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IBoT 1.36 (tlh:IBoT 1.36)
CTH 262
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| Designation | IBoT 1.36 |
|---|---|
| ID | tlh:IBoT 1.36 |
| Language | Hittite |
| Genre | CTH 262 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| Vs. I | ||
| 1 | [ ]x xx x[ -i]a?-an-⸢zi⸣ | ... they take(low confidence: few signs survive) |
| 2 | [ ]x x-⸢an?-zi? {LÚ.MEŠ⸣}ME-ŠE-⸢DU⸣-T[I?]-[m]a? [ -r]a-a | ... the bodyguards ...(lower confidence: line is broken) |
| 3 | [ -an-z]i na-⸢at?⸣ {LÚ.MEŠ}⸢Ì.DU₈⸣-aš {LÚ.MEŠ}KISAL.⸢LUḪ⸣-aš ⸢pé-ra⸣-a[n -a]n?-zi | ... he goes, and the porters and the purification personnel ... they take ... |
| 4 | [na-a]t-kán an-da pa-⸢a⸣-an-zi na-⸢at-ša-an⸣ {É}⸢ḫi-i-la⸣-aš ⸢KÁ⸣-[aš] ⸢ti-en⸣-zi | And they go to the gate of the house of Ḫilaš. |
| 5 | [I]GI{ḪI.A}-ŠU-ma-at-kán pa-ra-a ne-i[a-an-t]e-eš nu-za-⸢kán {É}⸣ḫa-l[e-en-t]u-wa-aš | The eyes are opened, and they are open, and in the ḫalentuwa-house |
| 6 | 1 {É}ḫi-i-la-an EGIR-pa ta-me-eš-⸢ša-an-zi⸣ na-aš-ta ša-an-ḫa-an-z[i? ]*x xx x-ta?* | One ḫila-vessel, behind it, they libate, and they ... |
| 7 | *x xx xx xx xx xx x kar-pa-an-zi(?) xx xx xx xx {LÚ}?{.MEŠ}?ME-ŠE-DI* pé-ra-an [ ]-zi | ... they libate ... The bodyguards stand before ... |
| 8 | *na-at? x x-ni?-it? kar-pa-an-zi {É}ga?-aš-ga?*-aš-te-pa-aš [{UR]UDU}za-⸢ak-ki-in Ú?-UL kar-pa⸣-an-zi na-aš-t[a {LÚ.MEŠ}ME-ŠE-D]I {LÚ.MEŠ́}Ì.DU₈ | ... they libate in the gášga-tepa-house. The zakkin-sheep are not libated. The bodyguards, the gatekeepers ... |
| 8a | {LÚ.MEŠ}KISAL.LUḪ pa-ra-a ú?-wa-an-zi | The cult actors go out. |
| 9 | nu-za {LÚ.MEŠ}ME-ŠE-DI ŠA{LÚ}ME-ŠE-DI {É}ḫi-i-li pé-e-ta-an ap-pa-an-zi | The bodyguards, the bodyguard(s) of the ḫili-house, step outside. |
| 10 | nu {É}ḫa-le-en-tu-u-wa-za ku-iš an-dur-za ku-uz-za nu 12 {LÚ.MEŠ}ME-ŠE-DI | And in Ḫalentuwaza, he drinks from the throne, and 12 bodyguards |
| 11 | a-ra-an-ta {GIŠ}ŠUKUR{ḪI.A}-ia ḫar-kán-zi ma-a-an 12 {LÚ.MEŠ}ME-ŠE-DI-ma | And they set the spears, saying: “If twelve bodyguards |
| 12 | ša-⸢ra⸣-a Ú-UL ar-ta na-aš-šu KASKAL-an ku-iš-ki pé-e-ia-an-za | And he does not lie down, and he goes on the road. |
| 13 | na-aš-ma I-NAÉ-ŠU ku-iš-ki tar-na-an-za {GIŠ}ŠUKUR{ḪI.A}-ma ma-ak-ke-eš-zi | And he places the spears in his house. |
| 14 | nu-kán ku-e {GIŠ}ŠUKUR{ḪI.A} a-aš-zi na-at-kán pa-ra-a pé-e-da-an-zi | And he takes the spears, and they go out. |
| 15 | na-at IT-TI{LÚ.MEŠ}Ì.DU₈ ti-an-zi | They set it up at the gatekeepers. |
| 16 | a-aš-ka-az-ma ku-iš ku-uz-za nu-uš-ša-an LÚ{MEŠ}˽ŠUKUR KÙ.SI₂₂ an-da a-ra-⸢an-ta⸣ I-⸢NA⸣É-ma | And he places it on the table, and then the spearmen bring gold into the house. |
| 17 | 1 {LÚ}ME-ŠE-DI-ma ke-e-ez IŠ-TU{LÚ}ME-ŠE-DI ku-ut-ta-az KÁ-aš ma-an-ni-ku-wa-an | One bodyguard, instead of the bodyguards, stands at the gate. |
| 18 | ar-ta ke-e-ez-ma IŠ-TULÚ{MEŠ}˽ŠUKUR KÙ.SI₂₂ ku-ut-ta-az 1 LÚ˽⸢ŠUKUR KÙ.SI₂₂⸣-ma 〈〈1-za(?)〉〉 | Afterwards, the spear-men bow down. One spear-man bows down. |
| 19 | KÁ-aš ma-an-ni-in-ku-wa-an ar-ta nu UD-az ḫa-a-li uš-kán-zi ma-⸢a⸣-an an-dur-za ku-iš-⸢ki⸣ | And he goes to the gate, and on the day they go up, and he places it in the courtyard. |
| 20 | ⸢{URUDU}za⸣-ak-ki-eš Ú-UL kar-pa-an-za na-aš-ma É {NA₄}KIŠIB ku-it-ki ḫa-aš-ša-an-zi nu GI wa-ak-aš-ši?-zi na-aš-ta ma-a-an GI | The zakki-stones are not weighed, and they take the seal of the house, and the reed is poured out, and he ... |
| 21 | ⸢ap⸣-pé-ez-zi-iš DUMU.É.GAL pa-ra?-a ú-ez-zi na-an-ši LÚ˽ŠUKUR ⸢KÙ.SI₂₂⸣ Ú-UL ⸢pa!?-a-i!?⸣ na-aš-ta ku-wa-pí pa-ra?-a GAL-i[š?] DUMU.⸢É.GAL ú-ez?-zi⸣ na-⸢aš?-šu?⸣ UGULA 10 na-aš-ma | The palace official comes out, and the spearman of gold does not ... Then the kuwapi-vessel comes out; the chief of the palace official goes; and the overseer of the ten ... |
| Vs. I 21A | *NIMGIR.ÉRIN*{MEŠ} M[E-Š]E-⸢DI ú?-ez-zi?⸣ nu GI a-⸢pé⸣-e-da-ni pí-an-zi ma-a-na-aš-t[a] x x[ | The soldiers go, and the reeds they take, and ... |
| Vs. I 21B | p[a-r]a?-a ⸢ú?⸣-ez-⸢zi?⸣ nu ú?-ez-zi na-aš-šu(?) {LÚ}ME-ŠE-DI *na-aš?-ma?* LÚ˽ŠU[KUR? KÙ.SI₂₂(?) | He comes, and he comes. And the bodyguard, and the gold warrior, |
| Vs. I 21C | {LÚ}]ME-⸢ŠE-DI⸣-ma {É}ḫi-i-li UGULA 10 ŠUKUR KÙ.SI₂₂-pát du-ud-du-uš-ke-ez-zi | The bodyguards of Ḫili, the overseer of the ten gold spears, perform the ritual. |
| Vs. I 21D | ||
| 1′ | ma-a-an i-da-a-lu ku-iš ar-ta na-[ ]x [ ]x[ | “If he goes, he ...(lower confidence: line is broken) |
| 2′ | nu-uš UGULA 10 ŠUKUR KÙ.SI₂₂-pát du-ud-[du-uš-ke-e]z-zi na-x[ ]x(-)ki(-)[ ]x 1 DUMU.[É.GAL] | And the overseer of the 10 gold spears ... ... one palace official ... |
| 3′ | ma-a-an {LÚ}ME-ŠE-DI-ma [ a-r]a-aš a-ri m[e]-ma-⸢i⸣ [m]a?-⸢a?⸣-n[a- ]x | When the bodyguard ...(lower confidence: line is broken) |
| 4′ | ⸢ne-e?-a?⸣-[ri? n]a-⸢aš-za⸣-kán(?) [ k]u-ut-ti an-da EGIR-pa *a?-x x*[ ]x x[ | And he ... and ... ...(very low confidence: a guess) |
| 5′ | ⸢na-at?⸣-k[án?] me-ma-i [ ] | And he speaks ...(lower confidence: line is broken) |
| Vs. I | ||
| 22 | ma-a-aḫ-ḫa-an-na-kán GAL ME-ŠE-DI UGULA 10 ME-ŠE-DI-ia ša-ra-a ú-wa-an-zi nu ⸢GAL⸣ ME-ŠE-DI | And the chief of the bodyguards, the overseer of the ten bodies, libates, and the Chief of the Bodyguards |
| 23 | ku-it {GIŠ}GIDRU ḫar-zi na-aš ma-a-aḫ-ḫa-an A-NA{D}KAL {GIŠ}ŠUKUR UŠ-KÉ-EN ⸢nu⸣ ku-iš | He takes the scepter, and he places it before the Stag-god of the spear. And he prostrates himself. |
| 24 | {LÚ}ME-ŠE-DI GAL nu-uš-ši-kán {GIŠ}GIDRU ar-ḫa da-a-i na-⸢an-ša-an⸣ iš-ta-⸢na⸣-a-ni EGIR-pa | The chief bodyguard places it on the throne, and he places it behind. |
