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KBo 15.1 (tlh:KBo 15.1)
CTH 407
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| Designation | KBo 15.1 |
|---|---|
| ID | tlh:KBo 15.1 |
| Language | Hittite; Hurrian |
| Genre | CTH 407 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| Vs. I | ||
| 1 | [U]M-MA {M}pu-li-ša [ | Now Puliša ...(lower confidence: line is broken) |
| 2 | [KU]R {LÚ}KÚR GUL-aḫ-zi n[a-aš-kán IŠ-TUZAG KUR {LÚ}KÚR ar-ḫa] | ... the cult actor holds the torch, and the chanter of the land ... |
| 3 | [i-i]a-at-[t]a-ri [ | he will weigh out.(lower confidence: line is broken) |
| 4 | [n]a-aš-šu DINGIR-LUM ku-iš-⸢ki⸣ [LÚ na-aš-ma DINGIR.MUNUS | ... the god ... The man ... and the goddess ...(lower confidence: line is broken) |
| 5 | DUMU.NAM.LÚ.U₁₉.LU ÚŠ-an ki-ša-r[i nu kiš-an i-ia-mi] | The man's son takes the cloth, and he places the cloth. |
| 6 | ⸢ma⸣-aḫ-ḫa-an na-aš-kán IŠ-TUZAG KUR ⸢{LÚ}KÚR⸣ ar-ḫ[a i-ia-at-ta-ri] | And he places the spear of the land before the enemy. |
| 7 | [Š]A〈A〉 KUR-TI 1 {LÚ}ŠU.DAB 1 MUNUS-TUM-ia ap-pa-an-zi nu LUG[AL-uš ku-e-da-ni KASKAL-ši] | From the mountain, one šudab-official takes one female servant, and the king goes on his journey. |
| 8 | IŠ-TUKUR {LÚ}KÚR ú-et nu-kán LUGAL-uš a-pé-e-da-ni KASKAL-ši t[i-ia-zi] | Then the weapon of the enemy comes, and the king goes on his way. |
| 9 | EN{MEŠ}-TI-ia-aš-ši kat-ta-an ḫu-u-ma-an-te-eš ti-ia-an-zi 1 {LÚ}⸢ŠU⸣.DAB-ia-ši | The lords of the cult singers sit down below. One of the cupbearers |
| 10 | 1 MUNUS-TUM-ia pé-ra-an ú-e-da-an-zi nu-za-kán NÍ.TE-ŠU {TÚG}NÍG.LÁM{MEŠ} | They bring one woman to the front, and he takes the hem of the garment. |
| 11 | ar-ḫa da-a-i na-at A-NA⸢LÚ⸣ wa-aš-ši-ia-an-zi A-NAMUNUS-TI-ma | He takes it, and they give it to the man, and to the woman. |
| 12 | {TÚG}NÍG.LÁM{MEŠ} ŠAMUNUS-TI [wa-aš-š]i-ia-an-zi nu-kán A-NALÚ LUGAL-uš an-da ⸢kiš-an⸣ | They take the robes of the woman, and the king gives it to the man. |
| 13 | me-ma-i ma-a-an LUGAL-i-m[a Ú-UL] a-aš-šu nu ta-ma-in u-ia-z[i] nu EGIR | He says: “If it is not the king, he will go, and afterwards |
| 14 | SISKUR a-pa-aš ti-ia-zi [nu-kán A-N]ALÚ a-pa-a-aš an-da kiš-an [me-ma]-i ⸢ma-ma-an-wa⸣ | He takes the offering. Then he speaks to the man. And he says: “Then ... |
| 15 | ki-i ÚŠ-an ŠAKUR {LÚ}KÚR ⸢ku-iš⸣-ki DINGIR-LIM LÚ DÙ-at nu-wa-aš-ši k[a-a-š]a LÚ ú-nu-wa-an-ta-an | When the weapon of the enemy, the cult actor, the god, the man performs it, and the man ... |
