KAR 132 (P369109)
Literary, Neo-Assyrian, Assur · c. 911 BCE–612 BCE
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| Designation | KAR 132 |
|---|---|
| ID | P369109 |
| Museum no. | VAT 07849 |
| Collection | Vorderasiatisches Museum, Berlin, Germany |
| Language | Akkadian |
| Period | Neo-Assyrian · c. 911 BCE–612 BCE |
| Genre | Literary |
| Find spot | Assur (mod. Qalat Sherqat) |
| Coordinates | 35.4557, 43.2611 |
English translation
By ORACC project cams/gkab · Via Open Richly Annotated Cuneiform Corpus (ORACC) · CC BY-SA 3.0 (ORACC)
| Line | English |
|---|---|
| Obverse Column i [0:1] o i 1'o 1'–o i 1'o 1' | [...] ... in a gold našappu-bowl [...] |
| Obverse Column i [1:2] o i 2'2'–o i 2'2' | [...] he passes [...] to Ellil and as many gods as are in the main courtyard. |
| Obverse Column i [2:3] o i 3'3'–o i 3'3' | He passes a gold [...] from Antu to in front of the goddesses that are in the courtyard. |
| Obverse Column i [3:4] o i 4'4'–o i 4'4' | He passes a gold [...] from Ištar to in front of as many gods as are in the Ubšukkinakku. |
| Obverse Column i [4:6] o i 5'5'–o i 6'6' | [...], Ea, Adad, Sin, Šamaš, all of the gods, the divine emblems, the sun-disks, and the chariots rise from their seats in the processional boat, which was a gift from the king, and descend to the main courtyard and take up positions towards Anu. |
| Obverse Column i [6:8] o i 7'7'–o i 8'8' | Ellil enters and sits on the Kiagazida-dais to the right of Anu. Ea enters and sits on the Kiagakuga-dais to the left of Anu. |
| Obverse Column i [8:10] o i 9'9'–o i 10'10' | Sin, Šulpae, Ninurta, Justice, Nusku, Inanalal and Ningublaga stand on the right of the cella gate, at Adad's side. |
| Obverse Column i [10:12] o i 11'11'–o i 12'12' | Šamaš, Bunene, Giru, Zababa, Nergal, Lugalira, Il-Amurru, Kusu and Usmu stand on the left of the cella gate, at Adad's side. |
| Obverse Column i [12:13] o i 13'13'–o i 13'13' | The king goes to Antu's cella and prostrates himself. |
| Obverse Column i [13:16] o i 14'14'–o i 16'16' | Belet-ili, Šala, Marat-Anu, Aya, Gula, Ninešgal, Amasagnudu, Sadarnuna, Ašrat and Šarrat-šame rise from their seats in the processional boat, which was a gift from the king, and take up positions towards Antu. |
