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FB 20/21, 262f. + (P381865)
Lexical, Neo-Assyrian, Assur · c. 911 BCE–612 BCE
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| Designation | FB 20/21, 262f. + |
|---|---|
| ID | P381865 |
| Museum no. | VAT 10244 + VAT 11514 + VAT 12907 |
| Collection | Vorderasiatisches Museum, Berlin, Germany |
| Language | Akkadian |
| Period | Neo-Assyrian · c. 911 BCE–612 BCE |
| Genre | Lexical |
| Find spot | Assur (mod. Qalat Sherqat) |
| Coordinates | 35.4557, 43.2611 |
Transliteration (ATF)
From Open Richly Annotated Cuneiform Corpus (ORACC) · CC BY-SA 3.0 (ORACC default); per-file JSON license fields say: This data is released under the CC0 license (133618)
Machine draft. The right-hand column is machine English from ixmon/atf-to-english (atf-en-t5base-F, 2026-10-17), generated line by line from the transliteration. It is unreviewed and is not a scholarly translation.
| Line | ATF | Machine English (draft) |
|---|---|---|
| o i | ||
| 1 | [...] ⸢x⸣-[...] | |
| 2 | [...]-⸢x⸣ ⸢qa⸣-[ab ...] | ..., ... , |
| 3 | [...]-⸢x⸣ ⸢ṣu-uh⸣-[hu] | ..., šuḫu-disease |
| 4 | [...] [...] | |
| 5 | ⸢x⸣ [...] ⸢dugud⸣ ⸢ku-ub⸣-[bu-du] | “E..., edugud, kubudu, |
| 6 | ⸢ŠU-{x-x-al}x⸣ ⸢ak⸣-[ṣu] | ešu-x-al, ak-e-sbu |
| 7 | ⸢igi {ka-al}x⸣ ⸢šak⸣-[ṣu] | before Kal, šak-ṣbu-priest |
| 8 | [niŋ₂]-al-di-⸢di⸣ ⸢er-re-šu⸣-[u] | “Let us go out, let us go forth! |
| 9 | {ku-uš}kuš₁₀(PEŠ₂) ša₂-[a-qu] | a leather bag |
| 10 | kuš₁₀ tag la-[a]-⸢pu⸣ | leather bag not to be removed |
| 11 | kuš₁₀ tag-tag na-⸢a-qu⸣ | a leather bag that should not be taken out |
| 12 | |SIG₇.ALAN|{sa-lam} zi-⸢i-mu⸣ | a statue of zi-eīmû |
| 13 | uktin{uk-tin} bu-⸢un-na-nu-u⸣ | “You are the one who makes wine grow for him, |
| 14 | niŋ₂-alan{a-lam} zil₂-zil₂-le{zi-iz-zi-il} li-⸢ʾ-bu⸣ | May a statue of myself rise up high! |
| 15 | me du-⸢u₂-tu⸣ | the divine powers of Utu |
| 16 | teš₂ ba-aš₂-⸢tu₂⸣ | The one who is enraged |
| 17 | {d}alad še-e-⸢x⸣ | Alad, the še’e priest |
| 18 | {d}lama la-⸢mas-su⸣ | May Lamassu not be forgotten! |
| 19 | ⸢sa₂⸣{sa} {⸢sa⸣}sa₂ ša₂-⸢na-nu⸣ | esa-es-sa, ša-e-nanu-e |
| 20 | sa₂{sa} {du}di ka-⸢ša-du⸣ | to make the “finger-nail(s) come out, |
| 21 | ⸢silim⸣{si-lim} {di}di šit-⸢ru-hu⸣ | “Esilim-esilim, along with the šit-ruḫû-plant, |
| 22 | ⸢sa₂⸣{sa} {la-ah}lah ha-⸢x-x-x⸣ | I want to ... the esa’e3 plant |
| 23 | sa₂ lah-lah ha-⸢ṣa-ar-tu⸣ | (a kind of reed) that is torn out(?) |
| 24 | su UD hi-⸢hi-nu⸣ | |
| 25 | su UD-UD ⸢ga-ab-bu⸣ | “I want to go out to the street,’ |
| 26 | me-da-[a] ⸢x⸣-[...] | “How long will you be ...? |