| 16 | A-NA{LÚ}PU-ḪI-ŠU pé-eḫ-ḫu-un IŠ-TUSAG.DU-ŠU-wa ka-a-[aš šal-l]i-iš | For the cupbearer, he places it on the throne.(lower confidence: line is broken) |
| 17 | {UZU}ŠÀ-za-wa ka-a-aš šal-li-iš ÚR-az-za-ia-wa ka-[a-aš šal-li]-iš | The heart, when it is finished, the ša-ra-z-za-ya-wa, once it is completed. |
| 18 | nu-wa-kán zi-ik DINGIR-LIM LÚ k[e-e-ez] LÚ ú-nu-wa-an-[ti-it pa-ra-a] ga-la-an-ga-za | And he goes to the god, the man, and he takes the man away. |
| 19 | e-eš A-NALUGAL-i-ma-wa A-NA[EN{MEŠ}] A-NAK[ARAŠ Ù A-NA] | And to Šarru-immawa, to lords, to the shrine, and to |
| 20 | KUR {URU}ḪA-AT-TI an-da aš-šu-[li nam-m]a ne-[eš₁₅-ḫu-ut ]x-ma-wa | And the land of Ḫattu ...(lower confidence: line is broken) |
| 21 | ⸢ÚŠ⸣-an ka-a-aš {LÚ}ŠU.DAB ka[r-ap-du] EGIR-[pa-wa I-NAKUR {LÚ}KÚR p]é-e-da-ú | Then the šudab-priest libates. Afterwards, he goes to the enemy's land. The cult actor ... |
| 22 | [A-N]AMUNUŠ-TI-ma-kán an-da ŠADIN[GIR MUNUS-T]I me-ma-[i -m]a QA-TAM-MA-pát | He speaks to the woman, and the chariot of the woman speaks likewise. |
| 23 | EGIR-an-ta-ma 1 GU₄.MAḪ 1 UD[U.ÁŠ.MUNUS.GÀR-ia u-un-na-an-zi nu ŠAK]UR {LÚ}KÚR-pát | Afterwards, they bring one bull and one female kid, and the enemy chants. |
| 24 | na-an GEŠTU{ḪI.A}-ŠU a-šu-ša-an-[ta-an ]x-zi | And he takes his ears ...(lower confidence: line is broken) |
| 25 | SÍG SA₅ SÍG SIG₇.SIG₇ SÍG G[E₆ SÍG BABBAR ] ⸢A⸣-NALUGAL | red wool, yellow wool, black wool, white wool for the king. |
| 26 | KA×U-az pa-ra-a ḫu-it-ti-[ia-zi nu kiš-an an-da me-ma-i] | He steps forward, and he speaks as follows: |
| 27 | [LUG]AL-uš-wa ku-it e-eš-ḫar-wa-aḫ-[ḫe-eš-ke-et-ta ḫa-aḫ-la-aḫ-ḫe-eš-ke-et-ta] | The king, in the middle of the ḫar-wah&beš-kētta-vessel, into the middle |
| 28 | [da]-an-ku-wa-aḫ-ḫe-eš-ke-et-ta [ḫar-ga-nu-uš-k]e?-[et-ta-ia] | ... he libates, he places ...(lower confidence: line is broken) |
| 29 | [nu a-p]a-a-at EGIR-pa A-NAKUR {LÚ}K[ÚR ] x-x[ | And he goes back to the enemy's land. |
| 30 | [A-NALUGAL]-ia-wa NÍ.TE-ŠU EN{MEŠ} É[RIN{M]EŠ} [ANŠ]E.⸢KUR.RA⸣{Ḫ[I.A}] | To the king, his companion, the lords of the troops, the horses |
| 31 | [Ú-UL(?)] I-DE na-at ŠAKUR {LÚ}KÚR ša-ak [ | ... he does not know; the enemy will kill the enemy ... |
| 32 | [ ]x da-a-i na-at-kán A-NAZÍZ x[ | ... he places ... and ... to drink ...(lower confidence: line is broken) |
| 33 | [nu GU₄.MAḪ a]-šu-ša-an-ta-an ... x[ | And the ox ...(lower confidence: line is broken) |
| 34 | [nu kiš-an m]e-ma-i ku-iš-wa DINGIR-LUM ku-u-[ru-ra-aš ki-i ÚŠ-an DÙ-at] | And he speaks thus: “The god, the kururaš-vessel, is made as if it were a leather bag. |