| Obverse Column i [16:19] o i 17'17'–o i 19'19' | The king pours a libation from a gold maqqû-vessel and takes Antu's hand, together with the incantation priests, the lamentation priests, the musicians, the linen curtain, and the gold maqqû-vessel, and |
| Obverse Column i [19:20] o i 20'20'–o i 20'20' | Antu goes and sits on a gold seat on her (lit. 'his') socle in the main courtyard, facing east. |
| Obverse Column i [20:21] o i 21'21'–o i 21'21' | All of the goddesses stand opposite Antu. |
| Obverse Column i [21:22] o i 22'22'–o i 22'22' | The incantation priests, lamentation priests and musicians stop in front of her (lit. 'him'). |
| Obverse Column i [22:24] o i 23'23'–o i 24'24' | The king and the temple-enterers go to Irigal (gloss: Irigal) and a temple-enterer lifts hand(-washing) water to Ištar and the king takes the processional boat, which was a gift, in front of Ištar, and |
| Obverse Column i [24:26] o i 25'25'–o i 26'26' | he takes Ištar's hand and Anu's seat in Ištar's cella, with the incantation priests, lamentation priests, musicians, the linen curtain and the gold maqqû-vessel and |
| Obverse Column i [26:30] o i 27'27'–o i 30'30' | Nanaya, Ninsiana, Ninigizibara, Išartu, Ninmeurur, Abetura, Šagepada, Marat-Uruk, Marat-Eana, Ninsun and Šarrat-parakki take up position [...] and Ištar descends to the main court and sits on her socle. |
| Obverse Column ii [0:2] o ii 1'o 1'–o ii 2'2' | Sin, [Šulpae, ...] next to Adad. Lugalira, Il-Amurru, [...] stand next to Ea. |
| Obverse Column ii [2:5] o ii 3'3'–o ii 5'5' | Belet-ili, Šala, [Marat-Anu, ...], Gula, Baba, Ninešgal, Amasagnudu, [...], Ašrat and Šarrat-šame stand behind Antu. |
| Obverse Column ii [5:9] o ii 6'6'–o ii 9'9' | [...], Ninigizibara, Išartu, Ninmeurur, [...] and Šagepada, Marat-Uruk, [...] and Šarrat-parakki go and [...]. [...] goes and stands to the right of Nanaya. |
| Obverse Column ii [9:12] o ii 10'10'–o ii 12'12' | [...], Lugalbanda, the Seven, Palil, Meslamtaea, [...], Hendursag and Šubula [...] will be placed and stand in front of her (lit. 'him'). |
| Obverse Column ii [12:14] o ii 13'13'–o ii 14'14' | Uṣur-amassu, [...], Ninurbu, Ninimma, Šilamkura, [...] stand behind Ninsiana. |
| Obverse Column ii [14:17] o ii 15'15'–o ii 17'17' | [...] stand [...] of the gate of the Ešmah shrine. [...] the opening (in the wall) of the Ešmah shrine in front of him [...]. |
| Obverse Column ii [17:19] o ii 18'18'–o ii 19'19' | are tied. The prebendary butcher [...] are stopped. To [...] |
