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KBo 10.23+ (tlh:KBo 10.23+)
CTH 627
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| Designation | KBo 10.23+ |
|---|---|
| ID | tlh:KBo 10.23+ |
| Language | Hittite; Hattic |
| Genre | CTH 627 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| {€1} Vs. I | ||
| 1′ | [I-NAEZ]EN₄ ⸢KI⸣.LAM pa-iz-[zi] | He goes to the festival and goes down to the ground. |
| 2′ | [ma-a-a]n lu-uk-kat-ta | as much as a garment(lower confidence: line is broken) |
| 3′ | ⸢{É}ḫa⸣-le-en-tu-u-wa | in Ḫalentuwa(lower confidence: line is broken) |
| 4′ | [ḫ]a-aš-⸢ša⸣-an-zi {KUŠ}NÍG.BÀR-aš-ta | ... they take, and the garment ...(lower confidence: line is broken) |
| 5′ | ⸢uš⸣-ši-ia-an-zi | they take.(low confidence: few signs survive) |
| 6′ | ⸢LUGAL⸣-uš tu-un-na-ki-iš-na | The king, in the tunnaki-vessel(lower confidence: line is broken) |
| 7′ | ⸢pa-iz-zi⸣ nu-za KIN{ḪI.A}-ta | he goes, and in the evening(lower confidence: line is broken) |
| 8′ | ⸢da-a⸣-i | he takes.(low confidence: few signs survive) |
| 9′ | {⸢TÚG}GÚ⸣.È.A BABBAR-TIM SU{KI} | the white cloak of Subartu(lower confidence: line is broken) |
| 10′ | TÚG-ia wa-ar-ḫu-in | TU-ya wa-ar-ḫ-in |
| 11′ | wa-aš-ši-⸢ia⸣-zi | he takes.(low confidence: few signs survive) |
| 12′ | {TÚG}še-pa-ḫi-in-za {TÚG}GÚ.È.A | the šepaḫi-garment, the throne |
| 13′ | {⸢TÚG}še-pa⸣-ḫi-ia | šepaḫi-garment(lower confidence: line is broken) |
| 14′ | [k]u-[i]n ḫal-zi-iš-ša-an-zi | ... they sing ...(low confidence: few signs survive) |
| 15′ | [ḪUB.BI K]Ù.SI₂₂-az da-a-i | He places it in the corner.(lower confidence: line is broken) |
| 16′ | [{KUŠ}E.SIR GE₆]-⸢TIM⸣ | black sandals(lower confidence: line is broken) |
| 17′ | [ša]r-ku-⸢i⸣-[ia]-zi | he pours.(low confidence: few signs survive) |
| 18′ | ⸢LUGAL-uš⸣-kán IŠ-TU⸢É.DU₁₀⸣.ÚS.SA | The king, in the courtyard,(lower confidence: line is broken) |
| 19′ | ú-ez-zi | he goes. |
| 20′ | na-aš-kán {É}ḫa-le-en-tu-u-aš | And in Ḫalentua |
| 21′ | {GIŠ}DAG-ti ti-i-e-zi | He takes the throne. |
| 22 | UGULA {LÚ.MEŠ}SIMUG.A | the overseer of the smiths |
| 23′ | AN.BAR ša-ku-wa-an-na-aš {GIŠ}ŠUKUR | The iron of the šakuwana-vessel, the spear |
| 24′ | ḫar-zi nu GAL DUMU{MEŠ}.É.GAL | and the chief of the palace servants |
| 25′ | GAL {LÚ.MEŠ}SIMUG.A *〈〈ya?〉〉* | The chief of the smiths |
| 26′ | {TÚG}še-ek-nu-un e-ep-zi | He takes the garment. |
| 27′ | na-an-kán an-da | And he ...(very low confidence: a guess) |
| 28′ | pé-e-ḫu-te-ez-zi | he takes. |
| 29′ | [n]u pa-iz-zi GAL {LÚ.MEŠ}SIMUG.A | And he goes. The chief of the smiths(lower confidence: line is broken) |
| 30′ | [LUGA]L-i ša-ku-wa-an-na-aš {GIŠ}ŠUKUR | The king drinks with the spear.(lower confidence: line is broken) |