| 25 | da-a-i UGULA 10 ME-ŠE-DI-ma ku-in {GIŠ}GIDRU-an ḫar-zi na-⸢an⸣ [pa-ra-a(?)] ⸢A-NA⸣⸢{LÚ}⸣ME-ŠE-DI pa-a-i | He places it; the overseer of the ten bodyguards takes it; he takes the scepter, and he gives it to the bodyguard. |
| 26 | na-an-š[i] {LÚ}ME-ŠE-DI ḫar-z[i ] | And the bodyguards ...(lower confidence: line is broken) |
| 27 | [{LÚ.MEŠ}M]E-Š[E-D]U-⸢TIM⸣-ma {GIŠ}GIDRU{ḪI.A} ⸢ḫu-u⸣-ma-an-te-eš-p[át? ]-zi ⸢na⸣-at-kán | The bodyguards take the sceptres, and they stand. |
| 28 | [ša-r]a-a ku-wa-pí ú-⸢wa-an⸣-z[i nu {GI]Š}⸢GIDRU{ḪI.A}⸣ [ A-NA{LÚ}]⸢Ì⸣.DU₈ pí-an-zi | ... they take the kuwapi-vessel, and they give the scepter to the gatekeeper. |
| 29 | [m]a-⸢a-an⸣ LUGAL-uš-ma [ nu-z]a DUMU.É.GAL {LÚ}ME-ŠE-DI | When the king comes, the palace official and the bodyguards |
| 30 | LÚ˽ŠUKUR KÙ.SI₂₂ pa-⸢ra⸣-[a pé-i-e-ez-zi L]UGAL-uš-ma lam-ni-ez-zi | The gold spear goes; the king comes. |
| 31 | na-an-za pa-ra-a pé-i-⸢e⸣-e[z-zi ] ⸢ma⸣-a-an LÚ-LUM na-an-za | He goes out. And he goes to the man. |
| 32 | ZI-⸢it⸣ pa-ra-a Ú-UL pé-i-⸢e⸣-[ez-zi ] | He does not go outside.(lower confidence: line is broken) |
| 33 | {LÚ}ME-ŠE-DI-ia-kán ZI-it a-aš-⸢ka⸣ [pa-ra-a Ú-UL pa-iz-z]i ⸢ma⸣-a-na-an-za-kán | The bodyguards take the life, but he does not go outside, and he ... |
| 34 | še-e-ḫu-na-an-za-pát ta-ma-a-aš-zi na-a[š A-NA]{L[Ú].M[EŠ}M]E-ŠE-DU-⸢TIM⸣ ḫu-u-ma-an-da-a-aš | And he takes the šeḫunanza-vessel, and he places it before the cult actors. |
| 35 | EGIR-an ḫu-wa-a-i nu-uš-ši ku-iš {LÚ}M[E-Š]E-⸢DI⸣ pé-ra-aš-ši-it ar-ta-ri | Afterwards, he pours a libation, and he places it before the bodyguards. |
| 36 | nu-uš-ši te-ez-zi {DUG}kal-ti-ia-wa kat-⸢ta⸣-an pa-i-mi a-pa-⸢a⸣-ša pa-ra-a da-me-ta-ni | And he goes to the kaltiya-vessel, and he opens his mouth to speak. |
| 37 | {LÚ}ME-ŠE-DI te-ez-zi a-pa-ša pa-ra-a {LÚ}tar-ri-ia-na-al-li te-ez-zi | The bodyguard comes, and the tarriyanalli-official comes. |
| 38 | {LÚ}tar-ri-ia-na-al-li-iš-ma {LÚ}du-ia-na-al-li te-ez-zi | The tarriyanališ-priest and the diyanalli-priestess go. |
| 39 | {LÚ}du-ia-na-al-li-⸢iš⸣-ma A-NAUGULA 10 ⸢ME-ŠE-DI⸣ te-ez-zi ⸢ma-a-an GAL ME⸣-[ŠE]-⸢DI-ia⸣ | The duyanalliš-official goes to the overseer of the ten bodies. When the chief of the bodies |
| 40 | ḫa-an-da-et-ta-ri ŠA{LÚ}ME-ŠE-DI-aš ⸢{É}⸣[ḫi-i]-⸢li⸣ e-eš-zi na-a[t]-k[án U]GU[LA 10 ME-ŠE-D]I | And he places the bodyguards in the ḫili-house, and the overseer of the bodiesguards |
| 41 | A-NAGAL ME-ŠE-DI-ia ar-nu-uz-zi {DUG}⸢kal-ti⸣-ia-wa-ra-aš kat-⸢ta⸣-an p[a-i]z-⸢zi⸣ | The chief of the bodyguards goes down. He places the kaltiyawara-vessel below. |
| 42 | nu GAL ME-ŠE-DI te-ez-zi pa-id-du-wa-ra-aš | And the chief of the bodyguards comes. |
| 43 | ma-a-an-za-kán ga-ma-ar-šu-wa-an-za-ma ku-in ta-ma-aš-⸢zi⸣ nu a-ra-aš a-⸢ri te⸣-ez-zi | And he places it on the hearth, and he takes it, and then he goes to the courtyard. |
| 44 | nu-uš-ša-an a-pa-at-ta A-NAGAL ME-ŠE-DI a-ri še-⸢e⸣-ḫu-na-wa-ra-aš pa-iz-zi | And he goes to the Great Bodyguard, to Šeḫunawara. |
| 45 | nu GAL ME-ŠE-DI te-ez-zi pa-⸢id⸣-du-wa-ra-aš {LÚ}ME-ŠE-D[I-m]a ku-iš še-ḫu-na pa-iz-zi | And the chief bodyguard comes, and the bodyguard goes inside. |
| 46 | {D}UTU-ŠI-ša-an-za kap-pu-u-ez-zi nu-uš-ša-an še-⸢e-ḫu⸣-na-aš-ša ut-⸢tar⸣ I-NAÉ.GAL-LIM a-⸢ri⸣ | The Sun-deity bows down, and he places it before the palace. |
| 47 | ZI-it-ma-aš-kán pa-ra-a Ú-UL pa-iz-zi | He does not go to the right. |
| 48 | {LÚ}ME-ŠE-⸢DI⸣-ma {É}ḫi-lam-ni ⸢an-da⸣ in-na-ra-⸢a Ú-UL⸣ ti-i-e-ez-zi ⸢ma⸣-a-na-aš in-na-ra-ma | The bodyguards go to the house Ḫilamni, but he does not go, and he goes. |
| 49 | ti-i-e-⸢ez-zi⸣ nu-uš-ši-kán {LÚ}Ì.DU₈ ka[r-di-mi]-ia-it-ta na-aš-šu-wa-kán ⸢ša⸣-ra-a i-it | And he goes, and the gatekeeper takes the kardimmu-vessel, and he places it on the hearth. |
| 50 | na-aš-ma-wa-kán kat-ta-ma i-it ma-a-an-k[án {L]Ú}ME-ŠE-DI-ma {É}ḫi-lam-na-⸢az pa-ra⸣-a pa-iz-zi | And he goes down below, and the bodyguards go to the house Ḫilamna. |
| 51 | na-aš-⸢ta {É}ḫi⸣-lam-mar iš-tar-na ar-ḫa {GIŠ}ŠU[KUR-p]át ḫar-zi lu-uš-ta-ni-ia-ma-aš a-ri nu {GIŠ}*ŠUKUR* | And in the ḫilammar-house, he takes the spear, and he bows down, and the spear |
| 52 | IT-TI⸢{LÚ}⸣Ì.DU₈ da-a-i a-pa-ša-kán ka[t-t]a pa-iz-zi | He places it before the gatekeeper, and he goes. |
| 53 | ma-a-an-⸢kán⸣ {LÚ}ME-ŠE-DI-ma ar-ḫa mi-ir-⸢zi⸣ na-aš-ta {GIŠ}ŠUKUR lu-uš-ta-ni-ia-az kat-ta! pé-da-i | And the bodyguard goes behind, and he places the spear below. |
| 54 | na-an ⸢{LÚ}Ì⸣.DU₈ wa-aš-du-li e-ep-zi nu-uš-ši-kán {KUŠ}E.SIR ar-ḫa la-a-i ma-a-an {LÚ}ME-ŠE-DI-ma | And the doorman takes the door-jamb, and he does not take the sandals, but the bodyguards |
| 55 | ⸢{LÚ}⸣Ì.DU₈ ⸢ap⸣-pa-la-a-ez-zi na-aš-ta {GIŠ}ŠUKUR kat-ta pé-e-da-i {LÚ}Ì.DU₈-ma-an Ú-UL *a*-uš-zi | The gatekeeper takes it, and he places the spear below; the gatekeeper does not go. |
| 56 | nu {LÚ}ME-ŠE-⸢DI⸣ {LÚ}Ì.DU₈ wa-aš-du-li e-⸢ep⸣-zi {GIŠ}ŠUKUR-wa Ú-UL ku-it a-uš-ta | And the bodyguards, the doorkeepers, perform the ritual. The spear is not ... |
| 57 | ma-a-an-wa-[ká]n ⸢ša⸣-ra-a-ma ku-iš an-tu-u-wa-aḫ-ḫa-aš ḫa-an-da-a-ez-zi nu-wa-ra-an ku-wa-pí a-ut-ti | And then he goes to Antuwaḫa, and he places it on the altar. |
| 58 | na-an ⸢A-NAÉ⸣.GAL-LIM tar-kum-mi-ia-an-⸢zi⸣ nu {LÚ}Ì.DU₈ pu-nu-uš-ša-an-zi nu {GIŠ}ŠUKUR{ḪI.A} | And they bring it into the palace, and the gatekeepers place it. And the spears |
| 59 | a-pa-aš ⸢na-aḫ-ša⸣-ra-az uš-ke-ez-zi | And he places it in the hearth.(lower confidence: line is broken) |
| 60 | {LÚ.MEŠ}ME-ŠE-DU-⸢TI⸣-ma-kán DUMU⸢{MEŠ}.É⸣.GAL-TIM G[A]L-ia-az KÁ.GAL-az kat-ta Ú-UL pa-iš-kán-da | The cult actors, the palace servants, the great ones, do not go down to the gate. |