| Obverse Column ii [19:22] o ii 20'20'–o ii 22'22' | of the vessel [...] gate [...] ... [...] |
| Reverse Column i [0:1] r i 1r i 1–r i 1r i 1 | After that, 2 ... [...]. |
| Reverse Column i [1:2] r i 22–r i 22 | After that, 4 ... [...]. |
| Reverse Column i [2:3] r i 33–r i 33 | After that, 2 prebendary cooks [...]. |
| Reverse Column i [3:4] r i 44–r i 44 | After that, the Chariot star's chariot [...]. |
| Reverse Column i [4:5] r i 55–r i 55 | After that, Ninurta's chariot, [...]'s chariot, [...]. |
| Reverse Column i [5:6] r i 66–r i 66 | After that, Šamaš's chariot, and [...]'s chariot [...] |
| Reverse Column i [6:7] r i 77–r i 77 | These are (lit. 'this is') the chariots, personnel [...] |
| Reverse Column i [7:8] r i 88–r i 88 | the gold quivers of Anu and Antu [...] go, together with Anu's chariot. |
| Reverse Column i [8:10] r i 99–r i 1010 | After that, [...] and Lugalbanda; after that, the Seven, Palil [...] and Šubula. |
| Reverse Column i [10:12] r i 1111–r i 1212 | After that, Lugalira, Meslamtaea, [...], Inanalal and Ningublaga, the Twins, the [...] Twins ... [...]. |
| Reverse Column i [12:13] r i 1313–r i 1313 | After that, Ninurta, Bunene, and Zababa; after that Šamaš and Adad [(...)]. |
| Reverse Column i [13:14] r i 1414–r i 1414 | After that, Papsukkal, Nusku, Giru, the musicians and lamentation priests. |
| Reverse Column i [14:15] r i 1515–r i 1515 | After that, the high priest, Il-Amurru, Kusu, Sirsir and the incantation priests. To the right and left of the incantation priests, 2 prebendary cooks fetch a footstool decorated with lapis lazuli. |
| Reverse Column i [15:17] r i 1616–r i 1717 | They bring out cedar in a huluppaqqu-brazier in front of him. He lifts hand(-washing) water to Anu and Antu. He sprinkles the king and the people. |
| Reverse Column i [17:19] r i 1818–r i 1919 | Papsukkal, Nusku and Usmu take up position towards Anu and he libates from a gold maqqû-vessel in front of Anu; |
| Reverse Column i [19:21] r i 2020–r i 2121 | and Papsukkal, Nusku, Usmu and the king take Anu's hand (and lead him) from the Dais of Destinies and Ellil goes on his right and Ea on his left and the two (or, twice) to ....1 |
| Reverse Column i [21:23] r i 2222–r i 2323 | After that, Antu, [Ištar] and Nanaya; after that, Ninsiana, Šala and [...]. |
