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KBo 23.92+ (tlh:KBo 23.92+)

CTH 626

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DesignationKBo 23.92+
IDtlh:KBo 23.92+
LanguageHittite
GenreCTH 626

Transliteration (ATF)

From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0

Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.

LineATFMachine English (draft)
{€3} Vs. I
1′]x[ ]
2′]-ti
3′[ma-a-an ḫa-aš-ša-an-zi] {KUŠ}NÍ]G.[B]ÀR-an pé-eš-ši-an-z[i]When they take the ḫaššānzi-garment, they place it on the hem.
{€3+4} Vs. I 4′/Vs.? I
1′[LUGAL-uš tu-un-na-ki-iš-n]a pa-iz-zi {NINDA}ša-ra-ma [ḫal-zi-i]aThe king goes to the tunnaki-offering; he takes the šara-bread
{€3} Vs. I
5′[LUGAL MUNUS.LUGAL e]-⸢ša-an⸣-[d]a ME-E QA-TI pé-⸢e⸣-da-an-[zi]The king and the queen go together.
6′[{GIŠ}BANŠUR{ḪI.A}-uš t]i-an-zi LUGAL-uš {D}ta-ú-ri-it ⸢e⸣-[ku-zi]They set the tables; the king drinks to Tauri.
7′[GIŠ.{D}INANNA TUR?] Ú-UL SÌR-RU {D}UTU {D}me-ez-zu-ul-⸢la⸣ ⸢e⸣-[ku-zi]The small lyre does not sing; Šamaš and Mezzulla drink.
8′[ḫu-up-pa-ri] ši-pa-an-ti GIŠ.{D}INANNA GALHe libates in the large lyre.(lower confidence: line is broken)
{€3+4} Vs. I 9′/Vs.? I 2″[{D}IŠKUR] ⸢{D}⸣IŠKUR {URU}zi-ip-pa-la-an-da GIŠ.{D}INANNA GAL ⸢{D}⸣[i-na-a]rthe Storm-god of Zippalanda, the great lyre of Ina,
10′] ⸢{D}ZUEN⸣ {D}GUNNI LÚ{MEŠ} ka-ni-iš SÌ[R-RU]... the Sun-god and the Sunnu, the men sing a song ...
11′[{D}ḫu-ul-la-an {L]Ú.MEŠ}GI.GÍD SÌR-RU {D}te-li-pí-nu-⸢un⸣Ḫullan, the chariot fighters sing; Telipinu
{€3+4} Vs. I 12′/Vs.? I 3‴[Ù? {D}Z]A-BA₄-BA₄ GIŠ.{D}INANNA GAL wa-al-ḫa-an-z[i-iš-ša-an LUGAL-u]šAnd Zababa, the great lyre, the king ...
13′{NINDA}ḫar-ši-i]n? *pár-ši-ia* ták-kán wa-a-ki {LÚ.MEŠ}[KAŠ₄.E?]He breaks the ḫarši-bread, and then the cupbearers
14′[kal-ti? ú-d]a-an-zi 2 DUG GEŠTIN la-ḫu-wa-an-z[i ]They bring two vessels of wine ...
15′UGULA {LÚ.M]EŠ}ALAM.ZU₉ QA-TAM-MA ḫa-a-[ni]The overseer of the cult actors likewise ...
16′]x ú-da-i na-an-za {LÚ}ME-ŠE-DI [LUGAL-i]... he brings, and the bodyguard of the king ...(lower confidence: line is broken)
17′[pa-a-i nu-uš-ša-an LUGAL-u]š *pu-u*-ri-in d[a]-⸢a⸣-[i]He takes it, and the king takes it.(lower confidence: line is broken)
{€2} Vs.?
1′[ {URU}ma]-⸢di-il⸣-l[a]Madila(lower confidence: line is broken)
2′[ ]x xx xx ⸢ú⸣-ez-zi ta-aš-ša-a[n LUGAL-uš]... comes, and the king(lower confidence: line is broken)
3′[{GIŠ}ḫu-lu-ga-an-n]i-ia e-ša ta-aš pa-iz-ziHe goes to the huluganni-vessel.(lower confidence: line is broken)
4′[ma-a-na-aš {GIŠ}wa-a]r-ḫu-uz-na-aš a-ri 2 {LÚ.MEŠ}GUDU₁₂And he takes the warḫuzna-vessel, and two cult actors
5′[{URU}PÚ-na? {L]Ú.MEŠ}MUḪALDIM LUGAL-i ḫi-in-kán-taIn the city, the cooks ... to the king ...(lower confidence: line is broken)