| 35 | [nu-wa-ra-aš m]a-a-an DINGIR-LIM LÚ nu-wa-at-ta [GU₄.MAḪ ú-nu-wa-an-da-an] | When the god libates to the man, the oxen ... |
| 36 | [a-šu-ša-an]-ta-an ma-*a-la*-an-ta-an AD-[DIN] [nu-wa-kán zi-ik DINGIR-LIM LÚ] | ... he libates, and he places it before the god ... |
| 37 | [pa-ra-a] ga-la-an-ga-an-za e-eš nu-w[a ki-i ÚŠ-an ka-a-aš GU₄.MAḪ] | ... he breaks ... and ... like a ox ...(lower confidence: line is broken) |
| 38 | [EGIR-pa] I-NAKUR {LÚ}KÚR pé-e-da-ú [A-NALUGAL-ma-wa A-NADUMU{MEŠ}.LUGAL] | Afterwards, when the enemy enters, to Šarru-mawa and to the princes |
| 39 | [E]N{MEŠ} A-NAKARAŠ *Ù!* A-NAK[UR {URU}ḪA-AT-TI an-da aš-šu-li nam-ma ne-eš₁₅-ḫu-ut] | Afterwards, he goes to the palace, and to Ḫattu, and then he libates. |
| 40 | EGIR-an-da-ma UDU.ÁŠ.MUNUS.GÀR ú-nu-[wa-an-ta-an | Afterwards, he libates a sheep.(lower confidence: line is broken) |
| 41 | an-da *ŠADINGIR MUNUS*-TUM me-ma-i [QA-TAM-MA-pát] | He speaks to the god and the woman: likewise. |
| 42 | nam-ma *GU₄*.MAḪ a-šu-ša-an-ta-[an UDU.ÁŠ.MUNUS.GÀR-ia A-NA{LÚ}ŠU.DAB] | And the oxen and the sheep for the sucklings(lower confidence: line is broken) |
| 43 | MUNUS-TI-ia pé-ra-an ḫu-i-nu-w[a-an-zi | ... they bring the woman before ...(lower confidence: line is broken) |
| 44 | EGIR-*an-ta-ma* nam-m[a | Afterwards, then(lower confidence: line is broken) |
| 45 | ... | |
| Vs. II | ||
| 1′ | ku-i[š(?) | |
| 2′ | IŠ-TU [ | From ...(very low confidence: a guess) |
| 3′ | pé-e-da-[ú | ... he brings ...(low confidence: few signs survive) |
| 4′ | ⸢a-aš⸣-šu nam-[ma | And ...(very low confidence: a guess) |
| 5′ | UM-⸢MA⸣ {F}um-m[a-ia | Then Ummaya(lower confidence: line is broken) |
| 6′ | na-aš-ma ŠÀ É-T[I | And he of the house...(lower confidence: line is broken) |
| 7′ | li-in-ga-zi n[u | ... he shall bring ...(lower confidence: line is broken) |
| 8′ | {TÚG}še-ek-nu-uš ša-r[a-a | ... the šeknu-garment ...(lower confidence: line is broken) |
| 9′ | nu ki-iš-ša-an [ | And thus ...(lower confidence: line is broken) |
| 10′ | 1 {GIŠ}⸢GIGIR⸣ ANŠE.KUR.RA{MEŠ} ANŠ[E.GÌR?.NUN?.NA? | 1 chariot, horses, mules(lower confidence: line is broken) |
| 11′ | pé-ra-an {KUŠ}EL-TU-UḪ-[ḪU? | before the ...(lower confidence: line is broken) |
| 12′ | ⸢ŠA⸣ŠU-TI IT-TIx[ | ... he takes ...(low confidence: few signs survive) |
| 13′ | pé-*ra-an* ši-i-ia-an(-)[ | before he pours ...(lower confidence: line is broken) |
| 14′ | IŠ-TUTÚG ⸢{TÚG}GÚ.È⸣.[A | ... the throne ...(lower confidence: line is broken) |