| Reverse Column i [23:24] r i 2424–r i 2424 | After that, Aya, Gula, Baba and Ninešgal [(...)]. |
| Reverse Column i [24:25] r i 2525–r i 2525 | After that, Amasagnudu, Sadarnuna, Ašrat and [...]. |
| Reverse Column i [25:28] r i 2626– | After that, Ninigizibara, Ninmeurur, [...]. |
| Reverse Column ii [0:2] r ii 1r ii 1–r ii 22 | [...] As soon as they have raised Anu to the top of the causeway of [...], all of the gods take up position in front of him. |
| Reverse Column ii [2:4] r ii 33–r ii 44 | [...] ... the qarû-stand is set out and [...] the king [...] a gold maqqu-vessel in front of Anu. |
| Reverse Column ii [4:7] r ii 55–r ii 77 | Papsukkal and the king take up position towards Anu and take Anu's [...] and he enters the courtyard of akītu-temple and sits on the great dais in the akītu-temple courtyard, facing east. |
| Reverse Column ii [7:10] r ii 88–r ii 1010 | Ellil and Ea enter and sit to the right and to the left. Antu, Ištar and Nanaya sit on their seats behind Anu. Adad sits next to Ellil, to the right of Anu. All of the gods enter and stand in front of him in the akītu-temple courtyard. |
| Reverse Column ii [10:13] r ii 1111–r ii 1313 | He lifts hand(-washing) water to Anu and sprinkles the king and the people. The king libates from a gold maqqû-vessel to Anu and Antu, and Papsukkal and the king take Anu's hand (and lead him) from the great dais and he enters his cella and sits down. |
| Reverse Column ii [13:16] r ii 1414–r ii 1616 | After that, Ellil and Ea enter and sit down on the right and on the left. Anu enters and sits on her (lit. 'his') seat. Šala and Marat-Anu sit to the right and to the left of Anu. Ištar enters and sits on her (lit. 'his') seat. |
| Reverse Column ii [16:17] r ii 1717–r ii 1717 | Nanaya and Ninsiana sit to the right and to the left of Ištar. |
| Reverse Column ii [17:18] r ii 1818–r ii 1818 | Adad enters and sits next to Ellil to the right of Anu. |
| Reverse Column ii [18:19] r ii 1919–r ii 1919 | Šamaš enters and sits next to Ea to the left of Anu. |
| Reverse Column ii [19:20] r ii 2020–r ii 2020 | Papsukkal stands next to the projection (in the wall next to) the cella gate. They raise Anu's gold carrying-pole. |
| Reverse Column ii [20:22] r ii 2121–r ii 2222 | They ditto (raise) those of Ellil, Ea, Antu, Ištar, Adad and Šamaš and as soon as the carrying poles have gone, Papsukkal goes and sits on his seat. |
