš {GIŠ}DAG-ti] | Šamaš-šulmi, Tawanana of iron, the throne |
| 18 | pa-id-du-wa du-uš-[ga-ra-az-pát e-eš-tu ta-a]z d[a-a]-⸢i⸣ | ... he libates, and he places it ...(lower confidence: line is broken) |
| 19 | ta-aš-kán pa-iz-[zi] | And he goes.(lower confidence: line is broken) |
| 20 | nam-ma ta-ma-iš ḫ[i-in-kat-ta {LÚ}ALA]M.ZU₉ m[e-m]a-i | The cult actor speaks thus: |
| 21 | kar-ap-pí-ia zi-[ga EGIR-pa KUR-i]a-an-ta-[aš DINGI]R{MEŠ}-aš píd-da-i | He places it on the throne. Afterwards, he places it before the gods of the land. |
| 22 | *KUR-an-ta-aš DINGIR{MEŠ}-aš* {D}UT[U-šum-mi {MUNUS}ta-w]a-na-an-n[a-i š]a-[k]u?-aš MU{ḪI.A}-uš | The gods of the mountain, the Sun-deity, the Tawanana-woman, in the year |
| 23 | up-pí-iš-kán-du 9-a[n LI-IM] 9-[an] SIG₇-an [9-an] GAŠAN+TI | He pours a libation. Nine times, nine times, yellow-green-purple beer. [N] times, wine. |
| 24 | a-aš-šu-ša-aš ḫa-lu-g[a-aš ú-e]-mi-⸢iš⸣-[k]e-ed-du [ma-i]a-⸢an-ta⸣-an | And he places it on the throne of Ḫaluga.(lower confidence: line is broken) |
| 25 | {D}UTU-šum-mi-in {MUNUS}ta-wa-⸢na⸣-a[n-n]a-an A[N.BA]R-aš {GIŠ}DAG-[ti p]a-[id-d]u-[w]a | Šamaš-šulmi, the Tawanana, the bronze vessel, he places on the pedestal. |
| 26 | du-uš-ga-ra-az-pát e-eš-t[u t]a-az d[a-a-i] ta-[aš-kán] pa-iz-zi | And he goes to the throne.(lower confidence: line is broken) |
| 27 | nam-ma ta-ma-iš ḫi-in-k[at-ta] ⸢{LÚ⸣}ALAM.Z[U₉ m]e-m[a-i] | Then he speaks to the cult actor:(lower confidence: line is broken) |
| 28 | a-wa {GIŠ}BANŠUR-aš {D}te-li-p[í-nu k]ar-ap-p[í-i]a zi-ga EGIR-pa-ma | When the table of Telipinu, the kappiya-priestess, rises again, |
| 29 | a-ra-aš-ta-aš píd-da-a-i nu a-ra-aš-te-eš š[a-a]m-ni-an-ta-ru | he pours, and the arašte-vessels ...(lower confidence: line is broken) |
| 30 | ta-az da-a-i ta-aš-kán pa-iz-zi [ ] | he stands, and he goes ...(lower confidence: line is broken) |
| 31 | ⸢nam⸣-m[a ta-m]a-iš ḫi-in-kat-ta {LÚ}ALAM.[ZU₉] m[e-ma-i] | Then the cult actor speaks.(lower confidence: line is broken) |
| 32 | [a-wa {ḪUR.SAG}ḫ]a-ak-kur-ma kar-ap-pí-i[a z]i-g[a EGIR-pa-m]a | He speaks: “In Ḫaššag, in Karappiya, he rises. Afterwards, |
| 33 | [a-ra-aš-ta-aš píd-da]-⸢a⸣-i nu a-ra-aš-te-eš [š]a-am-ni-i[a-an-t]a-ru | He places it, and he places it.(lower confidence: line is broken) |
| 34 | [ta-az da-a-i ta-aš-ká]n pa-i[z]-zi | He stands, and he goes.(lower confidence: line is broken) |
| 35 | [nam-ma ta-ma-iš ḫi-in-k]a[t-ta {LÚ}ALAM.Z]U₉ me-⸢ma-i⸣ [ ] | And the cult actor speaks: ...(lower confidence: line is broken) |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.