Unread Atlas
HKM 47 (tlh:HKM 47)
CTH 581
Open in the reader & map →See it among all tablets
| Designation | HKM 47 |
|---|---|
| ID | tlh:HKM 47 |
| Language | Hittite |
| Genre | CTH 581 |
Transliteration (ATF)
From Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-H, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| u. e. | ||
| 1 | A-NA{D}UTU-ŠI BE-LÍ-IA QÍ-B[Í-MA] | To Šamaš, my lord, he speaks. |
| obv. | ||
| 2 | UM-MA {m}šar-la-{D}KAL ARAD-KA-M[A] | Thus Šarla-Šamaš, the servant |
| 3 | {URU}ši-pí-ša-ši-in {URU}pí-ša-te-ni-ti-⸢iš⸣-š[a?-an?] | Šipiša, Pišatti(lower confidence: line is broken) |
| 4 | KUR {URU}ma-la-az-zi-ia ku-it uš-ga-u-en nu-[un-na-aš(?)] | The land of Malazzi ...(lower confidence: line is broken) |
| 5 | ⸢MUŠEN?⸣ ar-ḫa Ú-UL ku-iš-ki ḫu-u-ul-la-i | The bird does not lie down, he does not sleep. |
| 6 | MUŠEN{ḪI.A}-ma-an-na-aš EGIR-pa ti-it-ta-nu-uš-kán-zi | The birds, afterwards, stand. |
| 7 | nu-[z]a {D}UTU-ŠI ku-it BE-LÍ-IA {URU}ka-a-ša-〈ša〉 e-eš-ta | And the Sun-deity, in place of my lord, in Kašaša ... |
| 8 | ú-e-eš-na-aš {URU}pa-na-da e-šu-ú-en ma-aḫ-ḫa-an-ma {D}UTU-ŠI | And he goes to Panada, and the Sun-deity |
| 9 | BE-LÍ-IA ḫu-i-it-ti-ia-at nu-un-na-aš MUŠEN ku-it EGIR-pa ti-it-ta-nu-ut | “My lord is a bird, and he is the bird. Afterwards, he makes a nest. |
| 10 | nu ⸢EGIR⸣-pa {URU}ka-a-ša-ša u-un-nu-me-en nu-un-na-aš {URU}ka-a-ša-ša-ia | Afterwards, he goes to Kašaša, and he ... Kaşšvaya ... |
| 11 | ⸢MUŠEN⸣{ḪI.A} EGIR-pa ti-it-nu-uš-ke-wa-an da-e-er | The birds, afterwards, take the titnuškewa-vessel. |
| 12 | [n]u EGIR-pa {URU}ta-pí-ig-ga u-un-nu-me-en na-aš-ta ka-a-ša | Afterwards, in Tapig, he ...(lower confidence: line is broken) |
| 13 | [{U]RU}ta-pí-ig-ga-az ar-ḫa uš-ke-nu-mé-〈en〉 nu {D}UTU-ŠI BE-LÍ-IA | ...the city Tapig-az ... he prostrates himself, and the Sun-deity, my lord |
| 14 | QA-TAM-MA ša-a-ak | likewise he drinks. |
| 15 | [nu]-un-na-aš ⸢ŠA{URU}tág-ga⸣-aš-⸢ta⸣ im-ma ut-tar a-wa!-an kat-⸢ta⸣ | ... in TAGGA-ašta, he speaks thus: |
| 16 | [a-ú(?)]-⸢me-en nu?⸣-un-na-⸢ša-at ḫa-an-da(?)⸣-i-it-ta-at | ... I am, and he takes it away.(lower confidence: line is broken) |
| 17 | x[ ]-x-ma-kán an-da ki-iš-ša-an me-mi-ia-u-en | ... he speaks thus:(lower confidence: line is broken) |
| 18 | [ ]-zi {D}UTU-ŠI {URU}tág-ga-aš-ta-an wa-al-aḫ-zi ḫal-ki-u[š]-ša-kán | ... the Sun-deity of Tabašta, he calls out, and he ... |
| 19 | [ar-ḫ]a(?) wa-ar-aš-zi | ... he takes.(low confidence: few signs survive) |
| 20 | [nu-z]a? ⸢ki⸣-i MUŠEN{ḪI.A} ḫu-u-ra-an-ni-iš tar-u ta-pa-aš-ši-iš G[UN?] | ... when the birds, the ḫurāniš-vessel, ... ... |