| Reverse Column ii [22:23] r ii 2323–r ii 2323 | The lamentation priest stands at the side and offers the šuʾillakku-hymn 'Great Anu'. |
| Reverse Column ii [23:26] r ii 2424–r ii 2626 | [...] go and sit on their seats in the courtyard. Išum goes and sits next to the king on the right. Messagunug goes and sits next to Anu on the left. |
| Reverse Column ii [26:27] r ii 2727–r ii 2727 | [...] ... Anu ... in front of them. |
| Reverse Column ii [27:28] r ii 2828–r ii 2828 | [...] he has sat .... A gold ... |
Transliteration (ATF)
From Open Richly Annotated Cuneiform Corpus (ORACC) · CC BY-SA 3.0 (ORACC default); per-file JSON license fields say: This data is released under the CC0 license (133618)
| Line | ATF | Machine English (draft) |
|---|---|---|
| o i | ||
| 1' | [...]-⸢li-ik⸣ ina ⸢na(AB-)šap-⸢pi KU₃.SI₂₂⸣ [...] | |
| 2' | [... a-na pa-ni {d}EN].LIL₂ u₃ DINGIR-MEŠ ma-la ina KISAL.MAH u₂-še-ti-iq | |
| 3' | [...] KU₃.SI₂₂ pa-ni an-⸢tu₄⸣ a-na pa-ni {d}INANA-MEŠ ša ina KISAL u₂-še-ti-iq | |
| 4' | [...] KU₃.SI₂₂ pa-ni {d}INANA a-na pa-ni DINGIR-MEŠ ma-la ina UB.ŠU.UKKIN.NA.KE₄ u₂-še-ti-iq | |
| 5' | [... {d]}⸢e₂⸣-a {d}IŠKUR {d}30 {d}UTU DINGIR-MEŠ DU₃-A.BI {giš}TUKUL-MEŠ {d}UTU-MEŠ | |
| 6' | u₃ {giš}GIGIR-MEŠ ⸢TA⸣ šub-ti-šu₂-nu ina ma-ak-ki(NI-)tu₄ ša₂ na-mur-tu₄ LUGAL ZI-MEŠ-nim-ma | |
| 7' | [a]-⸢na⸣ KISAL.MAH E₁₁-MEŠ-ma a-na {d}a-nu₃ LA₂{aṣ}MEŠ {d}EN.LIL₂ KU₄-ma | |
| 8' | [ina] ⸢muh⸣-hi KI.AGA.ZI.DA a-na 15 {d}a-nu₃ TUŠ{ab} {d}e₂-a KU₄-ma | |
| 9' | [ina] ⸢muh⸣-hi KI.AGA.KU₃.GA a-na 2.30 {d}a-nu₃ TUŠ{ab} {d}30 {d}ŠUL.PA.E₃.A | |
| 10' | {[d]}⸢MAŠ⸣ {d}mi-šar-ri {d}NUSKA {d}INANA.LAL₃ u₃ {d}NIN.GUBLAGA | |
| 11' | [ina] 15 KA₂ pa-pa-ha ina DA {d}IŠKUR GUB{zu}MEŠ {d}UTU {d}BU.NE.NE | |
| 12' | {[d]}GIRA₃ {d}za-ba₄-ba₄ {d}NERGALₓ(|U.GUR|) {d}LUGAL.IR₉.RA {d}DINGIR—MAR.TU {d}KU₃.SU₃ | |
| 13' | ⸢u₃⸣ {d}ARA ina 2.30 KA₂ pa-pa-ha ina DA {d}IŠKUR GUB{zu}MEŠ LUGAL a-na pa-pa-ha an-tu₄ DU-ma | |
| 14' | [uš]-⸢ken⸣-ni {d}be-let—DINGIR-MEŠ {d}ŠA.LA {d}DUMU.MUNUS-MEŠ—{d}60 {d}a-a {d}GU.LA | |
| 15' | {[d]}NIN.EŠ₃.GAL {d}AMA.SAG₂.NU.DU₇ {d}SA.DAR₃.NUN.NA {d}aš-rat | |
| 16' | ⸢u₃⸣ {d}šar-rat—AN{e} TA šub-ti-ši-na ina ma-ak-ki-tu₄ ša₂ na-mur-tu₂ LUGAL | |
| 17' | [ZI]-MEŠ-nim-ma a-na an-tu₄ LA₂{aṣ}MEŠ LUGAL ma-aq-qu-u₂ KU₃.SI₂₂ a-na an-tu₄ | |
| 18' | [i]-⸢red⸣-de-e-ma ŠU-MIN an-tu₄ ina {lu₂}MAŠ.MAŠ-MEŠ {lu₂}GALA-MEŠ {lu₂}NAR-MEŠ šid-di GADA | |