| 31′ | [pa]-⸢a⸣-i nam-ma-an EGIR-pa | ... and again ...(lower confidence: line is broken) |
| 32′ | [ú]-wa-te-ez-zi nu GAL {LÚ.MEŠ}SIMUG.A | and the chief of the smiths(lower confidence: line is broken) |
| 33′ | [LUGAL]-⸢i⸣ ḫi-in-ga-zi | The king takes it.(lower confidence: line is broken) |
| 34′ | [na-aš]-kán pa-ra-a pa-iz-zi | And he goes out.(lower confidence: line is broken) |
| 35′ | [ ]x-⸢ma⸣-aš-ša-an | ... and ...(very low confidence: a guess) |
| 36′ | [ ]x-iz-zi | ... he goes(very low confidence: a guess) |
| 37′ | [ ] ⸢e⸣-ep-zi | ... takes ...(low confidence: few signs survive) |
| 38′ | [ ]x [ ]-ni | |
| 39′ | ⸢ú⸣-ez-zi x[ | comes ...(low confidence: few signs survive) |
| 40′ | {⸢É⸣}ḫi-i-li ⸢LUGAL-i?⸣-k[án | In the courtyard of the king...(lower confidence: line is broken) |
| {€1} Vs. II | ||
| 1′ | ⸢1?⸣ x[ | |
| 2′ | {GIŠ}NÍG.[GUL? | ... the door(low confidence: few signs survive) |
| 3′ | {GIŠ}iš-x[ | ... the ...(very low confidence: a guess) |
| 4′ | ŠA {GIŠ}x[ ] | of the ...(very low confidence: a guess) |
| 5′ | ma-aḫ-ḫa-an-m[a DUMU.É.GAL?] | And the palace official ...(lower confidence: line is broken) |
| 6′ | me-na-aḫ-ḫa-a[n-da a-uš-zi] | ... he takes ...(low confidence: few signs survive) |
| 7′ | nu 1-aš ka-a-a[š ḫal-za-a-i] | And he sings once.(lower confidence: line is broken) |
| 8′ | nu-uš-ša-an p[é]-d[i-iš-ši ú-e-eḫ-zi] | And he takes it out.(lower confidence: line is broken) |
| 9′ | na-at ⸢LUGAL⸣-i pé-r[a-a]n ⸢i-ia-an-ta⸣ | And the king comes back.(lower confidence: line is broken) |
| 10′ | i-ia-u-an-zi-ma-⸢at⸣-kán | they bring, and(lower confidence: line is broken) |
| 11′ | ḫa-an-da-an-⸢te⸣-eš | he places it.(low confidence: few signs survive) |
| 12′ | 1 {LÚ}ME-ŠE-DI-⸢ma-kán⸣ ḫa-an-te-ez-zi | One bodyguard comes.(lower confidence: line is broken) |
| 13′ | {É}ḫa-le-e[n-t]u-u-aš {É}ar-ki-ú-i | in Ḫalentu, in Arki(lower confidence: line is broken) |
| 14′ | me-na-aḫ-ḫa-a[n-d]a ar-ta | ... he takes ...(low confidence: few signs survive) |
| 15′ | {GIŠ}ŠUKUR {LÚ}M[E-ŠE]-DI ḫar-zi | He holds the spear of the bodyguard.(lower confidence: line is broken) |
| 16′ | ⸢{GIŠ}GIDRU-ia⸣[ ]x an-da ḫar-zi | ... he takes the scepter ...(lower confidence: line is broken) |
| 17′ | ma-aḫ-ḫa-⸢an⸣-[ma-ká]n DUMU.É.GAL | And the palace official(lower confidence: line is broken) |
| 18′ | me-na-aḫ-ḫa-a[n-d]a a-uš-zi | ... he takes ...(low confidence: few signs survive) |
| 19′ | nu ka-a-aš ⸢ḫal-za-a-i⸣ | And he sings.(lower confidence: line is broken) |
| 20′ | nam-ma-aš-kán pé-di x[ | And he goes ...(lower confidence: line is broken) |
| 21′ | na-aš A-NA2 ⸢DUMU⸣{MEŠ}.⸢É.GAL⸣ | And to the palace servants(lower confidence: line is broken) |
