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KBo 23.23+ (tlh:KBo 23.23+)
CTH 780
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| Designation | KBo 23.23+ |
|---|---|
| ID | tlh:KBo 23.23+ |
| Language | Hurrian; Hittite |
| Genre | CTH 780 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€2} Vs. | ||
| 1′ | [ ]x [ | |
| 2′ | [ši-i-i]n-na-a-al-⸢la⸣ [ | |
| 3′ | [ -n]i-⸢in⸣-na-a-al-la [ | |
| 4′ | [ ]-⸢na⸣-a-al-la im-p[u-ḫu- | |
| 5′ | [ ]x i-ti-ú-ta-an x[ | |
| 6′ | [ {D}IŠK]UR-pí-⸢na⸣ pa-at-ra-an-n[a | |
| 7′ | [ t]a-a-nu-ma-e-na-ma x[ | |
| 8′ | [ ](-)⸢gi⸣-ru-ni an-ni-el-la [ | |
| 9′ | [ ]x pa-a-ši-an-ni-il ku-du-u-n[i? | |
| 10′ | [ i-ša]-aš-ku-un ⸢i!⸣-ša-al ul-⸢lu!⸣-ḫu-u[n | |
| 11′ | [ ]x-u-ni an-ni-il-la pu-uk-ka₄-ri-x[ | |
| 12′ | [ ]x pa-at-ra-an-na ⸢ši⸣-i-in-na DINGIR{MEŠ}-n[a-wi-na | |
| 13′ | [ ]x i-ša-al u-⸢ul-lu⸣-ḫu-šu {D}IŠKUR-[pí-na | |
| 14′ | [{URU}ni-nu-a-wi-n]a {D}IŠTAR-wi-na KI.MIN {D}ni-na-at-t[a-wi-na | |
| 15′ | [ {D}]ku-pa-pu-i-na KI.MIN {D}ḫu-di-ip-⸢pí⸣-[na | |
| 16′ | [ ki-i]s-ša-an ḫu-uk-ki-iš-⸢ke⸣-[mi | ... likewise ...(lower confidence: line is broken) |
| 17′ | [ ]x[ | |
| {€1} Vs. | ||
| 1′ | [ ]x[ | |
| 2′ | [ ul-l]u-⸢ḫu⸣-un a-mu-um-mi-ni-in-na-ši-na | |
| 3′ | [ ] DUMU{MEŠ}.É.GAL-ši-na KI.MIN MUNUS{MEŠ}-ši-na LÚ{MEŠ}-ši-na | |
| 4′ | [ t]a-al-lu-ḫu-ul-li-wi pa-ši-ip-pí-na | |
| 5′ | [ i-š]a-al ul-lu-ḫu-un | |
| 6′ | [ -l]i(-)⸢pu?⸣(-)ú-mu-uš-ši-ḫi ša-al-li-ip-wi-na KI.MIN | |
| 7′ | [ ]-e[p-p]í-na pu-ra-am-me-ep-pí-na ku-u-zu-ip-pí-na | |
| 8′ | [ ]x-ni-⸢ip⸣-pí-na KI.MIN i-šal-la i-ša-aš-ku-un i-ša-al ul-lu-ḫu-un | |
| 9′ | [ -z]i-ḫi an-ni-il-⸢la⸣ pí-in-ti-ḫi an-ni-il ... | |
| 10′ | [ ]-pí an-ni-el ú-šu-mi an-ni-il-la i-šal-la i-ša-aš-ku-šu | |
| 11′ | [ a]n-⸢ni⸣-el ḫal-ki an-ni-el ú-zu-wa-ak-ku-ri an-ni-el | |
| 12′ | [ ]x[ an-n]i-el [ ] an-ni-el ⸢šum⸣-ni an-ni-el i-⸢šal⸣ i-ša-aš-ku-un ⸢i-šal⸣ ul-lu-ḫu-un | |
| 13′ | [ ]x-na ⸢ni-ru?-pa-a?-ti⸣(-)[ -t]a-a-nu-ma-in ni-⸢ru⸣-pa-⸢a⸣-ti-na-a-ma | |
| 14′ | [i-ša-aš-ku]-šu i-šal u[l-lu-ḫu-šu ki]-zi-ni-in-na ki-iz-zu-u-up-wu ú-ut-ki-ni-in-na-al ú-du-u-up-wu | |
| 15′ | [ -ni-i]n-na ⸢ḫu⸣-[ -t]i?-ni-in-na zi-pí-zu-ḫu-up-wu im-pi-ni-in-na-a-al im-pu-ḫu-up-wu | |