| 27 | ⸢me⸣-{še}[še₃] ⸢x⸣-[...] | “If he slips through the door pivots, |
| 29 | ⸢me⸣-še₃-⸢ta{me⸣-še-ta} [...] | After you have poured out the rites |
| o ii | ||
| 1 | SUG hi-⸢li⸣ kalam-⸢ma⸣ [...] | SUG (means) hi-eli-e, the land of ema-e |
| 2 | SUG giri₁₇-zal kalam-ma ⸢il⸣-[ta-nu] | The one who is the joy of the land, the Eiltanu temple |
| 3 | SUG dur₂ ŋar kalam-ma ša₂-[du-u] | “Head of the throne of the land, the lord’s |
| 4 | SUG dim gal kalam-ma a-⸢mur⸣-[ru] | ... of the great gods of the land, the flood |
| 5 | ⸢piriŋ ban₃⸣-da {<MIN(šūtu)>} | “Piri’eda-plant |
| 6 | ⸢piriŋ⸣ nu-⸢ban₃-da⸣ {<MIN(iltānu)>} | The piri plant is not the ebanda plant, ditto |
| 7 | ⸢piriŋ⸣ si-⸢sa₂⸣ {<MIN(šadû)>} | “Pirî-plant, si-esa-e3-plant |
| 8 | ⸢piriŋ⸣ nu-⸢si-sa₂⸣ {<⸢MIN⸣(amurru)>} | The pirî-priest does not make the esisāšu-priestess enter, |
| 9 | {⸢tum₉}u₁₈-lu⸣ {<⸢MIN⸣(šūtu)>} | ešum-lû-plant |
| 10 | {⸢tum₉}si-sa₂⸣ {<⸢MIN⸣(iltānu)>} | etum-sisa-e23 |
| 11 | {⸢tum₉}kur-ra⸣ {<⸢MIN⸣(šadû)>} | ešadû-plant |
| 12 | {⸢tum₉}mar-tu⸣ {<⸢MIN⸣(amurru)>} | Amurru |
| 13 | [saŋ] ⸢ŋa₂-ŋa₂⸣ ⸢a⸣-[ru] | “Seal of a house-born slave, houseborn slave |
| 14 | [saŋ] ⸢šum₂-mu⸣ ⸢ha⸣-[a-šu₂] | sa-ešummu-plant, ḫa’ea-plant |
| 15 | [x] ⸢x-i⸣ ⸢x-x⸣-[x] | ... e’i, ... |
| 16 | [x x]-⸢x⸣-i ⸢šit-ru⸣-[ru] | ... svitru-vessel |
| r i | ||
| 1' | ⸢šu⸣ [...] [...] | |
| 2' | ⸢šu⸣ [...] [...] | |
| 3' | U-[na] [...] | and ... |
| 4' | ⸢za₃⸣ [ŋiri₃] [...] | “House-of-the-River-Sea, ... canal |
| 5' | ⸢dal⸣ [ŋiri₃] [...] | “Dalû-tree, ... canal |
| 6' | ⸢ellaŋ₂⸣ [gun₃] [...] | a speckled elalu-bird |
| 7' | ⸢ellaŋ₂ gun₃⸣-[gun₃] [...] | a speckled elû-plant |
| 8' | ⸢dim₃ šu⸣-[dub₂-ur₂] [...] | The šu’edubur priestess |
| 9' | šu [...] [...] | Hand of |
| 10' | ⸢šu⸣ [...] [...] | |
| 11' | ⸢u₂⸣-[gug] [...] | The egug plant |
| 12' | ⸢u₂⸣-[gug] [...] | The egug plant |
| 13' | ⸢u₂⸣-[x] [...] | The ešû-priest |
| 14' | ⸢u₂⸣-[...] [...] | “[... ...] ..., |
| 15' | me-⸢IM⸣-du₁₁{du} ⸢ṣer⸣-[re-tu₂] | Me-ēšum-edudu (means) “the scepter of the eagle.’ |
| 16' | ⸢me-am₃⸣-ri ⸢e-mi-tu₂⸣ | “It is me, it is me’s me! |
| 17' | ⸢a⸣-{ri-ib}rib [mar]-ti e-⸢me⸣ | “Ea-ebrib, the Amorite temple, |
| 18' | ⸢šu⸣ dag [ru]-pu-⸢du⸣ | “It is dark, it is dark |
| 19' | šu dag-dag ⸢ra⸣-pa-du | Hand of Dagdag, Erapadu |
| 20' | bar dag ⸢tu⸣-pu | (a kind of sulphur) |
| 21' | bar dag-dag ⸢ta⸣-pa | a darkened outer garment |
| 22' | di-di ⸢du⸣-ub-bu-⸢bu⸣ | “Let me go, let me go! |
| 23' | di-di-ba ⸢da⸣-ba-[bu] | “The one who goes along, the one who passes by, |
| 24' | ŋeš-zi-da mi-⸢hir na⸣-[ri] | “It is enough, I want to go up to the mountain!’ |