| 22′ | pé-ra-an i-ia-⸢at-ta⸣ | before he takes(lower confidence: line is broken) |
| 23′ | na-aš-ta ma-aḫ-ḫa-an ⸢LUGAL⸣-uš | And before the king(lower confidence: line is broken) |
| 24′ | KÁ-az pa-ra-a ti-⸢i⸣-ez-⸢zi⸣ | He goes to the gate.(lower confidence: line is broken) |
| 25′ | DUMU{MEŠ}.É.GAL-ma-az {⸢LÚ⸣.MEŠ}ME-⸢ŠE⸣-DI | The palace servants, the bodyguards(lower confidence: line is broken) |
| 26′ | {É}ar-ki-ú-i ⸢kat-ta-an⸣ | he places it above.(lower confidence: line is broken) |
| 27′ | GÙB-la-az A-ŠAR-⸢ŠU⸣-NU ḫa[r]-kán-zi | They place it on the left, and they take it away. |
| 28′ | {LÚ.MEŠ}ALAM.ZU₉-ma-kán | The cult actors |
| 29′ | I-NAKÁ É {LÚ}ŠÀ.TAM | at the door of the house of the cupbearer |
| 30′ | ŠAMUNUS.LUGAL {É}ar-ki-ú-⸢i⸣ k[at-t]a-an | The queen of Arkiu ...(lower confidence: line is broken) |
| 31′ | LUGAL-i-kán me-na-aḫ-ḫa-an-da | ... the king ... |
| 32′ | a-ra-an-ta | from Aranta |
| 33′ | na-aš-ta ma-aḫ-ḫa-an LUGAL-un | and before the king |
| 34′ | me-na-aḫ-ḫa-an-da ú-wa-an-zi | ... they set ... |
| 35′ | [nu a]-⸢ḫa⸣-a ḫal-zi-⸢ia⸣-an-zi | And they sing.(lower confidence: line is broken) |
| 36′ | [ ]x[ ]x[ | |
| {€1} Vs. III | ||
| 1′ | [ ]x[ | |
| 2′ | [ ]x{MEŠ} x[ | |
| 3′ | [ ] {É}ḫu-u-⸢la⸣-ri | ... the ḫulari-house ...(lower confidence: line is broken) |
| 4′ | [ ]x A-ŠAR-ŠU-NU | ... their fields(low confidence: few signs survive) |
| 5′ | [ap]-⸢pa⸣-an-zi | they libate(low confidence: few signs survive) |
| 6′ | [ ]x-x-⸢kán⸣ ku-i-e-eš | ... and ...(very low confidence: a guess) |
| 7′ | [ ] ⸢LUGAL⸣ | ... the king(low confidence: few signs survive) |
| 8′ | [ ]x-⸢da⸣ | |
| 9′ | [ ] | |
| Vs. III | ... | |
| {€1} Vs. III 1″ | ⸢nu-kán pé-di-iš-ši⸣ | And he takes it out.(lower confidence: line is broken) |
| {€1} Vs. III 2″ | ú-e-ḫa-an-ta-ri | he pours. |
| {€1} Vs. III 3″ | nu pár-ša-ni-li tar-ú-i-eš-ká[n-zi | And they libate to the taru'eška-offering.(lower confidence: line is broken) |
| {€1} Vs. III 4″ | ŠU{MEŠ}-ŠU-NU-ia ša-ra-a | and the hands of my hand |
| {€1} Vs. III 5″ | ap-pí-iš-kán-zi | they libate. |
| {€1} Vs. III 6″ | ⸢pal⸣-ú-i-iš-kán-zi-ia | ... they take ...(low confidence: few signs survive) |
| {€1} Vs. III 7″ | nu-uš-ša-an ku-it-ma-an LUGAL-uš | And then the king |
| {€1} Vs. III 8″ | {É}ka-ta-〈pu〉-uz-ni e-eš-zi | He goes to the katapuzzi-house. |
| {€1} Vs. III 9″ | ku-it-ma-an-ma ḫu-u-i-⸢ta-a⸣-ar | ... and he pours.(lower confidence: line is broken) |
| {€1} Vs. III 10″ | ḫu-u-ma-an-da ut-ta-na-⸢aš⸣-ša BE-LU{MEŠ} | And the lords of the uttana-vessel(lower confidence: line is broken) |
| {€1} Vs. III 11″ | PA-NILUGAL ša-me-ia-an-zi | They call out to the king. |
| {€1} Vs. III 12″ | {LÚ.MEŠ}ALAM.ZU₉-ma | The cult actors |