| 15′ | {TÚG}BAR.DUL₅{MEŠ} ⸢{TÚG}BAR⸣.x[ | robes, ... garments(lower confidence: line is broken) |
| 16′ | GÍR-ia-aš-ša-an pa-aš-⸢kán⸣(-)[ | ... on the foot ...(lower confidence: line is broken) |
| 17′ | [Š]AMUNUS-TI a-pa-a-aš-ša [ | ... the woman ...(lower confidence: line is broken) |
| 18′ | [ K]AR.KAR.RA-za {TÚG}BAR.S[I? | ... the hem of the garment ...(lower confidence: line is broken) |
| 19′ | [ a]n-da ap-p[a?- | And he ...(very low confidence: a guess) |
| Rs. III | ||
| 1′ | x[ | |
| 2′ | nu x[ | and ...(very low confidence: a guess) |
| 3′ | nu-kán x[ | And ...(very low confidence: a guess) |
| 4′ | nu-uš-ša-a[n | And ...(very low confidence: a guess) |
| 5′ | pí-ip-[pa-aḫ-ḫi | ... he pours ...(low confidence: few signs survive) |
| 6′ | nu LUGAL-i x[ | and the king ...(low confidence: few signs survive) |
| 7′ | na-ak-ku-u[š- | ... he drinks ...(low confidence: few signs survive) |
| 8′ | {É}kip-pa-[ | ... the house ...(low confidence: few signs survive) |
| 9′ | {GIŠ}ḫa-t[al-ke-eš-na- | the ḫatalkešna-vessel(lower confidence: line is broken) |
| 10′ | nu-uš-[ | And ...(very low confidence: a guess) |
| 11′ | ki-[ | |
| 12′ | x[ | |
| Rs. IV | ||
| 1′ | EGIR-an x[ | afterwards ...(low confidence: few signs survive) |
| 2′ | BÀD-eš-ni ḫa-⸢an-da-a⸣-[mi | ... he takes ...(low confidence: few signs survive) |
| 3′ | ⸢da⸣-aḫ-ḫi na-an da-ga-z[i-pí | And he places it on the table.(lower confidence: line is broken) |
| 4′ | ḫu-uk-[ki-iš-ke-mi | ... he makes ...(low confidence: few signs survive) |
| 5′ | ga-aš-*šap-〈〈tum〉〉-ta-am* 𒀹 {D}10-up 𒀹 da-an-t[i-na-am | |
| 6′ | 𒀹 mu-uš-a-am 𒀹 i-ki 𒀹 a-ku-uš-ta 𒀹 ḫa-⸢wu⸣-r[u-un-ni | |
| 7′ | a-⸢ku⸣-uš-ta 𒀹 ḫa-wu-ru-un-ni-pí 𒀹 šu-uḫ-a-an-⸢ni⸣-[im | |
| 8′ | ši-in-za-ni-im 𒀹 pu-u-la 𒀹 ki-iš-ki-ni-x[ | |
| 9′ | ⸢tu⸣-u-ru-mu 𒀹 nu-za-a-i 𒀹 im!-la-⸢al⸣-lu 𒀹 u[š-ši-ni-pí pu-nu-ḫu-un-ni-i]š? | |
| 10′ | [k]i?-ik-ki 𒀹 *ši-iḫ-a*-al 𒀹 *pu-u*-⸢ri⸣-ik-k[i | |
| 11′ | 𒀹 e-ni-ti 𒀹 a-nam-ma 𒀹 ḫi-in-ni 𒀹 eḫ-[ | |
| 12′ | tu-u-ru-up-wa-wa 𒀹 pa-aḫ-e-ni-pí 𒀹 ni-[ | |
| 13′ | ⸢ši⸣-iḫ-e 𒀹 pu-u-⸢ri⸣-ia-an 𒀹 nu-uḫ-i 𒀹 ḫa-a-u-ši-x[ ]x[ ]x[ ]x xx x[ | |
| 14′ | mu-u-lu-wa-a[r-r]a 𒀹 da-a-še-na 𒀹 še-i-ni-na DINGIR{MEŠ}-na 𒀹 {D}10-up-pu-al-x[ | |
| 15′ | mu-u-lu-da-a-ri 𒀹 du-nu-ga-ri-ki-na 𒀹 e-še 𒀹 ḫa-wu-ru-un-ni-ra 𒀹 mu-lu-g[a-ri] | |
| 16′ | du-nu-ga-ri-ki-na 𒀹 ÍD{MEŠ}-na 𒀹 ḪUR.SAG{MEŠ}-na 𒀹 šu-u-úr-ra 𒀹 mu-lu-da-a-ri | |
| 17′ | du-nu-ga-ri-ki-na 𒀹 aš-ú-uḫ-li 𒀹 ḫal-zi-ra 𒀹 mu-lu-da-a-ri 𒀹 du-nu-ga-ri-ki-na | |