| 16′ | [ ]-a-la [ ]x-ul-la ma-a-ni-el e-ki-ni ḪUR.SAG{ḪI.A}-ni ḫa-aḫ-ḫi-ni-e[l | |
| 17′ | [ ]x[ ḫu-u]r?-ta-ni-il ḫu-ur-ta ḫi-il-li(-)im-〈pa〉-⸢ma-a-aš-ši-ni⸣ [ | |
| {€1+2} Vs. | ||
| 18′ | [ ḫi-il-li(-)im-pa-m]a-a-aš-ši-ni ta-⸢aḫ⸣-i-ni-e ti-x-x-aš ḫi-il-la-⸢ti⸣(-)im-pa-ma!-a-aš-ši-ni | |
| 19′ | [ m]u-ú-šu-ni ḪUR.SAG-⸢ni⸣ ḫi-ri-ip-a-ti ḫi-ir-⸢pu⸣-ti-iš | |
| 20′ | [ ]x ka-aš-ša-ap-a-[t]i-el a-ra-ri-ni MUNUS-ti pí-ir-pí-ri-zu-ti-iš | |
| 21′ | [ -a]n e-ša ut-n[i-n]i zu-⸢ul⸣-u-uš zu-lu-du-up-pu-uš | |
| 22′ | [ ]-⸢a⸣-aš-ši tar-šu-w[a-a]n-ni pí-ir-pí-ri-iš-du-up-pu-uš ma-a-an zi-k[e?]-zi | |
| 23′ | [ ]x[ ]x-an-na-i ALAM{ḪI.A} ar-ḫa pé-eš-ši-ez-zi nu-kán GÍ[R | ... he takes the statues, and he places them on the ground. |
| 24′ | [ ]x-x-⸢ta⸣ [ ] ⸢ti⸣-i-e-ez-zi na-aš-kán pa-ra-a pa-iz-zi nu NA₄-an k[i- | ... they go, and he goes, and stone ...(lower confidence: line is broken) |
| 25′ | [ ]-ra-i-zi ⸢i-da-a-lu-un(?)⸣ NA₄-aš da-a-ú nu ku-in MUŠEN-in a-uš-zi nu-uš-ši-eš-ša-an x[ | ... he goes, he places the stone, and he takes the bird, and they ... |
| 26′ | [ša-r]a-a pí-ip-pa-i ḫa-i-en i-ti-ia-an ni-ru-pa-a-ti e-ra-a-te-ni-eš ḫa-ur-ni-ni-〈we〉-ni-eš [me-ma]-⸢i?⸣ | ... he pours a libation, and he speaks: “Itiya, the nirupa-offerings, and the ḫurnini-weš ... |
| 27′ | [nu-uš]-ša-an pu-nu-uš-zi ka-a-ni-wa pé-⸢ra⸣-an ku-iš-ki ar-ta nu-uš-ši kat-ta-a[n | And he takes it, and he places it before him, and below ... |
| 28′ | [EN SÍS]KUR ⸢ḫar⸣-wa-ši-⸢ia⸣ pé-di ti-i-e-ez-zi {MUNUS}ŠU.GI pát-tar pár-ni-eš(-)ki ne-[ ]x a-ap-pa da-a-i | The lord of the sacrifice goes to the ḫarwašiya-vessel. The old woman ... he places ... |
| 29′ | [ ]x-an ša-an-ḫa-an-zi nu-za-an {MUNUS}ŠU.GI I-NAQA-TI-ŠU še-ḫu-re-e-e[z]-z[i ú-i-da-an-t]a a-ar-ri | ... they take, and they bring the old woman into his hand, and he takes it away. |
| 30′ | [ še-e-ḫ]ur te-pu pa-ap-pár-ši ⸢{MUNUS}⸣ŠU.GI ú-i-da-an-ta a-ar-ri ... pé-d[a-an-zi? -z]i | ... he pours a libation of water, and the old woman carries it out ... they go ... |
| {€1} Vs. | ||
| 31′ | [ I-N]A{URU}ni-nu-wa ḫu-up-pa-an-⸢ni⸣-in ḫu-uš-ta-an-na da-aḫ-ḫu-u[n | ... in Nineveh he pours a libation, he libates ... |
| 32′ | [ a]n-da-an wa-aḫ-nu-zi na-aš-⸢ša⸣-an I-NAALAM{ḪI.A} k[i-it-ta-ri(?) | ... they bring it, and he places it before the cult actors ... |