| 61 | na-at-kán lu-uš-da-ni-ia-az kat-ta pa-iš-[kán-d]a nu 1 {LÚ}ME-ŠE-DI ku-iš šar-kán-ti-in | And he goes down below, and one bodyguard ... |
| 62 | ú-i-da-a-ez-zi UGULA DUMU{MEŠ}˽KIN-*za* ku-in pa-r[a-a pí]-⸢i⸣-e-eš-ke-ez-zi nu-kán *GAL*-ia-az kat-ta | The overseer of the messengers libates, and they bring it to the chief of the servants. |
| 63 | ⸢a-pa⸣-aš pa-iš-ke-et-ta BE-LU-TIM-ia-kán UGULA LI-⸢IM⸣-TI-ia GAL-ia-⸢az⸣ kat-ta pa-iš-kán-ta | And he goes down to the lords; the overseer of the libations, the chief of the priests, goes down below. |
| 64 | ⸢*ma-a-aḫ⸣-ḫa-an-ma* LUGAL-uš a-ra-aḫ-za pa-iz-zi na-aš-ta 1 ⸢DUMU.É⸣.GAL ⸢{É}⸣ḫa-le-en-tu-u-az | And the king goes to the Araḫza. And one palace servant of the Halleentu-temple |
| 65 | pa-ra-a ⸢ú⸣-ez-zi nu ḫa-at-ti-i-li ta-ḫa-ia ḫal-⸢za⸣-i ta-ḫa-⸢ia⸣-an-ma-za ḫa-⸢at-ti⸣-li | He goes out, and he takes the taḫa-vessel, he throws it into the pit, and to the pit |
| 66 | {LÚ}ŠU.I ḫal-zi-iš-ša-an-zi *nu* {LÚ}ME-ŠE-DI LÚ˽{GIŠ}ŠUKUR KÙ.SI₂₂ {LÚ}Ì.DU₈-ia | The cupbearer chants. The bodyguard, the gold spearman, the doorman |
| 67 | {É}ka-a-aš-ka-a-aš-ti-pa pa-a-an-zi nu GAL-ia-az KÁ.GAL-az {URUDU}za-⸢ak⸣-ki-in kar-pa-⸢an-zi⸣ | They go to the kaška-tipa-house, and the great one goes to the gate of the zakkin-vessel. |
| 68 | nu {GIŠ}IG-TIM EGIR-pa ḫa-aš-ša-an-zi na?-x LÚ˽ŠUKUR [KÙ.S]I₂₂ xx ⸢IGI?⸣ NI? x ⸢za?-ak?⸣(-)x x[ ]x-a?-i? {LÚ}ŠU.I-ma {GIŠ}ga-la-a-⸢ma⸣ ḫ[ar-z]i na-aš-ta | And they take the door again. The spearman ... gold ... before ... ... the cupbearer ... on the throne ... |
| 69 | KÁ-uš ar-ḫa wa-ar-ši 𒀹{LÚ.[M]EŠ}ša-a-la-aš-ḫe-eš {GIŠ}ḫu-*lu-ga-an*-ni-i[n w]a-aḫ-nu-an-⸢zi {LÚ.MEŠ}ME-ŠE-DI-ma⸣ | At the gate, behind, the ša-ala-priests and the ḫuluganni-instruments ... the bodyguards |
| 70 | {É}ar-ki-ú-i ta-pu-uš-za ZAG-za ti-en-zi ma-a-an ku-e-da-ni-⸢ma!⸣ URU-r[i ZA]G-az ti-ia-u-an-⸢zi⸣ | He places it on the side of the barge, and he takes it away from the city. |
| 71 | ⸢*Ú-UL(?) tar?-ḫa⸣-an na-at GÙB-la-za ti-e[n]-zi uk-tu-u-⸢ri-ma⸣-aš-⸢ma-aš⸣ ti-⸢ia⸣-u-wa-a[r ZAG?-a]z?-pát [{É}]⸢ar-ki-ú-i*⸣ | And he does not stand, and he takes the seat. He places it on the right side of the door. |
| 72 | *⸢ta⸣-pu-uš-za 〈〈ZAG-az ti-en-zi〉〉* nu {LÚ}ME-ŠE-DI ku-iš {GIŠ}G[U.Z]A {GIŠ}ḫu-lu-ga-an-⸢ni {GIŠ}UMBIN(?) ḫar-zi(?)⸣ | And he places it on the right. And the bodyguards take the chair, the hulugannu-vessel, and the leather bag. |
| 73 | na-aš-ta an-da-ia Ú-⸢UL⸣ ku-in-ki tar-*na*-i pa-ra-a-ia-kán Ú-UL ku-in-⸢ki tar-na⸣-[i] | And he does not place it on the table, he is not placed on the pedestal. |
| 74 | n[a-a]t-kán pa-ra-a ŠA{LÚ}M[E-Š]E-DI {É}ḫi-i-la-az ú-iš-kán-da-ri | And he brings it before the bodyguards of the ḫilaz-house. |
| 75 | [ ]x ⸢{LÚ.MEŠ}zi⸣-in-zi-⸢ni-ú⸣-i-li-e-eš a-ra-an-ta ⸢{GIŠ}TUKUL?{ḪI.A}⸣ xx x[ | ... the chanters, the weapons ...(lower confidence: line is broken) |
| 76 | [ ]-zi BE-EL ÉRIN{MEŠ}-aš-ma-aš kat-ta-an ar-ta ⸢{GIŠ}GIDRU⸣-ia x[ | ... the lord of the troops, behind my scepter ... |
| 77 | [ ]x nam-ma ḫi-⸢lam-mi⸣-li ú-e-eš-ša-an-ta na-at(-)[ | ... and the ḫilammi-vessel ...(lower confidence: line is broken) |
| 78 | [EGIR-pa-m]a-kán iš-tar-[na] ⸢1 IKU⸣ nu 2 ⸢LÚ?⸣ xx x[ ]x[ | Afterwards, he places one ikû and two men ... |
| 79 | [ ]x x-⸢ia ḫar-kán-zi nu-uš-ma⸣-aš x x[ | ... they take, and then ...(lower confidence: line is broken) |
| 80 | [ ]x xx xx xx xx xx x x[ | |
| Vs. II | ||
| 1 | ⸢EGIR⸣-pa-⸢ma⸣-kán nam-ma ⸢iš⸣-ta[r-na | Afterwards, likewise ...(lower confidence: line is broken) |
| 2 | ⸢2?⸣ {LÚ.MEŠ}LI-IM˽ṢE-RI a-ra-⸢an⸣-[ta | ... the cupbearers ...(lower confidence: line is broken) |
| 3 | NIMGIR.ÉRIN{MEŠ}-ia kat-ti-iš-mi a-ra-an-⸢ta⸣ [ | ... the troops below ...(lower confidence: line is broken) |
| 4 | pé-ra-an ḫu-ia-an-te-eš [ | before the ḫuiānte-offering ...(lower confidence: line is broken) |
| 5 | EGIR-pa-ma-kán nam-ma iš-tar-na 1 IKU n[u | Afterwards, likewise, one iku |
| 6 | a-ra-an-ta {GIŠ}ŠUKUR{ḪI.A}-ia ḫar-kán-zi nu-uš-m[a-aš | And they take the spears, and ...(lower confidence: line is broken) |
| 7 | NIMGIR.ÉRIN{MEŠ}-ia kat-ti-〈〈mi〉〉-iš-mi a-ra-an-ta {GIŠ}〈GIDRU〉{ḪI.A} ḫa[r-kán-zi] | The troops go up to the throne. |
| 8 | na-at LUGAL-i pé-ra-an ḫu-ia-an-te-eš [ | before the king ...(lower confidence: line is broken) |
| 9 | ⸢2?⸣ LÚ{MEŠ}˽ŠUKUR DUGUD-ma-kán LUGAL-i me-na-aḫ-ḫa-an-da ZAG-az a-ra-[an-ta] | ... the spearmen, the heavy ones, to the king, he places on the right side ... |
| 10 | [{GIŠ}Š]UKUR{ḪI.A} Ú-UL ḫar-kán-zi nu-uš-ma-aš LÚ˽ŠUKUR KÙ.SI₂₂ ka[t-ti-iš-mi ar-ta] | They do not set the spears, but the spearman of gold ... |
| 11 | [{GIŠ}ŠUK]UR KÙ.SI₂₂ GAR.RA-ia ḫar-zi ŠA{GIŠ}ŠUKUR-ma DUMU.É.GAL [ | He places a gold spear; he holds the spear, and the palace official ... |
| 12 | {GIŠ⸢}IŠ-TU⸣-UḪ-ḪU {GIŠ}ḫu-lu-ga-an-na-aš-ša {GIŠ}mu-kar ḫar-zi ⸢na-aš(?)⸣ [LUGAL-i] | He holds the torch, the huluganna-vessel, and the mukar-wood, and he places it before the king. |
| 13 | pé-ra-an ḫu-ia-an-za na-aš pa-iz-zi {GIŠ}ḫu-lu-ga-an-ni ⸢GÙB⸣-l[a-az(?)] | He goes before the ḫulugannu-vessel; he stands on the throne. |
| 14 | {GIŠ}UMBIN ⸢kat⸣-ta-an ti-ia-az-zi | He steps down from the bow.(lower confidence: line is broken) |
| 15 | {LÚ}ME-ŠE-DI-ma {GIŠ}GU.ZA ti-it-ta-nu-zi LUGAL-uš-kán pa-ra-a ⸢ú-ez-zi(?)⸣ [ ] | The bodyguards stand on the throne; the king comes out. |
| 16 | GAL DUMU{MEŠ}.É.GAL-ma-an QA-AS-SÚ ḫar-zi LUGAL-uš-ša-an {GIŠ}⸢ḫu-lu⸣-g[a-an-ni] | The chief of the palace servants libates; the king takes the hulugannu-vessel. |