| 18′ | *DINGIR{MEŠ}-na 𒀹 mu-ú-la-at-⸢tén⸣ {D}10-up-pa-ra 𒀹 a-ri-tén šu-u-ni-ta ÍD{MEŠ}-na ⸢𒀹⸣ mu-ú-la-at-tén* | |
| 19′ | ḪUR.SAG{MEŠ}-na-ša 𒀹 a-ri-tén 𒀹 šu-u-⸢ni⸣-ta 𒀹 e-ši 𒀹 mu-u-la-at-tén 𒀹 ḫa-wu-ru-ni-pa-an | |
| 20′ | a-ri-it-ti-en 𒀹 šu-u-ni-ta 𒀹 ḫal-zi 𒀹 mu-u-la-at-tén 𒀹 a-ri-da-a-an | |
| 21′ | šu-u-ni-ta 𒀹 a-ar-ti 𒀹 ḫa-az-*zi-ni-pí* 𒀹 a-ri-it-tén 𒀹 šu-u-ni-ta | |
| 22′ | tu-u-ru-up-pí 𒀹 na-ga-ti 𒀹 šu-el-ti 𒀹 ul-la-a 𒀹 um-mi-en-na | |
| 23′ | tu-u-ru-pí-na 𒀹 mu-u-la-at-tén 𒀹 ka-aš-ti-ra 𒀹 ip-ša-a-ti-ra 𒀹 eš-ši-ra | |
| 24′ | [k]ar-kar-ni-ra 𒀹 nu-u-li-ra 𒀹 ḫu-u-ra-ti-ra 𒀹 mu-u-la-at-tén | |
| 25′ | [{M}]mu-ur-⸢ši⸣-li-pa a-ri-it-tén šu-u-ni-ta 𒀹 zu-uḫ-ḫi-da-an 𒀹 ze-e-⸢en⸣ | |
| 26′ | [k]i?-ki-ta 𒀹 tal-en zu-li-ia-an | |
| 27′ | [ap-s]i 𒀹 pí-⸢ra⸣-ti 𒀹 ku-ta-al-li-ip 𒀹 ap-si 𒀹 pí-ra-⸢ti⸣ ⸢𒀹⸣ ⸢ku⸣-ta-al-lu-wa 𒀹 pa-a-ši 𒀹 a-pí-iḫ-a | |
| 28′ | [ ]x-zi-iḫ-al-la 𒀹 ši-iḫ-*i* 𒀹 pa-a-ši 𒀹 a-pí-ša-an-na iš-te-en-na 𒀹 a-at-ti-ša | |
| 29′ | [ ]x-at-ta 𒀹 {D}ḫi-ga-pí-na-ša-an tu-u-up-pí-na-ša-an 𒀹 ku-li-ta-a-ú | |
| 30′ | [ ] 𒀹 {D}ni-nu-wa-ḫi-*na-ša*-an tu-u-pí-na-ša-an 𒀹 ku-li-ta-a-ú ši-in-zi | |
| 31′ | [ (-)a]l-la-ar-pí-na-ša 𒀹 tu-u-pí-na-ša 𒀹 ku-li-da-a-ú 𒀹 ki-iš-ki | |
| 32′ | [ t]u-u-pí 𒀹 ku-ú-lu-uḫ-u {M}⸢mur⸣-ši-li-pa 𒀹 tu-ru-up-pí 𒀹 ku-un-du | |
| 33′ | [ -a]n? ši-in-zi 𒀹 tu-u-pí *𒀹* ku-lu-uḫ-u a-kam-ma-na 𒀹 ḫa-am-ta | |
| 34′ | [ ] tu-u-ru-*u-up*-pí 𒀹 ki-iš-ki 𒀹 tu-u-ru-up-pí ku-lu-uḫ-u 𒀹 ga-aš-ti-r[a] | |
| 35′ | [ša-a-ú]-⸢ri-ra⸣ ⸢𒀹⸣ TI-ra 𒀹 ša-ú-ri-ra 𒀹 iš-pa-ti-ra ⸢ša-a-ú⸣-r[i-ra] | |
| 36′ | [ pu-nu]-ḫu-un-zi-ra 𒀹 ka-a-ta-pí-r[a] ⸢𒀹⸣ ⸢{M}⸣[mur-ši-li- | |
| 37′ | [ ]x-⸢tén⸣ GI-ra {GIŠ}PA[N-r]a ⸢𒀹⸣ [e]-⸢*eš*-ši⸣-[ra | |
| 38′ | [ {M}mu]r-ši-li-pa 𒀹 a-ri-tén ⸢𒀹⸣ ⸢šu⸣-u-ni-ta 𒀹 [ | |
| 39′ | [ ]x ⸢𒀹⸣ i-ti-i-e-in tu-u-ru-up-...[pí] | |
| 40′ | [ma-a-a]n ḫu-uk-ma-in ze-en-na-i nu {LÚ}[ | ... and the man ...(lower confidence: line is broken) |
| 41′ | [ na-a]k-ku-ša-an-ni ⸢tar⸣-na-a-i 2 GU₄{MEŠ}(-)[ | ... he drinks, and two oxen ...(lower confidence: line is broken) |
| 42′ | [ A-N]A{D}KAL na-⸢ak⸣-ku-ša-an-ni ta[r-na-a-i | ... to the Stag-god ... he pours a libation ... |
| 43′ | [ ] ... pa-[i]z-zi [ | ... goes ...(low confidence: few signs survive) |
| lk. Rd. | ||
| 1 | ] A-NATUP-PÍ 2 SÍSKUR | ... two offerings ...(lower confidence: line is broken) |
| 2 | SÍSKU]R ŠA{M}pu-*li-⸢ša*⸣ | ... of Puliša(lower confidence: line is broken) |
| 3 | SÍS]KUR ŠA{F}⸢um⸣-ma-ia | The sacrifice of Ummaya(lower confidence: line is broken) |
| 4 | ]x-aš ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.