| 21 | [z]i-la-wa-an ⸢SIG₅⸣-in na-aš-ta TI₈{MUŠEN} ta-pa-aš-ši-i[š] | ... and he is good, and the bird ...(lower confidence: line is broken) |
| 22 | [za?]-am-ma-⸢na⸣-aš-ši-⸢iš⸣ 3 pé-ra-an SIG₅-in zi-la-wa-an ⸢SIG₅-az⸣ | ... three times, it is good, and he is good. |
| 23 | šu-u-ra-aš-šu-u-ra-aš tar-u ḫa-lu-ga-az ḫal-za-i-iš | ... the šura-dish, the tar-u-vessel, the salug, and the ḫalza-beer |
| 24 | ⸢EGIR KASKAL-NI⸣ ú-eš-ši-iš tar-u pa-ri-ia-wa-an ú-et | Afterwards, on the road, he places the taru-vessel, and he ... |
| 25 | ⸢2 TI₈⸣{MUŠEN} tar-u-e-eš zi-la-wa-an ku-uš pa-⸢e⸣-e-er | He breaks the bird, the tarû-offering, and the zilawan-vessel. |
| 26 | [na]m?-ma-at! pa-ri-ia-wa-an tar-u-an ú-e-er | ... he turns the ... into a tarû-vessel |
| 27 | I-NAUD 2{KAM}-ma šu-u-ra-aš-šu-u-ra-aš ⸢tar⸣-u a-ša-an-za ḫa-lu-ki-it | On the second day, the šūru-offering, and the ḫalukīt-vessel, |
| 28 | ḫal-zi-ia-an-za nu ⸢ḫu⸣-u-ra-an-ni-iš tar-u ta-pa-aš-ši-iš GUN | he libates, and ḫūrūranni, the taru-offering, tapašši, the talent |
| 29 | [z]i-la-wa-an SIG₅-⸢az⸣ na-aš-ta 2 TI₈{MUŠEN} pé-ra-an SIG₅-az | ... and he places two birds before him. |
| 30 | [z]i-⸢la⸣-wa-an SIG₅-⸢az⸣ TI₈{MUŠEN} tar-u pa-ri-ia-wa-an pa-it | ... he places it, and the Eagle, the feeder, takes it away. |
| 31 | [EG]IR KASKAL TI₈{MUŠEN} ⸢tar⸣-u pa-ri-ia-wa-an ú-et | Afterwards, on the road, the falcon goes to the rear. |
| 32 | [na]m?-ma ḫu-u-ra-⸢an⸣-ni-iš tar-u ta-pa-aš-ši-iš! GUN | Then, on the ḫurāniš-vessel, the tappaši-votary, the talent |
| 33 | [zi-l]a-wa-an ⸢SIG₅⸣-az nu a-ar-ši-in-ta-ra-aš | ... is good, and Arši-intara(lower confidence: line is broken) |
| 34 | [z]i-la-wa-an ku-⸢uš⸣ ú-et ku-it-ma-an-ma-an uš-ga-u-en | ... he libates, and he places it on the table.(lower confidence: line is broken) |
| 35 | [ḫ]u?-⸢ša⸣-a-an-ma ⸢tar⸣-u-an a-ú-me-en | And he says: “I am(lower confidence: line is broken) |
| lo. e. | ||
| 36 | ⸢na⸣-aš pa-ri-ia-wa-an pa-it nam-ma-aš zi-la-wa-an | And he places it on the ground, and then he takes it away. |
| 37 | [k]u-uš ú-et nam-ma-aš pa-⸢ri⸣-ia-wa-an tar-u-an pa-it | ... and he places it on the ground.(lower confidence: line is broken) |
| 38 | a?-ar-ši-in-ta-ra-an-ma ku-in uš-ga-u-en | ... he pours a libation, and he prostrates himself |
| rev. | ||
| 39 | [n]a-aš pa-ri-ia-wa-an tar-u-an pa-it | ... he goes down, he steps forward. |
| 40 | na-aš-ta [ḫ]u?-ša-⸢a⸣-aš a-ar-ši-in-ta-ra-aš-ša | And he libates to Aršintara.(lower confidence: line is broken) |
| 41 | ⸢pé⸣-ra-⸢an⸣ SIG₅-az zi-la-wa-an SIG₅-az | In front of it, it is good, in front of (it) is good |