| 17 | e-ša LÚ{MEŠ}˽ŠUKUR DUGUD-ma ḫi-in-kán-ta nam-ma-at pít-⸢ti-an-zi⸣ [ ] | And the Šamaš-priests are heavy, and they ...(lower confidence: line is broken) |
| 18 | na-at pé-ra-an ḫu-ia-an-zi na-at-za ... ⸢LÚ?˽ŠUKUR⸣ [ ] | And they go before them, and the spearman ...(lower confidence: line is broken) |
| 19 | kat-ta-an i-ia-an-ni-an-zi | they go down. |
| 20 | LÚ˽ŠUKUR KÙ.SI₂₂-ma-aš-ma-aš ku-iš kat-ta-an ar-⸢ta⸣-at ⸢ti-ia-az-zi(?)⸣ | The spear-man, the gold arrow, stands behind. |
| 21 | ŠA{GIŠ}ŠUKUR DUMU.É.GAL-ma {GIŠ}*IŠ*-⸢TU⸣-UḪ-ḪA A-NAGAL DUMU⸢{MEŠ}.É.GAL pa-a-i⸣ | He gives the spear to the palace servant, the scepter to the great palace servant. |
| 22 | GAL DUMU{MEŠ}.É.GAL-ma-at LUGAL-i ⸢pa⸣-a-⸢i⸣ nu {GIŠ}ḫu-lu-⸢ga⸣-an-ni-⸢ia pé-ra-an⸣ | The chief of the palace servants speaks to the king, and before the huluganni-vessel |
| 23 | GAL {LÚ.MEŠ}ša-a-la-aš-ḫa-⸢aš ḫu⸣-ia-⸢an⸣-za {GIŠ}GIDRU-ia ḫar-zi ma-a-⸢aḫ-ḫa-an-ma⸣-a[š?-ká]n? | The chief of the ša-ala-priests stands on the throne, and ... |
| 24 | {GIŠ}ḫu-lu-ga-an-ni-iš pa-ra-a i-ia-an-na-i ⸢GAL⸣ DUMU{MEŠ}.⸢É.GAL-ma EGIR⸣-[an(?)] | He goes to the huluganni-vessel; the chief of the palace servants afterwards |
| 25 | ḫi-in-ga-ri nu LUGAL E[GI]R-pa A-NAGAL ME-ŠE-⸢DI⸣ ḫi-ik-zi | He libates, and the king goes up to the Great Bodyguard. |
| 26 | {LÚ}ME-ŠE-DI-ma ku-iš {GI[Š}G]U.ZA [ḫ]ar?-⸢zi⸣ na-aš {GIŠ}ḫu-lu-ga-an-ni {GIŠ}⸢UMBIN GÙB⸣-l[a-az] | The bodyguard takes the chair, and he places the hulugannu-vessel on the right. |
| 27 | ŠA{GIŠ}ŠUKUR DUMU.⸢É⸣.[GAL kat]-⸢ta⸣-an i-ia-an-na-i ma-a-aḫ-ḫa-⸢an-ma-aš kat⸣-t[a] | The spear of the palace servant comes down from above. |
| 28 | {É}ka-a-aš-⸢ka⸣-t[e-p]a a-ri na-aš {GIŠ}ú-i-du-ú-li-ia EGIR-an [ti-i]a-⸢zi⸣ | In the kaškitepa-house, he takes a torch, and afterwards he places it. |
| 29 | nu-⸢uš⸣-ši-kán ma-a-aḫ-[ḫa-a]n {LÚ.MEŠ}ME-ŠE-DI DUMU{MEŠ}.É.GAL-ia ḫa-an-da-a-an-⸢ta⸣ | And then the bodyguards of the palace servants ...(lower confidence: line is broken) |
| 30 | nu {GIŠ}GU.ZA A-NAL[Ú˽{GIŠ}GU].ZA *〈〈pa-ra-a〉〉* pa-ra-a pa-a-i a-pa-ša-az {GIŠ}ŠUKUR | And he takes the throne, the chair of the chair, and he goes to the bow. |
| 31 | ⸢da⸣-a-i na-aš-kán A-N[A{L]Ú.MEŠ}ME-ŠE-DI an-⸢da i-ia-an-na-i⸣ | And he brings it to the bodyguards.(lower confidence: line is broken) |
| 32 | {LÚ.⸢MEŠ⸣}ME-ŠE-DI-ma ku-w[a-p]í i-ia-an-ta ⸢nu⸣ 2 {LÚ.MEŠ}ME-ŠE-⸢DI⸣ pé-⸢ra-an⸣ ḫu-⸢ia-an-te⸣-[eš] | The bodyguards go to the kuwapi-vessel, and two bodiesguards stand before them. |
| 33 | {GIŠ}ŠUKUR{ḪI.A}-ia ḫar-ká[n-*z]i* na-at-kán ⸢ḫa⸣-an-da-a-an-te-eš ⸢GÙB-la⸣-[az] ⸢DUMU.É.GAL⸣ | ... the spears ... ... and the ḫānda-vessels on the left ... The palace official ... |
| 34 | ⸢i-ia⸣-at-ta nu {GI[Š}ka]l-mu-uš ḫar-⸢zi⸣ na-aš-ta a-pa-aš-ša ⸢A-NA2 {LÚ⸣.M[EŠ}ME-ŠE-D]I | And he takes the kalmuš-vessel, and he places it before the bodyguards. |
| 35 | [ḫa-a]n-da-a-an-za ⸢na⸣-a[t-k]án 3-e-eš ták-⸢ša⸣-an ⸢ḫa⸣-an-da-a-an-te-eš ⸢EGIR-pa-ma-aš⸣-[ma-aš(?)] | And he places it three times, and then afterwards ... |
| 36 | {⸢LÚ⸣.M[EŠ}ME]-⸢ŠE-DI DUMU.É?⸣.[GAL-T]IM 3 ša-a-ri-i-e-eš i-ia-an-ta | The bodyguards of the palace servant take three šāri-vessels. |
| 37 | ŠA{LÚ.MEŠ⸢}ME-ŠE-DI 2⸣ ša-a-ri-i-e-eš ŠADUMU{MEŠ}.É.GAL-ia ⸢1 ša⸣-a-ri-⸢ia⸣-aš | Of the bodyguards, two ša-ariya-offerings of the palace servants, one ... |
| 38 | A-NA{GIŠ}ḫu-⸢lu⸣-ga-an-ni-ma-at EGIR-pa 1 IKU ⸢i-ia⸣-an-ta | into a ḫuluganni-vessel. Afterwards, one iku |
| 39 | 1 ⸢DUMU⸣.É.GAL-ma pa-iz-zi nu-uš-ši {LÚ}ŠÀ.TAM {GIŠ}⸢PAN ḫu⸣-it-ti-an ⸢an⸣-d[a-m]a-⸢at-kán⸣ | One palace official goes, and the cupbearer takes the bow ... |
| 40 | {KUŠ}pár-du-ug-⸢ga⸣-an-ni tar-na-an 1 {KUŠ}É.MÁ.URU₅.URU-šisic ŠA?LÚ?˽ŠUKUR? IŠ-TU⸢{GI}?GAG.Ú.TAG.GA⸣ | a leather pouch, one sash, the Šamaš-priest, with a cloth. |
| 41 | ⸢šu⸣-u-un-ta-an pa-a-i na-aš EGIR-an-da pa-iz-zi ⸢na⸣-aš-kán {⸢LÚ⸣.MEŠ}ME-⸢ŠE-DU-TIM⸣ | And he goes back, and then the bodyguards(lower confidence: line is broken) |
| 42 | DUMU{MEŠ}.É.GAL-ia a-wa-an ar-ḫa pa-iz-zi na-aš pa-iz-zi | The palace servants go, and he goes. |
| 43 | ŠA!⸢{GIŠ}ḫu⸣-lu-ga-an-ni {GIŠ}UMBIN GÙB-la-az ti-ia-az-zi | He stands on the throne with the spear.(lower confidence: line is broken) |
| 44 | EGIR-pa-ma-kán iš-tar-na 1 IKU nu LÚ˽ŠUKUR KÙ.SI₂₂ {GIŠ}ŠUKUR G[AR.R]A ḫ[ar?-z]i | Afterwards, he pours one iku-vessel, and the spearman takes the gold spear from the bow. |
| 45 | {LÚ}A.ZU-ia {GI[Š}m]u-ú-kar ... ḫar-zi na-at ták-ša-an i-ia-⸢an-ta⸣ | The physician takes the libation vessel, and he places it on the table. |
| 46 | nu {LÚ}A.ZU ḫu-⸢uk⸣-ki-iš-ke-ez-zi | And the physician libates.(lower confidence: line is broken) |
| 47 | ⸢EGIR⸣-pa-ma-kán iš-tar-na 1 IKU nu 2 LÚ{MEŠ}˽ŠUKUR ... ⸢i-ia-an-ta-ri⸣ | Afterwards, he places one ikû and two spearmen ... |
| 48 | ma-a-na-at {LÚ.⸢MEŠ⸣}DUGUD-TIM ma-a-na-at pé-ra-an ti-in-ti-eš {LÚ.⸢MEŠ}SIG₅-TIM⸣ | When the heavy men, when before the tintīš-priests, |
| 49 | {TÚG}NÍG.⸢LÁM⸣{ḪI.A}-⸢ma⸣-aš-ma-aš {KUŠ}E.SIR SIG₅-TIM ḫi-lam-mi-li ú-⸢e-eš-ša-an-ta⸣ | The robes, the good shoes, the ḫilammili-garment, |
| 50 | *GAL LÚ{MEŠ}˽ŠUKUR-〈〈RI〉〉*-ia-aš-ma-aš NIMGIR.ÉRIN{MEŠ}-ia kat-ti-iš-mi i-ia-an-⸢ta {GIŠ}GIDRU{ḪI.A} ḫar-kán-zi⸣ | The chief of the Šamaš-priests and the heralds stand before the chariots. |
| 51 | ⸢*EGIR-pa-ma-kán*⸣ nam-ma iš-tar-na 1 IKU *〈〈nu nam-ma〉〉* 2 {LÚ.MEŠ}L[I-I]M˽ṢE-RI ⸢kat-ta(?)⸣ | Afterwards, he places one iku, and two chanters ... |
| 52 | i-ia-an-ta {GIŠ}ŠUKUR{ḪI.A} ḫar-kán-zi ma-a-na-at {LÚ.MEŠ}DUGUD-TIM ma-a-na-at | And they take the spears, as many as the oxenmen, as much as |