| 33′ | [ ŠA{G]IŠ}⸢IN⸣-BI {GIŠ}al-ki-iš-ta-nu-uš a-an-ki-iš-[ša{SAR} | ... its door, the alkištanu-tree, the aankišašar-treat ... |
| 34′ | [ n]a-at ⸢A-NA⸣{MUNUS}ŠU.GI pí-an-zi na-a[t | ... they give to the old woman ...(lower confidence: line is broken) |
| {€1} u. Rd. | ||
| 35′ | [ ]x an-⸢da⸣ ú-ez-zi na-aš-kán x[ | ... he comes, and ...(lower confidence: line is broken) |
| 36′ | [ {MU]NUS}ŠU.⸢GI⸣ nam-ma EGIR-[an | ... the old woman again ...(lower confidence: line is broken) |
| 37′ | [me-na-aḫ-ḫa-a]n-ta e-ep-zi na-aš-š[i-pa | ... he takes, and he pours ...(lower confidence: line is broken) |
| 38′ | [ a-a]n-ša-aš-ke-ez-zi nu ki-i[š-ša-an | ... and likewise ...(lower confidence: line is broken) |
| 39′ | [ pár-ni-e]š-ki-na e-ku-uš-ši-na DINGIR{MEŠ}-n[a | |
| 40′ | [ ]-nu-na-a-en {D}ḫé-pát u-ra-al-l[a | |
| {€1} Rs. | ||
| 41′ | [ ]x-ni 𒀹 pár-*na*-pa-a-ma {D}IŠKUR šu-r[a- | |
| 42′ | [ ]x-ḫi {D}ḫé-pát ḪUR.SAG{ḪI.A}-na-ša-ni [ | |
| 43′ | [ -š]a-i še-mi-ra-a-i ḪUR.SAG{ḪI.A}-na-ša-i [ | |
| 44′ | [ ] ⸢e⸣-pár-ni ḫa-u-ru-un-ni-ia pár-na-aš-du-ma {D}ḫ[é-pát | |
| 45′ | [ ]x {D}IŠTAR-an šar-ri-na-ma du-ru-du-ru-uš-ḫi-ia [ | |
| 46′ | {D}IŠKUR-pu-na-a-at pár-nu-uš-du-uš na-aḫ-ḫu-uš-ti e-pár-ni É-l[i | |
| 47′ | pár-nu-uš-du-uš KUR{ḪI.A} NA₄ pa-ra-aš-du-a mi-ni-ši 𒀹 {D}IŠTAR-ka-x[ | |
| 48′ | ši-ia-e-na ki-ip-pa-e-na du-ru-up-pí-na du-ri-i-li du-r[i- | |
| 49′ | DINGIR{MEŠ}-na-šu-ut pár-nu-uš-ta-a-aš-ši-na an-zi-ne-in-ni-it pár-ni-eš-ki-n[a | |
| 50′ | an-zi-ni-in-ni ḫi-il-li aš-ḫu-ši-ia-*aš-ši* ši-ḫi-il-zu-ut iš-x[ | |
| 51′ | zu-la-a-at zu-lu-ti-ip ka-aš-ša-ap-pa-at a-ra-ri-ni MUNUS-ti pí-ir-[pí-ri-iš-ti-ip | |
| 52′ | ⸢ša-a-i⸣-u-i ti-ia-i la-al-la-ar-re-e-a te-wu-uš-ḫa-a-i 𒀹 ⸢7⸣-[ | |
| 53′ | [ ]x-⸢it⸣ ti-i-e-ni-⸢e⸣ šu-uk-ku-e-ni-e wi-ik-ka-la ... ti-i-[e-ni-e | |
| 54′ | [ ]x(-)⸢ti?-pí⸣ x[ ]-⸢ia⸣ wi-ik-ka-a-al e-ma-ni ... | |
| {€1+2} Rs. | ||
| 55′ | [ ]x x[ ]x(-)wi-⸢il⸣-[ -r]a ki-u-šu ša-a-al-ti-il-⸢la⸣ a-ka | |
| 56′ | [ {MUNUS}ŠU.G]I ša-ap-zi na-aš É.DU₁₀.Ú[S.S]A pa-iz-zi {MUNUS}ŠU.GI al-ki-iš-ta-nu-uš-ša | ... the old woman goes, and she goes to the inner chamber. The old woman, alkištanuša |