| 25' | ŋeš{ge-eš}{gal}ŋal₂ {<MIN(mihir)>} ⸢za⸣-[ma-ri] | “The great ones, ditto, the eša-emārī plant |
| 26' | gaba-ri {<MIN(mihir)>} ⸢a⸣-[me-li] | copy of Ea-emeli. |
| 27' | ti-{sa-ah}sah₄ a-⸢na⸣-[an-tu₂] | ti-saḫ, a-e-an-tu |
| 28' | ti-sah₄ tu-⸢qu⸣-[un-tu₂] | ti-saḫ, tu-eqū-e-untu |
| 29' | ti-sah₄-sah₄ ⸢aš₂⸣-[ga-gu] | tisahsaḫ, ašagagu-plant |
| r ii | ||
| 1' | ⸢kaš-a-su₃⸣-[da] [...] | The eškasû-vessel |
| 2' | {ku-uš}⸢U₂⸣ ⸢nap-ta⸣-[nu] | The kušu-priests, the naptānu-officials |
| 3' | U₂ su₃-su₃ pa-ta-⸢nu⸣ | Susa-plant, pattânu-plant |
| 4' | U₂{ku-uš} kiŋ₂-nim nap-tan ka-ṣa-a-ti | kūšu-plant, the meal of the kasbatu-festival, |
| 5' | unu₂ kiŋ₂-⸢sig⸣ {<MIN(nap-tan)>} li-la-a-ti | The dining hall Ki’esig, the lilāti |
| 6' | mud up-pu | (a kind of mud) |
| 7' | |KA×BAD| sur-ru-ug zi-nu-u | “Surrug, rising, |
| 8' | suhušₓ(|TUR.UŠ|) ki-in-dar gi-šim-ma-ru | the foundations of the reed screen |
| 9' | um-me ni-ʾ-um | “The mother of the nīlum priestess, |
| 10' | am₃-me na-ʾ-um | She cries out, “It is enough! |
| 11' | im-me-a tu-tu-um-šu₂; ni-ʾ-i-tu₂ | He spoke to Tutum: “I want to go to the niʾātu-priestess |
| 12' | hu-ur lil-lum | |
| 13' | hu-ba ma-ak-kan-nu-u | ḫuba makkannû-vessel |
| 14' | hu-ur a-ku-u | |
| 15' | hu-ru a-hu-ru-u | Ḫūru means “aḫurû. |
| 16' | igi-⸢su₄⸣-su₄ za-ar-ri-⸢qu⸣ | Igi-esûsu, Zaarriqu |
| 17' | igi-su₄-su₄ za-ar-ri-iq-⸢tu₂⸣ | his eyes, Zarriq-etu |
| 18' | su₄ pe-lu-⸢u⸣ | |
| 19' | su₄-su₄-a pe-li-⸢tu⸣ | (Sum) The one who is enraged, the one who trembles (Akk) In the midst of a storm, a raging storm |
| 20' | igi su₄ ki-⸢la⸣ | eye of Ki-ela-e |
| 21' | igi su₄-su₄ pa-an {<⸢MIN⸣(kīlu)>} | before Susa in front of the E-min temple |
| 22' | su₄ ki-⸢la⸣ | a roofed terrace |
| 23' | su₄-su₄-a la ta-kal-⸢la⸣ | Do not be negligent, |
| 24' | ⸢igi⸣ su₄ {d}iš-⸢tar⸣ | before Ištar |
| 25' | igi su₄-su₄ {d}|MUŠ₃.EREN| | before Susa, |
| 26' | su₄ {d}⸢MUŠ₂⸣ | the lap of E-MUŠ-e-23 |
| 27' | su₄-su₄-a {d}la-ta-⸢rak⸣ | Susa, Lata-erak, |
| 28' | dag šub-⸢tu⸣ | |
Sources & licences
- Cuneiform Digital Library Initiative · CDLI: reuse of catalogue/transliteration data with citation of CDLI; images restricted (not fetched) · Cuneiform Digital Library Initiative (CDLI), https://cdli.earth/ ; cite CDLI and the P-number
- Open Richly Annotated Cuneiform Corpus (ORACC) · CC BY-SA 3.0 (ORACC default); per-file JSON license fields say: This data is released under the CC0 license (133618) · ORACC project editions, https://oracc.museum.upenn.edu/ ; cite the individual project (see texts.extra_json.project)
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-18.