| 53 | pé-ra-an ti-ia-an-te-eš {LÚ.MEŠ}SIG₅-TIM {TÚG}NÍG.LÁM{ḪI.A}-ma-aš-ma-aš {KUŠ}E.SIR SIG₅-TIM ḫi-lam-me-li ⸢ú-e⸣-eš-ša-an-ta | Before the tiyānte-offerings, the good men, the robes, and the good sandals, ... |
| 54 | UGULA LI-IM˽ṢE-RI-ia-aš-ma-aš NIMGIR.ÉRIN{MEŠ}-ia kat-ti-iš-mi-〈〈ia〉〉 i-ia-an-ta | The overseer of the libations, the troops, and the troops ... |
| 55 | {GIŠ}GIDRU{ḪI.A} ḫar-kán-zi | They set up the scepter. |
| 56 | EGIR-pa-ma-kán nam-ma iš-tar-na 1 IKU nu nam-ma 2 {LÚ.MEŠ}LI-IM˽ṢE-RI | Afterwards, likewise, one ikû, and again, two cupbearers |
| 57 | i-ia-an-ta {GIŠ}ŠUKUR{ḪI.A} ḫar-kán-zi {TÚG}NÍG.LÁM{ḪI.A}-ma-aš-〈ma-aš〉 {KUŠ}E.SIR SIG₅-TIM ḫi-lam-mi-li | And they take the spears, the robes, and the good sandals. |
| 58 | ú-e-eš-ša-an-ta UGULA LI-IM˽ṢE-RI-ia-aš-ma-aš NIMGIR.ÉRIN{MEŠ} kat-ti-iš-mi i-ia-an-ta | And the overseer of the cult actors, the troops, and the troops ... |
| 59 | {GIŠ}〈GIDRU〉{ḪI.A} ⸢ḫar-kán-zi⸣ | They hold the throne.(lower confidence: line is broken) |
| 60 | ŠA⸢LI-IM⸣˽ṢE-RI-ma ku-iš ⸢ÉRIN{MEŠ}⸣-az nu ták-šu-la-a-an ta-pu-ú-ša | ... he libates, and instead of the troops, and he pours a libation. |
| 61 | ⸢iš-ga-ra⸣-a-an ḫar-zi GÙB-la-aš GÙB-la-az iš-ka-ra-a-an ḫar-⸢zi⸣ n[a-a]t(?) | He places it on the throne, he places it upon the neck, and ... |
| 62 | ⸢ZAG-ša ZAG⸣-az iš-ka-ra-a-an ḫar-zi ar-ḫa-ma-aš 3 IKU ⸢i-ia-at-ta⸣ | The right side of the right side is split. Afterwards, three iku |
| 63 | ⸢ma-a-an⸣-ši pé-ra-an-ma ku-wa-pí KASKAL-iš ḫa-at-ku-uš na-aš an-da ⸢pa-iz-zi⸣ | Afterwards, on the road, he places the kuwapi-vessel, and he goes up. |
| 64 | ⸢nam-ma⸣ ma-a-an ḫa-an-te-ez-zi-aš ku-iš ku-it tar-na-i | And when he comes, he places it on the altar. |
| 65 | na-aš-šu ⸢ANŠE.KUR.RA{ḪI⸣.A} na-aš-ma ta-at-ra-an-ta-an GU₄ na-at ⸢ḫa⸣-an-te-⸢ez⸣-zi-aš | And the horses, and the oxen, the ḫānte-offerings, |
| 66 | ⸢wa⸣-aš-túl ⸢ma⸣-a-⸢an ap⸣-pé-ez-⸢zi⸣-aš-ma ku-iš ku-it tar-na-i | And when he comes, he places it on the altar. |
| 67 | n[a-a]t ⸢ap-pé⸣-ez-⸢zi⸣-[aš] wa-aš-túl | And when he comes, he ...(lower confidence: line is broken) |
| 68 | [ma-a-a]n [šar]-⸢kán-ti⸣-[i]n-ma ú-wa-⸢da-an-zi⸣ nu ⸢LÚ{MEŠ}(?)˽ŠUKUR{ḪI⸣.[A}(?)] ⸢ku-e⸣ | And they bring it to the king, and the Šamaš-men drink. |
| 69 | [ ]x x ⸢{GIŠ}⸣ŠUKUR{ḪI.A} na-an ḫu-u-⸢ma⸣-[an(-) ]-⸢a?⸣-an | ... the spears ...(lower confidence: line is broken) |
| 70 | [ ] t[i-i]t-⸢ta-nu⸣-wa-an-⸢zi nu?⸣ x x[ ]x x ⸢ma?-a-an⸣ | ... they take, and ... ...(lower confidence: line is broken) |
| 71 | [ ] ⸢kar?-pa-an-zi LÚ?⸣ x[ | ... they libate; the man ...(lower confidence: line is broken) |
| 72 | [ ]x xx x[ ]x xx | |
| 73 | [ ]x x x[ | |
| 74 | [ ]x x[ | |
| 75 | [ ]x[ | |
| Rs. III | ||
| 1 | [{LÚ}ME]-⸢ŠE-DI ku⸣-iš šar-kán-⸢du⸣-uš [ú-i-da-a-ez-zi | The bodyguard comes to the šarkanuš.(lower confidence: line is broken) |
| 2 | na-aš A-NALÚ˽ŠUKUR KÙ.SI₂₂ ⸢EGIR-an?⸣ [ti-i-e-ez-zi ma-a-aḫ-ḫa-an-ma] | And he goes to the Šamaš-priest with gold afterwards. |
| 3 | LUGAL-uš DI-NAM ú-e-ek-zi na-at {LÚ}ME-ŠE-D[I | The king drinks; and the bodyguards...(lower confidence: line is broken) |
| 4 | na-at-kán A-NAGAL ME-ŠE-DI ki-iš-ša-ri-i d[a-a-i(?) | And he places it before the Great Bodyguard. |
| 5 | DI-NU na-at A-NAGAL ME-ŠE-DI *me*-ma-i GAL ME-ŠE-DI-ma [ | He speaks to the chief of the bodyguards: 'Great bodyguard ...' |
| 6 | nam-ma GAL ME-ŠE-DI pa-iz-zi EGIR-an-na-aš-ši 2 {LÚ.⸢MEŠ⸣}BE-L[U-TI pa-a-an-zi] | Then the chief of the bodyguards goes. Afterwards, two lords go. |
| 7 | ma-a-an GAL {LÚ.MEŠ}KUŠ₇ na-aš-ma UGULA 10 na-at A-NAGAL ME-ŠE-⸢DI⸣ [EGIR-an] | When the chief of the leatherworkers comes, and the overseer of the troops ten times to the Chief of the Bodyguards afterwards |
| 8 | a-ra-an-ta a-ra-aḫ-zé-ia-az 1-aš ḫar-zi ma-a-na-aš ⸢{LÚ}ME⸣-[ŠE-DI ma-a-na-aš] | ... he breaks once, and the bodyguards, and(lower confidence: line is broken) |
| 9 | BE-LU ku-iš-ki nu šar-kán-ti-i-uš ku-iš {LÚ}ME-ŠE-DI ú-⸢i-da-a⸣-ez-z[i] | The lord comes, and the šarkanti-official comes. |
| 10 | na-aš EGIR-pa-pát píd-da-a-i na-aš pa-iz-zi A-NALÚ˽ŠUKUR KÙ.SI₂₂ | He goes back and forth, and he goes to the spear-man of gold. |
| 11 | ti-i-e-ez-zi na-aš-ta nam-ma 1 DI-NAM pa-ra-a ⸢kar⸣-pa-an-zi | He goes, and they take one ...(lower confidence: line is broken) |
| 12 | IŠ-TUDUMU{MEŠ}.É.GAL-TIM-ma GAL DUMU{MEŠ}.É.GAL ar-ta EGIR-an-na-aš-ši | The chief of the palace servants goes back behind them. |
| 13 | 2 DUMU{MEŠ}.É.GAL a-ra-an-ta na-at 3-e-eš ma-a-aḫ-ḫa-an-ma šar-kán-ti-in | Two palace servants ... and three times ... |
| 14 | ar-ḫa tar-na-an-zi nu-za GAL ME-ŠE-DI pé-e-ta-an-pát ḫar-zi 2 BE-LU-TI-ma-aš-ši | They go back, and the chief of the bodyguards sits down. Two ... |
| 15 | ku-i-e-eš EGIR-an a-ra-an-ta ma-a-⸢na?-at?⸣ LÚ?˽ŠUKUR?⸣ ma-[a-na-at {LÚ}]ME-[ŠE]-DI na-at EGIR-pa pa-a-an-zi nu EGIR-pa | Afterwards, he takes it, and he gives it to the Šamaš-priest, and to the bodyguards, and they go back and forth. |
| 16 | {LÚ.MEŠ}ME-ŠE-DI ú-e-mi-an-zi a-ra-aḫ-zi-ia-az ku-iš {LÚ}ME-ŠE-DI ḫar-zi | The bodyguards come, and they stand, and the bodyguard comes. |
| 17 | ma-a-aḫ-ḫa-an-ma šar-kán-ti-in ta-ma-in ú-wa-te-ez-zi | Afterwards, he takes the šarkantin-vessel. |
| 18 | nu A-NAGAL ME-ŠE-DI ku-i-e-eš 2 BE-LU-TI EGIR-an a-ra-an-ta na-at šar-kán-ti | And the Great One of the Bodyguards, together with two servants, afterwards, he libates, and the šarkantu-offering |
| 19 | an-dur-za ta-pu-ša i-ia-an-ta a-ra-aḫ-za-ma-az ku-iš {LÚ}ME-ŠE-DI ḫar-zi | And he places it on the throne, and the bodyguards take it away. |
| 20 | na-aš-ta ma-a-aḫ-ḫa-an šar-kán-ti-in A-NA{LÚ.MEŠ}ME-ŠE-DU-TIM ḫa-an-da-a-an-zi | And they bring it to the bodyguards. |