| 57′ | [ ] še-er da-a-i nu-uš-ma-aš-ša-an N[IND]A te-pu še-e-er da-a-i nam-ma-at ša-ra-a da-a-i | ... he places it above, and then he puts the loaf of bread below, and again ... |
| 58′ | [ dam-p]u-u-pí an-du-uḫ-ši še-ek-nu-iš-ši i[š-ḫu-ú]-⸢a?-i⸣ a-uš-zi-ma-at Ú-UL ku-iš-ki | ... he pours a libation, and he libates, but he does not drink. |
| 59′ | [ ] ÍD-a pé-da-i na-at ÍD-i EGIR-⸢an⸣ i[š-ḫu]-⸢ú-a⸣-i a-pa-ša-az-ta ar-ḫa gi-im-ri-pát | ... he pours a libation of water, and afterwards he libates, and he breaks it in the hearth. |
| 60′ | [ na-aš-z]a A-NAÉ-ŠU pa-iz-zi {MUNUS}ŠU.GI BE-EL SÍSKUR k[u]-⸢e⸣-[d]a-[aš {GIŠ}ZA.LAM.GA]R!-aš a-ni-ia-at | ... he goes to his house. The old woman, the lord of the sacrifice, and the scepter ... |
| 61′ | [ ]-ša-an-zi pa-ap-pár-ša-an-zi na-aš-ta an-da ḫu-up-⸢pa⸣-a[n-ni-in] ḫu-u-uš-ta-an-na | ... they libate, and he libates. And he pours a libation ... |
| 62′ | [ na]-an-kán pa-ra-a a-aš-ka pé-eš-ši-ez-zi nu-uš-ša-an I-NA⸢GAL⸣ [ ku-i]t šu-up-pí wa-a-tar | And he goes out, and he places it before the great ... |
| 63′ | [ {MUNUS}ŠU.G]I da-a-i nu É-er É.ŠÀ{ḪI.A} {É}ḫi-la-an ḫu-ma-an šu-up-pí-aḫ-ḫi me-ma-i Ú-UL ku-it-ki | ... he takes the šug-garment; and he speaks to the house, the houses, and the ḫila-house: he does not know. |
| {€1} Rs. | ||
| 64′ | [ ḫu]-u-da-ak a-ar-ri na-aš a-a[p-pa] ⸢ú⸣-ez-zi I-NAÉ.DU₁₀.ÚS.SA A-NABE-EL SÍSKUR | ... he pours a libation; he comes to the lord of the sacrifice. |
| 65′ | [{NA₄}ḫu-up-p]a-an-ni-in ḫu-uš-ta-an-n[a še]-⸢e⸣-er ar-ḫa wa-aḫ-nu-zi {MUNUS}ŠU.GI KÁ-aš an-da 〈ti-ia-zi〉 | The ḫuuppanni-stone is poured into the hearth. The old woman takes it to the door. |
| 66′ | [ ki-iš-š]a-an me-ma-i ḫur-li-l[i ḫu-up-p]a-an-na-a-at ḫu-up-ti-ip ta-a-an-na-at | He speaks thus: “Hurlili is a ḫuppannû-vessel, it is an ax. |
| 67′ | [ t]a-an-ni-ni-el-la ḫu-up-du-u[k-ki-na]-⸢a⸣ 7-el-la ta-a-nu-ma-e-na pí-ir-ša-am | |
| 68′ | [ ](-)ú-uk-ki-na 7-el-la t[a-a-nu-m]a-a-e-na pí-ir-ša-ap 𒀹 pí-ir-šu-um e-še u-uš-šu-ši | |
| 69′ | [ ḫa-u]r-ni ši-lu?-ši ... ke-eš-ḫi-i[p pí]-ir-šu-um na-aḫ-⸢ḫu-ši⸣ 𒀹 ḫa-a-šar-ri-ma | |
| 70′ | [ pí-ir-š]u-um 𒀹 ⸢te?⸣-ed-du-ši ma-a[ḫ-ḫi-n]i ku-zu-ši 𒀹 [t]a?-am-ma-al-la šu-u-uḫ-ú-ši | |
| 71′ | [ ]-ši-pí-⸢ni šu⸣-um-ki-i ḫu-up-pa-[a]n-ni-aš ud-⸢da-a⸣-ar | |