| {€1} Vs. III 13″ | tar-ú-i-iš-kán-zi | they libate. |
| {€1} Vs. III 14″ | pal-ú-i-iš-kán-zi | he places. |
| {€1} Vs. III 15″ | ḫa-az-zi-iš-kán-zi-ia | he places. |
| {€1} Vs. III 16″ | ⸢LUGAL⸣-uš-ma-za-kán ku-wa-pí | The king, the kuwapi-vessel(lower confidence: line is broken) |
| {€1} Vs. III 17″ | {É}ka-ta-pu-uz-ni | the katapuzzi-house |
| {€1} Vs. III 18″ | e-ša-ri {É}ḫi-lam-na-aš-⸢ša⸣ | and into the house of Ḫilamnaša(lower confidence: line is broken) |
| {€1} Vs. III 19″ | KÁ.GAL-aš na-na-an-kal-ta-aš | The gate of Nankalta |
| {€1} Vs. III 20″ | {GIŠ}MAR.GÍD.DA{ḪI.A} ka-⸢ru-ú⸣ [ne-ia-an-ta-ri?] | The wagons ... he brings ...(lower confidence: line is broken) |
| {€1} Rs. IV | ||
| 1 | [GU₄{Ḫ]I.⸢A}-ma ku-i-e⸣-eš | ... the oxen ...(lower confidence: line is broken) |
| 2 | ⸢tu⸣-u-ri-⸢ia-an-te-eš⸣ | ... the turi-priestess(lower confidence: line is broken) |
| 3 | ⸢nu-uš⸣-ma-aš SI{ḪI.A}-ŠU-⸢NU⸣ K[Ù.SI₂₂ GAR.RA(?) | And he places the horns of the gold.(lower confidence: line is broken) |
| 4 | {GIŠ}⸢ŠU?⸣.ŠÙDUN{ḪI.A}-ŠU-NU-⸢ia⸣-aš-m[a-aš KÙ.S]I₂₂ GAR.RA | They place a gold ... in their hands.(lower confidence: line is broken) |
| 5 | ḫa-an-di-iš-ši-ma-aš-⸢ma-aš⸣-kán | and the ḫandišši-ma(lower confidence: line is broken) |
| 6 | ar-ma-an-ni-iš KÙ.SI₂₂ | and gold |
| 7 | na-na-an-kal-ta-aš-ša {GIŠ}MAR.GÍD.DA | And he holds the wagon. |
| 8 | {LÚ.MEŠ}ḪUB.BÍ ma-⸢a-an⸣ 10 LÚ{MEŠ} | The ḪUB.BI-officials, once, 10 men |
| 9 | ma-a-na-at me-ek-ka₄-e-eš | “Who is the one who binds me? |
| 10 | EGIR-an a-ra-an-ta | Afterwards, a prayer. |
| 11 | nu-uš-ma-aš-kán 1-aš iš-tar-na | And he, once, in the shrine |
| 12 | ne-kum-ma-an-za | “Then(very low confidence: a guess) |
| 13 | nu-kán {LÚ}ḪUB.BÍ 1-ŠU | And the cult actor once |
| 14 | ne-ia | for Neya; |
| 15 | DINGIR{MEŠ}-aš-ša ḫi-lam-ni {LÚ}SANGA {D}KAL | The gods of Ḫilamni, the priest of the Stag-god, |
| 16 | šu-up-pí-in {LÚ}SANGA {D}KAL | The priest of the Stag-god |
| {€3+1} r. Kol. 1′/Rs. IV | ||
| 17 | ḫa-an-te-ez-zi ḫar-zi | he takes, he breaks. |
| {€3+1} r. Kol. 2′/Rs. IV | ||
| 18 | DUMU.NÍTA pal-wa-tal-la-aš | The son of Palwalla |
| {€3+1} r. Kol. 3′/Rs. IV | ||
| 19 | kat-ti-iš-mi ar-t[a] | Afterwards,(lower confidence: line is broken) |
| {€3} r. Kol. | ||
| 4′ | ⸢QA-TAM⸣-[MA(?)] ⸢LUGAL?⸣ [ | likewise, the king(low confidence: few signs survive) |
| Rs. IV | ... | |
| {€1} Rs. IV 1″ | ⸢GÙB-la-za⸣ [i-ia-at-ta] | He places it on the left.(lower confidence: line is broken) |
| {€1} Rs. IV 2″ | i-pu-ul-〈li〉-še-e[t ḫar-zi] | ... he libates ...(low confidence: few signs survive) |
| {€1} Rs. IV 3″ | {LÚ}SANGA {D}KAL-ma | the priest of the Stag-god |
| {€1} Rs. IV 4″ | ta-pí-ša-na-an KÙ.BABBAR ḫar-z[i] | He pours the silver tapišana-vessel. |