6′[LUGAL-uš pa-iz-z]i šu-u-ra-aš kat+ta UŠ-KÉ-EN ta-aš ti-i-e-e[z-zi]The king goes; he prostrates himself on the ground, and he steps.
{€4+2} Vs. II? 7′/Vs.?
7′[{LÚ}GUD]U₁₂ [pa]-⸢iz⸣-zi NINDA.GUR₄.RA SA₅ pár-ši-ia šu-u-ra-ašThe oxenman comes; he breaks the red loaf of bread.
{€4+2} Vs. II? 8′/Vs.?
8′kat+ta 3 pár-šu-⸢ul⸣-li NA₄-aš-ša kat+ta ta-ga-a-an 3 pár-šu-ul-l[i]On the right, three šuʾulli-bowls, on the left, three paʾurli.
{€4+2} Vs. II? 9′/Vs.?
9′da-a-i {LÚ}GUDU₁₂ ⸢pa⸣-iz-zi NINDA.GUR₄.RA BABBAR pár-ši-ia šu-u-ra-ašThe cult actor goes; he breaks the white loaf of bread.
{€4+2} Vs. II? 10′/Vs.?
10′kat+ta 3 pár-šu-⸢ul-li⸣ NA₄-aš-ša kat+ta ta-ga-a-anThere are three šuʾilli-bowls, of stone, below.
{€4+2} Vs. II? 11′/Vs.?
11′3 pár-šu-ul-li da-a-iHe places three bowls.
{€4+2} Vs. II? 12′/Vs.?
12′{LÚ}GUDU₁₂ pa-iz-zi NINDA.GUR₄.RA BABBAR pár-ši-ia šu-u-ra-ašThe cult actor goes; he breaks the white loaf.
{€4+2} Vs. II? 13′/Vs.?
13′kat+ta da-a-i nam-ma NINDA.GUR₄.⸢RA⸣ pár-ši-ia ta NA₄-aš kat+ta da-[a-i]He places it below, and then he breaks the loaf of bread, and he places the stone below.
{€4+2} Vs. II? 14′/Vs.?
14′{LÚ.MEŠ}MUḪALDIM 4 UDU{ḪI.A} šu-u-ri ḫu-k[án-z]i {LÚ}GUDU₁₂ pa-iz-ziThe cooks bring four sheep, and the cult actor goes.
{€4+2} Vs. II? 15′/Vs.?
15′iš-pa-an-tu-zi-aš-šar KÙ.BABBAR GEŠTI[N da]-a-i šu-u-ra-ašHe places the silver and wine in the cup.
{€4+2} Vs. II? 16′/Vs.?
16′kat+ta 3-ŠU NA₄-aš-ša *kat+ta* 3-Š[U ši-p]a-[a]n-tiHe libates three times on the stone, three times ...
{€4+2} Vs. II? 17′/Vs.?
17′LÚ˽{GIŠ}BANŠUR ka-lu-u-ḫa-at šu-u[n-na-a-i {LÚ}GUD]U₁₂ ⸢QA-TAM⸣-M[A]The tableman takes the kaluḫat-vessel, and the oxen-driver takes it.
{€4} Vs. II?
18′ši-pa-an-ti LÚ˽{GIŠ}BANŠUR ka-lu-u-[ḫa-at šu-un-na-a-i]He libates; the tableman takes the kaluḫat-vessel.
19′{LÚ}GUDU₁₂ QA-TAM-MA ši-pa-⸢an-ti⸣ L[Ú˽{GIŠ}BANŠUR tu-u-wa-az]The cupbearer libates equally to the table-man.
20′ša-ra-a e-ep-zi {L[Ú}GUDU₁₂ iš-pa-an-tu-zi-aš-šar KÙ.BABBAR]He takes it out; the cult actor libates. The silver ...
21′kat+ta da-a-i ta ⸢A⸣-[ŠAR-ŠU e-ep-zi]He places it on the ground, and takes it out.
22′⸢LUGAL-uš⸣ [UŠ-KE-EN] ⸢2⸣ [{LÚ.MEŠ}GUDU₁₂ UŠ-KE-EN-NU ]The king prostrates himself. The cult actors prostrate themselves.
{€1} Vs. II
1′[ ] ⸢ḫu⸣-uš?-x[ ]
2′[ {LÚ.MEŠ}U]R.BAR.RA A-ŠAR-⸢ŠU⸣-[NU ap-pa-an-zi]The hurbara-priests take their place.
3′[ {LÚ.MEŠ}k]a-a-la-ḫé-ša nam-m[a ]... the kalaḫeša-officials ...(lower confidence: line is broken)
4′[ {LÚ.MEŠ}GU]DU₁₂? 2 {GIŠ}GIDRU{ḪI.A} ḫar-kán-z[i ]... the cult actors take two scepters ...
5′[ {LÚ.MEŠ}SAN]GA nam-ma 1 {MUNUS}SANGA ú-e[n-zi]... the priests, and one priest, they take ...
6′[ -a]n-ta-ru 1-ŠU ḫu-ia-an-[zi?]... they take once ...(lower confidence: line is broken)
7′[ne ar-š]a-aš kat+ta A-ŠAR-ŠU-NU ap-pa-an-z[i]And he places his hands on the ground.(lower confidence: line is broken)