| 21 | a-pa-ša-kán šar-kán-ti-in *〈〈EGIR-an ar-ḫa〉〉* EGIR-an ar-ḫa pa-iz-zi | And he goes behind, behind, |
| 22 | ⸢na⸣-aš šar-⸢kán⸣-ti-i a-ra-aḫ-za ZAG-az i-ia-an-na-i | And he places it on the right side.(lower confidence: line is broken) |
| 23 | ma-a-an DUMU.É.GAL-ma EGIR-an-da me-[mi]-an ú-da-i na-aš GÙB-la-az-pát | When the palace official comes back, he libates; he places it on the left. |
| 24 | IŠ-TUDUMU{MEŠ}.É.GAL EGIR-an-da ú-ez-zi EGIR-pa-ma-aš ku-wa-pí ú-ez-zi | The palace servants come back. Afterwards, the kupi-vessel comes back. |
| 25 | na-aš a-ap-pa-ia-pát a-pu-u-un KASKAL-an ú-ez-zi A-NA{LÚ.MEŠ}ME-ŠE-DU-TI-ma-aš-kán | And he goes up to the road, and to the bodyguards |
| 26 | pé-ra-⸢an⸣ ar-ḫa ú-ez-zi | He goes behind.(lower confidence: line is broken) |
| 27 | {LÚ}ME-⸢ŠE-DU⸣-ia ku-iš EGIR-an-da pa-iz-zi na-aš ZAG-az IŠ-⸢TU⸣{LÚ}ME-ŠE-DI | The bodyguard goes behind, and on the right of the bodyguard. |
| 28 | EGIR-an-⸢da⸣ pa-iz-zi EGIR-pa-ia-aš ZAG-az ⸢a⸣-pu-u-un-pát KASKAL-an pa-iz-zi | Afterwards, he goes; afterwards, on the right side he steps forward. He goes on the road. |
| 29 | {LÚ.MEŠ}ME-⸢ŠE⸣-DU-TI-ma-aš-kán pé-ra-an ar-ḫa Ú-⸢UL⸣ pa-iz-zi na-aš IŠ-TU | The bodyguards do not go outside, and he goes inside. |
| 30 | DUMU.É.[G]AL pa-iz-zi | The palace official goes.(lower confidence: line is broken) |
| 31 | ma-⸢a⸣-[a]n šar-kán-ti-iš-ma ar-ta A-NA{LÚ}ME-ŠE-DI-ma na-aš-ma A-NADUMU.É.GAL | And likewise to the bodyguards and to the palace servants. |
| 32 | [DI]-NU na-aš-kán ⸢šar⸣-kán-ti-in pé-ra-an ar-ḫa Ú-UL pa-iz-zi | ... he does not go before the šarkantin-official. |
| 33 | ⸢EGIR⸣-an ar-ḫa-aš-kán pa-iz-zi nu-za a-ra-aḫ-za ku-iš ḫar-zi | Afterwards, he goes to Arḫaška, and he takes the arrow. |
| 34 | na-aš pa-iz-zi a-pé-e-da-ni kat-ta-an ti-ia-az-zi | He goes, and he steps down. |
| 35 | ma-a-⸢an⸣ a-ra-aḫ-ze-na-an-ma ku-in-ki ÉRIN{MEŠ}-an na-aš-šu ÉRIN{MEŠ} {URU}ka₄-a-aš-ga ku-u-ru-ra-aš | And when he goes, the troops, and the troops of Kawašga, |
| 36 | na-aš-ma ÉRIN{MEŠ} {URU}kum-ma-ḫa ku-i-na-an im-ma ku-in ÉRIN{MEŠ} LUGAL-*uš* ḫal-za-a-*i* | And the troops of Kummaḫa are seated, and the king shouts. |
| 37 | nu {LÚ.MEŠ}ME-ŠE-DU-TIM EGIR-an-da ḫu-u-ma-an-te-eš pa-a-an-zi *ma*-a-[an-š]a-ma-aš | And the bodyguards go back and forth. |
| 38 | {GIŠ}ŠUKUR{ḪI.A}-ma te-pa-u-e-eš-zi na-aš-ta A-NALÚ{MEŠ}˽ŠUKUR{ḪI.A} {GIŠ}ŠU[KUR{ḪI.A}] | They libate with the spears, and to the spearmen, the spear[s] |
| 39 | ⸢ar⸣-ḫa ta-an-zi na-at EGIR-an-da pa-a-an-zi na-at-za ḫu-u-la-li-⸢ia-u⸣-wa-ar | ... they take, and afterwards they go, and they take the hulaliya-vessel ... |
| 40 | ḫal-⸢zi-iš⸣-ša-an-zi | they call out.(low confidence: few signs survive) |
| 41 | ⸢{GIŠ}⸣GIDRU{ḪI.A}-u-wa-an-te-eš-ma-at EGIR-an-da Ú-UL pa-a-an-zi Ú-UL-aš-ma-aš a-⸢a⸣-r[a] | They do not go, they do not ...(lower confidence: line is broken) |
| 42 | [{LÚ.M]EŠ}ME-ŠE-DU-TI-ma-kán ku-i-e-eš a-aš-ša-an-zi nu ma-a-an {GIŠ}ŠUKUR ku-iš | The bodyguards stand, and they say: “If the spear |
| 43 | ⸢Ú⸣-UL ḫar-⸢zi⸣ nu-za {GIŠ}GIDRU{ḪI.A} ku-⸢it⸣ ta-an-zi na-at-kán ŠA{GIŠ}kal-mu-ša-aš | They do not stand, and they place the scepter, and the kalmuša-vessel |
| 44 | D[UMU].⸢É⸣.[GAL] Ú-UL ḫa-an-da-⸢a⸣-[et]-t[a-r]i pa-ra-a da-ma-a-e-eš 2 DUMU.É.GAL | [The palace servant] does not ... and goes out. Two palace servants ... |
| 45 | ti-⸢en⸣-zi ⸢nu-uš⸣-ši-⸢kán⸣ a-pé-e ḫa-a[n-da-a-a]n-zi {LÚ.MEŠ}ME-ŠE-DI-ma ku-i-e-eš | They take it, and they bring it up. The bodyguards ... |
| 46 | {GIŠ}GIDRU{ḪI.A} ḫar-kán-zi na-at-ša-ma-aš [EGIR-an i-ia-a]n-ta | They take the scepter, and afterwards he ...(lower confidence: line is broken) |
| 47 | ⸢ma⸣-a-an {LÚ}ḪA-ZA-AN-NU-ma na-aš-ma UGULA NIMGIR.ÉRIN{ME[Š} ḫa-an-da-et-t]a-ri nu-uš-ma-aš-kán | When the cult actor comes, and the overseer of the troops ... |
| 48 | a-pé-e ḫa-an-da-a-an-zi a-pé-e-da-aš a-a-r[a ma-a-an-kán {GI]Š}ḫu-lu-⸢ga-an-ni-ma⸣ | They bring it, and they bring it. And when the hulugannu-vessel |
| 49 | EGIR-an-da pa-a-an-zi na-at {GIŠ}GIDRU-u-wa-an-⸢te-eš EGIR-an-da⸣ Ú-UL pa-⸢a⸣-[an-zi] | Afterwards, they go, and they do not go behind the throne. |
| 50 | {GIŠ}ŠUKUR{ḪI.A}-za ta-an-zi | They set the spears. |
| 51 | ma-a-an šar-kán-te-eš-ma zi-in-na-an-ta-ri nu ap-pé-ez-zi-an ku-⸢in⸣ | And he places it on the throne, and then he goes.(lower confidence: line is broken) |
| 52 | šar-kán-ti-in pé-ḫu-ta-an-zi na-aš ma-a-aḫ-ḫa-an pé-ra-an ar-ḫa pa-iz-zi | They take the šarkantin-vessel, and he goes behind. |
| 53 | nu {LÚ}ME-ŠE-DI ku-iš šar-kán-ti-uš ú-i-da-a-ez-zi nu A-NAGAL ME-ŠE-DI *na-aš-⸢ma*⸣ A-⸢NAGAL!? DUMU{MEŠ}.É⸣.[GAL(?)] ⸢na-aš-ma(?)⸣ [A-N]A(?)ku⸣-iš ⸢{LÚ⸣}ME-ŠE-D[I a]n-dur-za ḫar-zi nu a-pé-⸢e⸣-[d]a-ni te-ez-zi | And the bodyguard comes to the šarkantuš. And the Great Bodyguard comes, and the Great One, the palace servants, to me, the Bodyguard goes, and he comes. |
| 54 | ḫu-u-la-li-it-ta-at-wa GAL ME-ŠE-DI-ma na-aš-ma UGULA 10 ME-ŠE-DI na-aš-ma ⸢NIMGIR⸣.ÉRIN⸢{MEŠ}⸣ LUGAL-i te-ez-zi ta-ru-up-ta-at-wa | Ḫulalittatwa, the chief of the bodyguards, and the overseer of the 10 bodyguard(s) and the troops of the king come. Taruptatwas |
| 55 | nu LUGAL-uš ma-a-an {GIŠ}GIGIR ú-e-ek-zi {LÚ}ME-ŠE-DI-ma {GIŠ}GU.ZA pé-e-da-i | And the king, when the chariot comes, the bodyguard brings the throne. |
| 56 | na-at da-a-i nu-za LUGAL-uš {GIŠ}GIGIR e-ep-zi kar-šu-wa-ša ku-iš {LÚ}ME-ŠE-⸢DU⸣ | He places it, and the king takes the chariot; the karšuwaša-priest, together with the bodyguard, |