| 19' | ⸢u₃⸣ ma-aq-qu KU₃.SI₂₂ DAB{bat}am-ma an-tu₄ DU{ak}ma ina man-za-zi-šu₂ | |
| 20' | [ina] ⸢KISAL⸣.MAH ina muh-hi šu-bat KU₃.SI₂₂ pa-ni-šu₂ a-na {d}UTU.E₃.A {d}UTU.E₃.A GAR{an}ma TUŠ{ab} | |
| 21' | {[d}INANA]-MEŠ nap-har-ši-na a-na tar-ṣi an-tu₄ GUB{zi}MEŠ | |
| 22' | {[lu₂}MAŠ].⸢MAŠ⸣-MEŠ {lu₂}GALA-<MEŠ> u₃ {lu₂}NAR-MEŠ ina pa-ni-šu₂ i-par-ra-su | |
| 23' | [LUGAL] u₃ {lu₂}KU₄.E₂ {lu₂}KU₄.E₂ a-na IRI₁₂.GAL.LA{{ iri₁₁-gal }} DU{ak}MEŠ-ma | |
| 24' | {[lu₂]}⸢KU₄⸣.E₂ {[lu₂]}⸢KU₄⸣.E₂ A-MEŠ ŠU-MIN a-na {d}INANA IL₂{ši}ma LUGAL ma-ak-ki-tu₄ ša₂ na-mur-tu₂ | |
| 25' | [a]-⸢na⸣ pa-ni {d}INANA DAB{bat}ma ŠU-MIN {d}INANA u₃ šu-bat {d}60 ša₂ {e₂}pa-pa-ha {d}INANA | |
| 26' | [ina {lu₂}MAŠ].⸢MAŠ⸣-MEŠ {lu₂}GALA-MEŠ {lu₂}NAR-MEŠ šid-di GADA u₃ ma-aq-qu-u₂ KU₃.SI₂₂ | |
| 27' | [DAB]{⸢bat⸣}am-ma {d}na-na-a {d}NIN.SI₄.AN.NA {d}NIN.IGI-MIN.ZI.BAR.RA | |
| 28' | {[d}i]-⸢šar⸣-tu₄ {d}NIN.ME.UR.UR {d(ni)}AB₂.E₂.TUR₃.RA {d}ŠA₃.GE.PA₃.⸢DA⸣ | |
| 29' | {[d}DUMU.MUNUS-MEŠ]—⸢UNUG⸣{ki} {d}DUMU.MUNUS-MEŠ—E₂.AN.NA {d}NIN.SUN₂ u₂ {d}šar-rat—[BARA₂] | |
| 30' | [... LA₂]-⸢MEŠ⸣{ṣa}nim-ma {d}INANA a-na KISAL.MAH E₁₁-ma ina man-za-zi-šu₂ [TUŠ{ab]} | |
| o ii | ||
| 1' | {⸢d}30 {d⸣}[ŠUL.PA.E₃.A ...] | |
| 2' | ina DA {d}IŠKUR [...] | |
| 3' | {d}LUGAL.IR₉.RA {d}DINGIR—⸢MAR⸣.[TU ...] | |
| 4' | ina DA {d}IDIM GUB{zu} {d}be-⸢let—DINGIR⸣-MEŠ {d}ŠA.⸢LA⸣ {d}[DUMU.MUNUS-MEŠ—{d}60 ...] | |
| 5' | {d}ME.ME {d}ba-ba₆ {d}NIN.EŠ₃.GAL {d}AMA.SAG₂.NU.⸢DU₇⸣ [...] | |
| 6' | {d}aš-rat u₃ {d}šar-rat—AN{e} EGIR an-tu₄ ⸢GUB{za⸣} [...] | |
| 7' | {d}NIN.IGI-MIN.ZI.BAR.RA {d}i-šar-⸢tu₄⸣ {d}⸢NIN.ME.UR⸣.[UR ...] | |
| 8' | u₃ {d}ŠA₃.GE.PA₃.DA {d}DUMU.MUNUS-[MEŠ—UNUG{ki} ...] | |
| 9' | u₃ {d}šar-rat—BARA₂ DU{ak-a}⸢ma⸣ [...] | |
| 10' | DU{ak}ma a-na 15 {d}na-na-a GUB{za} {d}[...] | |
| 11' | {d}LUGAL.BAN₃.DA {d}IMIN.BI {d}IGI.DU {d}MES.LAM.⸢TA⸣.[E₃.A ...] | |
| 12' | {d}HENDUR.SAG.GA₂ u₃ {d}ŠU.BU.LA₂ ina mah-ri pa-ni-šu [...] | |
| 13' | iš-šak-kan-nu-ma GUB{zi-zu-uʾ} {d}URU₃—INIM-su {d}[...] | |
| 14' | {d}NIN.UR₂.BU {d}NIN.IMMA₃ {d}ŠILAM.KUR.RA [...] | |
| 15' | EGIR {d}NIN.SI₄.AN.NA GUB{za} {d}[...] | |
| 16' | ša₂ KA₂ EŠ₃.MAH GUB{zi-zu} {d}[...] | |
| 17' | bi-iʾ ša₂ EŠ₃.MAH ina pa-ni-šu₂ [...] | |
| 18' | rak-su {lu₂}GIR₂.LA₂ [...] | |
| 19' | ip-par-su a-na [...] | |
| 20' | ša₂ DUG x [...] | |
| 21' | KA₂ [...] | |
| 22' | x [...] | |
| r i | ||
| 1 | EGIR-šu₂ 2 x [...] | |