8′[ GI]Š.{D}INANNA{ḪI.A} ar-ša-aš kat+ta... the lyres below ...(lower confidence: line is broken)
9′[ {L]Ú.MEŠ}zi-li-pu-ra-tal-li-eš... the zilipurtal-priests ...(lower confidence: line is broken)
10′[ḫu-u-ḫu-pa-a]l-li wa-al-ḫa-an-zithey libate ...(low confidence: few signs survive)
11′[{MUNUS.MEŠ}zi-in-t]u-u-ḫi-i-eš SÌR-RUThe zintuḫi-women sing.(lower confidence: line is broken)
12′⸢LÚ{MEŠ} {URU}⸣ḫal-la-pí-ia lu-li-ia-aš še-e-erThe men of Ḫallipia ...(lower confidence: line is broken)
13′a-ra-an-ta {LÚ.MEŠ}ALAM.ZU₉ pa-a-an-ziAfterwards, the cult actors go.
14′ta lu-li-ia-aš še-er za-aḫ-ḫa-an-da LUGAL-uš... the king ...
15′A-NA{LÚ}ME-ŠE-DI ša-ku-⸢i⸣-it i-e-ez-ziHe drinks to the bodyguards.(lower confidence: line is broken)
16′tu-uš pár-aḫ-zi {LÚ.MEŠ}A[L]AM.ZU₉ ša-ra-aHe sits down, and the cult actors rise.
17′URU-ia pa-a-an-zi Ù ⸢LÚ⸣{MEŠ} {URU}ḫal-la-pí-iaThey go to my city, and the men of Ḫallapiya
18′a-pí-ia-pát a-ra-an-tahe pours a libation.
19′{LÚ}SIPA DINGIR-LIM Ù {L[Ú} {D}mi]-⸢ia⸣-ta-an-[z]i-pathe shepherd of the god, and the man of the goddess Miya-tanzipa
20′10 ⸢DUG⸣ x [k]ar-pa-an-[zi ]x x x[ ]10 jars ...(lower confidence: line is broken)
21′[ ]x[ ]
{€1} Rs. III
1′] ⸢ UTU-wa-aš⸣... the heart ...(low confidence: few signs survive)
2′UDU{ḪI.A}-uš pa-iz-zi {LÚ.MEŠ}ka-a-l]a-ḫé-eš tar-ku-an-ziThe rams go; the kalaḫe-officials come.
3′{D}me-ez-zu-ul]-la-aš UDU{ḪI.A}-ušFor Mezulla, the sheep(lower confidence: line is broken)
4′[pa-iz-zi {LÚ.MEŠ}]⸢ka⸣-a-la-ḫé-ešgoes; the kalalaḫe-officials(lower confidence: line is broken)
5′tar-ku-an-zi]they set up.(low confidence: few signs survive)
{€1} Rs. III 6″]x kar-ša-an-za... at the quay(low confidence: few signs survive)
{€1} Rs. III 7″]x-⸢ša pa-iz-zi⸣ A-NAÉ {D}UTU... goes to the house of Šamaš(lower confidence: line is broken)
{€1} Rs. III 8″[Ù A-NA]⸢É⸣ {D}me-ez-zu-ul-laand to the house of Mezzulla(lower confidence: line is broken)
{€1} Rs. III 9″] ⸢{D}⸣UTU-wa-aš UDU{ḪI.A}-uš pa-iz-zi... the Sun-deity goes to the sheep.
{€1} Rs. III 10″[{LÚ}S]ANGA {D}te-li-pí-nu 2 UDU {LÚ}SANGA {D}[ ]The priest of Telipinu, two sheep, the priest of the god ...
{€1} Rs. III 11″[{LÚ}S]ANGA {D}IŠTAR 2 UDU {LÚ}SANGA {D}zi-li-p[u-ri]The priest of Ištar, two sheep, the priest of Zilipuri
{€1} Rs. III 12″]-ar?-wa-an-za 2 UDU {MUNUS}ŠU.GI {URU}a-r[i-in-na]... two sheep of the old woman of Arinna ...
{€1} Rs. III 13″[{MUNUS}ŠU.G]I {URU}ḪA-AT-TI 2 UDU {LÚ.MEŠ}x[The šug-priestess of Ḫattu, two sheep for the ...
{€1} Rs. III 14″[nam-ma(?) {LÚ}zi-li-pu-ri-i]a-tal-li-[iš]Then the cult actor(lower confidence: line is broken)
{€1} Rs. III 15″n+]1 UDU {LÚ.MEŠ}ka-a-l[a-ḫé-eš]n+1 sheep, the kalaḫeš-officials;
{€1} Rs. III 16″LÚ{M]EŠ} ZI-IT-TI₄ [The men take ...(lower confidence: line is broken)