| 57 | nu {GIŠ}GIDRU ḫar-zi nu ZAG-an ANŠE.KUR.RA ZAG-az ki-iš-ša-ra-az {ZABAR}šu-u-ur-⸢zi⸣ | And he holds the scepter, and on the right of the horse, on the left of the bronze yoke. |
| 58 | e-⸢ep⸣-zi GÙB-la-az-ma {GIŠ}ka-a-pu-úr ḫar-zi {GIŠ}GIDRU-za-an an-da ḫar-zi | He takes it, and he places it on the throne. He places it upon the scepter. |
| 59 | nu {GIŠ}GIGIR me-na-aḫ-ḫa-an-da ta-me-eš-ša-an ḫar-zi na-⸢at⸣ Ú-UL ak-kur-ri-ia-i | And the chariot stands before him, and he does not bow down. |
| 60 | {LÚ.MEŠ}ME-ŠE-DI-ma ku-e {GIŠ}ŠUKUR{ḪI.A} ḫar-kán-zi na-at A-NA{LÚ}ša-la-aš-ḫa ⸢{GIŠ}ŠUKUR!?{ḪI}!?{⸣.[A}?] | The bodyguards take the spears, and to the šala-priest the spear |
| 61 | pí-an-zi ma-a-aḫ-ḫa-an {GIŠ}ḫu-lu-ga-an-ni-iš pár-na-aš-ša pa-iz-zi {LÚ}ša-la-aš-ḫa-aš-⸢ma⸣ | They take it, and he goes to the huluganni-vessel, and the šala-priests |
| 62 | {GIŠ}ŠUKUR{ḪI.A} A-NA{LÚ}Ì.DU₈ pa-a-i ⸢na⸣-at-kán {É}ḫi-lam-ni ša-ra-a pé-e-da-⸢i⸣ | He gives the spears to the doorman, and he goes to the house Ḫilamni. |
| 63 | ma-a-an {GIŠ}ḫu-lu-ga-a-an-na-za-ma ne-e-a-ri nu 1 {LÚ}ME-ŠE-DI IŠ-TU{GIŠ}⸢ŠUKUR⸣ | When the ḫulugayana-vessel is opened, and one bodyguard from the spear |
| 64 | A-NA{LÚ.MEŠ}ME-ŠE-DU-TIM A-NADUMU{MEŠ}.É.GAL-ia iš-ki-da-a-aḫ-ḫi nu {URU}né-ši-li ki-iš-ša-an t[e-e]z-[zi] | To the bodyguards, to the palace servants, he goes, and to Nešili likewise. |
| 65 | ta-pu-ú-ša | to eat, drink |
| 66 | nu {LÚ.MEŠ}ME-ŠE-DU-TI DUMU{MEŠ}.É.GAL-ia EGIR-an ar-ḫa pít-ti-ia-an-zi | And the bodyguards of the palace servants follow behind them. |
| 67 | {LÚ.MEŠ}ša-a-la-aš-ḫi-iš-ma-aš-ša-an GÙB-li A-NAANŠE.GÌR.NUN.NA še-er ar-ḫa x[ | The šala-priests stand on the throne, behind ... |
| 68 | na-aš-ta {GIŠ}ḫu-lu-ga-an-ni-in EGIR-pa ne-ia-an-zi {GIŠ}ŠUKUR{ḪI.A}-ma [ | Afterwards, they bring the spears ...(lower confidence: line is broken) |
| 69 | ŠALÚ{MEŠ}˽ŠUKUR *Ù ŠA*{LÚ.MEŠ}LI-IM˽ṢE-RI ú-e-eḫ-zi nu ḫa-a[n?-te-ez-zi] | The Šamaš-priests, together with the cupbearers, go out, and ... |
| 70 | ap-pé-ez-zi ki-ša-ri [ | ... he goes ...(low confidence: few signs survive) |
| 71 | nu {GIŠ}ḫu-lu-ka-a-an-na-az {É}ḫa-le-tu-u-wa-aš pa-iz-zi nu [ma-a-aḫ-ḫa-an] | And he goes to the hulukanna-vessel of the house Ḫaletuwa, and ... |
| 72 | KÁ.GAL-aš ma-an-ni-in-ku-wa-aḫ-ḫi nu {LÚ.MEŠ}ALAM.ZU₉-TIM {LÚ}[ki-i-ta-aš-ša] | And the cult actors, the kiitta-priests, |
| 73 | ŠALÚ{MEŠ}˽ŠUKUR A-NA{GIŠ}ŠUKUR{ḪI.A} *〈〈ḫa-an-te-ez-zi〉〉 EGIR!?-an x* [ḫu-ia-an-te-eš] | the spearmen into the spears, afterwards ... |
| 74 | na-aš-ta ma-a-aḫ-ḫa-an {LÚ.MEŠ}ALAM.ZU₉ KÁ.GAL-aš an-da [a-ra-an-zi] | And then the cult actors go to the gate. |
| 75 | nu a-ḫa-a ḫal-zi-ia-an-zi {LÚ}ki-i-ta-aš-ma Ú-UL [ḫal-za-a-i | And they sing, but the kiitta-official does not sing. |
| 76 | ma-a-aḫ-ḫa-an-ma-kán {GIŠ}ḫu-lu-ga-an-⸢ni-ia⸣(-)[ | And the huluganni-vessel ...(lower confidence: line is broken) |
| 77 | pa-ra-a ap-pa-an-zi nu {LÚ.MEŠ}⸢ALAM⸣.Z[U₉ {LÚ}ki-i-ta-aš-ša | They go out, and the cult actors, the kiitta-priests, |
| 78 | ḫal-zi-⸢an⸣-[zi | ... they take ...(low confidence: few signs survive) |
| Rs. IV | ||
| 1 | [LÚ{MEŠ} {UR]U}ḫa-aḫ-ḫa-ma ⸢EGIR⸣-an ḫu-ia-an-te-eš ŠA⸢LÚ{MEŠ}˽ŠUKUR⸣-ma-aš-〈ma-aš〉 {GIŠ}ŠUK[UR{ḪI.A}] | The men of Ḫaḫama, afterwards, the ḫuyantu-offerings of the spearmen, the spears |
| 2 | [LÚ{MEŠ}˽Š]UKUR KÙ.SI₂₂-ia pé-ra-an KI.MIN ḫu-ia-an-te-eš LÚ{MEŠ} {URU}ḫa-⸢aḫ⸣-ḫa-ma EGIR-an [ ] | The gold spearmen go forth; alternatively, the men of Ḫaḫa afterwards ... |
| 3 | [i-ia-a]n-ta nu SÌR-RU ma-a-aḫ-ḫa-an-ma-aš-ta {LÚ.MEŠ}ALAM.ZU₉ ⸢{É}⸣ḫi-lam-⸢na-aš⸣ | And he sings, and the cult actor(s) of the temple of Ḫilamna |
| 4 | [KÁ.GA]L-aš an-da a-ra-an-zi nu a-ḫa-a ḫal-zi-an-zi {LÚ}ki-i-ta-aš-ma | They go to the gate, and they turn back. The kiitta-official ... |
| 5 | [nam]-ma Ú-UL ḫal-za-a-i ma-a-aḫ-ḫa-an-ma ANŠE.GÌR.NUN.NA{ḪI.A} KÁ.GAL-aš pa-ra-a | And he does not sing, but he takes the horses from the gate. |
| 6 | [kar?]-pa-an-zi nu {LÚ.MEŠ}ALAM.ZU₉ {LÚ}ki-i-ta-aš-ša ḫal-za-a-i nam-ma-⸢at⸣-kán | They libate, and the cult actors, the kiitta-priest, sing, and then |
| 7 | [lu-u]š-ta-ni-ia-az kat-ta pa-a-an-zi | ... they go down below.(lower confidence: line is broken) |
| 8 | [nu?] LÚ{MEŠ}˽ŠUKUR ma-a-aḫ-ḫa-an {É}ḫi-lam-mar ar-ḫa ták-ša-an ša-a-⸢ar?-ri⸣ | And the Sun-gods, when they enter the house of Ḫilammar, ... |
| 9 | [nu?] *ku-wa-pí* LÚ{MEŠ}˽ŠUKUR *{GIŠ}ŠUKUR{ḪI.A} ti-ia-an-te-eš ku-wa-pí pa-a-an?-zi? a-pé*-⸢e?-ta?-az?-pát?⸣ pa-iz-zi GAL ŠU[KUR{ḪI.A}(?)] | And the spearmen take the spears, and they go to the spear, and he goes to the Great of the Horses. |
| 10 | [kat?-t]a?-an *ti?-ia?-zi* {LÚ}ME-ŠE-DI-ma {GIŠ}GU.⸢ZA⸣ da-a-i na-aš-kán A-N[ADUMU{ME]Š}.⸢É⸣.[GA]L-TIM | The bodyguard places it on the throne, and the palace servants |
| 11 | [GÙ]B-la-az a-wa-an ar-ḫa pa-iz-zi na-aš pa-iz-zi {GIŠ}UM[BI]N GÙB-la-az | He goes to the left, he goes behind, and he comes. The throne is on the left. |
| 12 | ⸢i⸣-ia-at-ta ma-a-aḫ-ḫa-an-ma {GIŠ}ḫu-lu-⸢ga-an-ni-in⸣ wa-aḫ-nu-⸢wa-an⸣-zi | And he places it on the huluganni-vessel.(lower confidence: line is broken) |
| 13 | nu {GIŠ}GU.ZA ti-it-ta-nu-zi | And they stand on the throne. |
| 14 | LÚ{MEŠ} {URU}ḫa-aḫ-ḫa-ma ka-ru-uš-⸢ši⸣-an-zi [ ] ⸢ŠA?⸣(-)[ ]x x-ma-kán É?.G]AL-LIM-*〈〈ma-at?-kán〉〉* [ŠA?KÁ.⸢GAL⸣ ... | The men of Ḫaḫama libate karušši ... ... the palace ... |
| 15 | ša-ra-a Ú-UL ú-wa-an-zi ma-a-an 2 {É}ḫi-l[am-mar] na-at-kán kat-te-ra | They do not go down, but when two ḫilammar-houses are below |
| 16 | KÁ.GAL-TIM ša-ra-a ú-wa-an-zi ša-ra-a-⸢az-zi-ma⸣-at-kán KÁ.GAL | They bring it to the gate of the city, and they bring it into the gate. |
| 17 | ša-ra-a Ú-UL ú-wa-an-zi | They do not libate. |