| 42 | nu šal-u-i-ni-in TI₈{MUŠEN}-ia tar-u-an a-ú-me-en | And he takes the bird, and he says: "I am." |
| 43 | ⸢nu šal-u-〈i〉-ni⸣-iš pa-ri-ia-wa-an pa-it TI₈{MUŠEN}!-ma ku-*in* | And he takes the šaluni-vessel, and he places it before the bird. |
| rev. 43a! | xx x[ ]-en ... *〈〈it〉〉* | ... lord ...(low confidence: few signs survive) |
| 44 | [nu-za kat]-ta-an wa-ra-⸢e⸣-eš tar-u-an ú-e-mi-ia-at | And he places it on the ground, and he takes it away. |
| 45 | [ ]-⸢ta?⸣ 3 TI₈{MUŠEN} pé-ra-an SIG₅-az nu 1-iš ⸢GUN⸣ | ... three good birds before him, and one talent |
| 46 | [mu-un]-⸢na-a-i⸣(?)-[i]t-[t]a-⸢at⸣ wa-ra-e-eš-ma-za da-a-e-er | ... he places it on the hearth.(lower confidence: line is broken) |
| 47 | [ -t]a-⸢a⸣-ra(?) nu-z[a?] e-e[p?-per] na-at-kán pé-⸢ra⸣-an | ... he does, and then he goes out.(lower confidence: line is broken) |
| 48 | [ku]-⸢uš-ti⸣ ú-e-er [n]u-⸢za⸣ 1-iš ⸢EGIR⸣-pa da-a-aš ⸢na⸣-aš-kán pé-ra-〈an〉 | ... he brings ... once again, he places it before ... |
| 49 | [SI]G₅-[a]z zi-la-⸢wa⸣-an SIG₅-az ⸢ku?⸣-it-ma-an-⸢ma⸣ 1-in | It is good, and it is good. It is one.(lower confidence: line is broken) |
| 50 | [uš-g]a-u-en na-aš-ta ḫu-u-ša-a-aš-ma-kán pé-⸢ra⸣-[a]n [SI]G₅-az zi-la-wa-an SIG₅-az | And he places it on the hearth, and he is good. He is also good. |
| 51 | ⸢ma-a-an⸣-ma a-ar-ši-in-ta-ra-an-ká[n] tar-u-an a-ú-me-en | When he pours it out, he says: "I am." |
| 52 | [ku-i]t?-⸢ma⸣-an-ma-aš uš-ga-u-en TI₈{MUŠEN}-ma? ⸢ku-in⸣ uš-ga-u-⸢en⸣ | And he places it, and the bird ... He places it.(lower confidence: line is broken) |
| 53 | [na-a]š tar-u-an ⸢mu-un-na-a⸣-i-it-t[a-a]t nam-ma ⸢a⸣-pé-da-ni pé-⸢di⸣ | And he places it on the table, and then he takes it out. |
| 54 | [š]a-ra-a-pát ⸢e-ep-ta⸣ nu-mu! ⸢ma⸣-a-an a-〈ar〉-ši-in-⸢ta⸣-ra-an | ... he breaks, and then he ...(lower confidence: line is broken) |
| 55 | [ ]x uš-ga-u-⸢en⸣ na-at 3 ⸢TI₈⸣{MUŠEN}-ia an-da e-re-er | ... he places, and three birds, he enters. |
| 56 | [n]a-⸢at-kán⸣ pé-ra-an SIG₅-az zi-la-wa-an SIG₅-az nu ⸢ta⸣-p[a?-aš-ši]-iš [ ] | And before the good one, the good libation, and he libates ... |
| 57 | [ ] pa-ri-a-wa-an pa-⸢it⸣ | ... he breaks ...(low confidence: few signs survive) |
| 58 | [EG]IR ⸢KASKAL ta?-pa?⸣-[aš-ši]-⸢iš⸣ [t]ar-u pa-ri-ia-wa-an ú-et | Afterwards, on the road, he pours a libation ... |
| rev. | ... | |
Sources & licences
- Thesaurus Linguarum Hethaeorum digitalis (TLHdig) Beta 0.3 · CC BY 4.0 · Müller, G., Prechel, D., Rieken, E., Schwemer, D. (2026). TLHdig Beta Version 0.3. Zenodo. doi:10.5281/zenodo.20328284
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.