| 2 | EGIR-šu₂ 4 x [...] | |
| 3 | EGIR-šu₂ 2 {lu₂}mu-⸢ban-nu-u₂⸣ [...] | |
| 4 | EGIR-šu₂ {mul}GIGIR {giš}GIGIR-su [...] | |
| 5 | EGIR-šu₂ {giš}GIGIR {d}MAŠ {giš}⸢GIGIR⸣ [...] | |
| 6 | EGIR-šu₂ {giš}GIGIR {d}UTU u₃ {giš}⸢GIGIR⸣ [...] | |
| 7 | an-na-a {giš}GIGIR-MEŠ {lu₂}EREN₂{ni} [...] | |
| 8 | iš-pat-MEŠ KU₃.SI₂₂ ša₂ {d}60 u₃ an-tu₄ [...] | |
| 9 | it-ti {giš}GIGIR {d}60 DU{ak}MEŠ ⸢EGIR⸣-[šu₂ ...] | |
| 10 | u₃ {d}LUGAL.BAN₃.DA EGIR-šu₂ {d}IMIN.BI {d}⸢IGI.DU⸣ [...] | |
| 11 | u₃ {d}ŠU.BU.LA₂ EGIR-šu₂ {d}LUGAL.IR₉.RA {d}MES.⸢LAM.TA⸣.[E₃.A ...] | |
| 12 | {d}INANA.LAL₃ u₃ {d}NIN.GUBLAGA {d}MAŠ.TAB.BA {d}tu-ma-mu [...] ⸢ME⸣ [...] | |
| 13 | EGIR-šu₂ {d}MAŠ {d}BU.NE.NE u₃ {d}za-ba₄-ba₄ EGIR-šu₂ {d}UTU u {d}⸢IŠKUR⸣ [(...)] | |
| 14 | EGIR-šu₂ {d}PAP.SUKKAL {d}NUSKA {d}GIRA₃ {lu₂}NAR-MEŠ u₃ {lu₂}GALA-MEŠ | |
| 15 | EGIR-šu₂ {lu₂}EN.NA {d}DINGIR—MAR.TU {d}KU₃.SU₃ {d}SIRSIR u₃ {lu₂}MAŠ.MAŠ-[MEŠ] | |
| 16 | 15 u 2.30 ša₂ {lu₂}MAŠ.MAŠ-MEŠ 2 {lu₂}mu-ban-nu-u₂ {giš}GIR₃ ZA.GIN₃.NA GAR.RA GID₂ {giš}⸢EREN⸣ | |
| 17 | ina {dug}NIG₂.TAB.TUR.RA ina pa-ni-šu₂ E₃-MEŠ-nim-ma EGIR-šu₂ A-MEŠ ŠU-MIN a-na {d}60 | |
| 18 | u₃ an-tu₄ IL₂{ši} LUGAL u₃ UN-MEŠ u₂-lap-pat {d}PAP.⸢SUKKAL⸣ | |
| 19 | {d}NUSKA u₃ {d}ARA a-na {d}a-nu₃ LA₂{aṣ}MEŠ-ma LUGAL ma-aq-qu-u₂ KU₃.⸢SI₂₂⸣ | |
| 20 | a-na pa-ni {d}a-nu₃ i-red-de-e-ma {d}PAP.SUKKAL {d}NUSKA {d}ARA u₃ LUGAL | |
| 21 | ŠU-MIN {d}a-nu₃ TA BARA₂ NAM-MEŠ DAB{bat}MEŠ-ma {d}EN.LIL₂ ina 15-šu₂ u₃ {d}⸢e₂⸣-[a] | |
| 22 | ina 2.30-šu₂ DU{ak}MEŠ-ma 2{u₂-ta} a-na na-mis-su EGIR-šu₂ an-[tu₄ {d}INANA] | |
| 23 | u₃ {d}na-na-a EGIR-šu₂ {d}NIN.SI₄.AN.NA {d}ŠA.LA u₃ [...] | |
| 24 | EGIR-šu₂ {d}a-a {d}ME.ME {d}ba-ba₆ u₃ {d}NIN.EŠ₃.[GAL (...)] | |
| 25 | EGIR-šu₂ {d}AMA.SAG₂.NU.DU₇ {d}SA.DAR₃.NUN.NA {d}aš-⸢rat u₃⸣ [...] | |
| 26 | ⸢EGIR-šu₂⸣ {d}⸢NIN.IGI-MIN.ZI.BAR.RA {d⸣}NIN.[ME.UR.UR ...] | |
| r ii | ||
| 1 | [...] ⸢ki⸣-ma ša₂ {d}a-nu₃ ina muh-hi a-ra-am | |
| 2 | [... u₂-še]-⸢el⸣-lu-u₂ DINGIR-MEŠ DU₃-KAM a-na pa-ni-šu₂ LA₂{aṣ}<MEŠ> | |
| 3 | [...] x {giš}qa-ru-u₂ ir-rak-kas-ma | |
| 4 | [...] ⸢LUGAL⸣ ma-aq-qu-u₂ KU₃.SI₂₂ a-na pa-ni {d}a-nu₃ | |
| 5 | [... {d]}⸢PAP⸣.SUKKAL u₃ LUGAL a-na {d}a-nu₃ LA₂{aṣ}MEŠ-ma | |
| 6 | [...] {⸢d}60 DAB⸣-MEŠ-ma a-na KISAL E₂ a₂-ki-tu₄ KU₄-ma ina muh-hi | |
| 7 | ⸢BARA₂⸣ GAL ina KISAL E₂ a₂-ki-tu₄ pa-ni-šu₂ ana {d}UTU.E₃.A {d}UTU.E₃.A GAR{an}ma TUŠ{ab} | |