| {€1} Rs. IV 5″ | na-aš GEŠTIN-it šu-u-uš | And he drinks wine. |
| {€1} Rs. IV 6″ | ⸢na⸣-aš šu-up-pa-i {LÚ}SANGA | And the priest libates.(lower confidence: line is broken) |
| {€1} Rs. IV 7″ | [ZA]G-az i-ia-at-ta-at | is present.(lower confidence: line is broken) |
| {€1} Rs. IV 8″ | [DUMU.NÍTA p]al-wa-tal-⸢la⸣-aš | The son of Palwalaš(lower confidence: line is broken) |
| {€1} Rs. IV 9″ | [GÙB-la-az] i-ia-at-⸢ta⸣ | ... stands ...(lower confidence: line is broken) |
| {€1} Rs. IV 10″ | [ ]x[ | |
| Rs. V | ... | |
| {€1} Rs. V | ||
| 4′ | [ ]x[ ] | |
| 5′ | [{LÚ.MEŠ}ALAM.Z]U₉ ⸢a⸣-ḫa-a | The cult actors ...(lower confidence: line is broken) |
| 6′ | [ḫal-zi-i]a-an-zi | they turn(low confidence: few signs survive) |
| 7′ | [DUMU.NÍTA] ⸢pal⸣-wa-tal-la-aš pal-w[a-ez-z]i | The son libates before the libation vessel. |
| 8′ | [na-a]š-ta šu-up-pí-in {LÚ}⸢SANGA⸣ [ | ... and the priest ...(lower confidence: line is broken) |
| 9′ | ⸢{LÚ}⸣SANGA {D}KAL KÁ.GAL-az | The priest of the Stag-god at the gate |
| 10′ | kat-ta ar-nu-zi | he sat down below. |
| 11′ | EGIR-ŠU-ma {GIŠ}ŠUKUR{ḪI.A} | Afterwards, the spears |
| 12′ | ḪUR.SAG{ḪI.A}-ša-an ku-wa-pí š[e-e]r | The mountains, the kuwapi-vessel(lower confidence: line is broken) |
| 13′ | a-ra-an-ta-ri | Arantari, |
| 14′ | EGIR-ŠU-ma ma-a-an 10 ⸢ma⸣-a-[an 2]0 | Afterwards, for 10 times, for 2(lower confidence: line is broken) |
| 15′ | ku-un-na-na-aš kur-ša-aš p[a-a-an]-zi | They take the kunnana-vessel into the mountain. |
| 16′ | EGIR-⸢ŠU⸣-ma ⸢PÌRIG.TUR KÙ.BABBAR⸣ | Afterwards, a small silver vessel |
| 17′ | EGIR-ŠU-⸢ma UR.BAR.RA KÙ.BABBAR⸣ | Afterwards, the lion of silver(lower confidence: line is broken) |
| 18′ | EGIR-ŠU-ma UR.⸢MAḪ KÙ⸣.S[I₂₂] | Afterwards, the gold lion(lower confidence: line is broken) |
| 19′ | ⸢EGIR-ŠU⸣-m[a ŠAḪ.GIŠ.GI KÙ.BABBAR] | Afterwards, the gold reed basket |
| {€1+3} Rs. V 20′/lk. Kol. | ||
| 1′ | EG[IR-ŠU-ma ŠAḪ.GIŠ.GI(?) {N]A₄}⸢ZA⸣.GÌN | Afterwards, a šḫ.GI-stone of lapis lazuli |
| {€1+3} Rs. V 21′/lk. Kol. | ||
| 2′ | [EGIR-ŠU-ma K]Ù.BABBAR | Afterwards, the silver(lower confidence: line is broken) |
| {€1} Rs. V | ||
| 22′ | [ | |
| 23′ | x[ | |
| 24′ | AZ K[Ù.BABBAR | ... of silver(low confidence: few signs survive) |
| 25′ | ŠAḪ.G[IŠ.GI | ŠAḪ.GI-vessel(low confidence: few signs survive) |
| 26′ | ÉRIN{MEŠ} {URU}[ | the troops of the city(low confidence: few signs survive) |
| 27′ | ŠA x[ | of ...(very low confidence: a guess) |
| 28′ | i[š?- ] | |
| Rs. V | ... | |
| {€2} | ||
| 1′ | ]x[ | |
| 2′ | ŠAḪ.GIŠ.G]I KÙ.BABBAR | ... of silver(lower confidence: line is broken) |
| 3′ | {GIŠ}zu-up-p]a-a-ri | ... with a torch(lower confidence: line is broken) |