{€1} Rs. III 17″n+]1 UDU {LÚ}GUD[U₁₂n+1 sheep, the oxen-driver
{€1} Rs. III 18″{LÚ.M]EŠ}KAŠ₄.⸢E⸣The cups ...(low confidence: few signs survive)
{€1} Rs. III 19″]x x[
{€4} Rs.? V
1′x[
2′⸢da-a-i⸣ [he takes ...(low confidence: few signs survive)
3′{DUG}i[š-pa-an-tu-zi-aš-šarThe išpantuzi-vessel(lower confidence: line is broken)
4′ku-it x[ ]x[instead of ...(low confidence: few signs survive)
5′2-ŠU x[ -š]u x[twice ...(low confidence: few signs survive)
6′⸢{LÚ⸣}GUD[U₁₂ i]š-ta-na-n[iThe ox-man libates.(lower confidence: line is broken)
7′[ ]x ku-e x[... you ...(very low confidence: a guess)
8′[ ḫa-aš]-ši-i 3-ŠU [... three times ...(lower confidence: line is broken)
{€4+2} Rs.? V 9′/Rs.?
1′[ ] ⸢ḫa⸣-at-tal-wa-aš [GI]Š-⸢i⸣ [... of the ḫattal-vessel, the wooden ...(lower confidence: line is broken)
{€4+2} Rs.? V 10′/Rs.?
2′[ ]x x ku-it a-aš-[z]i ta x[... he ... there ...(very low confidence: a guess)
{€4+2} Rs.? V 11′/Rs.?
3′[ ]x kat+ta da-a-i... he places down.(low confidence: few signs survive)
{€4+2} Rs.? V 12′/Rs.?
4′[ ]x-zi x[ ]x-⸢ma⸣-x[
{€4} Rs.? V
13′[ ]x x[
{€3} Rs. IV
1[ḫa-aš-ša-an-kán pé-ra-a]n da-a-i LÚ˽{GIŠ}BANŠUR-ašHe places it before the table.(lower confidence: line is broken)
2[ka-lu-ḫa-at ša-ra]-⸢a⸣ šu-un-na-iHe libates to the kaluḫat-vessel.(lower confidence: line is broken)
3[{LÚ}GUDU₁₂ QA-TAM-MA] ši-pa-an-tiThe cult actor libates equally.
4[GUNNI-kán pé-ra-a]n da-a-i LÚ˽{GIŠ}BANŠUR-ašHe places it before the hearth; the tableman ...
5[ka-lu-ḫa-at š]a-ra-a šu-un-na-i {LÚ}GUDU₁₂The kaluḫat-offering takes the šunna-vessel.
6[QA-TAM-MA] *ši-pa-an-〈〈x〉〉-ti*likewise he libates.(lower confidence: line is broken)
7[GUNNI-kán pé-r]a-an da-a-i ta-aš GUNNI-aš ⸢kat⸣+taHe places it before the throne; and he places it below ...
8[ti-ia-zi LÚ]˽{GIŠ}BANŠUR tu-u-w[a]-az ša-ra-aHe steps; the tableman stands; he libates.
9[e-ep-zi {LÚ}GUD]U₁₂ iš-pa-an-tu-uz-zi-aš-šarHe takes the ox, and he libates.(lower confidence: line is broken)
10[iš-ta-na-ni p]é-ra-an *da*-a-i *ta* A-ŠAR-Š[U]... he places it on the ground ...(lower confidence: line is broken)
11[e-ep-zi LUGAL-uš U]Š-KE-EN 2 {LÚ.MEŠ}GUDU₁₂He takes it, and the king prostrates himself. Two priests
12[UŠ-KE-EN-NU {MUNUS}zi-in-t]u-u-ḫi-iš! ma-a-al-diThey bow down. The lady of the zigḫiš-vessel ...
13] i-e-ez-zi... he goes(low confidence: few signs survive)
14[LUGAL-uš UŠ-KE-EN] {LÚ.ME]Š}⸢GUDU₁₂⸣ UŠ-KE-EN-NUThe king prostrates himself. The priests prostrate themselves.
15pal-w]a-ez-zihe libates.(low confidence: few signs survive)
16] 15 UDU{ḪI.A}15 sheep(low confidence: few signs survive)
17iš-ka₄-r]u-uḫ ⸢KÙ⸣.*BABBAR*... the silver vessel ...(lower confidence: line is broken)
18]x-ia la-a-[ ]... not ...(very low confidence: a guess)
19]x x[ ]

Sources & licences

Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.