| 8 | {[d]}⸢EN⸣.LIL₂ u₃ {d}e₂-a KU₄-MEŠ-ma 15 u 2.30 TUŠ{ab} an-tu₄ {d}INANA | |
| 9 | u₃ {d}na-na-a ina muh-hi šu-bat-MEŠ EGIR {d}60 TUŠ{ab} {d}IŠKUR ina DA | |
| 10 | {d}EN.LIL₂ ana 15 {d}60 TUŠ{ab} DINGIR-MEŠ nap-har-šu-nu KU₄-MEŠ-ma ina KISAL E₂ a-ki-tu₄ | |
| 11 | ina pa-ni-šu₂ GUB{zi}MEŠ A-MEŠ ŠU-MIN a-na {d}60 u₃ an-tu₄ IL₂-ma LUGAL u UN-MEŠ | |
| 12 | u₂-lap-pat LUGAL ma-aq-qu-u₂ KU₃.SI₂₂ a-na {d}60 u an-tu₄ i-red-de-e-ma | |
| 13 | {⸢d⸣}PAP.SUKKAL u₃ LUGAL ŠU-MIN {d}<a>-nu₃ TA BARA₂ GAL DAB{bat}MEŠ-ma KU₄-ma ina pa-pa-ha-šu | |
| 14 | [TUŠ]{ab} EGIR-šu₂ {d}EN.LIL₂ u₃ {d}e₂-a KU₄-MEŠ-ma 15 u 2.30 TUŠ{ab} | |
| 15 | [an]-tu₄ KU₄-ma ina muh-hi šub-ti-šu₂ TUŠ{ab} {d}ŠA.LA u₃ {d}DUMU.MUNUS-MEŠ—{d}60 | |
| 16 | 15 u 2.30 ša₂ an-tu₄ TUŠ{ab} {d}INANA KU₄-ma ina muh-hi šub-ti-šu₂ TUŠ{ab} | |
| 17 | {[d]}na-na-a u₃ {d}NIN.SI₄.AN.NA 15 u₃ 2.30 ša {d}INANA TUŠ{ab} | |
| 18 | {[d]}IŠKUR KU₄-ma ina DA {d}EN.LIL₂ a-na 15 {d}a-nu₃ TUŠ{ab} | |
| 19 | {[d]}UTU KU₄-ma ina DA {d}e₂-a a-na 2.30 {d}a-nu₃ TUŠ{ab} | |
| 20 | {⸢d⸣}PAP.SUKKAL ina ku-bur-ru-u₂ KA₂ pa-pa-ha GUB{za} {giš}tal-lu KU₃.SI₂₂ {[d}a]-nu₃(LAM) | |
| 21 | ⸢u₂⸣-še-el-lu-u₂ ša₂ {d}EN.LIL₂ {d}IDIM an-tu₄ {d}INANA {d}IŠKUR u {d}UTU {<|KI.MIN|(u₂-še-el-lu-u₂-)>}ma | |
| 22 | [ki]-⸢ma⸣ ša₂ {giš}tal-lu it-tal-ku(DU) {d}PAP.SUKKAL DU{ak}ma ina muh-hi šub-ti-šu₂ TUŠ{ab} | |
| 23 | {[lu₂]}⸢GALA ina DA⸣ GUB{za}ma an gal-e ŠU.IL₂.LA₂.KAM a-na {d}60 IL₂{ši} | |
| 24 | [... DU{ak]}MEŠ-ma ina šub-ti-šu₂-nu ša₂ KISAL TUŠ{ab} {d}i-šum DU{ak}ma | |
| 25 | [ina] ⸢DA⸣ LUGAL ana 15 TUŠ{ab} {d}MES.SAG.UNUG{ki} DU{ak}ma | |
| 26 | [ina] ⸢DA⸣ {d}60 a-na 2.30 TUŠ{ab} | |
| 27 | [...] x {d}60 ina pa-ni-šu₂-nu i-sal-li-iʾ | |
| 28 | [...] NU it-ta-⸢šab⸣ x x KU₃.SI₂₂ | |
Sources & licences
- Cuneiform Digital Library Initiative · CDLI: reuse of catalogue/transliteration data with citation of CDLI; images restricted (not fetched) · Cuneiform Digital Library Initiative (CDLI), https://cdli.earth/ ; cite CDLI and the P-number
- Open Richly Annotated Cuneiform Corpus (ORACC) · CC BY-SA 3.0 (ORACC default); per-file JSON license fields say: This data is released under the CC0 license (133618) · ORACC project editions, https://oracc.museum.upenn.edu/ ; cite the individual project (see texts.extra_json.project)
Cite the original edition and translator. Page generated by Unread Atlas from the public corpus export of 2026-10-11.