| 4′ | A]Z KÙ.BABBAR | ... of silver(low confidence: few signs survive) |
| 5′ | ]-kán-zi | ... they place(very low confidence: a guess) |
| {€1} Rs. VI | ||
| 1 | [GI]Š.{D}INANNA{ḪI.A} ⸢ḫa⸣-[az-zi-iš-kán-zi] | The chanters sing.(lower confidence: line is broken) |
| 2 | [LÚ{MEŠ} {U]RU}a-nu-nu-um-na-⸢aš-šu-uš?⸣[ | The men of Anunumna...(lower confidence: line is broken) |
| 3 | [ ]x ki-iš-ša-an SÌR-RU | ... they sing accordingly.(lower confidence: line is broken) |
| 4 | [ ]-zu-wa-ma-an-ni-i-ia | |
| 5 | [ ]x-iz-zu-wa-at-tu-u-e-eš | |
| 6 | [ ]x-ne-ma | |
| 7 | [ -š]a-i-li-u | |
| 7 | {GIŠ}ma-a-ri-u[š | ... the scepter ...(lower confidence: line is broken) |
| 8 | [an-d]a ⸢wa-al⸣-ḫa-an-ni-⸢iš⸣-k[án-zi] | And they libate ...(lower confidence: line is broken) |
| 9 | [ -i]t | |
| 10 | [ ]x-x ḫar-zi | ... he takes ...(very low confidence: a guess) |
| 11 | [na-a]š PA-NI{LÚ.MEŠ}NAR | ... and the singers ...(lower confidence: line is broken) |
| 12 | [i-i]a-at-ta | ... he ...(very low confidence: a guess) |
| 13 | [EGI]R-ŠU-ma *DÀRA.MAŠ* KÙ.SI₂₂ | Afterwards, the gold scepter(lower confidence: line is broken) |
| 14 | [n]a-an LÚ{MEŠ} É-TIM GAL | And the men of the Great House(lower confidence: line is broken) |
| 15 | [šal]-la-an-ni-an-zi | they take.(low confidence: few signs survive) |
| 16 | EGIR-ŠU-ma *DÀRA*.MAŠ KÙ.BABBAR | Afterwards, a silver scepter |
| 17 | SI{ḪI.A}-ŠU NU.GÁL *x* | its horns are not present ... |
| 18 | [I]Š-TUÉ.GAL {LÚ.MEŠ}SIPA | In the courtyard, the shepherds(lower confidence: line is broken) |
| 19 | [ZA]G-aš GÙB-la-aš-ša | on the right and on the left(lower confidence: line is broken) |
| 20 | [šal]-la-an-ni-ia-an-zi | they take.(low confidence: few signs survive) |
| 21 | [EG]IR-ŠU-ma DÀRA.*MAŠ* KÙ.⸢BABBAR⸣ | Afterwards, the silver stag(lower confidence: line is broken) |
| 22 | [S]I{ḪI.A}-ŠU NU.GÁL KÙ.S[I₂₂] | Its horns are not of gold.(lower confidence: line is broken) |
| 23 | [LÚ{M]EŠ} {URU}ḫa-a-ri-⸢ia⸣-[ša] | The men of Ḫariya(lower confidence: line is broken) |
| 24 | [šal-l]a-⸢an-ni⸣-i[a-an-zi] | they libate.(low confidence: few signs survive) |
| 25 | [EGIR-ŠU-ma] ⸢DÀRA.MAŠ⸣ KÙ.BABBAR SI NU.G[ÁL] | Afterwards, the silver stag-god is not present. |
| 26 | [LÚ{MEŠ}] ⸢gi⸣-iz-zi-ma-ra | The men of the recitation(lower confidence: line is broken) |
| 27 | [šal-l]a-an-ni-ia-an-zi | they libate.(low confidence: few signs survive) |
| 28 | ⸢{GIŠ}zu⸣-up-pa-ri-⸢ia⸣-aš-ma-aš | and the scepter(lower confidence: line is broken) |
| 29 | ⸢pé-ra⸣-an-pát ⸢ḫar⸣-kán-zi | they set it up.(lower confidence: line is broken) |
| {€1} Rs. VI | ... | |
| 30 | D[UB? | tablet?(low confidence: few signs survive) |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.