| 72′ | [ m]e-ma-i ki-ip-ri-te-ni-eš pí-i[r-š]a?-an ti-i-e zu-lu-pa-ti a-⸢a⸣-ri pa-aḫ-ru-pa-a-ti | ... he speaks to the kiprītini-priests: ... the tiye of the Zulipati, the aḫrupati ... |
| 73′ | [ ]x-u-ta-an ki-ip-ri-ta-at ⸢ki-ia?⸣-at-at-ta ku-uš-ša-at te-em-me-ḫi | |
| 74′ | [ -a]t-ta ḫa-na-⸢at⸣ ú-ni-na-a-ša ⸢pí⸣-du-uk-ka₄-at ši-ti-du-uk-ka-at-ta | |
| 75′ | [ ]x-ni iš-⸢te⸣ ki-ip-ri-te-ni-in-⸢na⸣ ma-ri-ta-a-ni-tu-u-en ši-i-ḫa-ni-it-ta | |
| 76′ | [ ] ḫu-ši-du-i tu-u-pa | |
| {€2} Vs.? 1″ | [ i-ša-aš]-ku-un i-ša-al ⸢ul⸣-[lu-ḫu-un] | |
| {€2} Vs.? 2″ | [ ] ... kat-ta da-a-i na-an [ | ... he places it below, and ...(lower confidence: line is broken) |
| {€2} Vs.? 3″ | [ a]r-ḫa pé-eš-ši-ez-zi na?-an GÙ[B | ... he pours a libation; ...(lower confidence: line is broken) |
| {€2} Vs.? 4″ | [ ti-ia-an-z]i [n]a-〈aš〉-ša-an nam-ma pád-[ | ... they take, and then he ...(lower confidence: line is broken) |
| {€2+1} Vs.? 1′/5″ | [ ] pal-⸢ta⸣-n[i]-x x[ AL]AM[{MEŠ} | ... the statues ...(lower confidence: line is broken) |
| {€2+1} Vs.? | ||
| 2′ | 𒀹 d[a?- ] ⸢{MUNUS}ŠU⸣.GI 2 pár-ni-eš(-)ki(-)[ I]Š-TU2 QA-TI-ŠU da-a-i na-a[š-ši] | ... he places it on the chest of the woman. He places two pārneški-vessels, and he takes it in his hand. |
| 3′ | EGIR-an iš-ki-ša-az ⸢ḫu-u⸣-w[a-a-i na-an]-za nam-ma še-er kat-ta ḫar-ša-an-n[a-az | Afterwards, he pours a libation, and he places it on the ground below. |
| 4′ | {UZU}ÚR-ni ÚR-ni an-da ap-pí-iš-ke-[ez]-zi na-an ar-ḫa a-an-ši-〈iš〉-ke-e[z-zi | He places the flesh, he places it on the table, and he sets it up. |
| {€2} Rs. 95″ | [ ]-at-ta ḫi-il-li[ | |
| {€2} Rs. 96″ | [ ḫ]u-up-pa-an-ni-in-na [ | ... the huppaninna-vessel ...(lower confidence: line is broken) |
| {€2} Rs. 97″ | [ w]a-ar-pa-an-zi x[ | ... they take ...(low confidence: few signs survive) |
| {€2} Rs. 98″ | [ -š]a pu-du-uš-[du-uš | |
| {€2} Rs. 99″ | [ ]-un-ni-an e-x[ | |
| {€2} Rs. 100″ | [ ] e-ma-ni-in [ | |
| {€2} Rs. 101″ | [ -t]a-an tar-š[u- | |
| {€2} Rs. 102″ | [ -p]í-ru-ši [ | |
| {€2} Rs. 103″ | [ ]-in(-)[ | |
| {€1} lk. Rd. | ||
| 1 | ]-al? u-un-t[e- | |
| 2 | ] u-un-du d[u?- | |
| 3 | ]x pu-u-ri-x[ | |
| 4 | -i]n-na 𒀹 [ | |
| 5 | ] ⸢zu-lu⸣-p[a?- | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.