| 18 | ma-a-*aḫ-ḫa-an-ma-kán* LUGAL-uš {GIŠ}ḫu-lu-ga-na-az ⸢kat-ta⸣ ti-ie-ez-zi nu ma-a-an | And the king steps down from the throne, and when |
| 19 | GAL ME-ŠE-DI ar-ta nu GAL ME-ŠE-DI EGIR-a[n]-ta UŠ-KÉ-EN nu *LUGAL-un* EGIR-pa | The chief of the bodyguards stands behind, and the chief of [the bodyguard] stands behind. And the king steps back. |
| 20 | A-NAGAL DUMU{MEŠ}.É.GAL ḫi-ik-zi ma-a-an ta-⸢ma⸣-iš-*ma* ku-iš-ki BE-LU-〈〈LUM〉〉 | The chief of the palace servants goes, and he says: “Why does the king, my lord, ... |
| 21 | ḫa-an-da-a-et-ta ku-iš ḫa-an-te-ez-zi-[a]n-ni ar-ta nu a-pa-aš UŠ-KÉ-EN | And he places it on the chest, and he prostrates himself.(lower confidence: line is broken) |
| 22 | ma-a-an BE-LU GAL-ma Ú-UL ku-iš-ki ḫa-⸢an⸣-da-a-et-ta-ri nu ku-iš | “If the great lord is not present, he does not drink, and ... |
| 23 | {LÚ}ME-ŠE-DI-ma ar-ta nu a-pa-aš UŠ-⸢KÉ-EN⸣ ma-a-na-aš-ta {GIŠ}GIGIR-za-ma ku-wa-pí an-da pa-iz-zi | The bodyguard goes behind, and he stands before the lord. And he goes to the chariot. |
| 24 | na-aš-ta ma-a-aḫ-ḫa-an LUGAL-uš {GIŠ}GIGIR-za kat-ta ti-ia-[zi GAL ME-Š]E-DI LUGAL-⸢i EGIR⸣-an-da IT-TI{LÚ.MEŠ}ME-ŠE-DI UŠ-KÉ-EN-[NU ka]r-šu-wa-ša ku-⸢iš⸣ {LÚ}ME-ŠE-DI na-aš ŠA{GIŠ}GIGIR ZAG-aš {GIŠ}UMBIN me-na-aḫ-ḫa-an-da UŠ-KÉ-EN ⸢{LÚ}sicKAR⸣-TAP-PU-ma GÙB-la-aš {GIŠ}UMBIN me-na-a[ḫ-ḫa-an-da] UŠ-KÉ-EN | And the king steps down from the chariot. The chief of the bodyguards stands behind him. The king prostrates himself afterwards. The bodiesguards prostrate themselves. And the bodiesguard prostrate himself. The top of the horse, the spear, and the neck of the spear ... |
| 25 | LUGAL-uš-kán {É}ḫa-le-en-tu-u-wa-aš [an-da p]a-iz-zi ⸢na⸣-aš-ta {LÚ}ME-ŠE-DI | The king goes to the palace, and the bodyguards |
| 26 | LÚ˽ŠUKUR KÙ.SI₂₂ {LÚ}Ì.DU₈ an-da ⸢ú⸣-[wa-an-z]i ⸢nu⸣-uš-ša-an GAL-az | The gold spearman, the doorman, ... and he ...(lower confidence: line is broken) |
| 27 | {É}ka-a-aš-ka-aš-te-pa-az ša-ra-⸢a⸣ [ú-wa-a]n-⸢zi⸣ nu {URUDU}za-ak-ki-in pé-eš-ši-an-zi | They bring it into the kaška-tepa-house, and they take the zakkin-vessel. |
| 28 | LÚ˽ŠUKUR ⸢KÙ.SI₂₂⸣ {GIŠ}ŠUKUR GAR.RA ku-it ḫar-zi n[a-at {É}ḫ]i-i-⸢li kat-ta da⸣-a-⸢i⸣ | The spearman places the gold and the spear. He takes it, and he places it below the ḫili-house. |
| 29 | nu LÚ˽ŠUKUR KÙ.SI₂₂ {GIŠ}ŠUKUR GAR.RA k[u-it ḫa]r-zi na-at {É}ḫi-i-li kat-ta | And the vizier places the gold spear on the throne, and the ḫarzi-vessel below. |
| 30 | da-a-i {LÚ.MEŠ}ME-ŠE-DI ku-wa-pí *du*-u[n-na-ke-e]š-ni *ti*-iš-ša-kán-zi | The bodyguards take the kuwapi-vessels. |
| 31 | {LÚ.MEŠ}ME-ŠE-DI-ma ku-e {GIŠ}⸢ŠUKUR⸣[{ḪI.A} ḫar-kán]-zi na-at-kán pa-ra-a ŠA{LÚ}ME-ŠE-DI | The bodyguards take the spears, and they go to the bodyguard. |
| 32 | {É}ḫi-i-li pa-a-a[n-z]i nu-[za pé-e-ta-an] ap-pa-an-zi na-at a-ra-an-ta-ri | They go to the ḫili-house, and they stand before them. They take the arantaru-vessel. |
| 33 | {GIŠ}ŠUKUR{⸢ḪI⸣.A}-ia ḫa[r-kán-zi kat-ta-ma-at(?)] Ú-UL ti-an-zi | They take the spear, but they do not place it below. |
| 34 | ku-⸢in⸣-ma {LÚ}ME-ŠE-DI x[ ](-)*x-an?-zi? na-aš-kán pa-ra?-a? pa-iz-zi {GIŠ}ŠUKUR-ia ḫar-zi | And the bodyguards ... they go, and he goes; he holds the spear. |
| 35 | na-*aš?-⸢kán⸣ É.GAL-LIM(?)(-)x*[ ]x-ma-aš {É}lu-uš-*ta*-ni-ia a-ri! nu {GIŠ}ŠUKUR | And in the palace ... and in the house of Luštani, he takes the spear. |
| 36 | IT-TI{LÚ}Ì.DU₈ É(.)[ ]-ma? ⸢KI⸣.MIN | ... the doorkeeper of the house ...(lower confidence: line is broken) |
| 37 | nu ku-it-⸢ma-an⸣ x[ ] SIG₅-*at-ta* nu {LÚ}ḫa-ag-ga-zu-wa-aš-ši-eš | And ... good, and the ḫaggazuwa-priests ...(lower confidence: line is broken) |
| 38 | IŠ-TU ⸢É⸣(.)x[ ]x 1 {UZU}ÚR za-nu-wa-an IŠ-TUÉ GA-ia | ... inside the house ... one cut of meat, he places it on the breast. |
| 39 | 1 NA-MA-AN-⸢DU⸣ [GA KU₇ ] {⸢LÚ⸣.MEŠ}ME-ŠE-DI-TIM pa-a-i na-at-za a-ta-an-zi | If a man eats ... The bodyguards go, and they take it. |
| 40 | A-NADUMU{MEŠ}.É.GAL-⸢ia⸣[ 1 {UZU}Ú]R ⸢za-nu-wa-an⸣ 1 ⸢NA-MA⸣-AN-DU GA *KU₇* | For the palace servants, one cut of meat, one piece of sweet milk. |
| 41 | pí-an-zi na-at-za [a-ta-an-zi | They give (it) and they take (it).(lower confidence: line is broken) |
| 42 | ma-a-aḫ-ḫa-an-ma du-x[ ]x[ ]*x* | And he ...(very low confidence: a guess) |
| 43 | ú-ez-zi nu A-⸢NA⸣ {L[Ú} ]x x[ ]x-an(-)[ | comes, and to the man ...(lower confidence: line is broken) |
| 44 | ḫal-za-a-i ú-da-an-[du-wa(-) ] [ ] [ | he libates ...(low confidence: few signs survive) |
| 45 | LÚ˽ŠUKUR KÙ.SI₂₂-m[a ]x ⸢A-NA⸣LÚ{MEŠ}˽⸢ŠUKUR lu⸣-ú-i-li [ | The spearman ... gold ... to the spearmen ...(lower confidence: line is broken) |
| 46 | ki-iš-ša-an ḫal-za-⸢a⸣-[i ]x [ | likewise he sings ...(lower confidence: line is broken) |
| 47 | LÚ˽ŠUKUR-ma-za {GIŠ}ŠUK[UR ŠUK]UR-ma ⸢ZABAR⸣ kat-ta ne-[ | The šukur-priest ... the spear, the spear and the bronze below ... |
| 48 | na-aš É {LÚ}MUḪALDIM pa-iz-[zi ] ki-iš-ša-⸢an te⸣-ez-z[i | And he goes to the house of the cook. He goes as follows. |
| 49 | du-un-na-ki-⸢iš⸣-n[a ] [ | of Dunnaki ...(lower confidence: line is broken) |
| 50 | nam-ma LÚ˽ŠUKU[R ]x ŠA{GIŠ}ŠUKUR-ma [ | And the vizier ... the spear ...(lower confidence: line is broken) |
| 51 | [ZA]BAR ša-x[ ] LÚ{M[EŠ}? | ... of iron ... the men ...(low confidence: few signs survive) |
| 52 | [ ] É.GAL-LIM [ | the palace(low confidence: few signs survive) |
| Rs. IV | ... | |
| 53 | DUB 1{KAM} ŠA{LÚ}ME-ŠE-DI iš-ḫi-ú-l[a-a]š Ú-UL ⸢QA⸣-TI | Tablet 1 of the bodyguards; it is not finished.(lower confidence: line is broken) |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.